The Scandal of Father Brown (father brown)

by Gilbert Keith Chesterton

  "No; but I see what you mean," said Stanes, "by saying that I didn't even see the problem. It isn't merely who killed Sand; it's why anybody should accuse somebody else of killing Sand and then accuse Sand of killing himself."

  Father Brown's face was knotted and the cigar was clenched in his teeth; the end of it plowed and darkened rhythmically like the signal of some burning pulse of the brain. Then he spoke as if to himself:

  "We've got to follow very closely and very clearly. It's like separating threads of thought from each other; something like this. Because the murder charge really rather spoilt the suicide charge, he wouldn't normally have made the murder charge. But he did make it; so he had some other reason for making it. It was so strong a reason that perhaps it reconciled him even to weakening his other line of defence; that it was a suicide. In other words, the murder charge wasn't really a murder charge. I mean he wasn't using it as a murder charge; he wasn't doing it so as to shift to somebody else the guilt of murder; he was doing it for some other extraordinary reason of his own. His plan had to contain a proclamation that Sand would be murdered; whether it threw suspicion on other people or not. Somehow or other the mere proclamation itself was necessary. But why?"

  He smoked and smouldered away with the same volcanic concentration for five minutes before he spoke again. "What could a murderous proclamation do, besides suggesting that the strikers were the murderers? What did it do? One thing is obvious; it inevitably did the opposite of what it said. It told Sand not to lock out his men; and it was perhaps the only thing in the world that would really have made him do it. You've got to think of the sort of man and the sort of reputation. When a man has been called a Strong Man in our silly sensational newspapers, when he is fondly regarded as a Sportsman by all the most distinguished asses in England , he simply can't back down because he is threatened with a pistol. It would be like walking about at Ascot with a white feather stuck in his absurd white hat. It would break that inner idol or ideal of oneself, which every man not a downright dastard does really prefer to life. And Sand wasn't a dastard; he was courageous; he was also impulsive. It acted instantly like a charm: his nephew, who had been more or less mixed up with the workmen, cried out instantly that the threat must be absolutely and instantly defied."

  "Yes," said Lord Stanes, "I noticed that." They looked at each other for an instant, and then Stanes added carelessly: "So you think the thing the criminal wanted was…"

  "The Lock-out!" cried the priest energetically. "The Strike or whatever you call it; the cessation of work, anyhow. He wanted the work to stop at once; perhaps the blacklegs to come in at once; certainly the Trade Unionists to go out at once. That is what he really wanted; God knows why. And he brought that off, I think, really without bothering much about its other implication of the existence of Bolshevist assassins. But then… then I think something went wrong. I'm only guessing and groping very slowly here; but the only explanation I can think of is that something began to draw attention to the real seat of the trouble; to the reason, whatever it was, of his wanting to bring the building to a halt. And then belatedly, desperately, and rather inconsistently, he tried to lay the other trail that led to the river, simply and solely because it led away from the flats."

  He looked up through his moonlike spectacles, absorbing all the quality of the background and furniture; the restrained luxury of a quiet man of the world; and contrasting it with the two suitcases with which its occupant had arrived so recently in a newly-finished and unfurnished flat. Then he said rather abruptly: "In short, the murderer was frightened of something or somebody in the flats. By the way, why did you come to live in the flats?.. Also by the way, young Henry told me you made an early appointment with him when you moved in. Is that true?"

  "Not in the least," said Stanes. "I got the key from his uncle the night before. I've no notion why Henry came here that morning."

  "Ah," said Father Brown, "then I think I have some notion of why he came… I thought you startled him by coming in just when he was coming out."

  "And yet," said Stanes, looking across with a glitter in his grey-green eyes, "you do rather think that I also am a mystery."

  "I think you are two mysteries," said Father Brown. "The first is why you originally retired from Sand's business. The second is why you have since come back to live in Sand's buildings."

  Stanes smoked reflectively, knocked out his ash, and rang a bell on the table before him. "If you'll excuse me," he said, "I will summon two more to the council. Jackson, the little detective you know of, will answer the bell; and I've asked Henry Sand to come in a little later."

  Father Brown rose from his seat, walked across the room and looked down frowning into the fire-place.

  "Meanwhile," continued Stanes, "I don't mind answering both your questions. I left the Sand business because I was sure there was some hanky-panky in it and somebody was pinching all the money. I came back to it, and took this flat, because I wanted to watch for the real truth about old Sand's death — on the spot."

  Father Brown faced round as the detective entered the room; he stood staring at the hearthrug and repeated: "On the spot."

  "Mr. Jackson will tell you," said Stanes, "that Sir Hubert commissioned him to find out who was the thief robbing the firm; and he brought a note of his discoveries the day before old Hubert disappeared."

  "Yes," said Father Brown, "and I know now where he disappeared to. I know where the body is."

  "Do you mean — ?" began his host hastily.

  "It is here," said Father Brown, and stamped on the hearthrug. "Here, under the elegant Persian rug in this cosy and comfortable room."

  "Where in the world did you find that?"

  "I've just remembered," said Father Brown, "that I found it in my sleep."

