A Fine and Private Place
Page 25
"Okay," he said to the two people who sat near the truck and watched him. With a casual hand he pushed the coffin farther into the back of the truck and reached for his shirt, which hung on the tailgate where he had left it.
Mr. Rebeck heard Mrs. Klapper sigh with exaggerated relief beside him. Before she could say anything, he said to Campos, "Are we going now?"
Campos nodded. He held his shirt without putting it on. He was breathing deeply, cautiously touching a raw spot on his neck where the coffin had rubbed away the skin.
"Okay," he said again. He walked to the front of the truck and stood by the door. In the dim light there his body gleamed gold with sweat, and brown with sweat, and black. He put on his shirt, leaving it unbuttoned.
"Shouldn't we fill in the grave before we go?" Mr. Rebeck asked.
Campos looked over at the empty grave with the piles of dirt scattered around it and shrugged. "Fill it in when I get back. Come on."
Mr. Rebeck rose from the stone he sat on and offered a hand to Mrs. Klapper. Grasping it, she pulled herself to her feet, brushing her dress with her free hand. She was not wearing the crescent hat, after all.
"Well," she said. "So now everything's all right? Nobody's left anything behind?"
"Everything's fine," Mr. Rebeck said. They started walking to the truck. Campos had started the engine.
"Now what?" Mrs. Klapper asked.
"Now we have to take the coffin to Mount Merrill," Mr. Rebeck said. "It's not far."
Mrs. Klapper blinked at him. "And you bury it all over again? Vey, what people. Like a dog with a bone."
"It's a favor for a friend. I told you about it."
"I know you told me. It's a favor for a friend. All right, who can refuse a friend? So fine, we sit here all night and watch your friend dig up a grave, and now we got to go with him so we can watch him bury it again. Rebeck, you got some friends I wouldn't even want for enemies."
"I couldn't refuse him," Mr. Rebeck said lamely. "He's a very good friend."
"All right, to you he's a very good friend. Me, I don't like him. He scares me."
The last few words were whispered because they had reached the cab of the truck. Mr. Rebeck pulled the door open and stepped back to let Mrs. Klapper get in first. She gave him a sour look, wagging her head slightly, and he realized that she was a little afraid of sitting next to Campos. However, there was nothing for it; Campos was looking at them, waiting impatiently for them to get in, and they would have enough trouble fitting three people into the cab without worrying about the order. So Mrs. Klapper got in and gingerly seated herself next to Campos. Mr. Rebeck climbed in after her. There was barely room enough for him, even when Mrs. Klapper moved closer against Campos's hard, sweating body. But he sat down next to her and closed the door carefully.
The engine hiccuped fiercely, and the truck jolted off. Mr. Rebeck leaned his elbow on the window and felt the door handle pressing against his leg. It was three in the morning by Mrs. Klapper's tiny wrist watch, and very dark. Mr. Rebeck found it hard to breathe, and even the beating of his heart was painful. He turned his head away from Mrs. Klapper, not wanting her to see how frightened he was.
When he had told Mrs. Klapper that he had decided to leave the cemetery, she had literally whooped with delight. After that, she sat down on a rock and began to cry. She stopped abruptly when he told her that he would have to wait until night to leave. And when he told her about Campos and the coffin she got to her feet, holding her purse in both hands, and said that he was a crazy grave-robber, and that it would undoubtedly be better if he stayed in the cemetery where the psychiatrists couldn't get at him. He had gone mad from being alone, just as she had warned him.
But she stayed, snapping her fingers for an explanation she could accept with dignity, whether she believed it or not. The one he finally chose, about doing a last favor for Campos, was not as solid as she would have preferred, but it would do. She accepted it, saying that friendship was a fine thing, and adding that she would wait with him, because he would certainly get lost if he went into the city alone at night.
