Amurath to Amurath

by Bell, Gertrude

  Underlying all Turkish politics are the closely interwoven problems of race and religion, which had been stirred to fresh activity by exuberant promises. Fraternity and equality are dangerous words to scatter broadcast across an empire composed of many nationalities and controlled by a dominant race. Under conditions such as these equality in its most rigid sense can scarcely be said to exist, while fraternity is complicated by the fact that the ruling race professes Islâm, whereas many of the subordinate elements are Christian. The Christian population of Aleppo was bitterly disheartened at having failed to return one of their own creed out of the six deputies who represent the vilayet. I met, in the house of a common friend, a distinguished member of the Christian community who threw a great deal of light on this subject. He began by observing that even in the vilayet of Beyrout, though so large a proportion of the inhabitants are Christian, the appointment of a non-Moslem governor would be impossible; so much, he said, for the boast of equality. This is, of course, undeniable, though in the central government, where they are not brought into direct contact with a Moslem population, Christians are admitted to the highest office. He complained that when the Christians of Aleppo had urged that they should be permitted to return a representative to the Chamber, the Moslems had given them no assistance. “They replied,” interposed our host, “that it was all one, since Christians and Moslems are merged in Ottoman.” I turned to my original interlocutor and inquired whether the various communions had agreed upon a common candidate.

  “No,” he answered with some heat. “They brought forward as many candidates as there are sects. Thus it is in our unhappy country; even the Christians are not brothers, and one church will not trust the other.”

  I said that this regrettable want of confidence was not confined to Turkey, and asked whether, if they could have commanded a united vote, they would have carried their candidate. He admitted with reluctance that he thought it would have been possible, and this view was confirmed by an independent witness who said that a Christian candidate, carefully chosen and well supported, would have received in addition the Jewish vote, since that community was too small to return a separate representative.

  As for administrative reform, it hangs upon the urgent problem of finance. From men who are overworked and underpaid neither efficiency nor honesty can be expected, but to increase their number or their salary is an expensive business, and money is not to be had. How small are the local resources may be judged from the fact that Aleppo, a town of at least 120,000 inhabitants, possesses a municipal income of from £3,000 to £4,000 a year. Judges who enjoy an annual salary of from £60 to £90 are not likely to prove incorruptible, and it is difficult to see how a mounted policeman can support existence on less than £12 a year, though one of my zaptiehs assured me that the pay was sufficient if it had been regular. In the vilayet of Aleppo and the mutesarriflik of Deir all the zaptiehs who accompanied me had received the arrears due to them as well as their weekly wage, but this fortunate condition did not extend to other parts of the empire.

  The plain man of Aleppo did not trouble his head with fiscal problems; he judged the new government by immediate results and found it wanting. I rode one sunny afternoon with the boy, Fattûḥ’s brother-in-law, who was to accompany us on our journey, to the spring of ’Ain Tell, a mile or two north of the town. Jûsef—his name, as Fattûḥ was careful to point out, is French: “I thought your Excellency knew French,” he said severely, in answer to my tactless inquiry—Jûsef conducted me across wet meadows, where in spring the citizens of Aleppo take the air, and past a small mound, no doubt artificial, a relic perhaps of the constructions of Seif ed Dauleh, whose palace once occupied these fields. Close to the spring stands a mill with a pair of stone lions carved on the slab above the door, the heraldic supporters of some prince of Aleppo. They had been dug out of the mound together with a fine basalt door, like those which are found among the fourth and fifth century ruins in the neighbouring hills; the miller dusted it with his sleeve and observed that it was an antîca. A party of dyers, who were engaged in spreading their striped cotton cloths upon the sward, did me the honours of their drying-ground—merry fellows they were, the typical sturdy Christians of Aleppo, who hold their own with their Moslem brothers and reckon little of distinctions of creed.

  “Christian and Moslem,” said one, “see how we labour! If the constitution were worth anything, the poor would not work for such small rewards.”

