(1961) The Prize

by Irving Wallace

  But then the telephone rang, and Craig turned away from the window and his speculations to answer it, and when he was finished, he was also finished with Taos and Monterey and Peru, only he did not know it yet. He did not know, either, that he had just joined the New York club, for most of four years at least.

  The telephone had been an invitation to a New Year’s Eve party from an army friend, Wilson by name, with whom he had been discharged at Fort Dix. The cherubic Wilson was not a particularly close friend. He was a lightweight, and wealthy, or at least his mother was, and Craig accepted because he supposed the food would be good, and it was the only New Year’s Eve invitation he had.

  Fortified by two drinks, he arrived in the plush apartment after ten o’clock. The food was, indeed, good, but what was better was Miss Harriet Decker. When Wilson had introduced him to the nearest drunks at hand, Harriet had been stretched supine on the sofa, in stockinged feet, her head in someone’s lap, as was the fashion for that age that year. She was one of many guests horizontal, but the only guest completely sober. She had acknowledged Craig by shading her eyes, passing her gaze up his lank figure, and saying, ‘Hi, up there.’

  He had come to the party alone, but when he departed at three in the morning, it was with Harriet. At five in the morning of the first day of the brand-new year, he sat in the Automat with Harriet and knew that she had parents and a younger sister in Springfield, Illinois, that she had undergone a mastoid operation at age thirteen, that she had read Of Human Bondage three times and Frank Harris’s My Life and Loves in duplicated copy, that she had quit Barnard College in the third year to write copy for a large advertising agency, and that she was in love with him just as much as as he was in love with her.

  Now he found that New York oppressed him less, and he wrote his stories in the day and saw Harriet every night, and four months after he had met her, they were man and wife. They leased a spacious, unfurnished flat in Long Island, and did it together for comfort, not show, and at the end of the first year, Harriet had a miscarriage, and he had money enough to give her the deferred honeymoon abroad.

  The trip was wonderful. They were younger than young, and who on earth had called their new world Old World? They felt wealthy with the black-market money exchanged on street corners, and bought a brown leather-and-teak chair in Stockholm, wooden shoes in Amsterdam, a Picasso pencil sketch and antique bidet in Paris, a Toledo desk set and skin bota in Madrid, a crystal chandelier in Venice.

  In Rome, the first afternoon, they had a pilgrimage to make. From the starkly modern Mediterraneo Hotel, they took a battered taxi to the Protestant Cemetery, and then dismissed the driver. At the gate they waited, until a little black-eyed boy opened it, and then they went up the gravel walk, climbing, and then turned to the left and continued to the highest rise near the ancient Roman wall, and there they found the white slab pressed in the earth—Percy Bysshe Shelley—or what had been left of Shelley saved from the pyre on the beach at Viareggio—and beside him, so eager to be beside him, the one who had buried him here, the old pirate, Edward John Trelawny.

  As Harriet and Andrew Craig stood in mourning, the sun came through the great quiet trees and touched each grave, and the gentle silence that day made death seem lovely and possible, the peaceful resting after the long travail. Later, they had walked hand in hand downwards, beyond the Pyramid of Cestius, and arrived below, at the far corner of the cemetery, where stood the majestic shaft without a name—writ on water—and beside it, vigilant, faithful, the resting-place of Joseph Severn.

  Shelley and Keats. That day, Craig felt an affinity for them, felt a sense of history as had they, felt that he was not one of the faceless of the world, the nonentities of time who come, stay briefly, and are blown away into nothingness, forgotten and unremembered as the flying sands on a windswept beach. He, too, would leave a shaft on earth that would stand as long as men stood or could incline their heads before it. That day, in Rome, he knew strength and purpose, and he was filled with his uniqueness and his mission.

  The feeling that had seized him in the Protestant Cemetery expanded and solidified in the next days as he walked beside Harriet through the city. One afternoon, passing the Colosseum and Venus Temple, passing the Constantine Arch, they entered the remains of the Roman Forum, baked hot in the remorseless sun. Ahead of him, beyond the jagged fragments of a powerful and cruel civilization and time, Craig could see the broken colonnades and tossed stones of the once Imperial Palace. Above it was left pitifully few of the pillars behind which Julius Caesar, writhing like a helpless animal at the base of Pompey’s statue, had taken the twenty-three stabs that extinguished his life.

