The Country Beyond

by Curwood, James Oliver

  Jed Hawkins made no stir. He was strangely limp. For many seconds Jolly Roger stood looking down at him, his eyes growing wider, more staring. Darkness came again. It was an inky blackness this time, like a blotter over the world. Low thunder came out of the west. The tree-tops whispered in a frightened sort of way. And Jolly Roger could hear his heart beating. He dropped upon his knees, and his hands moved over Jed Hawkins. For a space not even Peter could have heard his movement or his breath.

  In the ebon darkness he rose to his feet, and the night—lifelessly still for a moment—heard the one choking word that came from his lips.

  "Dead!"

  And there he stood, the heat of his rage changing to an icy chill, his heart dragging within him like a chunk of lead, his breath choking in his throat. Jed Hawkins was dead! He was growing stiff there in the black trail. He had ceased to breathe. He had ceased to be a part of life. And the wind, rising a little with the coming of storm, seemed to whisper and chortle over the horrible thing, and the lone wolf in Indian Tom's swamp howled weirdly, as if he smelled death.

  Jolly Roger McKay's finger-nails dug into the flesh of his palms. If he had killed the human viper at his feet, if his own hands had meted out his punishment, he would not have felt the clammy terror that wrapped itself about him in the darkness. But he had come too late. It was Nada who had killed Jed Hawkins. Nada, with her woman's soul just born in all its glory, had taken the life of her foster-father. And Canadian law knew no excuse for killing.

  The chill crept to his finger-tips, and unconsciously, in a childish sort of way, he sobbed between his clenched teeth. The thunder was rolling nearer, and it was like a threatening voice, a deep-toned booming of a thing inevitable and terrible. He felt the air shivering about him, and suddenly something moved softly against his foot, and he heard a questioning whine. It was Peter—come back to him in this hour when he needed a living thing to give him courage. With a groan he dropped on his knees again, and clutched his hands about Peter.

  "My God," he breathed huskily. "Peter, she's killed him. And she mustn't know. We mustn't let anyone know—"

  And there he stopped, and Peter felt him growing rigid as stone, and for many moments Jolly Roger's body seemed as lifeless as that of the man who lay with up-turned face in the trail. Then he fumbled in a pocket and found a pencil and an old envelope. And on the envelope, with the darkness so thick he could not see his hand, he scribbled, "I killed Jed Hawkins," and after that he signed his name firmly and fully—"Jolly Roger McKay."

  Then he tucked the envelope under Jed Hawkins' body, where the rain could not get at it. And after that, to make the evidence complete, he covered the dead man's face with his coat.

  "We've got to do it, Peter," he said, and there was a new note in his voice as he stood up on his feet again. "We've got to do it—for her. We'll—tell her we caught Jed Hawkins in the trail and killed him."

  Caution, cleverness, his old mental skill returned to him. He dragged the boot-legger's body to a new spot, turned it face down, threw the club away, and kicked up the earth with his boots to give signs of a struggle.

  The note in his voice was triumph—triumph in spite of its heartbreak—as he turned back over the trail after he had finished, and spoke to Peter.

  "We may have done some things we oughtn't to, Pied-Bot," he said, "but tonight I sort o' think we've tried to make—restitution. And if they hang us, which they probably will some time, I sort o' think it'll make us happy to know we've done it—for her. Eh, Pied-Bot?"

  And the moon sailed out for a space, and shone on the dead whiteness of Jolly Roger's face. And on the lips of that face was a strange, cold smile, a smile of mastery, of exaltation, and the eyes were looking straight ahead—the eyes of a man who had made his sacrifice for a thing more precious to him than his God.

  Only now and then did the moon gleam through the slow-moving masses of black cloud when he came to the edge of the Indian settlement clearing three miles away, where stood the cabin of the Missioner. The storm had not broken, but seemed holding back its forces for one mighty onslaught upon the world. The thunder was repressed, and the lightning held in leash, with escaping flashes of it occasionally betraying the impending ambuscades of the sky.

