A Fatal Grace ciag-2

by Louise Penny

  Gamache nodded, then remembered something else.

  ‘Your beliefs become your thoughts

  Your thoughts become your words

  Your words become your actions

  Your actions become your destiny.

  Mahatma Gandhi,’ he said. ‘There’s more, but I can’t remember it all.’

  ‘I didn’t know the Mahatma was so chatty, but I agree with him. Very powerful. It starts with our beliefs, and our beliefs come from our parents, and if we have a sick parent we have sick beliefs and it infects everything we think and do.’

  Gamache wondered who CC’s mother was and what beliefs she’d filled her daughter with. He sipped his toddy, his chilled body finally warming up, and looked around.

  The store felt like an old library in a country house. The walls were lined with warm wooden shelves, and they in turn were lined with books. Hooked rugs were scattered here and there and a Vermont Castings woodstove sat in the middle of the store with a sofa facing it and a rocking chair on either side. Gamache, who loved bookstores, thought this was just the most attractive one he’d ever met.

  He’d arrived a few minutes before five, passing Ruth. The elderly poet again stopped halfway across the village green and plunked down on the icy bench. He looked out Myrna’s window now and saw her there still, rigidly and frigidly outlined in the cheerful lights of the Christmas tree.

  ‘Well, all children are sad,’ quoted Gamache, ‘but some get over it.’

  Myrna followed his gaze.

  ‘Beer walk,’ she said.

  ‘Beer walk,’ repeated Robert Lemieux. He was in the Morrow home, having wandered away from the television set. Clara and Inspector Beauvoir were still there, eyes like satellite dishes, staring at the screen. The only sign of life Lemieux had seen in Beauvoir since The Lion in Winter had begun was the occasional gasp. Lemieux had tried to get into it, but found himself drifting off to sleep. He had visions of his head slipping onto Beauvoir’s shoulder, mouth open, drooling. Best to get up and walk around.

  Now he stared out the window and Peter Morrow joined him.

  ‘What’s she doing?’ Lemieux pointed to the old woman sitting on the bench while the rest of the village huddled indoors or scurried through the night that felt as though the air itself would freeze solid.

  ‘Oh, that’s her beer walk.’

  Lemieux shook his head. Pathetic old drunk.

  When Myrna finished explaining Gamache walked to his coat, feeling inside each pocket until he came to what he was looking for. The copy of Ruth’s book found on Elle’s body.

  He returned to his seat and opened it, reading at random.

  ‘She’s a remarkable poet,’ said Myrna. ‘Too bad she’s such a mess as a person. May I?’ She reached out for the book and opened it at the beginning. ‘Did Clara lend you this?’

  ‘No. Why?’

  ‘Well, it’s inscribed to her.’ Myrna showed him. ‘You stink, love Ruth.’

  ‘Clara’s “You stink”?’

  ‘Well, she did that day. Isn’t that funny? She said she lost it. I guess she found it again, though you say you didn’t get it from her?’

  ‘No, it’s part of an investigation.’

  ‘A homicide investigation?’

  ‘You said she lost it after the signing? Where?’ Gamache was leaning forward now, his bright eyes focused on Myrna.

  ‘At Ogilvy’s. She’d bought the book at Ruth’s launch, had it signed and then we had to leave.’ Myrna could feel his energy and felt herself getting excited, though she didn’t know why.

  ‘Did you come straight back?’

  ‘I got the car and picked her up outside. We didn’t stop anywhere.’

  ‘Did she go anywhere else before you picked her up?’

  Myrna thought about it and shook her head. Gamache stood up. He had to get over to the Morrow place.

  ‘Well, there was one thing she told me the next day. She bought some food for this old beggar outside. She—’ Myrna stopped herself.

  ‘Go on.’ Gamache turned at the door.

  ‘Nothing.’

  Gamache just stared.

  ‘I can’t tell you. It’s for Clara to say.’

  ‘The beggar’s dead. Murdered.’ He held up Ruth’s book and said softly, ‘You need to tell me.’

  TWENTY-EIGHT

  Peter ushered Gamache into their home and took his coat. There was a definite smell of popcorn and the sounds of a Gothic choir in the background.

  ‘They’re just finishing the movie,’ said Peter.