  The greatness and smallness of man, and more than that, the continuity and eternity of man, held Craig silent. Minutes later, still looking up, he took Harriet’s arm. ‘I think, at last, I know how, how Edward Gibbon felt—how he could have been inspired to tackle the work of a lifetimes—’

  Harriet nodded, and quietly, she recited the words of Gibbon. ‘ “It was at Rome on the 15th of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted friars were singing vespers in the temple of Jupiter, that the idea of writing the decline and fall of the city first started in my mind.” ’

  Four weeks later, the Craigs arrived in New York City. Five weeks later, Andrew Craig wrote the first page of his first and best novel, The Perfect State.

  The novel had its roots in history. Somewhere, Craig had read that the philosopher, Plato, having advanced his radical ideas for a Utopia to his students, in the suburban grove known as the Academy, had once been given the opportunity to practise what he had so long preached in his thirty-six Dialogues. In Syracuse, capital of Sicily, the new, twenty-five-year-old dictator, Dionysius II, had been prevailed upon to invite Plato to reform both the dictator and his government. In 367 B.C., Plato travelled to Syracuse to install Utopia. Not only did he attempt to establish a constitutional monarchy, but he tried to introduce the perfect socialized state—the Republic—where men were to be directed into certain occupations by elimination tests. The most brilliant were to continue their study of philosophy until the age of fifty, when they would be made rulers, and would live on together, without personal advantage or gain, in common quarters; children were to be taken from their parents at birth and raised by the state; women to be emancipated and allowed careers, and permitted to marry only under eugenic control; foreign trade was to be eliminated; profits to be curbed so that no single individual might acquire more than four times the wealth of the average man.

  This was the perfect state that Plato had intended to experiment with in Syracuse. Dionysius II was horrified by the philosopher’s suggestions. He rebelled, sold the hapless Plato into slavery, and returned to his beloved autocracy, his drinking, and his lechery. Meanwhile, Plato was ransomed from his slavery by a pupil, Anniceris, and he returned to Athens and the Academy, considerably disillusioned, and determined to keep his Utopia theoretical thereafter.

  Working from these few facts, Craig constructed the plot of his first novel. It was narrated as if the action were seen through the eyes of the young student, Anniceris, as he accompanied his teacher and hero, Plato, to Syracuse to inaugurate a formal Utopia. Taking licence with history, Craig had Plato actually put his reforms into practice. Skilfully, he showed that it was not Dionysius II who undermined Utopia, but the people themselves. Plato’s philosophic communism fought a losing battle against human nature. Men did not want their life’s work enforced and inflexible, and they did not wish limits to their incentive and their income. Women did not want love scientifically controlled, and did not wish their offspring taken from them and raised by the state. In the novel, as Utopia disintegrated all about him, even Anniceris’s faith in his master and the perfect state was shaken. In the end, after saving Plato from the fury of the mob, Anniceris returned to Syracuse, thus symbolizing man’s preference for individual freedom, despite its attendant ills.

  Although his novel was laid i
n 367 B.C., Craig deliberately aimed his shaft at twentieth-century Communism. While the tale was a drama of ancient times, it was the perfect transmitting agent for Craig’s deepest inner feelings about the spreading ideas of Marx and Engels. The novel was published shortly after Craig’s second wedding anniversary. The reviewers welcomed it as a minor classic, one told with controlled wit, magnificent irony, and bursts of passion. But its setting, so remote in time, and its subtle allegory had little appeal to the mass of readers. There were two printings, totalling 7,500 copies, and there were no more. Craig had his literary foothold, his cult, and his meagre savings account.

  It took Craig two years to produce his second book, because he was constantly stopping and starting again, forced to write formula short stories in between, to keep Harriet and himself alive. The second novel was The Savage. Again, Craig embellished a factual character and incident. The novel was set in 1782, and the hero was Simon Girty, a fierce and angry American frontiersman, who abandoned his people to become a white Indian and an Indian chief and to lead Shawnee redskins on raids through Ohio, Kentucky, Pennsylvania, and Virginia. History knew Girty for a brutal renegade. Craig saw him as something more, as a nonconformist and a defender of a lost cause. When he wrote of Girty, Craig was writing of all men, in all times, but especially in his own time, who invite crucifixion by crusading against injustice.

