Leonardo and the Last Supper

by Ross King

  Feinberg, Larry J. “Sight Unseen: Vision and Perception in Leonardo’s Madonnas.” Apollo (July 2004): 28–34.

  Feinberg, Larry J. “Visual Puns and Variable Perception: Leonardo’s Madonna of the Yarnwinder.” Apollo (August 2004): 38–41.

  Fiorio, M. T., ed. Le Chiese di Milano. Milan: Electa, 1985.

  Fischer, Michael J. “Luca Pacioli on Business Profits.” Journal of Business Ethics 25 (2000): 299–312.

  Francesca, Piero della. Piero Della Francesca: Trattato d’Abaco. Ed. Gino Arrighi. Pisa: Domus Galileana, 1971.

  Freud, Sigmund. “Leonardo da Vinci and a Memory of His Childhood.” In The Standard Edition of the Complete Psychological Works, vol. 11, 63–137. Ed. James Strachey. London: Hogarth Press, 1968.

  Frick, Carole Collier. Dressing Renaissance Florence: Families, Fortunes and Fine Clothing. Baltimore: The Johns Hopkins University Press, 2002.

  Fusco, Laurie, and Gino Corti. “Lorenzo de’ Medici on the Sforza Monument.” In Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana, vol. 5, 11–32. Ed. Carlo Pedretti. Florence: Giunti, 1992.

  Gage, John. Color and Culture: Practice and Meaning from Antiquity to Abstraction. Berkeley and Los Angeles: University of California Press, 1999.

  Galbraith, Georgina Rosalie. The Constitution of the Dominican Order. Manchester: Manchester University Press, 1925.

  Galluzzi, Paolo, ed. Leonardo da Vinci: Engineer and Architect. Montreal: Musée des Beaux-Arts, 1987.

  Gavitt, Philip. Charity and Children in Renaissance Florence: The Ospedale degli Innocenti, 1410–1536. Ann Arbor: University of Michigan Press, 1990.

  Ghiberti, Lorenzo. I commentari. Ed. Ottavio Morisani. Naples: Riccardo Ricciardi, 1947.

  Ghyka, Matila. The Geometry of Art and Life. New York: Sheed and Ward, 1946.

  Gilbert, Creighton. “Last Suppers and their Refectories.” In The Pursuit of Holiness in Late Medieval and Renaissance Religion, 371–402. Ed. Charles Trinkaus and Heiko A. Oberman. Leiden: Brill, 1974.

  Ginzburg, Carlo. The Enigma of Piero: Piero della Francesca. Trans. Martin Ryle and Kate Soper. London: Verso, 2000.

  Glasser, Hannelore. Artists’ Contracts of the Early Renaissance. New York: Garland, 1977.

  Goethe, Johann Wolfgang von. Observations on Leonardo da Vinci’s Celebrated Picture of the Last Supper. Trans. G. H. Noehden. London: J. Booth, 1821.

  Goldscheider, Ludwig. Leonardo da Vinci: Life and Work, Paintings and Drawings. London: Phaidon, 1959.

  Goldthwaite, Richard A. The Economy of Renaissance Florence. Baltimore: The Johns Hopkins University Press, 2009.

  Gombrich, Ernst. “The Grotesque Heads.” In The Heritage of Apelles: Studies in the Art of the Renaissance, 57–75. Oxford: Phaidon, 1976.

  Gould, Stephen Jay. Leonardo’s Mountain of Clams and the Diet of Worms: Essays on Natural History. Cambridge, MA: Harvard University Press, 2011.

  Grazzini, Nello Forte. “Flemish Weavers in Italy in the Sixteenth Century.” In Flemish Tapestry Weavers Abroad: Emigration and the Founding of Manufactories in Europe, 131–62. Ed. Guy Delmarcel. Louvain: Louvain University Press, 2002.

  Guicciardini, Francesco. The History of Italy. Trans. Sidney Alexander. New York: Macmillan, 1969.

  Guillon de Montléon, Aimé. Le cénacle de Léonard de Vinci rendu aux amis des Beaux-Arts dans le tableau aujourd’hui chez un citoyen de Milan. Milan and Lyon: Dumolard, 1811.

  Harris, Lauren Julius. “Cultural Influences on Handedness: Historical and Contemporary Theory and Evidence.” In Left-Handedness: Behavioral Implications and Anomalies, 195–258. Ed. Stanley Coren. Amsterdam: Elsevir Science, 1990.

