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Shadow Play

Page 22

by Barbara Ismail


  Sayang: Sweetheart

  Selamat Datang: Welcome: literally Good Arrival

  Selamat Pagi: Good Morning

  Seri Muka: An amulet used to make the wearer beautiful. Literally: shining face

  Serunai: A flute like instrument in the Wayang Siam orchestra. Its sound has more ‘wail’ than a flute

  Sireh: Betel nut

  Sunat: Circumcision

  Surau: House of Study, smaller than a mosque

  Tahi Itik: A kind of sweet cake native to Kelantan. The name means ‘duck shit’

  Talak: A pronouncement of divorce. Three talak make a divorce final, and require another marriage before the two parties can remarry. One or two talak (they are cumulative) don’t prohibit the parties from remarrying, and may be revoked.

  Tapak sireh: Betel quid

  Teh beng: Iced Tea, usually served with a great deal of sugar and condensed milk.

  Tikar: Sleeping mat, used on the floor, usually of woven palm

  Tuan: Sir

  Ulu: Literally, upriver. Also used to mean the boondocks, the jungle, Hicksville. Kuala Krai is in the area Ulu Kelantan, upriver for the Kelantan river, and the state’s backwoods.

  Wayang Siam: The Kelantan shadow play, performed with incised leather puppets, which throw shadows on a screen.

  Malay Idioms and Proverbs

  Air yang tenang, jangan disangka tiada buaya

  Just because the water is calm, don’t think there aren’t any crocodiles: still waters run deep

  Alangkah leher minta disembeleh

  To stretch forth one’s neck and ask it to be cut: to go unresisting into a bad situation

  Anak baik, menantu molek

  A good child and a pretty daughter (or son) in law: everything one could wish for in a family

  Angin bertiup

  The wind blows: hearing gossip from an unnamed source

  Ayam puteh terbang siang

  A white chicken flying in daylight: something obvious and easily understood

  Bawa perut kerumah orang

  Bring your stomach to someone’s house: to cadge a meal

  Biar anak mati, jangan adat mati

  Let your children die before tradition dies

  Budak makan pisang

  A banana eating child, a naïf, neophyte

  Chuka diminum pagi hari

  Vinegar drunk early in the morning: a description of the bitterness in being one of several wives

  Dia tak berlaga angin

  Cannot breathe the same the same air: two people who detest each other.

  Enggang lalu, rantai patah

  The hornbill passes, the branch is broken: circumstantial evidence.

  Gajah sama gajah berjuang, pelandok mati di-tengah-tengah

  When elephants fight each other, the mouse deer between them get killed: it’s dangerous for an average person to be between two powerful people fighting

  Guru kencing berdiri, anak murid kencing berlari

  If the teacher pees standing, the students will pee running

  Hangat, hangat tahi ayam

  Hot like chicken shit is hot, and cools off very quickly. Said of arguments that flare up and are soon forgotten

  Ikut hati, mati; ikut rasa, binasa

  Follow your heart and die, follow your feelings and be destroyed: living your life by doing only what you want is disastrous.

  Kerbau cucuk hidung

  Like a water buffalo with his nose pierced (and led around by a rope tied to it). Someone under the power of someone else.

  Kita semua mati, tapi kubur masing-masing

  We all die, but each in his own grave: each person has his own destiny

  Kusai basai bagai kera kena belacan

  Squirming like a monkey with belacan (a pungent shrimp paste) on his paws: uncomfortable

  Lain padang, lain belalang

  Other fields, other grasshoppers: to each his own

  Lebai berjanggut, kambing pun berjanggut juga

  The Lebai has a beard, but so does a goat: people are more than they seem

  Makan berkuah ayer mata

  Eat your food flavoured with tears: to be deeply sorrowful

  Masam muka macam andam tak suka

  As sour faced as an unwilling bride: sulky and sullen

  Memakai kulit harimau

  He wears a tiger’s pelt: to talk big with no substance

  Nasi dah jadi bubur

  Rice has already become porridge: no sense crying over spilt milk

  Pacat jatoh kelumpur

  A leech falling back to the mud: returning to some place you are comfortable.

