The Three Cities Trilogy: Paris

by Эмиль Золя

  He kissed it, but she let her arm fall, coldly, indifferently, contenting herself with looking at him, waiting for what he might have to say to her, and embarrassing him to such a point that he began to perspire and stammer, unable to express himself. "Of course," he began, "I also thought of you, and went to the Fine Arts Office, where I had received a positive promise. Oh! they are still very much in your favour at the Fine Arts Office! Only, just fancy, it's that idiot of a minister, that Taboureau,* an old professor from the provinces who knows nothing about our Paris, that has expressly opposed your nomination, saying that as long as he is in office you shall not appear at the Comedie."

  * Taboureau is previously described as Minister of Public

  Instruction. It should be pointed out, however, that

  although under the present Republic the Ministries of

  Public Instruction and Fine Arts have occasionally been

  distinct departments, at other times they have been

  united, one minister, as in Taboureau's case, having

  charge of both.-Trans.

  Erect and rigid, she spoke but two words: "And then?"

  "And then-well, my dear, what would you have me do? One can't after all overthrow a ministry to enable you to play the part of Pauline."

  "Why not?"

  He pretended to laugh, but his blood rushed to his face, and the whole of his sturdy figure quivered with anguish. "Come, my little Silviane," said he, "don't be obstinate. You can be so nice when you choose. Give up the idea of that debut. You, yourself, would risk a great deal in it, for what would be your worries if you were to fail? You would weep all the tears in your body. And besides, you can ask me for so many other things which I should be so happy to give you. Come now, at once, make a wish and I will gratify it immediately."

  In a frolicsome way he sought to take her hand again. But she drew back with an air of much dignity. "No, you hear me, my dear fellow, I will have nothing whatever to do with you-nothing, so long as I don't play Pauline."

  He understood her fully, and he knew her well enough to realise how rigorously she would treat him. Only a kind of grunt came from his contracted throat, though he still tried to treat the matter in a jesting way. "Isn't she bad-tempered to-day!" he resumed at last, turning towards Gerard. "What have you done to her that I find her in such a state?"

  But the young man, who kept very quiet for fear lest he himself might be bespattered in the course of the dispute, continued to stretch himself out in a languid way and gave no answer.

  But Silviane's anger burst forth. "What has he done to me? He has pitied me for being at the mercy of such a man as you-so egotistical, so insensible to the insults heaped upon me. Ought you not to be the first to bound with indignation? Ought you not to have exacted my admittance to the Comedie as a reparation for the insult? For, after all, it is a defeat for you; if I'm considered unworthy, you are struck at the same time as I am. And so I'm a drab, eh? Say at once that I'm a creature to be driven away from all respectable houses."

  She went on in this style, coming at last to vile words, the abominable words which, in moments of anger, always ended by returning to her innocent-looking lips. The Baron, who well knew that a syllable from him would only increase the foulness of the overflow, vainly turned an imploring glance on the Count to solicit his intervention. Gerard, with his keen desire for peace and quietness, often brought about a reconciliation, but this time he did not stir, feeling too lazy and sleepy to interfere. And Silviane all at once came to a finish, repeating her trenchant, severing words: "Well, manage as you can, secure my debut, or I'll have nothing more to do with you, nothing!"

  "All right! all right!" Duvillard at last murmured, sneering, but in despair, "we'll arrange it all."

  However, at that moment a servant came in to say that M. Duthil was downstairs and wished to speak to the Baron in the smoking-room. Duvillard was astonished at this, for Duthil usually came up as though the house were his own. Then he reflected that the deputy had doubtless brought him some serious news from the Chamber which he wished to impart to him confidentially at once. So he followed the servant, leaving Gerard and Silviane together.

  In the smoking-room, an apartment communicating with the hall by a wide bay, the curtain of which was drawn up, Pierre stood with his companion, waiting and glancing curiously around him. What particularly struck him was the almost religious solemnness of the entrance, the heavy hangings, the mystic gleams of the stained-glass, the old furniture steeped in chapel-like gloom amidst scattered perfumes of myrrh and incense. Duthil, who was still very gay, tapped a low divan with his cane and said: "She has a nicely-furnished house, eh? Oh! she knows how to look after her interests."