  He closed his eyes as if trying to picture a dream, and went on dreamily:

  "This is a murder story turning on the problem of How to Hide the Body; and I found it in my sleep. I was always woken up every morning by hammering from this building. On that morning I half-woke up, went to sleep again and woke once more, expecting to find it late; but it wasn't. Why? Because there had been hammering that morning, though all the usual work had stopped; short, hurried hammering in the small hours before dawn. Automatically a man sleeping stirs at such a familiar sound. But he goes to sleep again, because the usual sound is not at the usual hour. Now why did a certain secret criminal want all the work to cease suddenly; and only new workers come in? Because, if the old workers had come in next day, they would have found a new piece of work done in the night. The old workers would have known where they left off; and they would have found the whole flooring of this room already nailed down. Nailed down by a man who knew how to do it; having mixed a good deal with the workmen and learned their ways."

  As he spoke, the door was pushed open and a head poked in with a thrusting motion; a small head at the end of a thick neck and a face that blinked at them through glasses.

  "Henry Sand said," observed Father Brown, staring at the ceiling, "that he was no good at hiding things. But I think he did himself an injustice."

  Henry Sand turned and moved swiftly away down the corridor.

  "He not only hid his thefts from the firm quite successfully for years," went on the priest with an air of abstraction, "but when his uncle discovered them, he hid his uncle's corpse in an entirely new and original manner."

  At the same instant Stanes again rang a bell, with a long strident steady ringing; and the little man with the glass eye was propelled or shot along the corridor after the fugitive, with something of the rotatory motion of a mechanical figure in a zoetrope. At the same moment, Father Brown looked out of the window, leaning over a small balcony, and saw five or six men start from behind bushes and railings in the street below and spread out equally mechanically like a fan or net; opening out after the fugitive who had shot like a bullet out of the front door. Father Brown saw only the pattern of the story; which had never strayed from that room; where Hen
ry had strangled Hubert and hid his body under impenetrable flooring, stopping the whole work on the building to do it. A pin-prick had started his own suspicions; but only to tell him he had been led down the long loop of a lie. The point of the pin was that it was pointless.

  He fancied he understood Stanes at last, and he liked to collect queer people who were difficult to understand. He realized that this tired gentleman, whom he had once accused of having green blood, had indeed a sort of cold green flame of conscientiousness or conventional honour, that had made him first shift out of a shady business, and then feel ashamed of having shifted it on to others; and come back as a bored laborious detective; pitching his camp on the very spot where the corpse had been buried; so that the murderer, finding him sniffing so near the corpse, had wildly staged the alternative drama of the dressing-gown and the drowned man. All that was plain enough, but, before he withdrew his head from the night air and the stars, Father Brown threw one glance upwards at the vast black bulk of the cyclopean building heaved far up into the night, and remembered Egypt and Babylon, and all that is at once eternal and ephemeral in the work of man.

  "I was right in what I said first of all," he said. "It reminds one of Coppee's poem about the Pharaoh and the Pyramid. This house is supposed to be a hundred houses; and yet the whole mountain of building is only one man's tomb."

  Chapter VIII. The Insoluble Problem

  This queer incident, in some ways perhaps the queerest of the many that came his way, happened to Father Brown at the time when his French friend Flambeau had retired from the profession of crime and had entered with great energy and success on the profession of crime investigator. It happened that both as a thief and a thief-taker, Flambeau had rather specialized in the matter of jewel thefts, on which he was admitted to be an expert, both in the matter of identifying jewels and the equally practical matter of identifying jewel-thieves. And it was in connection with his special knowledge of this subject, and a special commission which it had won for him, that he rang up his friend the priest on the particular morning on which this story begins.

  Father Brown was delighted to hear the voice of his old friend, even on the telephone; but in a general way, and especially at that particular moment, Father Brown was not very fond of the telephone. He was one who preferred to watch people's faces and feel social atmospheres, and he knew well that without these things, verbal messages are apt to be very misleading, especially from total strangers. And it seemed as if, on that particular morning, a swarm of total strangers had been buzzing in his ear with more or less unenlightening verbal messages; the telephone seemed to be possessed of a demon of triviality. Perhaps the most distinctive voice was one which asked him whether he did not issue regular permits for murder and theft upon the payment of a regular tariff hung up in his church; and as the stranger, on being informed that this was not the case, concluded the colloquy with a hollow laugh, it may be presumed that he remained unconvinced. Then an agitated, rather inconsequent female voice rang up requesting him to come round at once to a certain hotel he had heard of some forty-five miles on the road to a neighbouring cathedral town; the request being immediately followed by a contradiction in the same voice, more agitated and yet more inconsequent, telling him that it did not matter and that he was not wanted after all. Then came an interlude of a Press agency asking him if he had anything to say on what a Film Actress had said about Moustaches for Men; and finally yet a third return of the agitated and inconsequent lady at the hotel, saying that he was wanted, after all. He vaguely supposed that this marked some of the hesitations and panics not unknown among those who are vaguely veering in the direction of Instruction, but he confessed to a considerable relief when the voice of Flambeau wound up the series with a hearty threat of immediately turning up for breakfast.