  Pelandok lupakan jerat, jerat tak lupakan pelandok

  The mouse deer forgets the snare, but the snare does not forget the mouse deer: the law will eventually find the guilty party

  Rambut dua macam

  Hair of two kinds: grey and black: pepper and salt hair, middle age

  Rambut sama hitam, hati lain-lain

  Our hair is all black, but each heart is different: one can never know the heart of another

  Salin tak tumpah

  Not a drop spilled (in pouring from a jug); the spit and image of someone

  Seperti ular berbelit-belit

  Like a snake rising over its coils: utterly furious

  Siku bersimpai

  Elbows tied together: lazy

  Sireh naik, junjung patah

  As the vine grows, the stake breaks: someone (usually a young man) who has died before his time

  Sudah terantok, baru mengadah

  To look up only after you’ve bumped your head: locking the barn door after the horse is gone

  Suruh dia pergi, panggil dia mari

  Order him and he goes, call him and he comes: someone easily ordered around, with no thought of his own

  Acknowledgements

  Hassan and Dollah Baju Hijau are based upon real dalang in Kelantan, quite famous and active from the 60s to fairly recently. The characters presented in this novel bear little resemblance to the real Hamzah and Dollah Baju Merah, who were extremely professional, generous with their time and knowledge, and very polite and kind. Neither would have considered any of the nefarious deeds ascribed to their characters in this book, and these fictional characters should be considered just that.

  I did my anthropological field work in Kelantan in 1977-81, studying Wayang Siam, the Malay shadow play (puppet theater). At the time, I worked closely with Hamzah and Dollah Baju Merah, as well as other dalang and musicians, and I thank them all for their consideration towards me. Wan Hamidah Wan Nawang and Abdul Malek Jusoh invited me into their homes and treated me like family: I will always be grateful to them and their many relatives in Sungei Pinang. Ashikin Mohd. Ali, and her younger brother, Yi, were the best neighbors anyone could have.

  About The Author

  Barbara Ismail spent several years in Kelantan in the 1970s and ’80s, living in Kampong Dusun and Pengkalan Cepa, studying Wayang Siam and the Kelantanese dialect. She holds a PhD in Anthropology from Yale University, and is originally from Brooklyn, New York.

  Shadow Play is the first in Barbara Ismail’s series of “Kain Songket Mysteries” based in Kelantan.

  More by Barbara Ismail

  Join Maryam’s crime-solving adventures in Kelantan’s

  “Kain Songket Mysteries”.

  Shadow Play

  Princess Play

  Songbird

  Moon Kite

  Western Chanting

  Little Axe

  Princess Play

  Book #2 in the “Kain Songket Mysteries” series

  Maryam once again finds crime close to home: someone is killing the women of Kota Bharu’s Central Market.

  Police Chief Osman has made little progress understanding Kelantanese, and seems at a loss where to begin his investigation. Although Maryam is loathe to examine any further crime, when she discovers one of the victims herself she must act. Murder is compounded by spirit possession: a Main Puteri ceremony is performed to find the ki
ller and heal a quiet village that has been plunged into chaos.

  About Monsoon Books

  Monsoon Books is a leading independent publisher of English-language books and ebooks on Southeast Asia. We publish literary and commercial fiction (historical, crime, thriller, kid’s, romance, erotica) and quality nonfiction (biography and autobiography, true crime, food and drink, sexuality, journalism, travelogue and current affairs) from outstanding writers worldwide and we have numerous best-sellers to our name.

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  Copyright

  First published in print in 2012 by Monsoon Books

  This electronic edition first published in 2012 by Monsoon Books

  ISBN (paperback): 978-981-4358-68-2

  ISBN (ebook): 978-981-4358-69-9

  Copyright@Barbara Ismail, 2012

  The moral right of the author has been asserted.

  All rights reserved. You may not copy, distribute, transmit, reproduce, or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

  Cover design by Cover Kitchen

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