  The clearing itself was a blot of stygian darkness, with a yellow patch of light in the center of it—the window of the Missioner's cabin. And Jolly Roger stood looking at it for a space, as a carven thing of rock might have stared. His heart was dead. His soul crushed. His dream broken. There remained only his brain, his mind made up, his worship for the girl—a love that had changed from a thing of joy to a fire of agony within him. Straight ahead he looked, knowing there was only one thing for him to do. And only one. There was no alternative. No hope. No change of fortune that even the power of God might bring about. What lay ahead of him was inevitable.

  After all, there is something unspeakable in the might and glory of dying for one's country—or for a great love. And Jolly Roger McKay felt that strength as he strode through the blackness, and knocked at the door, and went in to face Nada and the little old gray-haired Missioner in the lampglow.

  Swift as one of the flashes of lightning in the sky the anxiety and fear had gone out of Nada's face, and in an instant it was flooded with the joy of his coming. She did not mark the strange change in him, but went to him as she had gone to him in the trail, and Jolly Roger's arms closed about her, but gently this time, and very tenderly, as he might have held a little child he was afraid of hurting. Then she felt the chill of his lips as she pressed her own to them. Startled, she looked up into his eyes. And as he had done in the trail, so now Jolly Roger stood her away from him, and faced the Missioner. In a cold, hard voice he told what had happened to Nada that evening, and of the barbarous effort Jed Hawkins had made to sell her to Mooney. Then, from a pocket inside his shirt, he drew out a small, flat leather wallet, and thrust it in the little Missioner's hand.

  "There's close to a thousand dollars in that," he said. "It's mine. And I'm giving it to you—for Nada. I want you to keep her, and care for her, and mebby some day—"

  With both her hands Nada clutched his arm. Her eyes had widened. Swift pallor had driven the color from her face, and a broken cry was in her voice.

  "I'm goin' with you," she protested. "I'm goin' with you—and Peter!"

  "You can't—now," he said. "I've got to go alone, Nada. I went back—and I killed Jed Hawkins."

  Over the roof of the cabin rolled a crash of thunder. As the explosion of it rocked the floor under their feet, Jolly Roger pointed to a door, and said,

  "Father, if you will leave us alone—just a minute—"

  White-faced, clutching the wallet, the little gray Missioner nodded, and went to the door, and as he opened it and entered into the darkness of the other room he saw Jolly Roger McKay open wide his arms, and the girl go into them. After that the storm broke. The rain descended in a deluge upon the cabin roof. The black night was filled with the rumble and roar and the hissing lightning-flare of pent-up elements suddenly freed of bondage. And in the darkness and tumult the Missioner stood, a little gray man of tragedy, of deeply buried secrets, a man of prayer and of faith in God—his heart whispering for guidance and mercy as he waited. The minutes passed. Five. Ten. And then there came a louder roaring of the storm, shut off quickly, and the little Missioner knew that a door was opened—and closed.

  He lifted the latch, and looked out again into the lampglow. Huddled at the side of a chair on the floor, her arms and face buried in the lustrous, disheveled mass of her shining hair—lay Nada, and close beside her was Peter. He went to her. Tenderly he knelt down beside her. His thin arm went about her, and as the storm raved and shrieked above them he tried to comfort her—and spoke of God.

  And through that storm, his head bowed, his heart gone, went Jolly Roger McKay—heading north.

  CHAPTER VIII

  Peter, thrust back from the door through which through which his master had gone, listened vainly for t
he sound of returning footsteps in the beat of rain and the crash of thunder outside. A strange thing had burned itself into his soul, a thing that made his flesh quiver and set hot fires running in his blood. As a dog sometimes senses the stealthy approach of death, so he began to sense the tragedy of this night that had brought with it not only a chaos of blackness and storm, but an anguish which roused an answering whimper in his throat as he turned toward Nada.

  She was crumpled with her head in her arms, where she had flung herself with Jolly Roger's last kiss of worship on her lips, and she was sobbing like a child with its heart broken. And beside her knelt the old gray Missioner, man of God in the deep forest, who stroked her hair with his thin hand, whispering courage and consolation to her, with the wind and rain beating overhead and the windows rattling to the accompaniment of ghostly voices that shrieked and wailed in the tree-tops outside.

