Mr. Britling Sees It Through

by Wells, H. G. ;

  “Unless you broke an axle or burst a tire,” said Mr. Direck.

  “My man at Matching’s Easy is most careful in his inspection,” said Mr. Britling, putting the accelerator well down and watching the speed indicator creep from forty to forty-five. “He went over the car not a week ago. And it’s not one month old—in use that is.”

  Yet something did happen.

  It was as they swept by the picturesque walls under the big old trees that encircle Brandismead Park. It was nothing but a slight miscalculation of distances. Ahead of them and well to the left rode a postman on a bicycle; towards them, with that curious effect of implacable fury peculiar to motor-cycles, came a motor-cyclist. First Mr. Britling thought that he would not pass between these two, then he decided that he would hurry up and do so, then he reverted to his former decision, and then it seemed to him that he was going so fast that he must inevitably run down the postman. His instinct not to do that pulled the car sharply across the path of the motor-cyclist. “Oh, my God!” cried Mr. Britling; “My God!” twisted his wheel over and distributed his feet among his levers dementedly.

  He had an imperfectly formed idea of getting across right in front of the motor-cyclist, and then they were going down the brief grassy slope between the road and the wall, straight at the wall, and still at a good speed. The motor-cyclist smacked against something and vanished from the problem. The wall seemed to rush up at them and then—collapse. There was a tremendous concussion. Mr. Direck gripped at his friend the emergency brake, but had only time to touch it before his head hit against the frame of the glass wind-screen, and a curtain fell upon everything. …

  He opened his eyes upon a broken wall, a crumpled motorcar, and an undamaged motor-cyclist in the aviator’s cap and thin oilskin overalls dear to motor-cyclists. Mr. Direck stared and then, still stunned and puzzled, tried to raise himself. He became aware of acute pain.

  “Don’t move for a bit,” said the motor-cyclist. “Your arm and side are rather hurt, I think. …”

  § 8

  In the course of the next twelve hours Mr. Direck was to make a discovery that was less common in the days before the war than it has been since. He discovered that even pain and injury may be vividly interesting and gratifying.

  If any one had told him he was going to be stunned for five or six minutes, cut about the brow and face and have a bone in his wrist put out, and that as a consequence he would find himself pleased and exhilarated, he would have treated the prophecy with ridicule; but here he was lying stiffly on his back with his wrist bandaged to his side and smiling into the darkness even more brightly than he had smiled at the Essex landscape two days before. The fact is pain hurts or irritates, but in itself it does not make a healthily constituted man miserable. The expectation of pain, the certainty of injury may make one hopeless enough, the reality rouses our resistance. Nobody wants a broken bone or a delicate wrist, but very few people are very much depressed by getting one. People can be much more depressed by smoking a hundred cigarettes in three days or losing one per cent. of their capital.

  And everybody had been most delightful to Mr. Direck.

  He had had the monopoly of damage. Mr. Britling, holding on to the steering-wheel, had not even been thrown out. “Unless I’m internally injured,” he said, “I’m not hurt at all. My liver perhaps—bruised a little. …”

  Gladys had been abandoned in the ditch, and they had been very kindly brought home by a passing automobile. Cecily had been at the Dower House at the moment of the rueful arrival. She had seen how an American can carry injuries. She had made sympathy and helpfulness more delightful by expressed admiration.

  “She’s a natural born nurse,” said Mr. Direck, and then rather in the tone of one who addressed a public meeting: “But this sort of thing brings out all the good there is in a woman.”

  He had been quite explicit to them and more particularly to her, when they told him he must stay at the Dower House until his arm was cured. He had looked the application straight into her pretty eyes.

  “If I’m to stay right here just as a consequence of that little shake up, maybe for a couple of weeks, maybe three, and if you’re coming to do a bit of a talk to me ever and again, then I tell you I don’t call this a misfortune. It isn’t a misfortune. It’s right down sheer good luck. …”

  And now he lay as straight as a mummy, with his soul filled with radiance of complete mental peace. After months of distress and confusion, he’d got straight again. He was in the middle of a real good story, bright and clean. He knew just exactly what he wanted.