  “At any rate,” said I, “you got your nâmûsîyeh cheaper this year.”

  “Eh true!” he replied, “but who can tell how long that will last?”

  “Please God, it will endure,” said I.

  “Please God,” he answered. “But we should have been better satisfied to see the soldiers govern. A strong hand we need here in Aleppo, that the poor may enjoy the fruits of their toil.”

  “Eh wah!” said another, “and a government that we know.”

  Between them they had summed up popular opinion, which is ever blind to the difficulties of reform and impatient because progress is necessarily slow footed.

  We passed on our return the tekîyeh of Abu Bekr, a beautiful Mamlûk shrine with cypresses in its courtyard, which lift their black spires proudly over that treeless land. The brother of the hereditary sheikh showed me the mosque; it contains an exquisite miḥrâb of laced stone work, and windows that are protected by carved wooden shutters and filled with old coloured glass. Near the mosque is the square hall of a bath, now fallen into disrepair. Four pendentives convert the square into an octagon, and eight more hold the circle of the dome—as fine a piece of massive construction as you would wish to see. The sheikh and his family occupied some small adjoining rooms, and the young wife of my guide made me welcome with smiles and lemon sherbet. From the deep embrasure of her window I looked out upon Aleppo citadel and congratulated her upon her secluded house set in the thickness of ancient walls.

  “Yes,” she replied, eagerly detailing the benefits of providence, “and we have a carpet for winter time, and there is no mother-in-law.”

