The Kreutzer Sonata and Other Stories

by Лев Толстой

  "The MAN appeared."

  Posdnicheff seemed embarrassed, and twice again there escaped him that nasal sound of which I spoke above. I thought that it gave him pain to refer to the MAN, and to remember him. He made an effort, as if to break down the obstacle that embarrassed him, and continued with determination.

  "He was a bad man in my eyes, and not because he has played such an important role in my life, but because he was really such. For the rest, from the fact that he was bad, we must conclude that he was irresponsible. He was a musician, a violinist. Not a professional musician, but half man of the world, half artist. His father, a country proprietor, was a neighbor of my father's. The father had become ruined, and the children, three boys, were all sent away. Our man, the youngest, was sent to his godmother at Paris. There they placed him in the Conservatory, for he showed a taste for music. He came out a violinist, and played in concerts."

  On the point of speaking evil of the other, Posdnicheff checked himself, stopped, and said suddenly:

  "In truth, I know not how he lived. I only know that that year he came to Russia, and came to see me. Moist eyes of almond shape, smiling red lips, a little moustache well waxed, hair brushed in the latest fashion, a vulgarly pretty face,—what the women call 'not bad,'—feebly built physically, but with no deformity; with hips as broad as a woman's; correct, and insinuating himself into the familiarity of people as far as possible, but having that keen sense that quickly detects a false step and retires in reason,—a man, in short, observant of the external rules of dignity, with that special Parisianism that is revealed in buttoned boots, a gaudy cravat, and that something which foreigners pick up in Paris, and which, in its peculiarity and novelty, always has an influence on our women. In his manners an external and artificial gayety, a way, you know, of referring to everything by hints, by unfinished fragments, as if everything that one says you knew already, recalled it, and could supply the omissions. Well, he, with his music, was the cause of all.

  "At the trial the affair was so represented that everything seemed attributable to jealousy. It is false,—that is, not quite false, but there was something else. The verdict was rendered that I was a deceived husband, that I had killed in defence of my sullied honor (that is the way they put it in their language), and thus I was acquitted. I tried to explain the affair from my own point of view, but they concluded that I simply wanted to rehabilitate the memory of my wife. Her relations with the musician, whatever they may have been, are now of no importance to me or to her. The important part is what I have told you. The whole tragedy was due to the fact that this man came into our house at a time when an immense abyss had already been dug between us, that frightful tension of mutual hatred, in which the slightest motive sufficed to precipitate the crisis. Our quarrels in the last days were something terrible, and the more astonishing because they were followed by a brutal passion extremely strained. If it had not been he, some other would have come. If the pretext had not been jealousy, I should have discovered another. I insist upon this point,—that all husbands who live the married life that I lived must either resort to outside debauchery, or separate from their wives, or kill themselves, or kill their wives as I did. If there is any one in my case to whom this does not happen, he is a very rare exception, for, before ending as I ended, I was several times on the point of suicide, and my wife made several attempts to poison herself."

  CHAPTER XX.

  "In order that you may understand me, I must tell you how this happened. We were living along, and all seemed well. Suddenly we began to talk of the children's education. I do not remember what words either of us uttered, but a discussion began, reproaches, leaps from one subject to another. 'Yes, I know it. It has been so for a long time.' . . . 'You said that.' . . . 'No, I did not say that.' . . . 'Then I lie?' etc.

  "And I felt that the frightful crisis was approaching when I should desire to kill her or else myself. I knew that it was approaching; I was afraid of it as of fire; I wanted to restrain myself. But rage took possession of my whole being. My wife found herself in the same condition, perhaps worse. She knew that she intentionally distorted each of my words, and each of her words was saturated with venom. All that was dear to me she disparaged and profaned. The farther the quarrel went, the more furious it became. I cried, 'Be silent,' or something like that.

