The Beans of Egypt, Maine

by Carolyn Chute

  The Beans of Egypt, Maine

  by Carolyn Chute

  The Beans of Egypt, Maine

  Letourneau’s Used Auto Parts

  Merry Men

  Snow Man

  The School on Heart’s Content Road

  The Beans of Egypt, Maine

  Carolyn Chute

  Copyright © 1985, 1995 by Carolyn Chute

  All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, or the facilitation thereof, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.

  The Chapter entitled “Tall Woman Love” originally appeared in the Winter 1984 issue of Ploughshares.

  Library of Congress Cataloging-in-Publication Data

  Chute, Carolyn.

  The Beans of Egypt, Maine: the finished version/Carolyn Chute.

  p. cm.

  ISBN-10: 0-8021-4359-8

  ISBN-13: 978-0-8021-4359-4

  1. Family—Maine—Fiction. II. Title.

  PS3553.H87B4 1995

  813’.54—dc20 94-37244

  Design by Lisa Peters

  Printed in the United States of America

  Published simultaneously in Canada

  Grove Press

  an imprint of Grove/Atlantic, Inc.

  841 Broadway

  New York, NY 10003

  Distributed by Publishers Group West

  www.groveatlantic.com

  08 09 10 11 12 7 6 5 4 3 2 1

  Author’s Note

  This copy of The Beans of Egypt, Maine is finished. It is the first finished version of the book. Other printings previous to this are not finished. I’ll explain in a postscript.

  In memory of real Reuben.

  Who spared him this occasion?

  Who spared him rage?

  Contents

  Earlene

  LIZZIE, ANNIE, AND ROSIE’S RESCUE OF ME WITH BLUE CAKE

  The Beans

  MERRY MERRY

  Earlene

  THE SONS OF GOD

  The Beans

  BUZZY ATKINSON’S PAPER-PLATE KISS

  TALL WOMAN LOVE

  MOON ON COLE DEVEAU

  EARLENE’S YELLOW HAIR

  THE GRAVE

  Earlene

  WARREN OLSEN’S LOOK OF LOVE

  MEAT

  HOME FIRE

  Postscript to the Finished Version (1995)

  Earlene

  Lizzie, Annie, and Rosie’s Rescue of Me with Blue Cake

  WE’VE GOT a ranch house. Daddy built it. Daddy says it’s called RANCH ’cause it’s like houses out West which cowboys sleep in. There’s a picture window in all ranch houses and if you’re in one of ’em out West, you can look out and see the cattle eatin’ grass on the plains and the cowboys ridin’ around with lassos and tall hats. But we ain’t got nuthin’ like that here in Egypt, Maine. All Daddy and I got to look out at is the Beans. Daddy says the Beans are uncivilized animals. PREDATORS, he calls ’em.

  “If it runs, a Bean will shoot it! If it falls, a Bean will eat it,” Daddy says, and his lip curls. A million times Daddy says, “Earlene, don’t go over on the Beans’ side of the right-of-way. Not ever!”

  Daddy’s bedroom is pine-paneled . . . the real kind. Daddy done it all. He filled the nail holes with MIRACLE WOOD. One weekend after we was all settled in, Daddy gets up on a chair and opens a can of MIRACLE WOOD. He works it into the nail holes with a putty knife. He needs the chair ’cause he’s probably the littlest man in Egypt, Maine.

  Daddy gets a pain in his back after dinnah so we take a nap. We get under the covers and I scratch his back. Daddy says to take off my socks and shoes and overalls to keep the bed from gettin’ full of dirt.

  After I’m asleep the bed starts to tremble. I clutch the side of the bed and look around. Then I realize it’s only Rubie Bean comin’ in his loggin’ truck to eat his dinnah with other Beans. Daddy’s bare back is khaki-color like his carpenter’s shirts. I give his shoulder blades a couple more rakes, then dribble off to sleep once more.

  2

  GRAM PUSHES open the bedroom door. “What’s goin’ on?” Her voice is a bellow, low as a man’s.

  Daddy sits up quick. He rubs his face and the back of his neck. Beside the bed is a chair Daddy made. It is pine. Very pretty. And over this chair is them khaki-color carpenter’s clothes, the shirt and pants, laid flat like they just been ironed. Gram’s eyes look at the pants.