  Father Brown very much preferred to talk to a friend sitting comfortably over a pipe, but it soon appeared that his visitor was on the warpath and full of energy, having every intention of carrying off the little priest captive on some important expedition of his own. It was true that there was a special circumstance involved which might be supposed to claim the priest's attention. Flambeau had figured several times of late as successfully thwarting a theft of famous precious stones; he had torn the tiara of the Duchess of Dulwich out of the very hand of the bandit as he bolted through the garden. He laid so ingenious a trap for the criminal who planned to carry off the celebrated Sapphire Necklace that the artist in question actually carried off the copy which he had himself planned to leave as a substitute.

  Such were doubtless the reasons that had led to his being specially summoned to guard the delivery of a rather different sort of treasure; perhaps even more valuable in its mere materials, but possessing also another sort of value. A world-famous reliquary, supposed to contain a relic of St. Dorothy the martyr, was to be delivered at the Catholic monastery in a cathedral town; and one of the most famous of international jewel-thieves was supposed to have an eye on it; or rather presumably on the gold and rubies of its setting, rather than its purely hagiological importance. Perhaps there was something in this association of ideas which made Flambeau feel that the priest would be a particularly appropriate companion in his adventure; but anyhow, he descended on him, breathing fire and ambition and very voluble about his plans for preventing the theft.

  Flambeau indeed bestrode the priest's hearth gigantically and in the old swaggering musketeer attitude, twirling his great moustaches.

  "You can't," he cried, referring to the sixty-mile road to Casterbury. "You can't allow a profane robbery like that to happen under your very nose."

  The relic was not to reach the monastery till the evening; and there was no need for its defenders to arrive earlier; for indeed a motor-journey would take them the greater part of the day. Moreover, Father Brown casually remarked that there was an inn on the road, at which he would prefer to lunch, as he had been already asked to look in there as soon as was convenient.

  As they drove along through a densely wooded but sparsely inhabited landscape, in which inns and all other buildings seemed to grow rarer and rarer, the daylight began to take on the character of a stormy twilight even in the heat of noon; and dark purple clouds gathered over dark grey forests. As is common under the lurid quietude of that kind of light, what colour there was in the landscape gained a sort of secretive glow which is not found in objects under the full sunlight; and ragged red leaves or golden or orange fungi seemed to burn with a dark fire of their own. Under such a half-light they came to a break in the woods like a great rent in a grey wall, and saw beyond, standing above the gap, the tall and rather outlandish-looking inn that bore the name of the Green Dragon.

  The two old companions had often arrived together at inns and other human habitations, and found a somewhat singular state of things there; but the signs of singularity had seldom manifested themselves so early. For while their car was still some hundreds of yards from the dark green door, which matched the dark green shutters of the high and narrow building, the door was thrown open with violence and a woman with a wild mop of red hair rushed to meet them, as if she were ready to board the car in full career. Flambeau brought the car to a standstill but almost before he had done so, she thrust her white and tragic face into the window, crying:

  "Are you Father Brown?" and then almost in the same breath; "who is this man?"

  "This gentleman's name is Flambeau," said Father Brown in a tranquil manner, "and what can I do for you?"

  "Come into the inn," she said, with extraordinary abruptness even under the circumstances. "There's been a murder done."

  They got out of the car in silence and followed her to the dark green door which opened inwards on a sort of dark green alley, formed of stakes and wooden pillars, wreathed with vine and ivy, showing square leaves of black and red and many sombre colours. This again led through an inner door into a sort of large parlour hung with rusty trophies of Cavalier arms, of which the furniture seemed to be antiquated and also in gr
eat confusion, like the inside of a lumber-room. They were quite startled for the moment; for it seemed as if one large piece of lumber rose and moved towards them; so dusty and shabby and ungainly was the man who thus abandoned what seemed like a state of permanent immobility.

  Strangely enough, the man seemed to have a certain agility of politeness, when once he did move; even if it suggested the wooden joints of a courtly step-ladder or an obsequious towel-horse. Both Flambeau and Father Brown felt that they had hardly ever clapped eyes on a man who was so difficult to place. He was not what is called a gentleman; yet he had something of the dusty refinement of a scholar; there was something faintly disreputable or declasse about him; and yet the smell of him was rather bookish than Bohemian. He was thin and pale, with a pointed nose and a dark pointed beard; his brow was bald, but his hair behind long and lank and stringy; and the expression of his eyes was almost entirely masked by a pair of blue spectacles. Father Brown felt that he had met something of the sort somewhere, and a long time ago; but he could no longer put a name to it. The lumber he sat among was largely literary lumber; especially bundles of seventeenth-century pamphlets.

  "Do I understand the lady to say," asked Flambeau gravely, "that there is a murder here?"

  The lady nodded her red ragged head rather impatiently; except for those flaming elf-locks she had lost some of her look of wildness; her dark dress was of a certain dignity and neatness; her features were strong and handsome; and there was something about her suggesting that double strength of body and mind which makes women powerful, particularly in contrast with men like the man in blue spectacles. Nevertheless, it was he who gave the only articulate answer, intervening with a certain antic gallantry.