The Dead
Page 1
PUFFIN BOOKS
THE DEAD
CHARLIE HIGSON
Charlie Higson is a well-known writer of screenplays and novels, and is the author of the phenomenally successful Young Bond series. He is also a performer and co-creator of The Fast Show, Swiss Toni and Bellamy’s People. Charlie is a big fan of horror films and is hoping to give a great many young people sleepless nights with this series.
Books by Charlie Higson
Young Bond series
SILVERFIN
BLOOD FEVER
DOUBLE OR DIE
HURRICANE GOLD
BY ROYAL COMMAND
DANGER SOCIETY: THE YOUNG BOND
DOSSIER
SILVERFIN: THE GRAPHIC NOVEL
THE ENEMY
THE DEAD
THE DEAD
CHARLIE HIGSON
PUFFIN
PUFFIN BOOKS
Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.)
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Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
puffinbooks.com
First published 2010
Copyright © Charlie Higson, 2010
The moral right of the author has been asserted
All rights reserved
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book
A CIP catalogue record for this book is available from the British Library
ISBN: 978-0-141-96556-7
For Alex
I have a lot of help from some wonderful people in researching parts of this series, but I would especially like to thank:
James Taylor and Terry Charman at the Imperial War Museum.
David Cooper at the Tower of London.
Daniel Armstrong at Waitrose Holloway Road for helping me to understand how supermarkets work.
And Jon Surtees at the Oval for a great guided tour that was slightly wasted on a non-cricket fan like myself.
I would thoroughly recommend a visit to any of these fine institutions, whether you want to check out the locations from the books or whether you are interested in English history and culture.
Table of Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
One Year Later
The Scared Kid
When the video is posted on YouTube it’s an instant hit. Within days everyone’s talking about it.
‘Have you seen the “Scared Kid” video?’
‘It’s really freaky.’
‘At first I thought it was a joke, but it looks so real.’
‘It’s definitely fake, but it’s still scary.’
‘I can’t watch it. It’s too frightening.’
‘Who is he? Do you know who he is? Who’s the Scared Kid?’
‘Nobody knows …’
Maybe it’s a clever trailer for a new horror film? Maybe it’s a viral ad for something. A new car or a chocolate bar? Or just maybe it’s real …
There’s something about it. Something about the kid. No ten-year-old is that good an actor. And if someone’s playing a trick on him they are really sick and they’ve done way too good a job. Who would do that? Who would deliberately scare a young kid that much? And why has nobody come forward to explain it all?
Even after everything that happens, when the whole world changes forever, when everyone knows that the video wasn’t a hoax, but the start of something terrible, people will remember the Scared Kid. His poor frightened little face.
It’s like the last thing everyone saw before the lights went out.
He sits there at his computer talking into a web cam. It’s clear he’s been crying for ages, his eyes are red raw, his face streaked with tears. He’s shaking uncontrollably and his teeth are actually chattering. You can hear them. It would be funny if it wasn’t so weird. He can hardly get his words out. They tumble over each other.
‘I don’t know what to what to do I don’t know they’ve killed Danny and Eve they killed Danny and Eve Danny and and Eve and Eve and and … they’re outside now I can see them I can see them outside there are three mothers and a father …’
That’s the freakiest bit, the bit that sticks in people’s minds, that he calls them mothers and fathers.
‘They came to the house and they killed they killed Danny and Eve there’s blood omigod – omigod there’s blood three mothers and a father they’ve killed Danny and Eve make them go away please make them go away …’
Then he picks up the web cam and turns it to point out of the window. It veers all over, lights smearing the screen. Now you can see the street. It’s night-time. The
picture’s awful but you can just see these four people under the street lights – three mothers and a father – three women and a man, and near to them what looks like a dead body. The body of a child.
There’s something not right about the people. They don’t look like actors. The way they’re standing. And when one of them looks up at the camera it’s the most awful thing … a dead-eyed look, like an animal. Are they actors? The picture’s so bad it’s hard to tell.
Then the Scared Kid’s voice again.
‘Can you see them? They’ve gone crazy – three mothers and a father – they’ve been trying to get back in into the house but Danny and Eve they’re dead they’re dead and I don’t know where my mum and dad are there’s nobody else here they’ve all gone it’s only me …’
The camera moves again. You can hear crashing and smashing in the background. Shouting. Now the kid’s back at his desk, staring into the lens, like he’s staring into the grave. Even more terrified than before. Shaking. Shaking.
‘I’m going to post the video – Danny showed me how – they killed him three mothers and a father I have to do it quickly I don’t know what’s happening I don’t think anyone will help me I think I’m going to die like like …’
And that’s the end of it.
Some other kids do impressions of him, and post them. There’s a remix of the kid done to a death metal soundtrack. But the thing is – the video is scary because it seems so real. People watch it over and over, trying to understand it. And when adults start dying, when it becomes clear that some terrible new disease is striking everybody over the age of fourteen, the Scared Kid begins to look like some kind of prophet.
Within a very short time ‘Scared Kid’ becomes the most watched YouTube clip ever. After a month it’s taken down. There’s a message saying it’s been removed. The day after that the whole YouTube site is taken down without any explanation.
And the day after that the Internet stops working.
It just disappears.
That’s when people finally realize that something serious is happening.
THE ACTION IN THIS BOOK
BEGINS JUST OVER A YEAR
BEFORE THE INCIDENTS
DESCRIBED IN THE ENEMY.
