Friction
Page 14
Back in August, Daddy assigned Lollipop to me, saying, You school her. I must have been doing a good job hiding my insides from him, or he wouldn’t have. L.A. was still the only one of us who was allowed to touch the money. If she found out, it would be the second time she’d learn about Daddy asking me to hold coins. Which would only make things worse than they already were.
Lollipop didn’t know the difference between a twenty and a one. “What’s that?” She held out her hands, nails trimmed neatly and painted little-girl pink. She was polite, even if she was stupid. “May I touch it, please?”
“Nobody touches the money but Daddy.”
“Listen to you,” Brandy said from the couch where she was dabbing Polysporin on the cut over her eye that was taking so long to heal. “Cat gave back your tongue?”
“You’re touching the money now,” Lollipop said. She leaned her head in close to get the best look she could. Then she sniffed. At the one first. Then the twenty. “It stinks.”
“Stop,” I told her. “Money is dirty. You don’t know where it’s been. Don’t put your nose on it.”
Brandy grunted. “That there the funniest thing I heard all week.” She didn’t sound amused.
I pointed. “That’s a two.” I pointed again. “That’s a zero. That’s twenty.”
“I know that says twenty.” Lollipop pretended to be offended. She was obviously lying. “What’s that one?”
“A one next to a zero is ten. You didn’t even learn any of this from TV?”
“They have numbers on Sesame Street all the time,” Lollipop said. “And Little Einsteins. Mickey Mouse Clubhouse. They have it on a bunch of stuff. So I know them, but I never paid attention to what’s more. Only I know a hundred is a lot and a thousand is even more than that. A thousand keeps me pretty in pink.”
“Do you know letters?” I asked.
Lollipop nodded. “Yeah,” she said. “TV and Uncle Ray taught me those.”
Brandy grunted again. “I bet he did.”
“Do you know how to read?”
“Some signs.” Lollipop scrunched up her face, thinking. “Exit.”
I waited.
“Ladies. Um. Ice.”
I waited some more.
“Maybe that’s all the signs I know. But I can read two books.”
That didn’t seem likely. “Which ones?”
“ ‘In the great green room, there was a telephone and a red balloon . . .’ ”
Some kind of a hiss or a gasp or the sound of a punctured lung came out of Brandy.
“ ‘. . . and a picture of the cow jumping over the moon.’ ”
Brandy flew off the couch as much as anybody still limping can and smacked Lollipop so hard that Lollipop fell, a perfect handprint seeping onto her cheek. She didn’t cry out a sound. Not a whimper, not a squeak. She just got still, like a statue knocked over. You have to respect an eleven-year-old who gets smacked like that for no good reason and keeps quiet. That Uncle Ray trained her well.
“Brandy!” I stepped between the two of them. Brandy wasn’t weak, but this. This was a whole side of her I never knew existed.
Her face was twisted up again the way it had been the other day with Daddy, only now it was beat up from him, fat lip and bruised eyes.
“What was that?” Brandy asked Lollipop. Her cut seeped blood right through the shiny Polysporin. “What was that?”
Lollipop answered as plain as she could manage. She didn’t move any part of herself but her mouth. “Goodnight Moon.”
“Get off the floor.”
“Brandy.” Those flames that were lit in my belly the day we took Lollipop rose up, flaring. Was Brandy going to turn vicious now, on top of everything with Daddy? But Lollipop was standing, calm as anything.
“Don’t you ever say those words again.” Brandy smacked Lollipop’s other cheek. Lollipop went down. This time tears oozed like rain dribbling down a wall.
“Daddy’s going to kill you,” I told Brandy. Even saying Daddy made me want to slide through the floor and die, but there was nowhere to slide to and no way to die, so somehow I just kept on.
Brandy slipped around the corner to the alcove where my sleeping bag was. I heard her zipping into it. L.A.’s going to kill you! I wanted to shout, but the cat took back my tongue again. Anyway, probably Daddy was getting home before L.A., who was doing an outcall. So Daddy would get to Brandy first.
I hauled Lollipop up and propped her on the couch. I made sure the bills we had been studying were in my back pocket. Then I wrapped ice in a paper towel and held it to both sides of her face. She had white features and good, light-brown hair. Her skin was the color of wet sand. Mostly she seemed white, but with that color, it was confusing. She was prettier than the rest of us. Baby-faced.
“What’s the other book you know?” I asked her. “Whisper.” I didn’t want Brandy hearing anything else that might make her charge back out here. But it had been a long time since anybody could talk to me about any kind of book.
“ ‘Be still,’ ” Lollipop whispered. “It’s monsters. There’s more, but I can’t remember it right now.”
Somebody who smelled like barbecue potato chips used to cuddle me on her lap and read to me. I didn’t remember the reader; just that salty, smoky scent and something scratchy on my left shoulder every time a page was turned. I remembered the books, though: Goodnight Moon and The Snowy Day.
“ ‘A wild ruckus,’ ” Lollipop tried.
“Rumpus.” I used to love Where the Wild Things Are.
E.R. FRANK is the author of four novels. Her second book, America, was made into a made-for-television movie. In addition to being a writer, she is also a psychotherapist with a specialty in trauma. She has earned a postgraduate certificate from New York’s Institute for Contemporary Psychotherapy and is a consultant in Eye Movement Desensitization and Reprocessing (EMDR) therapy. E. R. Frank is a member of the Child Welfare League of America’s national advisory board and is also an advisory board member of New York City’s Behind the Book. After many years of living in Brooklyn and Manhattan, she has settled in New Jersey with her husband and two children. You can visit her at erfrank.com.
Atheneum Books for Young Readers
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Also by E. R. Frank
America
Dime
Life Is Funny
Wrecked
ATHENEUM BOOKS FOR YOUNG READERS • An imprint of Simon & Schuster Children’s Publishing Division • 1230 Avenue of the Americas, New York, New York 10020 • www.SimonandSchuster.com • This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental. • Text copyright © 2003 by E. R. Frank • Cover illustration copyright © 2015 by Neil Swaab • All rights reserved, including the right of reproduction in whole or in part in any form. • ATHENEUM BOOKS FOR YOUNG READERS is a registered trademark of Simon & Schuster, Inc. • Atheneum logo is a trademark of Simon & Schuster, Inc. • For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or business@simonandschuster.com. • The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. • Interior design by Mike Rosamilia; cover design and hand-lettering by Russell Gordon • The text for this book is set in Bembo. • First Atheneum Books for Young Readers paperback edition May 2015 • The Library of Congress has cataloged the hardcover edition as follows: • Frank. E. R. • Friction / E. R. Frank. • p. cm. • “A Richard Jackson book.” • Summar
y: When a new girl at the private school Alex attends starts rumors about Alex’s favorite teacher, Alex and her eighth-grade classmates are not sure how to act around him or with one another. • ISBN 978-0-689-85384-5 (hc) • [1. Teacher-student relationships—Fiction. 2. Child sexual abuse—Friction. 3. Coming of age—Friction.] I. Title. • PZ7.F84913 Fr 2003 • [Fic]—dc21 • 2002008040 • ISBN 978-1-4814-4810-9 (pbk) • ISBN 978-1-4391-1613-5 (eBook)