  Hartt, Frederick. “Leonardo and the Second Florentine Republic.” Journal of the Walters Art Gallery 44 (1986): 95–116.

  Haskins, Susan. Mary Magdalen: Myth and Metaphor. New York: Harcourt Brace, 1994.

  Heaton, Mrs. Charles W. Leonardo da Vinci and His Works. London: Macmillan, 1874.

  Hood, William. “Saint Dominic’s Manners of Praying: Gestures in Fra Angelico’s Cell Frescoes at S. Marco.” Art Bulletin 68 (June 1986): 195–206.

  James, Sara Nair. Signorelli and Fra Angelico at Orvieto: Liturgy, Poetry and a Vision of the End-Time. Aldershot, Hants.: Ashgate, 2003.

  Jansen, Katherine L. “Like a Virgin: The Meaning of the Magdalen for Female Penitents of Later Medieval Italy.” Memoirs of the American Academy in Rome 45 (2000): 131–52.

  Jansen, Katherine L. “Maria Magdalena: Apostolorum Apostola.” In Women Preachers and Prophets through Two Millennia of Christianity, 57–96. Ed. Beverly Mayne Kienzle and Pamela J. Walker. Berkeley and Los Angeles: University of California Press, 1998.

  Janson, H. W. A History of Art: A Survey of the Major Visual Arts from the Dawn of History to the Present Day. London: Thames and Hudson, 1962.

  Jirousek, Carolyn S. “Christ and St. John the Evangelist as a Model of Medieval Mysticism.” Cleveland Studies in the History of Art 6 (2001): 6–27.

  Jorio, Andrea de. Gesture in Naples and Gesture in Classical Antiquity. Trans. Adam Kendon. Bloomington and Indianapolis: Indiana University Press, 2000.

  Kattenberg, P.A.P.E. Andy Warhol, Priest: “The Last Supper Comes in Small, Medium and Large.” Leiden: Brill, 2002.

  Kemp, Martin. Christ to Coke: How Image Becomes Icon. Oxford: Oxford University Press, 2011.

  Kemp, Martin. “Dissection and Divinity in Leonardo’s Late Anatomies.” Journal of the Warburg and Courtauld Institutes 35 (1972): 200–225.

  Kemp, Martin. “ ‘Fate come dico, non fate come faccio’“: Lo Spazio e lo spettatore nell’ ‘Ultima Cena,” Il Genio e le Passioni, 53–59. Ed. Pietro Marani. Milan: Skira, 2001.

  Kemp, Martin. Leonardo. Oxford: Oxford University Press, 2004.

  Kemp, Martin. Leonardo da Vinci: Experience, Experiment and Design. London: V&A Publications, 2006.

  Kemp, Martin. Leonardo da Vinci: The Marvellous Works of Nature and Man. Rev. ed. Oxford: Oxford University Press, 2006.

  Kemp, Martin. “Science and the Poetic Impulse.” In Sixteenth-Century Italian Art, 94–114. Ed. Michael W. Cole. Oxford: Blackwell, 2006.

  Kemp, Martin, and Pascal Cotte. La Bella Principessa: The Story of the New Masterpiece by Leonardo da Vinci. London: Hodder & Stoughton, 2010.

  King, Ross, ed. The Fantasia of Leonardo da Vinci: His Riddles, Jests, Fables and Bestiary. Delray Beach, FL: Levenger Press, 2010.

  Klapische-Zuber, Christiane. Women, Family and Ritual in Renaissance Italy. Trans. Lydia Cochrane. Chicago: University of Chicago Press, 1985.

  Kleinhenz, Christopher. Medieval Italy: An Encyclopedia, vol. 2. New York: Routledge, 2004.

  LaFarge, Antoinette. “The Bearded Lady and the Shaven Man: Mona Lisa, Meet Mona/Leo.” In Leonardo 29 (1996): 379–83.

  Landucci, Luca. A Florentine Diary from 1450 to 1516. Trans. Alice de Rosen Jarvis. London: J. M. Dent, 1927.

  Lang, S. “Leonardo’s Architectural Designs and the Sforza Mausoleum.” Journal of the Warburg and Courtauld Institutes 31 (1968): 218–33.

  Lansing, Carol. Passion and Order: Restraint of Grief in the Medieval Italian Communes. Ithaca: Cornell University Press, 2008.