  Gram plays the organ at church. Her fingers in her pocketbook move around in many directions at once, over the readin’ glasses, tappin’ the comb, pressin’ the change purse and plastic rain hat, as if from these objects one of my favorite hymns WE ABIDE will come. One finger jabs at a violet hankie. Then she draws the hankie out and holds it over her nose.

  I sniff at the room. I don’t smell nuthin’.

  It is warm. But Gram always wears her sweater. You never see her arms. “Lee!” Gram gasps through her hankie. Lee is Daddy’s name.

  Gramp comes into the bedroom doorway and holds a match over his pipe. Whenever Gramp visits, he wears a white shirt. He also wears his dress-up hat. Even in church. He never takes it off in front of people . . . ’cause underneath he’s PURE BALD. Daddy says he’s seen it years ago . . . the head. He says it’s got freckles.

  Gram puts her hankie back in her purse, straightens her posture.

  On Daddy’s cheeks have come brick-color dots and he gives hisself a sideways look in the vanity mirror.

  “LEE! I’m talkin’ to you!” Gram’s deep voice rises.

  Daddy says, “I’m sorry, Mumma.”

  Gram sniffles, wrings her hands.

  I says, “Hi Gram!”

  She ignores me.

  “HI GRAM!!!” I say it louder.

  Through the open window I hear the door of the Beans’ mobile home peel open like it’s a can of tuna fish. I see a BIG BEAN WOMAN come out and set a BIG BEAN BABY down to play among boxes of truck parts and a skidder wheel. The woman Bean wears black stretch pants and a long white blouse with no sleeves. Her arms are bare. The baby Bean pulls off one of its rubber boots.

  Somethin’ else catches my eye. It’s the sun on the fender of Daddy’s little tan car. Inside the trunk is some of Daddy’s carpenter tools and some of the birdhouses and colonial bread boxes he made for the church fair. On the bumper is Daddy’s bumper sticker. It says ACCEPT JESUS AND YOU SHALL HAVE EVERLASTING LIFE. The sun shifts on the fender, almost blinds me, like it’s God sayin’ in his secret way that he approves of Daddy’s nice car.

  But in here in Daddy’s bedroom it’s different. The light is queer, slantin’ through Gramp’s smoke. Gram covers her face with her hands now, so all I can see is her smoky hair. She says through her fingers in her deep voice, “Earlene, you don’t sleep here at night, do you?”

  I says, “Yep.”

  The dots on Daddy’s cheeks get bigger. Gramp looks across the hall at the thermostat to the oil furnace which all ranch houses got.

  Daddy swings his legs out from the covers, hangs on the edge of the high bed in his underwear, with his little legs hangin’ down. He says, “Mumma . . . I’m sorry. I didn’t think.”

  Gram moans.

  Daddy has said a million times that this house is a real peach . . . good leach bed . . . artesian well . . . dry cellar . . . the foundation was poured . . . lots of closet space. He went by bl
ueprints. He says all carpenters can’t read blueprints.

  “Praise the Lord!” shouts Gram. She holds her clasped hands to her heart, a half-smile, a look of love. “Praise God!!” Her pocketbook is hooked over her elbow. Her arms go up and she waves them and the fingers march, stirrin’ up the queer smoke overhead. She says croakishly, “What the Devil loves is a situation where temptation might come!! He wants you to make room for him, Lee! He hates Jesus! And they are wrastlin’ over you. The Devil, Lee! The Devil is going to get in!! Praise God! Praise Jesus!”

  Daddy’s eyes go wild. “But Mumma! It don’t mean nuthin’. She’s just a baby!”

  “I ain’t a BABY!” I scream. I drop to the floor from this high bed Daddy made, made with his lathe, hand-carved acorns on the posts, stained khaki like everything else. I don’t remember him makin’ the bed. Daddy says he made it before my mother went to the hospital to live. He says he and my mother used to sleep in it and she had the side he’s got now.

  I like my side of the bed best. I can, without takin’ my head up off the pillow, look out across at the Beans’ if I want. As I look out now I see a pickup truck backin’ up to the Beans’ barn. A BIG BEAN MAN gets out and lifts a spotted tarpaulin. It’s two dead bears. I look back at Gram.