There was still Campos to be approached, but he would not come on duty until midnight. So they strayed around the cemetery, trying hard to look like an average middle-aged couple, and secretly believing that anyone could look at them and tell that they were very unusual people who were about to do a very unusual thing. From five o'clock on they stayed out of Walters' way as he drove around the cemetery looking for stragglers. Mr. Rebeck was afraid that Mrs. Klapper would become bored very quickly, but he realized after a while that she was having a wonderful time playing cops-and-robbers because she knew that it was the last time they would ever do anything like this. It was then that his heartbeats began to hurt, even though the time of leaving was hours away.
Together they sat on the mausoleum steps as the sun went down and ate the little food that he had left over from the previous day. They were oddly shy with each other because they had never eaten together before, but they smiled at each other often and sometimes talked with their mouths full. When the meal was over he brought her a glass of water from the faucet behind the building.
Then he excused himself for a moment and went into the mausoleum, closing the door behind him. The room was dark and stuffy with the sun down, but he had long since ceased to need his eyes here. He knew where everything was: his clothes more or less in one corner; his few books in another, covered with paper bags and waxed paper; his blankets and cushions and raincoat in a third. The raincoat was folded carefully; it was too new to lie crumpled. A tennis ball lay on top of the blankets. The raven had found it in the cemetery, years ago, and had brought it to him. He never used it for anything, but he always kept it where he could see it, even though it had turned greenish-black with age.
It was a very narrow room, he realized, although it had always seemed wide enough for his needs. His mind must look like that to an outsider: many old things cluttered in a narrow space; neat, but without any real order. But, like the room, his mind had always suited him, and he knew that both would continue to do so if he stayed, because there was nothing to compare them with except the barer minds and narrower houses of the dead.
"I must take some things with me," he said aloud. "How can I go to the city again with nothing of my own?" He stooped and picked up an armful of clothes, thinking vaguely that he might sort them out and take the best ones with him. But he had picked up much too many to sort properly, and he held them too close to his chest.
"I must certainly have something of my own," he said hoarsely, and then the door creaked hesitantly and the room brightened a little. Mrs. Klapper stood in the doorway.
"I heard you talking," she said. She saw him standing with his arms full of clothes, and came farther into the room. "Rebeck, what is this? You expecting a moving van?"
"I'm just taking some of my things with me," he said, knowing how ridiculous he must look to her. "I didn't want to leave the place all littered up."
"What's the matter, you can't leave your stuff here one more day? Who's going to steal it? Look, don't load yourself down now, you won't be able to help your friend. We'll come back first thing tomorrow with a couple of big shopping bags and get everything in."
"No," he said quickly. "No. I have to take it now. I won't be coming back."
"All right, so I'll come by myself and get it. Rebeck, don't worry about it, it'll be fine." Gently she took the bundle of clothes from his unresisting arms and held them herself. She smiled at him, and he managed to smile back.
"Rebeck," she said, "you know, if you changed your mind all of a sudden, if you don't want to go, it's all right. You can tell me. It doesn't matter."
With those words she had locked him outside the gate. Until then, he might have stayed.
"Leave them, then," he said, and walked out of the door of the mausoleum for the last time. She followed him a moment later. They held hands as they walked and did not say anything.
Midnight and Campos came
together. It was as if he had ridden the midnight to work the way other people took buses, and tied it outside the black gate to wait for him until he was ready to go home. Mrs. Klapper almost ran the first time she saw the big man, and Campos seemed equally wary of her. She stayed outside the office while he and Mr. Rebeck talked together. The radio was playing all the time.
And inside, shouting sometimes to be heard over the radio, Mr. Rebeck pleaded for Laura and Michael and, because of them, for himself. He never remembered anything he had said to Campos that midnight, as a man has no memory of the words he speaks in his sleep and thinks them the words of a mad stranger when they are repeated to him.
Asking a favor of Campos, Mr. Rebeck thought, was like praying to a jade god with blind onyx eyes. Campos sprawled in his chair with his eyes almost closed and his dark face without expression. Mr. Rebeck left long pauses in his proposition, like blanks in a questionnaire, but Campos never said anything, and he had to go on. He must have talked for fifteen or twenty minutes, with the radio going and Campos hulking in his chair like a blind god.