  Laurenza, Domenico. Leonardo’s Machines: Secrets and Inventions in the Da Vinci Codices. Florence-Milan: Giunti, 2005.

  Laurenza, Domenico. Leonardo: On Flight. Florence-Milan: Giunti, 2004.

  Levy, Allison. “Framing Widows: Mourning, Gender and Portraiture in Early Modern Florence.” In Widowhood and Visual Culture in Early Modern Europe, 211–32. Ed. Allison Levy. Aldershot: Ashgate, 2003.

  Licht, Mel. “Elysium: A Prelude to Renaissance Theater.” Renaissance Quarterly 49 (Spring 1996): 1–29.

  Lipton, Sarah. Images of Intolerance: The Representation of Jews and Judaism in the Bible Moralisée. Berkeley: University of California Press, 1999.

  Livio, Mario. The Golden Ratio: The Story of Phi, the Extraordinary Number of Nature, Art and Beauty. London: REVIEW, 2002.

  MacCurdy, Ed
ward. Leonardo da Vinci. London: George Bell, 1908.

  Machiavelli, Niccolò. The Art of War. Ed. and trans. Christopher Lynch. Chicago: University of Chicago Press, 2003.

  Machiavelli, Niccolò. Florentine Histories. Trans. Laura F. Banfield and Harvey C. Manfield. Princeton: Princeton University Press, 1990.

  Machiavelli, Niccolò. The Prince. Trans. George Bull. London: Penguin, 1961.

  Maiorini, Giancarlo. Leonardo da Vinci: The Daedalian Mythmaker. University Park: Pennsylvania State University Press, 1992.

  Markowsky, George. “Misconceptions about the Golden Ratio.” College Mathematics Journal 23 (January 1992): 2–19.

  Martines Lauro. Scourge and Fire: Savonarola and Renaissance Florence. London: Jonathan Cape, 2006.

  Masters, Roger D. Fortune is a River: Leonardo da Vinci and Niccolò Machiavelli’s Magnificent Dream to Change the Course of Florentine History. New York: Plume, 1999.

  Matteini, Mauro, and Arcangelo Moles. “A Preliminary Investigation of the Unusual Technique of Leonardo’s Mural The Last Supper.” Studies in Conservation 24, no. 3 (August 1979): 125–33.

  McGrath, Elizabeth. “Lodovico il Moro and his Moors.” Journal of the Warburg and Courtauld Institutes 65 (2002): 67–94.

  Merrifield, Mary Philadelphia. The Art of Fresco Painting as Practised by the Old Italian and Spanish Masters. London: Charles Gilpin, 1846.

  Milman, Henry Hart. History of Latin Christianity, vol. 4. London: John Murray, 1855.

  Mirzoeff, Nicholas. Silent Poetry: Deafness, Sign and Visual Culture in Early Modern France. Princeton: Princeton University Press, 1995.

  Moffitt, John F. “Painters ‘Born Under Saturn’: The Physiological Explanation.” Art History 11 (1988): 195–216.

  Moffitt, John F. Painterly Perspective and Piety: Religious Uses of the Vanishing Point, from the 15th to the 18th Century. Jefferson, NC: McFarland, 2008.

  Montelupo, Raffaello da. Vita da Raffaello da Montelupo. Ed. Riccardo Gatteschi. Florence: Polistampa, 1998.

  Morley, Brian. “The Plant Illustrations of Leonardo da Vinci.” The Burlington Magazine, 121 (September 1979): 553–62.

  Murray, Paul. The New Wine of Dominican Spirituality: A Drink Called Happiness. London: Continuum, 2006.

  Murray, Peter and Linda. The Art of the Renaissance. London: Thames & Hudson, 1963. Nagel, Alexander. “Structural Indeterminacy in Early Sixteenth-Century Italian Painting.” In Subject as Aporia in Early Modern Art, 17–23. Ed. Alexander Nagel and Lorenzo Pericolo. Farnham, Hants.: Ashgate, 2010.

  Najemy, John M. A History of Florence, 1200–1575. Oxford: Blackwell, 2006.

  Neil, James. The Origins and Role of Same-Sex Relations in Human Societies. Jefferson, NC: McFarland & Co., 2009.

  Nelson, Jonathan. “The High Altar-piece of SS. Annunziata in Florence: History, Form, and Function.” The Burlington Magazine 139 (February 1997): 84–94.

