The Penguin Book of the British Short Story, Volume 1
Page 57
My instant thought was that Gip mustn’t see him. I turned about, and there was Gip quite preoccupied with the shopman, and thinking no evil. They were whispering together and looking at me. Gip was standing on a little stool, and the shopman was holding a sort of big drum in his hand.
‘Hide and seek, dadda!’ cried Gip. ‘You’re He!’
And before I could do anything to prevent it, the shopman had clapped the big drum over him.
I saw what was up directly. ‘Take that off,’ I cried, ‘this instant! You’ll frighten the boy. Take it off!’
The shopman with the unequal ears did so without a word, and held the big cylinder towards me to show its emptiness. And the little stool was vacant! In that instant my boy had utterly disappeared? …
You know, perhaps, that sinister something that comes like a hand out of the unseen and grips your heart about. You know it takes your common self away and leaves you tense and deliberate, neither slow nor hasty, neither angry nor afraid. So it was with me.
I came up to this grinning shopman and kicked his stool aside.
‘Stop this folly!’ I said. ‘Where is my boy?’
‘You see,’ he said, still displaying the drum’s interior, ‘there is no deception—’
I put out my hand to grip him, and he eluded me by a dexterous movement. I snatched again, and he turned from me and pushed open a door to escape. ‘Stop!’ I said, and he laughed, receding. I leapt after him – into utter darkness.
Thud!
‘Lor’ bless my ’eart! I didn’t see you coming, sir!’
I was in Regent Street, and I had collided with a decent-looking working man; and a yard away, perhaps, and looking a little perplexed with himself, was Gip. There was some sort of apology, and then Gip had turned and come to me with a bright little smile, as though for a moment he had missed me.
And he was carrying four parcels in his arm!
He secured immediate possession of my finger.
For the second I was rather at a loss. I stared round to see the door of the magic shop, and, behold, it was not there! There was no door, no shop, nothing, only the common pilaster between the shop where they sell pictures and the window with the chicks! …
I did the only thing possible in that mental tumult; I walked straight to the kerbstone and held up my umbrella for a cab.
‘ ’Ansoms,’ said Gip, in a note of culminating exultation.
I helped him in, recalled my address with an effort, and got in also. Something unusual proclaimed itself in my tail-coat pocket, and I felt and discovered a glass ball. With a petulant expression I flung it into the street.
Gip said nothing.
For a space neither of us spoke.
‘Dada!’ said Gip, at last, ‘that was a proper shop!’
I came round with that to the problem of just how the whole thing had seemed to him. He looked completely undamaged – so far, good; he was neither scared nor unhinged, he was simply tremendously satisfied with the afternoon’s entertainment, and there in his arms were the four parcels.
Confound it! what could be in them?
‘Um!’ I said. ‘Little boys can’t go to shops like that every day.’
He received this with his usual stoicism, and for a moment I was sorry I was his father and not his mother, and so couldn’t suddenly there, coram publico, in our hansom, kiss him. After all, I thought, the thing wasn’t so very bad.
But it was only when we opened the parcels that I really began to be reassured. Three of them contained boxes of soldiers, quite ordinary lead soldiers, but of so good a quality as to make Gip altogether forget that originally these parcels had been Magic Tricks of the only genuine sort, and the fourth contained a kitten, a little living white kitten, in excellent health and appetite and temper.
I saw this unpacking with a sort of provisional relief. I hung about in the nursery for quite an unconscionable time …
That happened six months ago. And now I am beginning to believe it is all right. The kitten had only the magic natural to all kittens, and the soldiers seem as steady a company as any colonel could desire. And Gip—?
The intelligent parent will understand that I have to go cautiously with Gip.
But I went so far as this one day. I said, ‘How would you like your soldiers to come alive, Gip, and march about by themselves?’
‘Mine do,’ said Gip. ‘I just have to say a word I know before I open the lid.’
‘Then they march about alone?’