  ‘It’s over,’ said Clara, popping into the kitchen to greet Gamache. ‘Even better the second time, I think. And we found something.’

  They walked through to the living room to find Jean Guy Beauvoir staring at the screen, wide-eyed, as the credits rolled.

  ‘Mon Dieu, no wonder you English won on the Plains of Abraham,’ he said. ‘You’re all nuts.’

  ‘It does help, in war,’ agreed Peter. ‘But we’re not all like Eleanor of Aquitaine or Henry.’ He was tempted to point out that Eleanor and Henry were actually both French, but decided that would be rude.

  ‘You think not?’ Beauvoir asked. He’d seen enough of the Anglos in Quebec to make him wonder. It was their secrecy that always scared him. He couldn’t figure out what they were thinking. And if he couldn’t figure that out, he couldn’t begin to know what they’d do. He felt exposed and endangered around the English. And he didn’t like it. Frankly, he didn’t like them, and this film had done nothing to change his mind.

  Terrifying.

  ‘Here.’ Clara pressed the rewind and the tape whizzed. ‘It’s at about minute seventeen. The tape goes strange.’

  Gamache had finally figured out Clara’s garbled message. Video tapes stretch when someone stops them at the same spot often enough. And when they stretch, the picture goes wonky. Clara’s message had been that if Peter stopped his videos at an important point and the tape stretched, then maybe CC had done the same thing.

  ‘There is a spot where the tape goes strange,’ said Lemieux. ‘But we watched it over and over and nothing’s happening there.’

  ‘I think you’ll find,’ Gamache turned to the young officer, ‘that there’s a reason for every frame of this film. And there’s a reason CC stopped it there.’

  Lemieux blushed. It was the same lesson all over again. There’s a reason for everything. Gamache had spoken matter-of-factly, but they both knew this was the second time he’d had to tell Lemieux that.

  ‘OK, here we go.’ Clara sat down and hit the play button.

  A barge was approaching the dreary shore. Katharine Hepburn, as an aging Eleanor, was wrapped in shawls, splendid and brittle. There was no dialogue, just a long, pastoral shot of the boat, the oarsmen and the queen arriving.

  The barge was almost at the shore, and the tape went strange. Just for a moment. It squirmed.

  ‘There.’ Clara hit pause. ‘Here, let me show you again.’

  Twice more she rewound and hit play and twice more Eleanor arrived for her devastating Christmas with her family.

  Clara paused the picture at the very moment it went squiggly. The prow of the barge almost filled the screen. No faces were visible. No actors at all. Just leafless, lifeless trees, a near dead landscape, gray water and the bow of the boat. Nothing. Lemieux might be right, thought Gamache.

  He leaned back on the sofa and stared. Eventually the pause released itself and Clara had to rewind, play and pause again.

  The minutes went by.

  ‘What do you see?’ he asked everyone in the room.

  ‘The boat,’ said Clara.

  ‘Trees,’ said Peter.

  ‘Some water,’ said Beauvoir, anxious to say something before everything was taken.

  Lemieux could have kicked himself. There was nothing left to say. He caught Gamache looking at him with amusement, and something else. Approval. Better to say nothing than say something just for the sake of speaking. Lemieux smiled back and relaxed.
/>   Gamache turned back to the screen. Boat, trees, water. Was it just a coincidence CC had stopped the movie here? Was he trying to read way too much into this? Had she stopped just to get a drink or go to the washroom? But the tape wouldn’t stretch from just one pause; she’d have to have stopped it here many times to cause the damage.

  He got up and stretched his legs.

  ‘No need to keep staring. There’s nothing there. You were right, and I was wrong. My apologies,’ he said to Lemieux, who was so stunned he didn’t know what to do.

  ‘I’m sorry,’ said Clara, walking with them back to the mudroom. ‘I thought I was on to something.’

  ‘And you might have been. You have an instinct for crime, madame.’

  ‘You flatter me, monsieur.’

  Had Peter been a dog his hackles would have risen. Try as he might he couldn’t quite get over his jealousy of Gamache and his easy relationship with Clara. In the mudroom Gamache pulled a book from his coat and presented it gently to Clara. After speaking to Myrna he had an inkling of what he was about to do, and wished he didn’t have to.

  ‘How kind, but I already have Ruth’s latest book.’