  Peter trembled at the sobbing, but his heart and his desire were with the man who had gone. In his unreasoning little soul it was Jed Hawkins who was rattling the windows with his unseen hands and who was pounding at the door with the wind, and who was filling the black night with its menace and fear. He hated this man, who lay back in the trail with his lifeless face turned up to the deluge that poured out of the sky. And he was afraid of the man, even as he hated him, and he believed that Nada was afraid of him, and that because of her fear she was crying there in the middle of the floor, with Father John patting her shoulder and stroking her hair, and saying things to her which he could not understand. He wanted to go to her. He wanted to feel himself close against her, as Nada had held him so often in those hours when she had unburdened her grief and her unhappiness to him. But even stronger than this desire was the one to follow his master.

  He went to the door, and thrust his nose against the crack at the bottom of it. He felt the fierceness of the wind fighting to break in, and the broken mist of it filled his nostrils. But there came no scent of Jolly Roger McKay. For a moment he struggled at the crack with his paws. Then he flopped himself down, his heart beating fast, and fixed his eyes inquiringly on Nada and the Missioner.

  His four and a half months of life in the big wilderness, and his weeks of constant comradeship with Jolly Roger, had developed in him a brain that was older than his body. No process of reasoning could impinge upon him the fact that his master was an outlaw, but with the swift experiences of tragedy and hiding and never-ceasing caution had come instinctive processes which told him almost as much as reason. He knew something was wrong tonight. It was in the air. He breathed it. It thrilled in the crash of thunder, in the lightning fire, in the mighty hands of the wind rocking the cabin and straining at the windows. And vaguely the knowledge gripped him that the dead man back in the trail was responsible for it all, and that because of this something that had happened his mistress was crying and his master was gone. And he believed he should also have gone with Jolly Roger into the blackness and mystery of the storm, to fight with him against the one creature in all the world he hated—the dead man who lay back in the thickness of gloom between the forest walls.

  And the Missioner was saying to Nada, in a quiet, calm voice out of which the tragedies of years had burned all excitement and passion:

  "God will forgive him, my child. In His mercy He will forgive Roger McKay, because he killed Jed Hawkins to save YOU. But man will not forgive. The law has been hunting him because he is an outlaw, and to outlawry he has added what the law will call murder. But God will not look at it in that way. He will look into the heart of the man, the man who sacrificed himself—"

  And then, fiercely, Nada struck up the Missioner's comforting hand, and Peter saw her young face white as star-dust in the lampglow.

  "I don't care what God thinks," she cried passionately. "God didn't do right today. Mister Roger told me everything, that he was an outlaw, an' I oughtn't to marry him. But I didn't care. I loved him. I could hide with him. An' we were coming to have you marry us tonight when God let Jed Hawkins drag me away, to sell me to a man over on the railroad—an' it was God who let Mister Roger go back and kill him. I tell you He didn't do right! He didn't—he didn't—because Mister Roger brought me the first happiness I ever knew, an' I loved him, an' he loved me—an' God was wicked to let him kill Jed Hawkins—"

  Her voice cried out, a woman's soul broken in a girl's body, and Peter whimpered and watched the Missioner as he raised Nada to her feet and went with her into his bedroom, where a few minutes before he had lighted a lamp. And Peter crept in quietly after them, and when the Missioner had gone and closed the door, leaving them alone in their tragedy, Nada seemed to see him for the first time and slowly she reached out her arms.

  "Peter!" she whispered. "Peter—Peter—"

  In the minutes that followed, Peter could feel her heart beating. Clutched against her breast he looked up at the white, beautiful face, the trembling throat, the wide-open blue eyes staring at the one black window between them and the outside night. A lull had come in the storm. It was quiet and ominous stillness, and the ticking of a clock, old and gray like the Missioner himself, filled the room. And Nada, seated on the edge of Father John's bed, no longer looked like the young girl of "seventeen goin' on eighteen." That afternoon, in the hidden jackpine open, with its sweet-scented jasmines, its violets and its crimson strawberries under their feet, the soul of a woman had taken possession of her body. In that hour the first happiness of her life had come to her. She had heard Jolly Roger McKay tell her those things which she already knew—that he was an outlaw, and that he was hiding down on the near-edge of civilization because the Royal Mounted were after him farther north—and that he was not fit to love her, and that it was a crime to let her love him. It was then the soul of the woman had come to her in all its triumph. She had made her choice, definitely and decisively, without hesitation and without fear. And now, as she stared unseeingly at the window against which the rain was beating, the woman in her girlish body rose in her mightier than in the hour of her happiness, fighting to find a way—crying out for the man she loved.