  With this book, Craig did not make his point at all. His agent, his publisher, his reviewers, his readers, could not see what he was driving at. They saw only the surface story—an exciting, roughneck hero, an action plot, a slice of Americana, a superior Western—and that was more than enough. The novel sold 22,000 copies in hardback; it sold for a modest sum to a new paperback reprinter; it sold for $50,000 to a major motion picture studio.

  The total income from The Savage was not a fortune, but even after taxes, it was sufficient to liberate Craig from the tiresome short stories. Creatively, he was bursting with projects. One, especially, appealed to him. If he could carry it off, he knew it would be a tour de force. He called it The Black Hole, and lunching at the Twenty-One club, he told it to his publisher. The framework, he explained, was historically accurate. In 1756, India rose up against the British. The new Indian ruler, nineteen-year-old Siraj-ud-daula, too young to be merciful, captured 146 English fugitives from the garrison and imprisoned them in a Calcutta military cell only 18 by 14 feet in size. In his novel, Craig wanted to dramatize the hell of that one June night in the Black Hole of Calcutta, what the calvary did to men’s characters and souls, why 23 survived the night, and how they survived it, and why 123 did not survive it, and how they died. This much Craig related to his publisher, and no more. What he withheld was the theme that lurked behind the mask of history: a polemic against colonialism and white superiority. The publisher’s enthusiasm knew no bounds, and the advance he offered was a generous one.

  The Girty windfall had freed Craig from magazines; the current advance freed him from New York. Both Harriet and he had grown weary of New York, and both were filled with new life, she with the embryo of their child that she did not wish to raise in the city, and he with the new novel that had grown in his mind. Also, he had become tired of his New York literary set. He had finally agreed with George Bernard Shaw’s remark to John Galsworthy that ‘literary men should never associate with one another, not only because of their cliques and hatreds and envies, but because their minds inbreed and produce abortions.’

  For months, he and Harriet had spoken wistfully of a town in Wisconsin, once visited while driving to Madison to see Harriet’s sister Leah at the university. After four years in New York, Miller’s Dam seemed the fairest paradise. When the money from The Black Hole came in, the Craigs impulsively pulled up stakes and moved back to their Midwestern beginnings.

  Miller’s Dam was situated sixty miles north-west of Milwaukee. Riding inland from Lake Michigan, the countryside rose and fell gracefully, like long, lazy ocean swells. This was rich earth, rural earth, and every hillock seemed alive with small living things unseen. The actual landscape that year was bright, clear, and unvaried, except for the occasional billboards and road signs pointing to a petrol station or hamburger shack that erupted among the endless windmills and red barns, yellow haystacks, fields of bending cornstalks, and herds of speckled cows grazing indolently on the dry green slopes.

  Suddenly, homesteads filled the landscape, and they were in Miller’s Dam (pop. 1,475), a cluster of shops, a drugstore, a sheriff’s station, a hotel, a bank, a pool hall, a theatre, all bisected by the little-travelled cement highway. The town was worked in, but not lived in, except for the familiar travelling salesmen in the hotel and the few old couples who dwelt in the rear of their stores. Almost everyone lived on the fringes of the town, where vacant land was plentiful, in two-storey flats or bungalows with front porches, or farther out, on parcels of worked farmland. Harriet and Andrew Craig conformed, and were glad to do so because they wanted space. They bought the Hartog house, a big stucco-and-frame structure, on two acres, located three miles north of Main Street on Wheaton Road.