When he finished speaking, Campos did not move. He stared at Mr. Rebeck with his eyes closing and closing until the last flicker of black had disappeared. Quite still, quite still, Campos; as calm as a window face to face with tragedy.
Then, still blind, he reached out a big hand and turned the radio off.
In the silence Mr. Rebeck heard the breaths of two men, himself and Campos.
Campos opened his eyes and got up. He walked out of the office, leaving the light on. Mr. Rebeck followed him. Mrs. Klapper went with Mr. Rebeck. They had to hurry to keep up with Campos.
Now, squeezed between Mrs. Klapper and the door, with the window open and the hot wind of their passage blowing on his face, Mr. Rebeck looked at his hands. There were new scabs of dried blood on his knuckles, and a scrape on the back of his right hand still bled sluggishly. He had tried to help Campos dig at first, until he scraped his hand and the big man turned on him and told him to go somewhere and sit down. He was rather proud of his bleeding hand as he looked at it. He hoped that Laura could see it.
Mrs. Klapper craned her neck to see what he was looking at. "You put some Mercurochrome on that, first thing," she said. She touched his hand lightly and leaned back.
This thing we have done is illegal, he thought. I ought to tell Campos. Maybe he doesn't know. It is only fair to tell Campos. We will be at the gate very soon.
"Campos," he said. "If the police find out what we have done, they may arrest us."
"Rebeck, don't talk like that," Mrs. Klapper said worriedly. "The devil can hear you."
Campos did not even turn his head. "They won't find out."
"If they do," Mr. Rebeck pressed, "it will certainly cost you your job. I just wanted to tell you."
"Work somewhere else. Street's full of jobs."
"Rebeck, sha!" Mrs. Klapper said. "What kind of talk is this, policemen and losing jobs? Don't worry so much."
"I just wanted to tell Campos," he said to her. He leaned on the window and watched the tombstones go by like sailing ships.
The truck swung wide around a curve, jouncing as one back wheel slipped into a water-filled rut and out again. Mr. Rebeck knew the road well. There were long ridges of earth and dry grass on each side, and few graves. There would be one more curve before the gate.
If he turned around, he knew, he would be able to see Laura. He was sure of it. She would be sitting on her own coffin, looking forward as he was looking back to find her, and she would not be gray in that moment, but the color of morning. Her dress would be the color of morning, too, and of Queen Anne's lace. Her eyes would be as bright as the eyes of a living woman, and her black hair would fall down to her shoulders. It would be nice to turn and see her, to raise his hand to such beauty.
But if he turned she would speak to him, wanting to thank him for what he was doing for her, and he did not think he ought to be thanked.
In his mind, he said to her, "I am taking you to Michael, as you asked, Laura. But it is not life I am taking you to, and you must understand that. I am taking you to the few minutes or hours of happiness that you earned simply by never having them. Though you close your hands on them, they will pass from you like wild birds, and you will not even remember having had them. It might have been a better thing to leave you where you were. The one delusion you never had in your life was the one about the permanence of happiness. This is what I am giving you. Not life. Not even love. Only this. I am sorry that I cannot give you more. In time I may be sorry that I gave you anything at all. Do not thank me for it. Be happy, if you can, but do not thank me."
He looked past Mrs. Klapper to where Campos sat at the wheel, humming very softly to himself. The big man drove well, without seeming to pay much attention either to the road or to the truck itself. But there was a strange expression on his heavy face as he gripped the wheel and hummed his tune. Mr. Rebeck would not have called it love. The truck might have.
On a sudden impulse Mr. Rebeck leaned forward and said "Campos, Laura sang well, didn't she?"
Campos turned slightly to regard him out of dark, calm eyes. He drove with one hand, buttoning his shirt with the other, taking the road without looking at it.
"Pretty good," he said, and turned his head away.
"Thank you, Campos," said Mr. Rebeck.
Mrs. Klapper sighed and wriggled a little, trying to make herself more comfortable between the two men. "Rebeck, who is this Laura? Don't tell me if I shouldn't know."
Is she jealous? he wondered in halting delight. When was a woman ever jealous over me? How late I shall have to begin so many things.