  I pull Gram’s sleeve. “Oh Gram . . . What’s the matter?”

  “Where’s your jeans!!?” she says. “Your jeans!!?”

  “Under the bed,” I says.

  “Well, get ’em,” she says.

  I pick up a sock.

  Gram’s cool bony fingers close up around my wrist. She yanks me off my feet.

  Daddy stands up in his underwear and folds his arms across his chest like he’s cold. But it ain’t cold. He looks the littlest I’ve ever seen him look. Gram pushes past Gramp and hauls me to my room. My bed is covered with cardboard boxes and coat hangers. She says deeply, “Start pickin’ this stuff up!”

  I says, “But Gram. Our nap is over. It’s time to get up. Ask Daddy!”

  “I ain’t askin’ that stupid man nuthin’!” She hurls a pile of dresses I’ve outgrown upon the wall. I watch ’em slide down. Gram roars, “You stay in this bed for the rest of the day, maybe two days. And no suppah!”

  “Gram!”

  She is panting.

  “GRAM . . . I’ll be HUNGRY!”

  “Don’t sass!” She narrows her eyes. “The Lord’s good meat and tatahs ain’t for no dirty little girls.” As she hauls the covers back, she’s whimperin’. And I hear Daddy out there in the hall. He’s pullin’ on his pants out there . . . right in the hall. Gramp just stands there, lookin’ lost under the brim of his little brown hat.

  Gram takes up both my wrists and shakes them in my face. She says into my eyes, “Of course nuthin’s happened!! Of course. I ain’t sayin’ somethin’s happened! But you are making room for the Devil, Earlene! Room for the Devil!”

  Daddy’s in the kitchen being reeeel quiet. Probably just sitting there at the table like he does every time Gram scolds him. He made all them supper chairs hisself. With his lathe in the cellar.

  Gram fits me into my bed, then kisses my cheek. She smells like rubber. Like rubber when it’s hot. I see the lions and tigers of my bedspread reflectin’ in her eyes. She says, “Are you Gram’s little towhead pixie?”

  I says, “Yes.”

  She pulls the door shut.

  3

  DADDY STAYS out there in the kitchen a long time . . . a way long time after Gram and Gramp are gone. The water runs in the kitchen. Prob’ly Daddy’s got his favorite jelly glass out of the dirty dishes and is rinsing it out. Our well, Daddy says, will never go dry. “It’s artesian,” he always says. That is the good kind of well. Then Daddy likes to say how the Beans got the worse side of the right-of-way for water and their well is the bad kind. Just dug out with shovels. “All ledge and clay!” In summertime you see ’em back one of them old grunty trucks to the door and they go in and out with hundreds of plastic milk jugs.

  As I lay here I can still smell Gramp’s pipe tobacco. It’s the sweetest kind. Where Gram and Gramp live up in the village, Gramp stopped smokin’ in the house. He gets in his car with the plaid blanket on the seat and has a smoke out in the dooryard. Or he scuffs over to Beans’ Variety to sit with his friends near the radiator. Gramp’s got a trillion friends . . . even Beans. When he goes over to the store, he always wears his little brown hat so nobody there has seen his bald head with the freckles either. Gram has given up scoldin’ Gramp about wearin’ his hat indoor . . . ’cause it seems some stronger power keeps his hat from comin’ off.

  In the middle of the night Daddy finally comes in my room. It is hard to sleep without him so I am wicked relieved. But I am very worried about this Devil thing Gram has mentioned. If the Devil came out of the walls now, Daddy would run and scream ’cause he is the scaredy type. When he puts the hall light on, my heart hits the sheet. He stands in the doorway with the hall light on his back, his hands in the pockets of his khaki pants, and his face is gray and for a little second I think he’s somebody else. He stretches across my bed. He is so little his body across my ankles and feet is not much heavier than one of Gram’s cotton comforters.

  We sleep.

  4

  IT’S SATURDAY MORNING. All clouds. Very cold.

  When Daddy’s downcellah busy with his lathe, I go to the edge of our grass to get a look at the Beans. The Beans’ mobile home is one of them old ones, looks like a turquoise-blue submarine. It’s got blackberry bushes growin’ over the windows.

  I scream, “HELLO BEANS!”