  ‘But not this one,’ he said almost in a whisper. Peter strained to hear the words, as did the others.

  Clara opened the book and smiled broadly. ‘You stink, love Ruth. You found it. The one I lost. Did I drop it on the road, or at the bistro?’

  ‘No, you dropped it in Montreal.’

  Clara looked at Gamache, puzzled. ‘And you found it? But that’s not possible.’

  ‘It was found on the body of a dead woman.’ He said the words slowly and carefully, giving her every chance to hear them and to understand. ‘She was found outside Ogilvy’s, just before Christmas.’ Gamache was staring at Clara, examining her face, her reactions. Still she looked puzzled, amazed. Nothing more.

  ‘She was a vagrant, a bag lady.’

  And now he could see the light go on. Her eyes opened slightly wider and she brought her head up and away from him, as though repulsed by his words.

  ‘No,’ Clara whispered and went very white. She breathed into the silence a couple of times. ‘The old woman, the bum on the street?’

  The silence stretched on, all eyes watching Clara as she struggled with this news. Clara felt herself falling, not to the floor, but way below it, into the abyss filled with crushed dreams.

  I’ve always loved your art, Clara.

  No. That means the vagrant wasn’t God after all. Just a pathetic old woman. As delusional as Clara. They both thought her art was good. And they were wrong. CC and Fortin were right.

  Your art is amateurish and banal. You’re a failure. You have no voice, no vision, no worth. You’ve wasted your life.

  The words ground into Clara, weighing her down and dragging her over the edge.

  ‘Oh, my God,’ was all she could think to say.

  ‘Peter, could you make a cup of tea, please? Hot and sweet?’ Gamache asked and Peter was both annoyed Gamache had thought of it and grateful for something to do.

  ‘Go back to the Incident Room and see what progress Agent Lacoste has made,’ Gamache whispered to Beauvoir quickly, then he turned back and led Clara into the living room, kicking himself once there because he hadn’t given Beauvoir the video to take back. He hoped he wouldn’t forget it.

  ‘Tell me about it,’ he said to Clara once he had her seated by the warm fire.

  ‘I stepped right over her on my way into Ogilvy’s. It was the night of Ruth’s book launch. I felt badly about that, all my good fortune and all.’ She left the sentence hanging, knowing Gamache would understand. Once again she saw the scene. Leaving the launch, buying the food, getting on the fateful escalator. Passing CC.

  Your art is amateurish and banal.

  Walking in a daze into the cold night and wanting to take off down the street, howling and crying and shoving all the revelers aside. But instead bending over the vagrant, the heap of stinking shit and despair, and meeting those rheumy eyes.

  ‘I’ve always loved your art, Clara.’

  ‘She said that?’ Gamache asked.

  Clara nodded.

  ‘Did you know her?’

  ‘Never saw her before.’

  ‘But you must have,’ said Agent Lemieux, speaking for the first time in an interrogation, the words jumping unbidden from his mouth. He clamped his mouth shut and looked at Gamache, waiting for the reprimand. Instead Gamache was looking at him with interest. Then he turned back.

  Relieved, Lemieux listened, but wanted to squirm in his seat. He found this whole exchange deeply unsettling.

  ‘How do you explain it?’ Gamache asked, watching Clara closely.

  ‘I can’t.’

  ‘Yes you can,’ Gamache encouraged her, exploring, probing, asking her to let him in. ‘Tell me.’

  ‘I think she was God. Thought she was God.’ Clara struggled to compose herself, clamping her throat against the tears.

  Gamache sat quietly, waiting. He looked away, giving her the semblance of privacy. Staring at the television he saw in his mind’s eye the frozen image of the barge. No. Not the barge, just the prow. With a design. A sea serpent. A snake. No. A bird.

  An eagle.

  A shrieking eagle.

  And Gamache knew then why CC had stopped the tape just there. He had to get to the Incident Room before Lacoste left. The clock on the mantel said just after six. It might already be too late. Gesturing to Lemieux he whispered in the young man’s ear. Lemieux left the room quickly and quietly. A moment later Gamache saw him hurrying along the front path and out the gate.

  Gamache cursed himself for forgetting to give the video to Lemieux to put back in the evidence box. He had a sneaking suspicion he’d leave without it himself. Peter arrived with the tea and Clara roused herself.

