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Brecht Collected Plays: 5: Life of Galileo; Mother Courage and Her Children (World Classics)

Page 47

by Bertolt Brecht


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  Methuen Drama Student Editions

  Jean Anouilh Antigone • John Arden Serjeant Musgrave’s Dance Alan Ayckbourn Confusions • Aphra Behn The Rover • Edward Bond Lear • Saved • Bertolt Brecht The Caucasian Chalk Circle • Fear and Misery in the Third Reich • The Good Person of Szechwan • Life of Galileo • Mother Courage and her Children• The Resistible Rise of Arturo Ui • The Threepenny Opera • Anton Chekhov The Cherry Orchard • The Seagull • Three Sisters • Uncle Vanya • Caryl Churchill Serious Money • Top Girls • Shelagh Delaney A Taste of Honey • Euripides Elektra • Medea • Dario Fo Accidental Death of an Anarchist • Michael Frayn Copenhagen • John Galsworthy Strife • Nikolai Gogol The Government Inspector • Robert Holman Across Oka • Henrik Ibsen A Doll’s House • Ghosts• Hedda Gabler • Charlotte Keatley My Mother Said I Never Should • Bernard Kops Dreams of Anne Frank • Federico García Lorca Blood Wedding • Doña Rosita the Spinster (bilingual edition) • The House of Bernarda Alba • (bilingual edition) • Yerma (bilingual edition) • David Mamet Glengarry Glen Ross • Oleanna • Patrick Marber Closer • John Marston Malcontent• Martin McDonagh The Lieutenant of Inishmore• Joe Orton Loot • Luigi Pirandello Six Characters in Search of an Author • Mark Ravenhill Shopping and F***ing • Willy Russell Blood Brothers • Educating Rita • Sophocles Antigone• Oedipus the King• Wole Soyinka Death and the King’s Horseman • Shelagh Stephenson The Memory of Water • August Strindberg Miss Julie • J. M. Synge The Playboy of the Western World • Theatre Workshop Oh What a Lovely War Timberlake Wertenbaker Our Country’s Good • Arnold Wesker The Merchant• Oscar Wilde The Importance of Being Earnest • Tennessee Williams A Streetcar Named Desire • The Glass Menagerie

  Methuen Drama Modern Plays

  include work by

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  Margaretta D’Arcy

  Peter Barnes

  Sebastian Barry

  Brendan Behan

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  Edward Bond

  Bertolt Brecht

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  Anthony Burgess

  Simon Burke

  Jim Cartwright

  Caryl Churchill

  Complicite

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  Sarah Daniels

  Nick Darke

  Nick Dear

  Shelagh Delaney

  David Edgar

  David Eldridge

  Dario Fo

  Michael Frayn

  John Godber

  Paul Godfrey

  David Greig

  John Guare

  Peter Handke

  David Harrower

  Jonathan Harvey

  Iain Heggie

  Declan Hughes

  Terry Johnson

  Sarah Kane

  Charlotte Keatley

  Barrie Keeffe

  Howard Korder

  Robert Lepage

  Doug Lucie

  Martin McDonagh

  John McGrath

  Terrence McNally

  David Mamet

  Patrick Marber

  Arthur Miller

  Mtwa, Ngema & Simon

  Tom Murphy

  Phyllis Nagy

  Peter Nichols

  Sean O’Brien

  Joseph O’Connor

  Joe Orton

  Louise Page

  Joe Penhall

  Luigi Pirandello

  Stephen Poliakoff

  Franca Rame

  Mark Ravenhill

  Philip Ridley

  Reginald Rose

  Willy Russell

  Jean-Paul Sartre

  Sam Shepard

  Wole Soyinka

  Simon Stephens

  Shelagh Stephenson

  Peter Straughan

  C. P. Taylor

  Theatre Workshop

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  Judy Upton

  Timberlake Wertenbaker

  Roy Williams

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  * Song translated by Ralph Manheim.

  * Objectivists who prove the necessity of a given sequence of facts are always in danger of slipping into the position of justifying those facts (Lenin).

  * [The text referred to throughout this essay is that of the Brecht-Laughton translation, for which see p. 333 ff.]

  * [Brecht added Note 9 at a later date for inclusion in his Notes to the Play.]

  * Scene 5 was not played in this production.

  (1) Sextus Empiricus, Hypotyposes, 1, 21.

  (2) Ibid., 1, 19, cited Montaigne Essays 2, 12.

  (3) I Corinthians 8:2. The A.V. quotation is ‘And if any man think that he knoweth anything, he knoweth nothing yet as he ought to know.’

  (4) Lucretius, De Rerum Natura, 6, cited Montaigne Essays 2, 12.

  (5) Ecclesiastes 1, of which verse 13 in A.V. reads ‘And I gave my heart to seek and search out by wisdom concerning all things that are done under heaven: this sore travail hath God given to the sons of man to be exercised therewith’ (Essays 2, 17).

  (6) Keramos anthropos. Wrongly attributed to Romans 9.

  (7) Ecclesiastes 7: ‘… neither make thyself over wise: why shouldest thou destroy thyself?’

  (8) Epictetus, cited by Stobaeus. (Essays 1, 14.)

  (9) Terence, Heautontimoroumenos Act 1 (Essays 2, 2). This was Karl Marx’s favourite saying.

  (10) Ecclesiastes 7. Or more probably 6:12, which reads ‘For who knoweth what is good for man in this life, all the days of his vain life which he spendeth as a shadow? For who can tell a man what shall be after him under the sun?’ (Essays 2, 12).

  (11) Essays 2, 37, after Martial, 10.

  (12) Plato, Cratylus.

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  This edition first publish
ed in Great Britain in 1995 by Methuen Drama

  Reissued with a new cover in 1999 by Methuen Publishing Ltd

  by arrangement with Suhrkamp Verlag, Frankfurt am Main

  Reprinted in 2006 by Methuen Drama

  Translation copyright for the plays and texts by Brecht © Bertolt-Brecht-Erben 1980

  Introduction and editorial notes © 1980 by Eyre Methuen Ltd, 1995 by Methuen Drama

  Life of Galileo first published in this translation in Great Britain in hardback and paperback1980 by Eyre Methuen Ltd

  Original work entitled Leben des Galilei © 1940 by Arvid Englind Teaterforlag, a.b., renewed

  June 1967 by Stefan S. Brecht © 1955 by Suhrkamp Verlag, Frankfurt am Main

  Charles Laughton’s translation of Galileo (in appendix) © 1952 by Bertolt Brecht

  Mother Courage and her Children first published in this translation in Great Britain in hardback

  and paperback 1980 by Eyre Methuen Ltd

  Original work entitled Mutter Courage und ihre Kinder © 1940 by Arvid Englind Teaterforlag,a.b., renewed

  June 1967 by Stefan S. Brecht © Bertolt-Brecht-Erben/Suhrkamp Verlag 1949

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  eISBN-13: 978-1-4081-7742-6

 

 

 


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