  "She bounded out of the room and ran toward the children. I tried to hold her back to finish my insults. I grasped her by the arm, and hurt her. She cried: 'Children, your father is beating me.' I cried: 'Don't lie.' She continued to utter falsehoods for the simple purpose of irritating me further. 'Ah, it is not the first time,' or something of that sort. The children rushed toward her and tried to quiet her. I said: 'Don't sham.' She said: 'You look upon everything as a sham. You would kill a person and say he was shamming. Now I understand you. That is what you want to do.' 'Oh, if you were only dead!' I cried.

  "I remember how that terrible phrase frightened me. Never had I thought that I could utter words so brutal, so frightful, and I was stupefied at what had just escaped my lips. I fled into my private apartment. I sat down and began to smoke. I heard her go into the hall and prepare to go out. I asked her: 'Where are you going? She did not answer. 'Well, may the devil take you!' said I to myself, going back into my private room, where I lay down again and began smoking afresh. Thousands of plans of vengeance, of ways of getting rid of her, and how to arrange this, and act as if nothing had happened,—all this passed through my head. I thought of these things, and I smoked, and smoked, and smoked. I thought of running away, of making my escape, of going to America. I went so far as to dream how beautiful it would be, after getting rid of her, to love another woman, entirely different from her. I should be rid of her if she should die or if I should get a divorce, and I tried to think how that could be managed. I saw that I was getting confused, but, in order not to see that I was not thinking rightly, I kept on smoking.

  "And the life of the house went on as usual. The children's teacher came and asked: 'Where is Madame? When will she return?'

  "The servants asked if they should serve the tea. I entered the dining-room. The children, Lise, the eldest girl, looked at me with fright, as if to question me, and she did not come. The whole evening passed, and still she did not come. Two sentiments kept succeeding each other in my soul,—hatred of her, since she tortured myself and the children by her absence, but would finally return just the same, and fear lest she might return and make some attempt upon herself. But where should I look for her? At her sister's? It seemed so stupid to go to ask where one's wife is. Moreover, may God forbid, I hoped, that she should be at her sister's! If she wishes to torment any one, let her torment herself first. And suppose she were not at her sister's.

  "Suppose she were to do, or had already done, something.

  "Eleven o'clock, midnight, one o'clock. . . . I did not sleep. I did not go to my chamber. It is stupid to lie stretched out all alone, and to wait. But in my study I did not rest. I tried to busy myself, to write letters, to read. Impossible! I was alone, tortured, wicked, and I listened. Toward daylight I went to sleep. I awoke. She had not returned. Everything in the house went on as usual, and all looked at me in astonishment, questioningly. The children's eyes were full of reproach for me.

  "And always the same feeling of anxiety about her, and of hatred because of this anxiety.

  "Toward eleven o'clock in the morning came her sister, her ambassadress. Then began the usual phrases: 'She is in a terrible state. What is the matter?' 'Why, nothing has happened.' I spoke of her asperity of character, and I added that I had done nothing, and that I would not take the first step. If she wants a divorce, so much the better! My sister-in-law would not listen to this idea, and went away without having gained anything. I was obstinate, and I said boldly and determinedly, in talking to her, that I would not take the first step. Immediately she had gone I went into the other room, and saw the children in a frightened and pitiful state, and there I found myself already i
nclined to take this first step. But I was bound by my word. Again I walked up and down, always smoking. At breakfast I drank brandy and wine, and I reached the point which I unconsciously desired, the point where I no longer saw the stupidity and baseness of my situation.

  "Toward three o'clock she came. I thought that she was appeased, or admitted her defeat. I began to tell her that I was provoked by her reproaches. She answered me, with the same severe and terribly downcast face, that she had not come for explanations, but to take the children, that we could not live together. I answered that it was not my fault, that she had put me beside myself. She looked at me with a severe and solemn air, and said: 'Say no more. You will repent it.' I said that I could not tolerate comedies. Then she cried out something that I did not understand, and rushed toward her room. The key turned in the lock, and she shut herself up. I pushed at the door. There was no response. Furious, I went away.