  Her mind swept back in a single flash through all the years she had lived, through her years of unhappiness and torment as the foster-girl of Jed Hawkins and his broken, beaten wife; through summers and winters that had seemed ages to her, eternities of desolation, of heartache, of loneliness, with the big wilderness her one friend on earth. As the window rattled in a fresh blast of storm, she thought of the day months ago when she had accidentally stumbled upon the hiding-place of Roger McKay. Since that day he had been her God, and she had lived in a paradise. He had been father, mother, brother, and at last—what she most yearned for—a lover to her. And this day, when for the first time he had held her in his arms, when the happiness of all the earth had reached out to them, God had put it into Jed Hawkins' heart to destroy her—and Jolly Roger had killed him!

  With a sharp little cry she sprang to her feet, so suddenly that Peter fell with a thump to the floor. He looked up at her, puzzled, his jaws half agape. She was breathing quickly. Her slender body was quivering. Suddenly Peter saw the fire in her eyes and the flame that was rushing into her white cheeks. Then she turned to him, and panted in a wild little whisper, so low that the Missioner could not hear:

  "Peter, I was wrong. God wasn't wicked to let Mister Roger kill Jed Hawkins. He oughta been killed. An' God meant him to be killed. Peter—Peter—we don't care if he's an outlaw! We're goin' with him. We're goin'—goin'—"

  She sprang to the window, and Peter was at her heels as she strained at it with all her strength, and he could hear her sobbing:

  "We're goin' with him, Peter. We're goin'—if we die for it!"

  An inch at a time she pried the window up. The storm beat in. A gust of wind blew out the light, but in the last flare of it Nada saw a knife in an Eskimo sheath hanging on the wall. She groped for it, and clutched it in her hand as she climbed through the window and dropped to the soggy ground beneath. In a single leap Peter followed her. Blackness swallowed th
em as they turned toward the trail leading north—the only trail which Jolly Roger could travel on a night like this. They heard the voice of the Missioner calling from the window behind them. Then a crash of thunder set the earth rolling under their feet, and the lull in the storm came to an end. The sky split open with the vivid fire of lightning. The trees wailed and whined, the rain fell again in a smothering deluge, and through it Nada ran, gripping the knife as her one defense against the demons of darkness—and always close at her side ran Peter.

  He could not see her in that pitchy blackness, except when the lightning flashes came. Then she was like a ghostly wraith, with drenched clothes clinging to her until she seemed scarcely dressed, her wet hair streaming and her wide, staring eyes looking straight ahead. After the lightning flashes, when the world was darkest, he could hear the stumbling tread of her feet and the panting of her breath, and now and then the swish of brush as it struck across her face and breast. The rain had washed away the scent of his master's feet but he knew they were following Jolly Roger, and that the girl was running to overtake him. In him was the desire to rush ahead, to travel faster through the night, but Nada's stumbling feet and her panting breath and the strange white pictures he saw of her when the sky split open with fire held him back. Something told him that Nada must reach Jolly Roger. And he was afraid she would stop. He wanted to bark to give her encouragement, as he had often barked in their playful races in the green plain-lands on the farther side of Cragg's Ridge. But the rain choked him. It beat down upon him with the weight of heavy hands, it slushed up into his face from pools in the trail and drove the breath from him when he attempted to open his jaws. So he ran close—so close that at times Nada felt the touch of his body against her.

  In these first minutes of her fight to overtake the man she loved Nada heard but one voice—a voice crying out from her heart and brain and soul, a voice rising above the tumult of thunder and wind, urging her on, whipping the strength from her frail body in pitiless exhortation. Jolly Roger was less than half an hour ahead of her. And she must overtake him—quickly—before the forests swallowed him, before he was gone from her life forever.