  ‘I need to ask you this again, Clara. Are you sure you’d never seen Elle before?’

  ‘Elle? Was that her name?’

  ‘That’s what the police report called her. We don’t know her real name.’

  ‘I’ve thought about it a great deal since that night. Myrna also asked. I didn’t know her. Believe me.’

  Gamache did.

  ‘How did she die?’ asked Clara. ‘Was it the cold?’

  ‘She was murdered, shortly after she spoke to you.’

  TWENTY-NINE

  Armand Gamache actually remembered to take The Lion in Winter back to the Incident Room. He placed it on his desk and went over to Lacoste’s computer where the others were huddled. He noticed Agent Nichol sitting at her own desk and waved her over.

  ‘Lemieux told me what you wanted,’ said Lacoste, glancing at him quickly. ‘Look at this.’ Her computer screen was split in two, with near identical images on either side. The head of an eagle, stylized and screaming.

  ‘This one,’ Lacoste pointed to the one on the left, ‘is the emblem of Eleanor of Aquitaine.’

  ‘And that one?’ Gamache pointed to the other half of the screen.

  ‘That’s CC’s corporate logo. It’s on the cover of her book, kind of. It’s all smudged, a not very good reproduction, but that’s what it is.’

  ‘You were right,’ said Beauvoir. ‘CC stopped the video at minute seventeen to get a good look at the front of the boat. She must have recognized it as Eleanor’s emblem, and wanted to copy it.’

  ‘Everything makes sense,’ murmured Lemieux.

  ‘How’d you make the connection?’ Beauvoir asked.

  ‘I had an unfair advantage,’ admitted Gamache. ‘Lyon showed me CC’s book and pointed out the logo. It’s unforgettable.’ So this explained the ridiculous choice of a belligerent eagle as a logo, he thought. It was Eleanor’s emblem.

  ‘There’s something I need to show you.’ Gamache walked over to his satchel and removed the photographs taken by Saul Petrov. The team pulled their chairs up to the conference table while Gamache spread them out.

  ‘I figured out why CC grabbed the chair in front of her,’ he said, noddi
ng to the series of pictures. ‘It’s all there.’

  They stared and after a minute Gamache took pity on them. They were all tired and hungry and Agent Lacoste had a long drive back to Montreal.

  ‘See here?’ He pointed to one of the early shots of CC watching the curling. ‘The chair looks fine, right?’

  They nodded.

  ‘Now look here.’ He pointed to one of the last pictures of CC.

  ‘My God, it’s so obvious. How could I have missed it?’ Beauvoir looked from the pictures to Gamache in astonishment. ‘It’s crooked.’

  ‘So?’ said Lacoste.

  ‘Over and over again the people who knew her, or even met her casually, said the same thing. CC obsessively rearranged everything around her. A chair like this,’ Gamache pointed to the tilted chair, one corner sunk into the snow, ‘was guaranteed to get a reaction. The only surprise is that it took her so long.’

  ‘Except, as you pointed out,’ said Nichol, ‘the chair was just fine to begin with. Someone must have shoved it off kilter.’

  Gamache nodded. Was that what was on the roll of film Petrov burned? Did it show a villager casually wandering by and leaning on the chair? Did the villager then go to the generator and wait for CC to get up? And when she did all he had to do was attach the booster cables, and bang. Murder.

  It was brilliant and almost elegant.

  But who did it? Richard Lyon was the perfect suspect. He knew his wife would reach for the chair that had gone askew.

  ‘That photographer was hiding something,’ said Beauvoir.

  ‘I agree,’ said Gamache. ‘He burned a roll of film in his fireplace just before we arrived. I think it was of the murder.’

  ‘Why would he destroy it, though?’ asked Lemieux. ‘As he said, if he had a picture of the murderer it would prove his own innocence.’

  ‘What about if he planned to use it for blackmail?’ Nichol asked.

  ‘But why destroy it? You’d keep that film safe, wouldn’t you?’ said Lacoste and received a disconcertingly friendly smile.

  Bitch, thought Nichol. She looked around and noticed Gamache watching her. Does he know? she wondered. He was standing there so smug and comfortable, surrounded by his team. And her on the outside, always on the outside. Well, that would change.