  Then the Baron came in, still quite upset and anxious. And without even perceiving the priest, desirous as he was of tidings, he began: "Well, what did they do? Is there some very bad news, then?"

  "Mege interpellated and applied for a declaration of urgency so as to overthrow Barroux. You can imagine what his speech was."

  "Yes, yes, against the bourgeois, against me, against you. It's always the same thing-And then?"

  "Then-well, urgency wasn't voted, but, in spite of a very fine defence, Barroux only secured a majority of two votes."

  "Two votes, the devil! Then he's down, and we shall have a Vignon ministry next week."

  "That's what everybody said in the lobbies."

  The Baron frowned, as if he were estimating what good or evil might result to the world from such a change. Then, with a gesture of displeasure, he said: "A Vignon ministry! The devil! that would hardly be any better. Those young democrats pretend to be virtuous, and a Vignon ministry wouldn't admit Silviane to the Comedie."

  This, at first, was his only thought in presence of the crisis which made the political world tremble. And so the deputy could not refrain from referring to his own anxiety. "Well, and we others, what is our position in it all?"

  This brought Duvillard back to the situation. With a fresh gesture, this time a superbly proud one, he expressed his full and impudent confidence. "We others, why we remain as we are; we've never been in peril, I imagine. Oh! I am quite at ease. Sagnier can publish his famous list if it amuses him to do so. If we haven't long since bought Sagnier and his list, it's because Barroux is a thoroughly honest man, and for my part I don't care to throw money out of the window-I repeat to you that we fear nothing."

  Then, as he at last recognised Abbe Froment, who had remained in the shade, Duthil explained what service the priest desired of him. And Duvillard, in his state of emotion, his heart still rent by Silviane's sternness, must have felt a covert hope that a good action might bring him luck; so he at once consented to intervene in favour of Laveuve's admission. Taking a card and a pencil from his pocket-book he drew near to the window. "Oh! whatever you desire, Monsieur l'Abbe," he said, "I shall be very happy to participate in this good work. Here, this is what I have written: 'My dear, please do what M. l'Abbe Froment solicits in favour of this unfortunate man, since our friend Fonsegue only awaits a word from you to take proper steps.'"

  At this moment through the open bay Pierre caught sight of Gerard, whom Silviane, calm once more, and inquisitive no doubt to know why Duthil had called, was escorting into the hall. And the sight of the young woman filled him with astonishment, so simple and gentle did she seem to him, full of the immaculate candour of a virgin. Never had he dreamt of a lily of more unobtrusive yet delicious bloom in the whole garden of innocence.

  "Now," continued Duvillard, "if you wish to hand this card to my wife at once, you must go to the Princess de Harn's, where there is a matinee-"

  "I was going there, Monsieur le Baron."

  "Very good. You will certainly find my wife there; she is to take the children there." Then he paused, for he too had just seen Gerard; and he called him: "I say, Gerard, my wife said that she was going to that matinee, didn't she? You feel sure-don't you?-that Monsieur l'Abbe will find her there?"

  Although the yo
ung man was then going to the Rue Matignon, there to wait for Eve, it was in the most natural manner possible that he replied: "If Monsieur l'Abbe makes haste, I think he will find her there, for she was certainly going there before trying on a corsage at Salmon's."

  Then he kissed Silviane's hand, and went off with the air of a handsome, indolent man, who knows no malice, and is even weary of pleasure.

  Pierre, feeling rather embarrassed, was obliged to let Duvillard introduce him to the mistress of the house. He bowed in silence, whilst she, likewise silent, returned his bow with modest reserve, the tact appropriate to the occasion, such as no ingenue, even at the Comedie, was then capable of. And while the Baron accompanied the priest to the door, she returned to the salon with Duthil, who was scarcely screened by the door-curtain before he passed his arm round her waist.