  Niccoli, Ottavia. Prophecy and People in Renaissance Italy. Princeton: Princeton University Press, 1990.

  Nicholl, Charles. Leonardo da Vinci: The Flights of the Mind. London: Allen Lane, 2004.

  Nicolle, David. Fornovo 1495: France’s Bloody Fighting Retreat. Oxford: Osprey, 1996.

  Ohly, Friedrich. The Damned and the Elect: Guilt in Western Culture. Trans. Linda Archibald. Cambridge: Cambridge University Press, 1992.

  Origo, Iris. “The Domestic Enemy: The Eastern Slaves in Tuscany in the Fourteenth and Fifteenth Centuries.” Speculum: A Journal of Medieval Studies 30 (July 1955): 321–66.

  Paoletti, John T., and Gary M. Radke. Art in Renaissance Italy. London: Laurence King Publishing, 2005.

  Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissection in Early Renaissance Italy.” Renaissance Quarterly 47 (Spring 1994): 1–33.

  Parzen, Jeremy. “Please Play with Your Food: An Incomplete Survey of Culinary Wonders in Italian Renaissance Cookery.” Gastronomica: The Journal of Food and Culture 4 (Fall 2004): 25–33.

  Pastor, Ludwig. The History of the Popes from the Close of the Middle Ages, vol. 5. Ed. F. I. Antrobus. London: Kegan Paul, Trench & Trübner, 1898.

  Pedretti, Carlo. “The ‘Angel in the Flesh.’ “ Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 4. Ed. Carlo Pedretti (Florence: Giunti, 1991): 34–48.

  Pedretti, Carlo. Leonardo: Architect. Trans. Sue Brill. London: Thames and Hudson, 1986.

  Pedretti, Carlo. Leonardo: A Study in Chronology and Style. Berkeley and Los Angeles: University of California Press, 1973.

  Pedretti, Carlo, ed. Leonardo da Vinci, Codex Atlanticus: A Catalogue of Its Newly Restored Sheets. Milan: Giunti, 1979.

  Pedretti, Carlo. Leonardo: Studies for “The Last Supper” from the Royal Library at Windsor Castle. Florence: Electa, 1983.

  Pedretti, Carlo. “Nec ense.” Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 3. Ed. Carlo Pedretti (Florence: Giunti, 1990): 82–90.

  Pedretti, Carlo. “Newly Discovered Evidence of Leonardo’s Association with Bramante.” Journal of the Society of Architectural Historians 32 (October 1973): 223–27.

  Pedretti, Carlo. “The Sforza Sepulchre.” Gazette des Beaux-Arts 89 (1977): 121–31.

  Pérez-Gómez, Alberto. “The Glass Architecture of Luca Pacioli.” In Chora: Intervals in the Philosophy of Architecture, vol. 4, 245–86. Ed. Alberto Pérez-Gómez and Stephen Parcell. Montreal and Kingston: McGill- Queen’s Press, 2003.

  Piccolomini, Aeneas Silvius. Reject Aeneas, Accept Pius: Selected Letters of Aeneas Sylvius Piccolo-mini (Pope Pius II). Trans. Thomas M. Izbicki et al. Washington, D.C.: Catholic University of America Press, 2006.

  Pini, Antonio Ivan. Vite e vino nel medioevo. Bologna: CLUEB, 1989.

  Pizzorusso, Ann. “The Authenticity of The Virgin of the Rocks.” Leonardo 29 (1996): 197–200.

  Ponting, Kenneth G., ed. Leonardo da Vinci: Drawings of Textile Machines. Bradford-on-Avon: Moonraker Press and Pasold Research Fund Ltd., 1979.

  Popham, A. E. The Drawings of Leonardo da Vinci. London: Jonathan Cape, 1946.

  Pseudo-Bonaventure. Meditations on the Life of Christ. Trans. Isa Ragusa and Rosalie B. Green. Princeton: Princeton University Press, 1961.

  Rebora, Giovanni. Culture of the Fork: A Brief History of Food in Europe. Trans. Albert Sonnenfeld. New York: Columbia University Press, 2001.

  Redon, Odile, Françoise Sabban, and Silvano Serventi. The Medieval Kitchen: Recipes from France and Italy. Trans. Edward Schneider. Chicago: University of Chicago Press, 1998.