  “After all,” he said, “it’s true. There’s ideals. She’s an ideal. Why, I loved her before ever I set eyes on Mamie. I loved her before I was put into pants. That old portrait, there it was pointing my destiny. … It’s affinity. … It’s natural selection. …

  “Well, I don’t know what she thinks of me yet, but I do know very well what she’s got to think of me. She’s got to think all the world of me—if I break every limb of my body making her do it.

  “I’d a sort of feeling it was right to go in that old automobile.

  “Say what you like, there’s a Guidance. …”

  He smiled confidentially at the darkness as if they shared a secret.

  CHAPTER THE FOURTH

  MR. BRITLING IN SOLILOQUY

  § 1

  Very different from the painful contentment of the bruised and broken Mr. Direck was the state of mind of his unwounded host. He too was sleepless, but sleepless without exaltation. The day had been too much for him altogether; his head, to borrow an admirable American expression, was “busy.”

  How busy it was, a whole chapter will be needed to describe. …

  The impression Mr. Britling had made upon Mr. Direck was one of indefatigable happiness. But there were times when Mr. Britling was called upon to pay for his general cheerful activity in lump sums of bitter sorrow. There were nights—and especially after seasons of exceptional excitement and nervous activity—when the reckoning would be presented and Mr. Britling would welter prostrate and groaning under a stormy sky of unhappiness—active insatiable unhappiness—a beating with rods.

  The sorrows of the sanguine temperament are brief but furious; the world knows little of them. The world has no need to reckon with them. They cause no suicides and few crimes. They hurry past, smiting at their victim as they go. None the less they are misery. Mr. Britling in these moods did not perhaps experience the grey and hopeless desolations of the melancholic nor the red damnation of the choleric, but he saw a world that bristled with misfortune and error, with poisonous thorns and traps and swampy places and incurable blunderings. An almost insupportable remorse for being Mr. Britling would pursue him—justifying itself upon a hundred counts. …

  And for being such a Britling! …

  Why—he revived again that bitter question of a thousand and one unhappy nights—why was he such a fool? Such a hasty fool? Why couldn’t he look before he leaped? Why did he take risks? Why was he always so ready to act upon the supposition that all was bound to go well? (He might as well have asked why he had quick brown eyes.)

  Why, for instance, hadn’t he adhered to the resolution of the early morning? He had begun with an extremity of caution. …

  It was a characteristic of these moods of Mr. Britling that they produced a physical restlessness. He kept on turning over and then turning over again, and sitting up and lying back, like a martyr on a gridiron. …

  This was just the latest instance of a lifelong trouble. Will there ever be a sort of man whose thoughts are quick and his acts slow? Then indeed we shall have a formidable being. Mr. Britling’s thoughts were quick and sanguine and his actions even more eager than his thoughts. Already while he was a young man Mr. Britling had found his acts elbow their way through the hurry of his ideas and precipitate humiliations. Long before his reasons were marshalled, his resolutions were formed. He had attempted a thousand remonstrances with himself; he had sought to remedy the
defects in his own character by written inscriptions in his bedroom and memoranda inside his watch-case. “Keep steady!” was one of them. “Keep the End in View.” And, “Go steadfastly, coherently, continuously; only so can you go where you will.” In distrusting all impulse, scrutinising all imagination, he was persuaded lay his one prospect of escape from the surprise of countless miseries. Otherwise he danced among glass bombs and barbed wire.