  When Pierre, who at last felt confident of success, found himself, still in his cab, in front of the Princess de Harn's mansion in the Avenue Kleber, he suddenly relapsed into great embarrassment. The avenue was crowded with carriages brought thither by the musical matinee, and such a throng of arriving guests pressed round the entrance, decorated with a kind of tent with scallopings of red velvet, that he deemed the house unapproachable. How could he manage to get in? And how in his cassock could he reach the Princess, and ask for a minute's conversation with Baroness Duvillard? Amidst all his feverishness he had not thought of these difficulties. However, he was approaching the door on foot, asking himself how he might glide unperceived through the throng, when the sound of a merry voice made him turn: "What, Monsieur l'Abbe! Is it possible! So now I find you here!"

  It was little Massot who spoke. He went everywhere, witnessed ten sights a day,-a parliamentary sitting, a funeral, a wedding, any festive or mourning scene,-when he wanted a good subject for an article. "What! Monsieur l'Abbe," he resumed, "and so you have come to our amiable Princess's to see the Mauritanians dance!"

  He was jesting, for the so-called Mauritanians were simply six Spanish dancing-girls, who by the sensuality of their performance were then making all Paris rush to the Folies-Bergere. For drawing-room entertainments these girls reserved yet more indecorous dances-dances of such a character indeed that they would certainly not have been allowed in a theatre. And the beau monde rushed to see them at the houses of the bolder lady-entertainers, the eccentric and foreign ones like the Princess, who in order to draw society recoiled from no "attraction."

  But when Pierre had explained to little Massot that he was still running about on the same business, the journalist obligingly offered to pilot him. He knew the house, obtained admittance by a back door, and brought Pierre along a passage into a corner of the hall, near the very entrance of the grand drawing-room. Lofty green plants decorated this hall, and in the spot selected Pierre was virtually hidden. "Don't stir, my dear Abbe," said Massot, "I will try to ferret out the Princess for you. And you shall know if Baroness Duvillard has already arrived."

  What surprised Pierre was that every window-shutter of the mansion was closed, every chink stopped up so that daylight might not enter, and that every room flared with electric lamps, an illumination of supernatural intensity. The heat was already very great, the atmosphere heavy with a violent perfume of flowers and odore di femina. And to Pierre, who felt both blinded and stifled, it seemed as if he were entering one of those luxurious, unearthly Dens of the Flesh such as the pleasure-world of Paris conjures from dreamland. By rising on tiptoes, as the drawing-room entrance was wide open, he could distinguish the backs of the women who were already seated, rows of necks crowned with fair or dark hair. The Mauritanians were doubtless executing their first dance. He did not see them, but he could divine the lascivious passion of the dance from the quiver of all those women's necks, which swayed as beneath a great gust of wind. Then laughter arose and a tempest of bravos, quite a tumult of enjoyment.

  "I can't put my hand on the Princess; you must wait a little," Massot returned to say. "I met Janzen and he promised to bring her to me. Don't you know Janzen?"

  Then, in part because his profession willed it, and in part for pleasure's sake, he began to gossip. The Princess was a good friend of his. He had described her first soiree during the previous year, when she had made her debut at that mansion on her arrival in Paris. He knew the real truth about her so far as it could be known. Rich? yes, perhaps she was, for she spent enormous sums. Married she must have been, and to a real prince, too; no doubt she was still married to him, in spite of her story of widowhood. Indeed, it seemed certain that her husband, who was as handsome as an archangel, was travelling about with a vocalist. As for having a bee in her bonnet that was beyond discussion, as clear as noonday. Whilst showing much intelligence, she constantly and suddenly shifted. Incapable of any prolonged effort, she went from one thing that had awakened her curiosity to another, never attaching herself anywhere. After ardently busying herself with painting, she had lately become impassioned for chemistry, and was now letting poetry master her.