  Reti, Ladislao, ed. Codex Madrid: Leonardo da Vinci: The Madrid Codices, vol. 5: Transcription and Translation of Codex Madrid II. New York: McGraw-Hill, 1974.

  Reti, Ladislao. “Two Unpublished Manuscripts of Leonardo da Vinci in the Biblioteca Nacional of Madrid, Part II.” The Burlington Magazine 110 (February 1968): 81–91.

  Rhees, Rush. “Christ in Art.” Biblical World 6 (December 1895): 490–503.

  Richter, Jean-Paul, ed., The Literary Works of Leonardo da Vinci, 2 vols. London: Phaidon, 1970.

  Robertson, Charles. “Bramante, Michelangelo and the Sistine Ceiling.” Journal of the Warburg and Courtauld Institutes 49 (1986): 91–105.

  Robinson, James M., ed. The Nag Hammadi Library in English. Leiden and New York: Brill and Harper and Row, 1977.

  Rubin, Miri. Corpus Christi: The Eucharist in Late Medieval Culture. Cambridge: Cambridge University Press, 1991.

  Rubin, Patricia Lee. Image and Identity in Fifteenth-Century Florence. New Haven: Yale University Press, 2007.

  Saalman, Howard. “Paolo Uccello at San Miniato.” The Burlington Magazine 106 (December 1964): 558–63.

  Sacchetti, Francesco. Il Trecento Novelle. Ed. Antonio Lanza. Florence: Sansoni, 1984.

  Samuels, Ernest. Bernard Berenson: The Making of a Legend. Cambridge, MA: Harvard University Press, 1987.

  Savonarola, Girolamo. Selected Writings of Girolamo Savonarola: Religion and Politics, 1490–1498. Ed. Anne Borelli and Maria C. Pastor
e Passaro. New Haven: Yale University Press, 2006.

  Schneemelcher, Wilhelm, ed. New Testament Apocrypha, vol. 2. Louisville, Kentucky: Westminster John Knox Press, 2003.

  Schwartz, Lillian F. “The Staging of Leonardo’s Last Supper: A Computer-Based Exploration of Its Perspective.” Electronic Art 1, Leonardo: Supplemental Issue (1988): 89–96.

  Setton, Kenneth M. The Papacy and the Levant, 1204–1571, vol. 3. Philadelphia: American Philosophical Society, 1984.

  Shell, Janice, and Grazioso Sironi. “Cecilia Gallerani: Leonardo’s Lady with an Ermine,” Artibus et Historiae 13 (1992): 47–66.

  Slim, H. Colin. “The Lutenist’s Hand.” Achademia Leonardi Vinci: Journal of Leonardo Studies and Bibliography of Vinciana 1. Ed. Carlo Pedretti (Florence: Giunti, 1988): 32–34.

  Smit, Hillie. “Flemish Tapestry Weavers in Italy, c. 1420–1520: A Survey and Analysis of the Activity in Various Cities.” In Flemish Tapestry Weavers Abroad: Emigration and the Founding of Manufactories in Europe, 113–30. Ed. Guy Delmarcel. Louvain: Louvain University Press, 2002.

  Sohm, Philip Lindsay. The Artist Grows Old: The Aging of Art and Artists in Italy, 1500–1800. New Haven: Yale University Press, 2007.

  Spencer, John R. Andrea del Castagno and His Patrons. Durham: Duke University Press, 1991.

  Steinberg, Leo. Leonardo’s Incessant “Last Supper.” New York: Zone Books, 2001.

  Steinberg, Leo. “Leonardo’s Last Supper.” Art Quarterly 36 (1973): 297–410.

  Strickland, Debra Higgs. Saracens, Demons, & Jews: Making Monsters in Medieval Art. Princeton: Princeton University Press, 2003.

  Strocchia, Sharon T. “Death Rites and the Ritual Family in Renaissance Florence.” In Life and Death in Fifteenth-Century Florence, 120–45. Ed. Marcel Tetel, Ronald G. Witt and Rona Goffen. Durham: Duke University Press, 1989.

  Strong, Donald. “The Triumph of Mona Lisa: Science and Allegory of Time.” In Leonardo e l’età della Ragione, 255–78. Ed. Enrico Bellone and Paolo Rossi. Milan: Edizioni di Scientia, 1982.

  Syson, Luke, et al. Leonardo da Vinci: Painter at the Court of Milan. London: National Gallery, 2011.