  "A half hour later Lise came running all in tears. 'What! Has anything happened? We cannot hear Mamma!' We went toward my wife's room. I pushed the door with all my might. The bolt was scarcely drawn, and the door opened. In a skirt, with high boots, my wife lay awkwardly on the bed. On the table an empty opium phial. We restored her to life. Tears and then reconciliation! Not reconciliation; internally each kept the hatred for the other, but it was absolutely necessary for the moment to end the scene in some way, and life began again as before. These scenes, and even worse, came now once a week, now every month, now every day. And invariably the same incidents. Once I was absolutely resolved to fly, but through some inconceivable weakness I remained.

  "Such were the circumstances in which we were living when the MAN came. The man was bad, it is true. But what! No worse than we were."

  CHAPTER XXI.

  "When we moved to Moscow, this gentleman—his name was Troukhatchevsky—came to my house. It was in the morning. I received him. In former times we had been very familiar. He tried, by various advances, to re-establish the familiarity, but I was determined to keep him at a distance, and soon he gave it up. He displeased me extremely. At the first glance I saw that he was a filthy debauche. I was jealous of him, even before he had seen my wife. But, strange thing! some occult fatal power kept me from repulsing him and sending him away, and, on the contrary, induced me to suffer this approach. What could have been simpler than to talk with him a few minutes, and then dismiss him coldly without introducing him to my wife? But no, as if on purpose, I turned the conversation upon his skill as a violinist, and he answered that, contrary to what I had heard, he now played the violin more than formerly. He remembered that I used to play. I answered that I had abandoned music, but that my wife played very well.

  "Singular thing! Why, in the important events of our life, in those in which a man's fate is decided,—as mine was decided in that moment,—why in these events is there neither a past nor a future? My relations with Troukhatchevsky the first day, at the first hour, were such as they might still have been after all that has happened. I was conscious that some frightful misfortune must result from the presence of this man, and, in spite of that, I could not help being amiable to him. I introduced him to my wife. She was pleased with him. In the beginning, I suppose, because of the pleasure of the violin playing, which she adored. She had even hired for that purpose a violinist from the theatre. But when she cast a glance at me, she understood my feelings, and concealed her impression. Then began the mutual trickery and deceit. I smiled agreeably, pretending that all this pleased me extremely. He, looking at my wife, as all debauches look at beautiful women, with an air of being interested solely in the subject of conversation,—that is, in that which did not interest him at all.

  "She tried to seem indifferent. But my expression, my jealous or false smile, which she knew so well, and the voluptuous glances of the musician, evidently excited her. I saw that, after the first interview, her eyes were already glittering, glittering strangely, and that, thanks to my jealousy, between him and her had been immediately established that sort of electric current which is provoked by an identity of expression in the smile and in the eyes.

  "We talked, at the first interview, of music, of Paris, and of all sorts of trivialities. He rose to go. Pressing his hat against his swaying hip, he stood erect, looking now at her and now at me, as if waiting to see what she would do. I remember that minute, precisely because it was in my power not to invite him. I need not have invited him, and then nothing would have happened. But I cast a glance first at him, then at her. 'Don't flatter yourself that I can be jealous of you,' I thought, addressing myself to her mentally, and I invited the other to bring his violin that very evening, and to play with my wife. She raised her eyes toward me with astonishment, and her face turned purple, as if she were seized with a sudden fear. She began to excuse herself, saying that she did not play well enough. This refusal only excited me the more. I remember the strange feeling with which I looked at his neck, his white neck, in contrast with his black hair, separated by a parting, when, with his skipping gait, like that of a bird, he left my house. I could not help confessing to myself that this man's presence caused me suffering. 'It is in my power,' thought I, 'to so arrange things that I shall never see him again. But can it be that I, I, fear him? No, I do not fear him. It would be too humiliating!'