  "And so you don't know Janzen," continued Massot. "It was he who threw her into chemistry, into the study of explosives especially, for, as you may imagine, the only interest in chemistry for her is its connection with Anarchism. She, I think, is really an Austrian, though one must always doubt anything she herself says. As for Janzen, he calls himself a Russian, but he's probably German. Oh! he's the most unobtrusive, enigmatical man in the world, without a home, perhaps without a name-a terrible fellow with an unknown past. I myself hold proofs which make me think that he took part in that frightful crime at Barcelona. At all events, for nearly a year now I've been meeting him in Paris, where the police no doubt are watching him. And nothing can rid me of the idea that he merely consented to become our lunatic Princess's lover in order to throw the detectives off the scent. He affects to live in the midst of fetes, and he has introduced to the house some extraordinary people, Anarchists of all nationalities and all colours-for instance, one Raphanel, that fat, jovial little man yonder, a Frenchman he is, and his companions would do well to mistrust him. Then there's a Bergaz, a Spaniard, I think, an obscure jobber at the Bourse, whose sensual, blobber-lipped mouth is so disquieting. And there are others and others, adventurers and bandits from the four corners of the earth! . . . Ah! the foreign colonies of our Parisian pleasure-world! There are a few spotless fine names, a few real great fortunes among them, but as for the rest, ah! what a herd!"

  Rosemonde's own drawing-room was summed up in those words: resounding titles, real millionaires, then, down below, the most extravagant medley of international imposture and turpitude. And Pierre thought of that internationalism, that cosmopolitanism, that flight of foreigners which, ever denser and denser, swooped down upon Paris. Most certainly it came thither to enjoy it, as to a city of adventure and delight, and it helped to rot it a little more. Was it then a necessary thing, that decomposition of the great cities which have governed the world, that affluxion of every passion, every desire, every gratification, that accumulation of reeking soil from all parts of the world, there where, in beauty and intelligence, blooms the flower of civilisation?

  However, Janzen appeared, a tall, thin fellow of about thirty, very fair with grey, pale, harsh eyes, and a pointed beard and flowing curly hair which elongated his livid, cloudy face. He spoke indifferent French in a low voice and without a gesture. And he declared that the Princess could not be found; he had looked for her everywhere. Possibly, if somebody had displeased her, she had shut herself up in her room and gone to bed, leaving her guests to amuse themselves in all freedom in whatever way they might choose.

  "Why, but here she is!" suddenly said Massot.

  Rosemonde was indeed there, in the vestibule, watching the door as if she expected somebody. Short, slight, and strange rather than pretty, with her delicate face, her sea-green eyes, her small quivering nose, her rather large and over-ruddy mouth, which was parted so that one could see her superb teeth, she that day wore a sky-blue gown spangled with silver; and she had silver b
racelets on her arms and a silver circlet in her pale brown hair, which rained down in curls and frizzy, straggling locks as though waving in a perpetual breeze.

  "Oh! whatever you desire, Monsieur l'Abbe," she said to Pierre as soon as she knew his business. "If they don't take your old man in at our asylum, send him to me, I'll take him, I will; I will sleep him somewhere here."

  Still, she remained disturbed, and continually glanced towards the door. And on the priest asking if Baroness Duvillard had yet arrived, "Why no!" she cried, "and I am much surprised at it. She is to bring her son and daughter. Yesterday, Hyacinthe positively promised me that he would come."

  There lay her new caprice. If her passion for chemistry was giving way to a budding taste for decadent, symbolical verse, it was because one evening, whilst discussing Occultism with Hyacinthe, she had discovered an extraordinary beauty in him: the astral beauty of Nero's wandering soul! At least, said she, the signs of it were certain.

  And all at once she quitted Pierre: "Ah, at last!" she cried, feeling relieved and happy. Then she darted forward: Hyacinthe was coming in with his sister Camille.

  On the very threshold, however, he had just met the friend on whose account he was there, young Lord George Eldrett, a pale and languid stripling with the hair of a girl; and he scarcely condescended to notice the tender greeting of Rosemonde, for he professed to regard woman as an impure and degrading creature. Distressed by such coldness, she followed the two young men, returning in their rear into the reeking, blinding furnace of the drawing-room.

  Massot, however, had been obliging enough to stop Camille and bring her to Pierre, who at the first words they exchanged relapsed into despair. "What, mademoiselle, has not madame your mother accompanied you here?"

  The girl, clad according to her wont in a dark gown, this time of peacock-blue, was nervous, with wicked eyes and sibilant voice. And as she ragefully drew up her little figure, her deformity, her left shoulder higher than the right one, became more apparent than ever. "No," she rejoined, "she was unable. She had something to try on at her dressmaker's. We stopped too long at the Exposition du Lis, and she requested us to set her down at Salmon's door on our way here."