  Aleppo is the Greek Berœa, but the town must have played a part in the earlier civilizations of North Syria. It lies midway between two Hittite capitals, Carchemish on the Euphrates, and Cadesh on the Orontes, in the heart of a fertile country strewn with mounds and with modern mud-built villages. The chief town of this district was Chalcis, the modern Kinnesrîn, a day’s journey to the south of Aleppo, but with the development of the great Seleucid trade-route between Seleucia on the Tigris and Antioch on the Orontes, which Strabo describes as passing through Hierapolis, Aleppo, being on the direct line to Antioch, must have gained in importance, and it was perhaps for this reason that the little Syrian village saw the Seleucid foundations of Berœa. The Arabic name, Ḥaleb, retains a reminiscence of the original local appellation, which never slipped out of memory and finally conquered the Greek Berœa. Mohammadan tradition recognizes the fact that Ḥaleb was the ancient name of the city in the foolish tale which connects it with the cows of Abraham, the root of the word Ḥaleb being the verb signifying to milk, and the Emperor Julian knew that Berœa was the same as Chaleb. Aleppo is not without evidences of a remote antiquity. Every archæologist in turn has tried his hand at the half obliterated Hittite inscription which is built, upside down, into the walls of the mosque of Ḳiḳân near the Antioch gate; among the ruins of the citadel are two roughly worked Hittite lions (Fig. 2; Mr. Hogarth was the first to identify them), and I found in the French Consulate a headless eagle carved in basalt which belongs to the same period (Fig. 3). The steep escarpment of the castle mound is akin to the ancient fortified sites of northern Mesopotamia. Julian mentions the acropolis of Berœa. It was protected in a later age by a revetment of stone slabs, most of which were stripped away by Tîmûr Leng when he overwhelmed the town in 1401 and laid it in ruins. I know of only one building in Aleppo the origin of which can be attributed with certainty to the pre-Mohammadan period, the Jâmi’ el Ḥelâwîyeh near the
Great Mosque (Fig. 6). It has been completely rebuilt; the present dome, resting on pendentives, with a tambour broken by six windows, belongs to one of the later reconstructions, but the beautiful acanthus capitals must be ascribed to the fifth century on account of their likeness to the capitals in the church of St. Simeon Stylites, a day’s journey north-west of Aleppo. The great school of architecture which they represent affected the builders of Islâm through many a subsequent age, and you will find the Mamlûks still flinging the leaves of the wind-blown acanthus about the capitals in their mosques. In the tenth century Aleppo was the chief city of the Ḥamdânid prince Seif ed Dauleh, a notable patron of the arts. It was he who built the south gate in the walls, the Bâb Kinnesrîn, and rebuilt the Antioch Gate after its destruction by Nicephorus Phocas; he repaired the citadel, set the shrine of Ḥussein upon the hill-side west of the town, and erected his own splendid dwelling outside the walls to the north. His palace was ravaged before his death, his gates and mosques have been rebuilt, and there remains for the period before Saladin little or nothing but the mosque inside the citadel, built in 1160 by Nûr ed Dîn, the greatest of the Syrian atabegs, and the Jâmi’ esh Shaibîyeh near the Antioch Gate, which, in spite of its ruined condition, is one of the loveliest monuments of the art of Islâm in the whole town of Aleppo (Fig. 4). Along the top of the wall and carried uninterruptedly round the square minaret, runs a Cufic inscription, cut in a cavetto moulding. Below it is a band of interlacing rinceaux, unsurpassed in boldness and freedom of design, and above it a heavy cymatium, borne on modillions and adorned with rinceaux. The classical outline of the cornice, together with the exquisite Oriental decoration, give it a singular hybrid beauty. This mosque apart, the finest buildings are due to the Ayyûbids, and chiefly to El Malik eẓ Ẓâhir, the son of Saladin, who ruled in Aleppo at the end of the twelfth century. Beyond the walls to the south of the city, in the quarter of Firdaus, the descendants of Saladin held their court, and though their palaces have disappeared—how much more we should know of Mohammadan architecture if each successive conqueror had not ruined the house of his predecessor!—the suburb is still resplendent with mosques and tombs. Here stands the Medresseh of El Malik eẓ Ẓâhir, with an arcade borne on capitals that retain a reminiscence of classical form though they are hung with a garland of leaves that are closer to the Sasanian than to the Greek (Fig. 5). Near it is the mosque of Firdaus built by the king’s widow when she was regent for her son. Over the miḥrâb of this mosque is a bold entrelac decoration which is to be found also in the shrine of Ḥussein, a building that owes its present form to El Malik eẓ Ẓâhir. The mosque of Eṣ Ṣâliḥîn shelters a gigantic footprint of Abraham, and about it lie the tombs of the pious who sought a resting-place near the site sanctified by the patriarch—tombstones worthy of a museum, carved with Cufic inscriptions and with vine scrolls and bunches of grapes. And falling now into unheeded decay are other memorials of the dead, their walls covered with delicate tracery and their windows filled with an exquisite lacework of stone (Fig. 7). They were great builders these princes of Islâm, Ayyûbid and Mamlûk, and in nothing greater than in their mastery of structural difficulties. The problem of the dome, its thrust and its setting over a square substructure, received from them every possible solution; they bent the solid stone into airy forms of infinite variety (Fig. 8 and Fig. 9). Their splendid masonry satisfied the eye as does the wall of a Greek temple, and none knew better than they the value of discreet decoration. The restraint and beauty of such treatment of the wall surface as is to be found in the Khân el Wazîr (Fig. 10) or the Khân es Sabûn (Fig. 11) bear witness to a master hand. The grace and ordered symmetry of these façades are as devoid of monotony as are the palace walls of the early Venetian renaissance, to which they are closely related, and here as in Venice the crowning beauty of colour is added to that of form and proportion. But it is colour of the sun’s own making; the sharp black outline of a window opening, the half tones of a carved panel lying upon the smooth brightness of the masonry soberly enhanced by the occasional use of a darker stone, either in courses or in alternate voussoirs. If you are so fortunate as to have many friends in Aleppo, you will find that the domestic architecture is no less admirable, and drinking your coffee under panelled ceilings rich with dull golds and soft deep reds, you will magnify once again the genius of the artificers of Asia.