  About four huge heads come out of the hole. It’s a hole the Bean kids and Bean babies have been workin’ on for almost a year. Every day they go down the hole and they use coffee cans and a spade to make the hole bigger. The babies use spoons. Beside the hole is a pile of gingerbread-color dirt as tall as a house.

  I say, “Need any help with the hole!!?”

  They don’t answer. One of ’em wipes its nose on its sleeve. They blink their fox-color eyes.

  I mutter, “Must be the STUPIDEST hole.”

  The heads draw back into the hole.

  A white car with one Bondo-color fender is turnin’ off the paved road onto the right-of-way. It musta lost its muffler. It rumbles along, and the exhaust exploding from all sides is doughy and enormous from the cold.

  The blackberry bushes quiver, scrape at the tin walls of the mobile home like claws.

  The white car slowly backs into Daddy’s crushed-rock driveway and a guy with yellow hair and a short cigarette looks out at me and winks. His window’s rolled down and he’s got his arm hangin’ out in the cold air.

  I scream, “NO TURNIN’ IN DADDY’S DRIVEWAY!”

  There’s another guy in there with him. He has a sweatshirt with a pointed hood so all that shows is his huge pink cheeks and a smile. The car pulls ahead onto the right-of-way and the two guys get out.

  I scream, “Daddy says KEEP OUT! You ain’t ALLOWED!”

  The men look at each other and chuckle. The yellow-hair guy is still smokin’ his cigarette even though it’s only a tiny stump.

  My eyes water from the cold. My hair blows into my mouth.

  The sweatshirt guy opens the back door and I see there’s feet in there on the seat. The sweatshirt guy pulls on the feet.

  The other guy helps. They both tug on the feet.

  Out comes a big Bean, loose, very loose, like a dead cat. His arms and legs just go all over the ground. His green felt hat plops out in the dirt. About five beer bottles skid out, too, roll and clink together. The guy with the yellow hair snatches a whiskey bottle off the seat and puts it in the Bean’s hand, curls his fingers around it. Both the guys laugh. “There’s your baby!” one says.

  They get in the car and drive away.

  My heart feels like runnin’-hard shoes. I look around. No Beans come out of the mobile home. No Beans come out of the hole.

  I take a step. I’m wicked glad Daddy’s in the cellah with his lathe. I ca
n picture him down there in the bluish light in his little boy-sized clothes, pickin’ over his big tools with his boy-sized hand.

  I take another step.

  Now I’m standin’ right over the Bean. He looks to me like prob’ly the biggest Bean of all, like Hercules who holds the world. He’s got one puckered-up eye, bright purple . . . a mustache big as a black chicken. I cover my nose. I think he musta messed hisself. His green workshirt has yellow stitching on one pocket. I read out loud, “R-E-U-B-E-N.” I squint, trying to sound out the letters.

  The whiskey bottle rolls off his hand.

  I says, “Wake up, Bean!”

  Then some heads come out of the hole.

  A noise comes from the big Bean on the ground: GLOINK! And I say, “Wowzer!” It’s blood spreadin’ big as a hand in the dirt.

  The kid Beans are comin’ fast as they can. They bring their spade and spoons, cans and a pail.

  I look into the Bean man’s face. I say, “YOU! Hey you! Wake up!” I scooch down and inspect the pores of his skin. His wide-open mouth. Big Bean nose. My quick hand goes out . . . touches the nose. I say, “Stop bleedin’, Bean.”

  His good eye opens.

  I jump away.

  Fox-color eye.

  Out of the open mouth comes a hiss. The chest heaves up. Somethin’ horrible leaks out the corner of his mouth, catches in the hairs of the big mustache.

  The kid Beans stand around starin’ down at the green workshirt with the blood movin’ out around their shoes.

  I says, “Some guys brought him.” I point up the road. I look among their faces for signs of panic. I say, “R-E-U-B-E-N. What’s that spell?”

  They look at me, breathin’ through their mouths. One of ’em giggles and says, “That spells coo coo.”

  Another one pokes at the big Bean’s shoulder with its green rubber boot. The big Bean goes “AAAARRRRR!” And his lips peel back over clenched yellow teeth.

  A kid Bean with a spade says to a kid Bean with a pail, “Go get Ma off the couch. Rubie’s been stabbed again.”