  From the first day, they felt that they belonged in this isolated, idyllic place, and their feeling of having come home again survived even the pain of Harriet’s second miscarriage in her fifth month. Not long after that heartbreak, the routine was once more pleasant and productive. Craig wrote furiously on his typewriter in the mornings, and again after lunch until two o’clock in the afternoon. Then he would read in the back garden, or hit golf balls, or snip at his hedges and plant in his gardens. Often, he would drive into town to pass the time with Lucius Mack, or look in on Randolph’s pool hall to learn the baseball scores from Chicago or play a game of snooker, or pick up Dr. Marks and go for a swim at Lawson Lake. Harriet joined the Ladies’ Aid Society, and exchanged visits with the faculty wives at Joliet, and sometimes she worked with the summer repertory company at Lawson Lake in Marquette County. They belonged to the Lawson Country Club, and faithfully attended the Friday night dances, and when they wanted more excitement, they spent their weekends in Milwaukee or Chicago.

  Until Harriet’s parents moved to California, they came up frequently from Springfield. Eventually, they were supplanted by Harriet’s sister Leah, who had graduated from Wisconsin University and was teaching in a school on Chicago’s North Side. In the four years of Leah’s comings and goings, Craig was hardly aware of her. He knew that she was in awe of him as a professional writer. He knew that she worshipped her sister. He did not know, until Harriet told him, that she was unhappy. She disliked teaching. She disliked her life in Chicago. She disliked being single, yet could not make up her mind to marry the diffident, shy young man, Harry Beazley, a teacher also, to whom she had been engaged for one year.

  Craig was writing well in Miller’s Dam. The Black Hole was completed in a year, and Craig was proud of it. His publisher had high hopes, and offered a first printing of 10,000 copies. But the public was not interested, and 3,000 copies were remaindered on the bargain counters. There were two play options, but they came to nothing. By then, Craig did not care, for he had researched and was already writing Armageddon.

  The fourth novel was based on the actual volcanic explosion of the tropical island of Krakatoa, in the Dutch East Indies, in August of 1883. The explosion, which wiped Krakatoa off the map, had sent a tidal wave eighty feet high around the world. It dropped blocks of pumice on Australia. It capsized fishing vessels in the English Channel. It created the sounds of thunder over Texas. It broke barographs in Moscow. It blotted out 163 villages and 36,380 lives. Craig’s narrative told the story of the behaviour of a seemingly unrelated chain of people, scattered from the Strait of Sunda and Singapore to Washington, D.C., under the pressure of a natural catastrophe greater than the lava that covered Pompeii or the earthquake that brought down San Francisco.

  The novel was published during Craig’s fourth year in Miller’s Dam. His parable was missed by no one. Krakatoa was a fore-shadowing of the hydrogen bomb and nuclear
warfare. What made the terrifying warning and lesson acceptable was that the described event had occurred in the past, and could be digested and understood while there was still hope. Armageddon sold 40,000 copies. It received a large advance from a paperback publisher. There were nineteen foreign editions, and it sold to a television network for a two-hour dramatic spectacular.

  The money came when it was most needed. Craig invested in stocks and bonds against the unpredictable future of his next novels, painted and repaired his house, allowed Harriet to buy new furniture, and indulged himself in the latest-model low-priced station-wagon.

  This was their happiest year in Miller’s Dam, and the best of their eight years of married life. The month before his birthday, late that year, encouraged by Harriet, Craig accepted the one inner challenge that had so long nettled him. He had been disturbed by his own persistent retreat into the past for settings for his novels. This seemed to be an unconscious avoidance of current hard realities, a continual hiding of today’s people and their problems, and himself, too, behind period costumes. The new novel would be a modern one, and tentatively he called it Return to Ithaca.

  The morning of his birthday, he allowed Harriet to read the first chapter. The afternoon of his birthday, they hiked in the meadows and talked and talked and decided to adopt a child. The night of his birthday it rained, and over his protests Harriet dragged him out to the Lawson Country Club, where he was genuinely overwhelmed by the surprise party that she had arranged. They ate, he cut the cake and opened the presents. They danced. He had four drinks and Harriet had two. He rarely drank, except at parties, and this was twice as many as he usually drank. He felt good and told Harriet that he wanted to get home and make love to her. The midnight of his birthday they slipped out of the party, and he started the station-wagon across the slippery highway back to home and bed. Ten minutes later, Harriet Craig was dead and Andrew Craig lay unconscious over the broken steering wheel of the new station-wagon.