  The walls and gates of the city, though they are not so well preserved as those of Diyârbekr, are fine examples of mediæval fortification. To the north a prosperous quarter lies beyond the older circuit and the heraldic lions of the Mamlûks look down upon streets crowded with traffic. Armorial bearings played a large part in the decorative scheme of the Mohammadan builders. The type characteristic of Aleppo is a disk projecting slightly from the wall, carved with a cup from the base of which spring a pair of leaves. Upon the cup there are strange signs which are said to have been imitated from Egyptian hieroglyphs, a motive introduced by the Mamlûks; but I have noticed a variety of coats of the same period, such as the whorl which fills the disk upon the Bâb el Maḳâm, and the pair of upright pot-hooks, set back to back, upon the Jâmi’ el Maḳâmât in the Firdaus quarter. These disks, together with bands of inscriptions, are the sole ornaments placed upon the city gates.

  The sombre splendour of the architecture of Aleppo is displayed nowhere better than in the Bîmâristân of El Malik eẓ Ẓâhir, which was built as a place of confinement for criminal lunatics and is still used for that purpose. The central court terminates at the southern end in the lîwân of a mosque covered with an oval dome; before it lies the ceremonial water-tank, if any one should have the heart to wash or pray in that house of despair. A door from the court leads into a stone corridor, out of which open rectangular stone chambers with massive walls rising to a great height, and carrying round and oval domes. Through narrow window slits, feeble shafts of light fall into the dank well beneath and shiver through the iron bars that close the cells of the lunatics. They sit more like beasts than men, loaded with chains in their dark cages, and glower at each other through the bars; and one was sick and moaned upon his wisp of straw, and one rattled his chains and clawed at the bars as though he would cry for mercy, but had forgotten human speech. “They do not often recover,” said the gaoler, gazing indifferently into the sick man’s cell, and I wondered in my heart whether there were any terms in which to reckon up the misery that had accumulated for generations under El Malik eẓ Ẓâhir’s domes.

  Like the numismatic emblem of a city goddess, Aleppo wears a towered crown. The citadel lies immediately to the east of the bazaars. A masonry bridge resting on tall narrow arches spans the moat between a crenelated outpost and the great square block of the inner gatehouse. Through a worked iron door, dated in the reign of El Malik eẓ Ẓâhir, you pass into a vaulted corridor which turns at right angles under an arch decorated with interlaced dragons (Fig. 13), and ends at another arched doorway on which stand the leopards of Sultan Baybars, who rebuilt the castle in the thirteenth century. Above the entrance is a columned hall, grass-grown and ruined; passages lead down from it into vaulted chambers which would seem to have been repaired after Tîmûr had sacked Aleppo. Some of the blocks used in the walls here are Jewish tombstones dated by Hebrew inscriptions in the thirteenth century, and since it is scarcely possible that Baybars should have desecrated a cemetery of his own day, they must indicate a later period of reconstruction. The garrison was supplied with water from a well eighty metres deep which lies near the northern edge of the castle mound. Besides the well-hole, a stair goes down to the water level, near which point vaulted passages branch out to right and left. Tradition says that the whole mound is raised upon a substructure of masonry, but tradition is always ready with such tales, and the only inscription in the passages near the well is Cufic. At the northern limit of the enclosure stands a high square tower, up which, if you would know Aleppo, you must climb. From the muedhdhin’s gallery the town lies revealed, a wide expanse of flat roof covering th
e bazaars, broken by dome and minaret, by the narrow clefts of streets and the courts of mosque and khân. The cypresses of Abu Bekr stand sentinel to the north; from that direction Tîmûr entered through the Bâb el Ḥadîd. In the low ground beyond the Antioch Gate, the armies of the Crusaders lay encamped; the railway, an invader more powerful than Baldwin, holds it now. Turn to the east, and as far as the eye can see, stretch rolling uplands, the granary of North Syria, and across them wind the caravan tracks that lead into inner Asia. There through the waste flows the Euphrates—you might almost from the tower catch the glint of its waters, so near to the western sea does its channel approach here.