  There had been a time when he could exhort himself to such fundamental charge and go through phases of the severest discipline. Always at last to be taken by surprise from some unexpected quarter. At last he had ceased to hope for any triumph so radical. He had been content to believe that in recent years age and a gathering habit of wisdom had somewhat slowed his leaping purpose. That if he hadn’t overcome he had at least to a certain extent minimised it. But this last folly was surely the worst. To hurl through this patient world with—how much did the car weigh? A ton certainly and perhaps more—reckless of every risk. Not only to himself but others. At this thought, he clutched the steering-wheel again. Once more he saw the bent back of the endangered cyclist, once more he felt rather than saw the seething approach of the motor-bicycle, and then through a long instant he drove helplessly at the wall. …

  Hell perhaps is only one such incident, indefinitely prolonged. …

  Anything might have been there in front of him. And indeed now, out of the dreamland to which he could not escape something had come, something that screamed sharply. …

  “Good God!” he cried, “if I had hit a child! I might have hit a child!” The hypothesis flashed into being with the thought, tried to escape and was caught. It was characteristic of Mr. Britling’s nocturnal imagination that he should individualise this child quite clearly as rather plain and slender, with reddish hair, staring eyes, and its ribs crushed in vivid and dreadful manner, pinned against the wall, mixed up with some bricks, only to be extracted, oh! horribly.

  But this was not fair! He had hurt no child! He had merely pitched out Mr. Direck and damaged his wrist. …

  It wasn’t his merit that the child hadn’t been there!

  The child might have been there!

  Mere luck.

  He lay staring in despair—as an involuntary God might stare at many a thing in this amazing universe—staring at the little victim his imagination had called into being only to destroy. …

  § 2

  If he had not crushed a child other people had. Such things happened. Vicariously at any rate he had crushed many children. …

  Why are children ever crushed?

  And suddenly all the pain and destruction and remorse of all the accidents in the world descended upon Mr. Britling.

  No longer did he ask why am I such a fool, but why are we all such fools? He became Man on the automobile of civilisation, crushing his thousands daily in his headlong and yet aimless career. …

  That was a trick of Mr. Britling’s mind. It had this tendency to spread outward from himself to generalised issues. Many minds are like that nowadays. He was not so completely individualised as people are supposed to be individualised—in our law, in our stories, in our moral judgments. He had a vicarious factor. He could slip from concentrated reproaches to the liveliest remorse for himself as The Automobilist in General, or for himself as England, or for himself as Man. From remorse for smashing his guest and his automobile he could pass by what was for him the most imperceptible of transitions to remorse for every accident that has ever happened through the error of an automobilist since automobiles began. All that long succession of blunderers became Mr. Britling. Or rather Mr. Britling became all that vast succession of blunderers.

  These fluctuating lapses from individuation made Mr. Britling a perplexity to many who judged only by the old personal standards. At times he seemed a monster of cantankerous self-righteousness, whom nobody could please or satisfy, but indeed when he was most pitiless about the faults of his race or nation he was really reproaching himself, and when he seemed more egotistical and introspective and self-centred he was really ransacking himself for a clue to that same confusion of purposes that waste the hope and strength of humanity. And now through the busy distresses of the night it would have perplexed a watching angel to have drawn the line and shown when Mr. Britling was grieving for his own loss and humiliation and when he was grieving for these common human weaknesses of which he had so large a share.

  And this double refraction of his mind by which a concentrated and individualised Britling did not present a larger impersonal Britling beneath, carried with it a duplication of his conscience and sense of responsibility. To his personal conscience he was answerable for his private honour and his debts and the Dower House he had made and so on, but to his impersonal conscience he was answerable for the whole world. The world from the latter point of view was his egg. He had a sub-conscious delusion that he had laid it. He had a sub-conscious suspicion that he had let it cool and that it was addled. He had an urgency to incubate it. The variety and interest of his talk was largely due to that persuasion, it was a perpetual attempt to spread his mental feathers over the task before him. …

  § 3

  After this much of explanation it is possible to go on to the task which originally brought Mr. Direck to Matching’s Easy, the task that Massachusetts society had sent him upon, the task of organising the mental unveiling of Mr. Britling. Mr. Direck saw Mr. Britling only in the daylight, and with an increasing distraction of the attention towards Miss Cecily Corner. We may see him rather more clearly in the darkness, without any distraction except his own.