‘Oh, quite, dadda. I shouldn’t like them if they didn’t do that.’
I displayed no unbecoming surprise, and since then I have taken occasion to drop in upon him once or twice, unannounced, when the soldiers were about, but so far I have never discovered them performing in anything like a magical manner …
It’s so difficult to tell.
There’s also a question of finance. I have an incurable habit of paying bills. I have been up and down Regent Street several times, looking for that shop. I am inclined to think, indeed, that in that matter honour is satisfied, and that, since Gip’s name and address are known to them, I may very well leave it to these people, whoever they may be, to send in their bill in their own time.
M. R. James
The Stalls of Barchester Cathedral
This matter began, as far as I am concerned, with the reading of a notice in the obituary section of the Gentleman’s Magazine for an early year in the nineteenth century:
‘On February 26th, at his residence in the Cathedral Close of Barchester, the Venerable John Benwell Haynes, D.D., aged 57, Archdeacon of Sowerbridge and Rector of Pickhill and Candley. He was of —— College, Cambridge, and where, by talent and assiduity, he commanded the esteem of his seniors; when, at the usual time, he took his first degree, his name stood high in the list of wranglers. These academical honours procured for him within a short time a Fellowship of his College. In the year 1783 he received Holy Orders, and was shortly afterwards presented to the perpetual Curacy of Ranxton-sub-Ashe by his friend and patron the late truly venerable Bishop of Lichfield … His speedy preferments, first to a Prebend, and subsequently to the dignity of Precentor in the Cathedral of Barchester, form an eloquent testimony to the respect in which he was held and to his eminent qualifications. He succeeded to the Archdeaconry upon the sudden decease of Archdeacon Pulteney in 1810. His sermons, ever conformable to the principles of the religion and Church which he adorned, displayed in no ordinary degree, without the least trace of enthusiasm, the refinement of the scholar united with the graces of the Christian. Free from sectarian violence, and informed by the spirit of the truest charity, they will long dwell in the memories of his hearers. (Here a further omission.) The productions of his pen include an able defence of Episcopacy, which, though often perused by the author of this tribute to his memory, afford but one additional instance of the want of liberality and enterprise which is a too common characteristic of the publishers of our generation. His published works are, indeed, confined to a spirited and elegant version of the Argonautica of Valerius Flaccus, a volume of Discourses upon the Several Events in the Life of Joshua, delivered in his Cathedral, and a number of the charges which he pronounced at various visitations to the clergy of his Archdeaconry. These are distinguished by etc., etc. The urbanity and hospitality of the subject of these lines will not readily be forgotten by those who enjoyed his acquaintance. His interest in the venerable and awful pile under whose hoary vault he was so punctual an attendant, and particularly in the musical portion of its rites, might be termed filial, and formed a strong and delightful contrast to the polite indifference displayed by too many of our Cathedral dignitaries at the present time.’
The final paragraph, after informing us that Dr Haynes died a bachelor, says:
‘It might have been augured that an existence so placid and benevolent would have been terminated in a ripe old age by a dissolution equally gradual and calm. But how unsearchable are the workings of Providence! The peaceful and ret
ired seclusion amid which the honoured evening of Dr Haynes’ life was mellowing to its close was destined to be disturbed, nay, shattered, by a tragedy as appalling as it was unexpected. The morning of the 26th of February—’
But perhaps I shall do better to keep back the remainder of the narrative until I have told the circumstances which led up to it. These, as far as they are now accessible, I have derived from another source.
I had read the obituary notice which I have been quoting, quite by chance, along with a great many others of the same period. It had excited some little speculation in my mind, but, beyond thinking that, if I ever had an opportunity of examining the local records of the period indicated, I would try to remember Dr Haynes, I made no effort to pursue his case.