1
Mr Hewitt was crawling through the broken window. Sliding over the ledge on his belly. Hands groping at the air, fingers clenching and unclenching, arms waving as if he was trying to swim breaststroke. In the half-light Jack could just make out the look on his pale yellowing face. A stupid look. No longer human. Eyes wide and staring. Tears of blood dribbling from under his eyelids. Tongue lolling out from between cracked and swollen lips. Skin covered with boils and sores.
Jack stood there frozen, the cricket bat held tight in sweating hands. He knew he should step forward and whack Mr Hewitt as hard as he could in the head, but his right arm ached all the way down. He’d been swinging the bat all night and the last teacher he’d hit had jarred his shoulder. Now it hurt just to hold the bat, which felt like a lead weight in his hands.
He knew that wasn’t the real reason, though. When it came down to it, he couldn’t bring himself to hit Mr Hewitt. He’d always liked him. He’d been Jack’s English teacher for the last year. He was one of the youngest and most popular teachers in the school, always talking to the boys about films and TV and console games, not in a creepy way, not to get in with the kids, simply because he was genuinely interested in the same things that they were. When the disease hit, when everything started to go wrong, Mr Hewitt had done everything he could to help the boys. Trying to contact parents and make arrangements, keeping their spirits up, comforting them, reassuring them, always searching for food and water, making the buildings safe …
And when it had got really bad, when those adults who’d got sick but hadn’t died had started to turn on the kids, attacking them like wild animals, Mr Hewitt had helped fight them off.
He’d been tireless and it had looked like he might escape the sickness.
He’d been a hero.
And now here he was, crawling slowly, slowly, slowly into the lower common room like some huge clumsy lizard. He raised his head, stretching his neck, and wheezed at Jack, bloody saliva bubbling between his teeth. Jack could see two more teachers behind him, attempting in their own mindless way to get to the window.
Jack swallowed. It hurt his throat. He hadn’t had anything to drink all day. They were running low on water and trying to ration it. His head throbbed. This was the second night the teachers had attacked in force. Jack’s second night without sleep. The stress and the tiredness were turning him slightly crazy. His heart felt all fluttery and he was constantly on the edge of losing it, breaking down into uncontrollable sobbing, or laughter, or both. He was seeing things everywhere, out of the corner of his eye, shapes moving in the shadows. He would shout a warning and turn to look and there would be nothing there.
Mr Hewitt was real, though, something out of a waking nightmare, slithering in, inch by inch.
The last hour had been a chaotic panicked scramble of running around in the dark from room to room, checking doors, windows, battering back any teachers that got past the defences. And then they’d heard breaking glass in the lower common room, and he and Ed had come charging in to see what was happening.
And there was Mr Hewitt.
Jack couldn’t do this alone. He looked for Ed and saw him crouched down behind an overturned table, his grey face poking over the top, eyes white-rimmed and staring. Ed, his best mate. Ed who everyone thought was cool. Clever without being cocky or a suck-up. Good-looking Ed who all the girls went for. Ed who beat him at tennis without really trying. Jack had always felt second in line to him, even though the two of them did everything together, hung out all the time, shared books and comics and music, played on the same football team, the same cricket team.
Last year the school had produced a glossy booklet advertising itself to new parents, and there on the front cover was Ed – the boy most likely to succeed. The happy, smiling, confident face of Rowhurst.
Well, this was the new face of the school, hiding behind a table, scared halfway to death, while the teachers crawled in through a broken window.
Ed reminded Jack of someone.
The Scared Kid.
Ed was totally bricking it, and his fear was making him next to useless.
‘Help me,’ Jack croaked.
‘I’m keeping watch,’ said Ed, a slight catch in his voice.
Yeah, right, keeping watch … Keeping safe more like.
Jack sighed. His own tiredness and fear were turning him bitter.
‘If you won’t help,’ he said, ‘at least go and get one of the others.’
Ed shook his head. ‘I’m staying with you.’
‘Then do something,’ Jack shouted. ‘Hewitt’s nearly through. I need help here.’
‘What …? What do you want me to do?’
Jack rubbed his shoulder. He’d had enough of the school. He’d had enough of this mess, night after night, the same bloody ritual. Right now he’d rather be anywhere else than here.
Most of all he wanted to be at home, though. Back in his own house, in his own room, with his own things. Under his duvet, with the world shut out.
Home …
He tossed the bat to Ed. It bounced off the table and ended up on the carpet.
‘Hit him, Ed,’ he said.
‘I’m not sure I can,’ Ed replied.
‘Pick up the bat and hit him.’ Jack felt tears come into his eyes and he squeezed them tight then pinched the wetness away.
‘Please, Ed, just hit him.’
‘And then what?’ Ed asked. ‘They just keep coming, Jack. We can’t kill them all.’
‘Hit him, Ed! For God’s sake, just hit him!’
2
Ed looked at the bat, lying in a strip of moonlight on the worn-out carpet. The electricity had gone off three weeks ago. Nights were blacker than he had ever known they could be.
He d
idn’t know what to do. He knew he should help Jack, but he was paralysed. If he did nothing, though, wouldn’t it be worse? The teachers would get him, just as they’d got Jamey and Adam and Will. They’d come in with their horrible filthy nails and their hungry teeth. They’d grab him …
Maybe that would be better. To get it over with. All he could see ahead of him was a never-ending string of dark nights spent fighting off adults, as, one by one, his friends were all killed.
Get it over with.
Shut your eyes, lie down and that would be that …
He saw a hand reaching out towards the bat. As if he was watching a film. As if it was happening to someone else. The fingers closed around the handle.
His fingers.