Book Read Free

Slash

Page 51

by Slash


  The guy wanted eight grand for it, and though I had never spent eight grand on anything before in my entire life, I had to have it. It was a pretty amazing moment when I finally held that guitar in my hands; the same instrument that played an essential role in the path I’d chosen in life was now in my possession (and I would use it on the “November Rain” video). I truly felt like I’d arrived.

  If memory serves, it was around this time that I finally retired to storage the guitar that I’d used on Appetite and the “Welcome to the Jungle” video, my Les Paul replica (and the backup for it that I’d bought). I abuse my guitars when I play live, and by this point it was severely banged up after all of that touring.

  In any case, I was in need of new touring guitars, so I asked Gibson for two Les Paul Standards. They appreciated my dedication, but since I wasn’t very high-profile at that point, they wouldn’t give them to me for free; they’d only sell them to me wholesale. That was fine: I got two red-and-orange Sunbursts and I immediately got them refinished so that they’d look less brand-new and brightly colored. I wanted them to be a bit duller and weathered. I used one through the rest of our Appetite tour, through the entire Use Your Illusion tour, and on both Snakepit tours. It also appeared in the “Sweet Child o’ Mine” and “Paradise City” videos. The other one remained a backup.

  They saw some living to say the least. When Velvet Revolver started, those guitars were so banged up that I decided not to retire them but to use them minimally on stage—I call upon them whenever we play “Fall to Pieces.” To fill that void, I asked Gibson for a couple more and this time apparently I was a bit more high-profile so they gave them to me, no questions asked. They actually took it even further: they made me a Slash model Les Paul that is an exact replica of those 1988 Standards that I’d bought from them way back when. I now use those onstage and they are such exact replicas that the first time I opened the case to look at the prototype, number 001, I thought that I was looking at my original guitar that they were returning to me. The replica has every single nick, scratch, and cigarette burn that my guitar has. It even has a crack in the neck from that time when it exploded in my face and was rebuilt—we’ll get to that story in just a little bit. In any case, it’s called the Slash Signature model and it’s every inch exactly like mine. Considering that they did the same for Jimmy Page—they replicated the guitar he used for The Song Remains the Same and all of the greatest Led Zeppelin albums—I’m honored that they did that for me.

  Photography Credits

  Interior

  Photographs by Gene Kirkland appear on Images:

  Introduction, Chapter 6, Chapter7, Chapter8, Chapter9, Chapter10, Chapter11, Chapter12, Chapter13

  Photographs by Marc Canter appear on Images:

  Chapter2, Chapter3, Chapter4, Chapter5, Chapter6, Chapter7

  Photographs by Ola Hudson appear on Images:

  Introduction, Chapter1, Chapter2, Chapter10

  Photographs by Karl Larsen appear on Images:

  Chapter12, If Memory Serves

  Photographs courtesy of Perla Hudson appear on Images:

  Chapter12, Chapter13

  Photograph by J. Nez appears on Image

  Chapter13

  Photograph by Jack Lue (recklessroad.com) appears on Image

  Chapter6

  Slash

  Slash with Anthony Bozza

  To my loving family, for all their support through the good times and the bad

  And to Guns N’ Roses fans everywhere, old and new; with out their undying loyalty and limitless patience, none of this would matter

  CONTENTS

  Introduction - Having Considered All Things

  Chapter 1 - Stoked

  Chapter 2 - Twenty-Inch-High Hooligans

  Chapter 3 - How to Play Rock-and-Roll Guitar

  Chapter 4 - Education High

  Chapter 5 - Least Likely to Succeed

  Chapter 6 - You Learn to Live Like an Animal

  Chapter 7 - Appetite for Dysfunction

  Chapter 8 - Off to the Races

  Photographic Insert

  Chapter 9 - Don’t Try This at Home

  Chapter 10 - Humpty Dumpty

  Chapter 11 - Choose Your Illusion

  Chapter 12 - Breakdown

  Chapter 13 - Coming Up for Air

  If Memory Serves

  Photography Credits

  About the Authors

  Credits

  Copyright

  About the Publisher

 

 

 


‹ Prev