Quite lately I was cataloguing the manuscripts in the library of the college to which he belonged. I had reached the end of the numbered volumes on the shelves, and I proceeded to ask the librarian whether there were any more books which he thought I ought to include in my description. ‘I don’t think there are,’ he said, ‘but we had better come and look at the manuscript class and make sure. Have you time to do that now?’ I had time. We went to the library, checked off the manuscripts, and, at the end of our survey, arrived at a shelf of which I had seen nothing. Its contents consisted for the most part of sermons, bundles of fragmentary papers, college exercises, Cyrus, an epic poem in several cantos, the product of a country clergyman’s leisure, mathematical tracts by a deceased professor, and other similar material of a kind with which I am only too familiar. I took brief notes of these. Lastly, there was a tin box, which was pulled out and dusted. Its label, much faded, was thus inscribed: ‘Papers of the Ven. Archdeacon Haynes. Bequeathed in 1834 by his sister, Miss Letitia Haynes.’
I knew at once that the name was one which I had somewhere encountered, and could very soon locate it. ‘That must be the Archdeacon Haynes who came to a very odd end at Barchester. I’ve read his obituary in the Gentleman’s Magazine. May I take the box home? Do you know if there is anything interesting in it?’
The librarian was very willing that I should take the box and examine it at leisure. ‘I never looked inside it myself,’ he said, ‘but I’ve always been meaning to. I am pretty sure that is the box which our old Master once said ought never to have been accepted by the college. He said that to Martin years ago; and he said also that as long as he had control over the library it should never be opened. Martin told me about it, and said that he wanted terribly to know what was in it; but the Master was librarian, and always kept the box in the lodge, so there was no getting at it in his time, and when he died it was taken away by mistake by his heirs, and only returned a few years ago. I can’t think why I haven’t opened it; but, as I have to go away from Cambridge this afternoon, you had better have first go at it. I think I can trust you not to publish anything undesirable in our catalogue.’
I took the box home and examined its contents, and thereafter consulted the librarian as to what should be done about publication, and, since I have his leave to make a story out of it, provided I disguise the identity of the people concerned, I will try what can be done.
The materials are, of course, mainly journals and letters. How much I shall quote and how much epitomize must be determined by considerations of space. The proper understanding of the situation has necessitated a little – not very arduous – research, which has been greatly facilitated by the excellent illustrations and text of the Barchester volume in Bell’s Cathedral Series.
When you enter the choir of Barchester Cathedral now, you pass through a screen of metal and coloured marbles, designed by Sir Gilbert Scott, and find yourself in what I must call a very bare and odiously furnished place. The stalls are modern; without canopies. The places of the dignitaries and the names of the prebends have fortunately been allowed to survive, and are inscribed on small brass plates affixed to the stalls. The organ is in the triforium, and what is seen of the case is Gothic. The reredos and its surroundings are like every other.
Careful engravings of a hundred years ago show a very different state of things. The organ is on a massive classical screen. The stalls are also classical and very massive. There is a baldacchino of wood over the altar, with urns upon its corners. Farther east is a solid altar screen, classical in design, of wood, with a pediment, in which is a triangle surrounded by rays, enclosing certain Hebrew letters in gold. Cherubs contemplate these. There is a pulpit with a great sounding-board at the eastern end of the stalls on the north side, and there is a black and white marble pavement. Two ladies and a gentleman are admiring the general effect. From other sources I gather that the archdeacon’s stall then, as now, was next to the bishop’s throne at the south-eastern end of the stalls. His house almost faces the west front of the church, and is a fine red-brick building of William the Third’s time.