"A woman I knew once," he said. "I'd almost forgotten her."
Then round the last curve, and the hill sloping away before them, and at the bottom of the hill the black gate.
It was wide open. Campos had left it so. To the left, the one light of the caretaker's office still shone; beyond was a deeper, gray-patched darkness that Mr. Rebeck knew must be the street. The gate moved a little in the night air. He could hear it squeak softly, like a bat.
The iron squeaks and murmurs in the ground and the iron snakes slide through the green leaves. The world is crouched to drop on me out of the first green tree. Why am I doing this, what was it I said I would do? Help me now, Laura. Michael, stay with me a little. Somebody stay with me. A man should not go into the world alone.
Halfway down the hill, the light from the caretaker's office blinked blue and went out. The gate disappeared. Mr. Rebeck was not surprised; the bulb had burned all through that night. The only light now came from the truck's headlights, and from the moon, which was pretty but not really useful.
Campos said, "Mierda," as if he were trying to spit out his tongue. He tapped the brake lightly with his foot as a grudging concession to the darkness. The truck slowed a bit, but not much.
"Rebeck," Mrs. Klapper said softly, "you sure?"
He looked at her as she sat next to him, glad she had asked but wanting to tell her that with every escape she offered him she forced him deeper into the world. Did she know that? Probably, he thought. It made no difference.
"No," he said. "I'm not at all sure."
Mrs. Klapper gripped his hand tightly. Her own hand was small and soft, but surprisingly strong. Campos sat behind the wheel and hummed to himself, now and then singing a line or a few words of the song. Mr. Rebeck had never heard it before.
Because the truck's headlights did not reach very far, they did not see the gate again until it was almost upon them. Mr. Rebeck actually rose to his feet, and only knew it when his head bumped on the roof of the cab. Mrs. Klapper held his hand but did not pull at him. Campos did not even bother to look. He hurled the little truck at the gate as if it were a rock to be thrown at a dark window.
It might have been easier if the gate had been the way Mr. Rebeck had dreamed it by night and imagined it by day: the spikes atop it tipped with drying blood, and the iron snakes hissing a silent
warning of silent death, poised to strike at the head and heels of any man who came too close. These could be faced, for he had two friends with him, and a man can draw strength from his friends when the iron snakes are all around him.
But the gate was only a gate, after all, and the spikes were very rusty. The truck brushed against it as it passed through, because Campos took his hand off the wheel for a moment to wipe his nose. And then a new road was under their wheels and the gate was behind them, and Mr. Rebeck became slowly aware that he was standing with his head touching the roof of the cab, that Mrs. Klapper was still holding his hand, and that Campos had never stopped his deep, monotonous humming. He sat down, but he did not look back.
"I made it," he said to Mrs. Klapper. "I made it."
"I was holding my breath all the time," Mrs. Klapper said. Her voice sounded very tired.
Mr. Rebeck looked out of the window. He was fascinated by the houses and the cars parked along the curbs.
"Where are we?" he asked.
"This is all Yorkchester," Mrs. Klapper told him. She pointed past him. "Over there my doctor lives. A wonderful man, only with a bad breath on him like his mouth is a thousand years old. You'd think, he's a doctor, a doctor could do something, but no. A fine man. He plays the violin. Rebeck, I was so worried, I thought I'd go crazy."
"It's all right," Mr. Rebeck said. He was leaning back in his seat with his eyes closed.
"I didn't know what to do. I thought, My God, I made him do this, I dragged him all the way down here, look how frightened he is. I thought, If anything happens to him it's your fault, you stupid woman. Rebeck, you're sure you feel okay? You don't look so good."
"I'm fine," Mr. Rebeck said. They were driving under the elevated railroad that ran past the cemetery. The truck bounced on the cobblestones, coming so close to the El pillars that he could have touched them. They were a reddish-gray in the headlights stippled with soft lumps of paint that were crusted on the outside and semi-liquid underneath. It was dark, four-o'clock dark, but some of the stores along the way had left their neon signs on, and their windows seemed very bright in the empty streets.