  "And there in the hall, knowing that my wife heard me, I insisted that he should come that very evening with his violin. He promised me, and went away. In the evening he arrived with his violin, and they played together. But for a long time things did not go well; we had not the necessary music, and that which we had my wife could not play at sight. I amused myself with their difficulties. I aided them, I made proposals, and they finally executed a few pieces,—songs without words, and a little sonata by Mozart. He played in a marvellous manner. He had what is called the energetic and tender tone. As for difficulties, there were none for him. Scarcely had he begun to play, when his face changed. He became serious, and much more sympathetic. He was, it is needless to say, much stronger than my wife. He helped her, he advised her simply and naturally, and at the same time played his game with courtesy. My wife seemed interested only in the music. She was very simple and agreeable. Throughout the evening I feigned, not only for the others, but for myself, an interest solely in the music. Really, I was continually tortured by jealousy. From the first minute that the musician's eyes met those of my wife, I saw that he did not regard her as a disagreeable woman, with whom on occasion it would be unpleasant to enter into intimate relations.

  "If I had been pure, I should not have dreamed of what he might think of her. But I looked at women, and that is why I understood him and was in torture. I was in torture, especially because I was sure that toward me she had no other feeling than of perpetual irritation, sometimes interrupted by the customary sensuality, and that this man,—thanks to his external elegance and his novelty, and, above all, thanks to his unquestionably remarkable talent, thanks to the attraction exercised under the influence of music, thanks to the impression that music produces upon nervous natures,—this man would not only please, but would inevitably, and without difficulty, subjugate and conquer her, and do with her as he liked.

  "I could not help seeing this. I could not help suffering, or keep from being jealous. And I was jealous, and I suffered, and in spite of that, and perhaps even because of that, an unknown force, in spite of my will, impelled me to be not only polite, but more than polite, amiable. I cannot say whether I did it for my wife, or to show him that I did not fear HIM, or to deceive myself; but from my first relations with him I could not be at my ease. I was obliged, that I might not give way to a desire to kill him immediately, to 'caress' him. I filled his glass at the table, I grew enthusiastic over his playing, I talked to him with an extremely amiable smile, and I invited him to dinner the following Sunday, and to play again. I told him that I would invite some of my acquaintances, lovers of his art, to hear him.

  "Two or three days later I was entering my house, in conversation w
ith a friend, when in the hall I suddenly felt something as heavy as a stone weighing on my heart, and I could not account for it. And it was this, it was this: in passing through the hall, I had noticed something which reminded me of HIM. Not until I reached my study did I realize what it was, and I returned to the hall to verify my conjecture. Yes, I was not mistaken. It was his overcoat (everything that belonged to him, I, without realizing it, had observed with extraordinary attention). I questioned the servant. That was it. He had come.

  "I passed near the parlor, through my children's study-room. Lise, my daughter, was sitting before a book, and the old nurse, with my youngest child, was beside the table, turning the cover of something or other. In the parlor I heard a slow arpeggio, and his voice, deadened, and a denial from her. She said: 'No, no! There is something else!' And it seemed to me that some one was purposely deadening the words by the aid of the piano.

  "My God! How my heart leaped! What were my imaginations! When I remember the beast that lived in me at that moment, I am seized with fright. My heart was first compressed, then stopped, and then began to beat like a hammer. The principal feeling, as in every bad feeling, was pity for myself. 'Before the children, before the old nurse,' thought I, 'she dishonors me. I will go away. I can endure it no longer. God knows what I should do if. . . . But I must go in.'

  "The old nurse raised her eyes to mine, as if she understood, and advised me to keep a sharp watch. 'I must go in,' I said to myself, and, without knowing what I did, I opened the door. He was sitting at the piano and making arpeggios with his long, white, curved fingers. She was standing in the angle of the grand piano, before the open score. She saw or heard me first, and raised her eyes to mine. Was she stunned, was she pretending not to be frightened, or was she really not frightened at all? In any case, she did not tremble, she did not stir. She blushed, but only a little later.