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Shakespeare: The World as Stage

Page 17

by Bill Bryson


  Thurley, Simon. Hampton Court: A Social and Architectural History. New Haven: Yale University Press, 2003.

  Vendler, Helen. The Art of Shakespeare’s Sonnets. Cambridge, Mass.: Belknap Press/Harvard University Press, 1999.

  Wells, Stanley. Shakespeare for All Time. London: Macmillan, 2002.

  – -. Shakespeare & Co: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His, Story. London: Penguin/Allen Lane, 2006.

  Wells, Stanley, and Paul Edmondson. Shakespeare’s Sonnets. Oxford: Oxford University Press, 2004.

  Wells, Stanley, and Gary Taylor (eds.). The Oxford Shakespeare: The Complete Works. Oxford: Clarendon Press, 1994.

  Wolfe, Heather (ed.). “The Pen’s Excellencie”: Treasures from the Manuscript Collection of the Folger Shakespeare Library. Washington, D.C.: Folger Library Publications, 2002.

  Youings, Joyce. Sixteenth-Century England. London: Penguin, 1984.

  Acknowledgments

  IN ADDITION TO THE kindly and patient interviewees cited in the text, I am grateful to the following for their generous assistance: Mario Aleppo, Anna Bulow, Charles Elliott, Will Francis, Emma French, Peter Furtado, Carol Heaton, Gerald Howard, Jonathan Levi, Jacqui Shepard, Paulette Thompson, and Ed Weisman. I am especially indebted to Professor Stanley Wells and Dr. Paul Edmondson of the Shakespeare Birthplace Trust in Stratford-upon-Avon for generously reviewing the manuscript and suggesting many corrections and prudent qualifications, though of course any errors that remain are mine alone. Special thanks also to James Atlas for his enthusiastic encouragement throughout, and to the astute and kindly copy editors Robert Lacey and Sue Llewellyn. As always, and above all, my greatest debt and most heartfelt thanks go to my dear wife, Cynthia.

  About the Author

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