Here Dr Haynes, already a mature man, took up his abode with his sister in the year 1810. The dignity had long been the object of his wishes, but his predecessor refused to depart until he had attained the age of ninety-two. About a week after he had held a modest festival in celebration of that ninety-second birthday, there came a morning, late in the year, when Dr Haynes, hurrying cheerfully into his breakfast-room, rubbing his hands and humming a tune, was greeted, and checked in his genial flow of spirits, by the sight of his sister, seated, indeed, in her usual place behind the tea-urn, but bowed forward and sobbing unrestrainedly into her handkerchief. ‘What – what is the matter? What bad news?’ he began. ‘Oh, Johnny, you’ve not heard? The poor dear archdeacon!’ ‘The archdeacon, yes? What is it – ill, is he?’ ‘No, no; they found him on the staircase this morning; it is so shocking.’ ‘Is it possible! Dear, dear, poor Pulteney! Had there been any seizure?’ ‘They don’t think so, and that is almost the worst thing about it. It seems to have been all the fault of that stupid maid of theirs, Jane.’ Dr Haynes paused. ‘I don’t quite understand, Letitia. How was the maid at fault?’ ‘Why, as far as I can make out, there was a stair-rod missing, and she never mentioned it, and the poor archdeacon set his foot quite on the edge of the step – you know how slippery that oak is – and it seems he must have fallen almost the whole flight and broken his neck. It is so sad for poor Miss Pulteney. Of course, they will get rid of the girl at once. I never liked her.’ Miss Haynes’s grief resumed its sway, but eventually relaxed so far as to permit of her taking some breakfast. Not so her brother, who, after standing in silence before the window for some minutes, left the room, and did not appear again that morning.
I need only add that the careless maid-servant was dismissed forthwith, but that the missing stair-rod was very shortly afterwards found under the stair-carpet – an additional proof, if any were needed, of extreme stupidity and carelessness on her part.
For a good many years Dr Haynes had been marked out by his ability, which seems to have been really considerable, as the likely successor of Archdeacon Pulteney, and no disappointment was in store for him. He was duly installed, and entered with zeal upon the discharge of those functions which are appropriate to one in his position. A considerable space in his journals is occupied with exclamations upon the confusion in which Archdeacon Pulteney had left the business of his office and the documents appertaining to it. Dues upon Wringham and Barnswood have been uncollected for something like twelve years, and are largely irrecoverable; no visitation has been held for seven years; four chancels are almost past mending. The persons deputized by the archdeacon have been nearly as incapable as himself. It was almost a matter for thankfulness that this state of things had not been permitted to continue, and a letter from a friend confirms this view. ‘σ κατέχων,’ it says (in rather cruel allusion to the Second Epistle to the Thessalonians), ‘is removed at last. My poor friend! Upon what a scene of confusion will you be entering! I give you my word that, on the last occasion of my crossing his threshold, there was no single paper that he could lay hands upon, no syllable of mine that he could hear, and no fact in connection with
my business that he could remember. But now, thanks to a negligent maid and a loose stair-carpet, there is some prospect that necessary business will be transacted without a complete loss alike of voice and temper.’ This letter was tucked into a pocket in the cover of one of the diaries.
There can be no doubt of the new archdeacon’s zeal and enthusiasm. ‘Give me but time to reduce to some semblance of order the innumerable errors and complications with which I am confronted, and I shall gladly and sincerely join with the aged Israelite in the canticle which too many, I fear, pronounce but with their lips.’ This reflection I find, not in a diary, but a letter; the doctor’s friends seem to have returned his correspondence to his surviving sister. He does not confine himself, however, to reflections. His investigation of the rights and duties of his office are very searching and business-like, and there is a calculation in one place that a period of three years will just suffice to set the business of the Archdeaconry upon a proper footing. The estimate appears to have been an exact one. For just three years he is occupied in reforms; but I look in vain at the end of that time for the promised Nunc dimittis. He has now found a new sphere of activity. Hitherto his duties have precluded him from more than an occasional attendance at the Cathedral services. Now he begins to take an interest in the fabric and the music. Upon his struggles with the organist, an old gentleman who had been in office since 1786, I have no time to dwell; they were not attended with any marked success. More to the purpose is his sudden growth of enthusiasm for the Cathedral itself and its furniture. There is a draft of a letter to Sylvanus Urban (which I do not think was ever sent) describing the stalls in the choir. As I have said, these were of fairly late date – of about the year 1700, in fact.