  Now the smashing of Gladys was not only the source of a series of reproaches and remorses directly arising out of the disaster; it had also a wide system of collateral consequences, which were also banging and blundering their way through the Britling mind. It was extraordinarily inconvenient in quite another respect that the automobile should be destroyed. It upset certain plans of Mr. Britling’s in a direction growing right out from all the Dower House world in which Mr. Direck supposed him to be completely set and rooted. There were certain matters from which Mr. Britling had been averting his mind most strenuously throughout the weekend. Now, there was no averting his mind any more.

  Mr. Britling was entangled in a love-affair. It was, to be exact, and disregarding minor affinities, his eighth love-affair. And the new automobile, so soon as he could drive it efficiently, was to have played quite a solvent and conclusive part in certain entangled complications of this relationship.

  A man of lively imagination and quick impulses naturally has love-affairs as he drives himself through life, just as he naturally has accidents if he drives an automobile.

  And the peculiar relations that existed between Mr. Britling and Mrs. Britling tended inevitably to make these love-affairs troublesome, undignified and futile. Especially when they were viewed from the point of view of insomnia.

  Mr. Britling’s first marriage had been a passionately happy one. His second was by comparison a marriage in neutral tint. There is much to be said for that extreme Catholic theory which would make marriage not merely lifelong but eternal. Certainly Mr. Britling would have been a finer if not a happier creature if his sentimental existence could have died with his first wife or continued only in his love for their son. He had married in the glow of youth, he had had two years of clean and simple loving, helping, quarrelling and the happy ending of quarrels. Something went out of him into all that which could not be renewed again. In his first extremity of grief he knew this perfectly well—and then afterwards he forgot it. While there is life there is imagination, which makes and forgets and goes on.

  He met Edith under circumstances that did not in any way recall his lost Mary. He met her, as people say, “socially”; Mary, on the other hand, had been a girl at Newnham while he was a fellow of Pembroke, and there had been something of accident and something of furtiveness in their lucky discovery of each other. There had been a flush in it; there was dash in it. But Edith
he saw and chose and had to woo. There was no rushing together; there was solicitation and assent. Edith was a Bachelor of Science of London University and several things like that, and she looked upon the universe under her broad forehead and broad-waving brown hair with quiet watchful eyes that had nothing whatever to hide, a thing so incredible to Mr. Britling that he had loved and married her very largely for the serenity of her mystery. And for a time after their marriage he sailed over those brown depths plumbing furiously.

  Of course he did not make his former passion for Mary at all clear to her. Indeed, while he was winning Edith it was by no means clear to himself. He was making a new emotional drama, and consciously and subconsciously he dismissed a hundred reminiscences which sought to invade the new experience, and would have been out of key with it. And without any deliberate intention to that effect he created an atmosphere between himself and Edith in which any discussion of Mary was reduced to a minimum, and in which Hugh was accepted rather than explained. He contrived to believe that she understood all sorts of unsayable things; he invented miracles of quite uncongenial mute mutuality. …

  It was over the chess-board that they first began to discover their extensive difficulties of sympathy. Mr. Britling’s play was characterised by a superficial brilliance, much generosity and extreme unsoundness; he always moved directly his opponent had done so—and then reflected on the situation. His reflection was commonly much wiser than his moves. Mrs. Britling was, as it were, a natural antagonist to her husband; she was as calm as he was irritable. She was never in a hurry to move, and never disposed to make a concession. Quietly, steadfastly, by caution and deliberation, without splendour, without error, she had beaten him at chess until it led to such dreadful fits of anger that he had to renounce the game altogether. After every such occasion he would be at great pains to explain that he had merely been angry with himself. Nevertheless he felt, and would not let himself think (what she concluded from incidental heated phrases), that that was not the complete truth about the outbreak.