Book Read Free

Mademoiselle

Page 48

by Rhonda K. Garelick

O’Hara, Frank. “A Step Away from Them.” Accessed at http://​www.​poemhunter.​com/​poem/​a-​step-​away-​from-​them/.

  Ollivier, Emile. Le Concordat, est-il respecté? Paris: Garnier Frères, 1883.

  “On a tout vu.” Le Phare Bruxelles, March 5, 1954.

  Ory, Pascal, ed. La France Allemande: Paroles du collaborationnisme français, 1933–1945. Paris: Gallimard, 1977.

  ——. Les Collaborateurs, 1940–1945. Paris: Editions du Seuil, 1976.

  “Out of the Paris Openings: A New Breath of Life—the Air of Innocence.” Vogue, March 1, 1939, 1–24.

  Oxenhandler, Neal. Scandal and Parade: The Theater of Jean Cocteau. New Brunswick, N.J.: Rutgers University Press, 1957.

  Para, Jean-Baptiste. “Les propos de Reverdy recueillis.” In Pierre Reverdy. Paris: Cultures Frances, 2006.

  “Paris Carries On.” Vogue, December 1, 1939, 86–87.

  “Paris Collections: One Easy Lesson.” Vogue, March 1, 1954.

  “Paris Fashion Exhibitions at the Fair.” Vogue, May 15, 1939, 60–63.

  “Paris Lifts Ever So Little the Ban on Gaiety.” Vogue, November 15, 1916, 41.

  Paulicelli, Eugenia. Fashion Under Fascism: Beyond the Black Shirt. London: Berg, 2004.

  ——. “Fashion Writing Under the Fascist Regime.” Fashion Theory 8, no. 1 (2004): 3–34.

  Paxton, Robert. “The Five Stages of Fascism.” Journal of Modern History 70, no. 1 (March 1998): 1–23.

  Peeters, George. “How Cocteau Managed a Champion.” Sports Illustrated, March 2, 1964.

  “People.” Sports Illustrated, April 20, 1964.

  Perkins, B. J. “Chanel Makes Drastic Price Cuts in Model Prices.” Women’s Wear Daily, February 4, 1931.

  Peterson, Patricia. “Paris: The Chanel Look Remains Indestructible.” The New York Times, August 28, 1958.

  Petropolous, Jonathan. Royals and the Reich: The Princes von Hessen in Nazi Germany. New York: Oxford University Press, 2006.

  Philpott, William. “Squaring the Circle: The Higher Co-Ordination of the Entente in the Winter of 1915–16.” The English Historical Review 114, no. 458 (September 1999): 875–98.

  Picardie, Justine. “How Coco Chanel Healed My Broken Heart.” Mail Online, September 29, 2010.

  Pinkus, Karen. Bodily Regimes: Italian Advertising Under Fascism. Minneapolis: University of Minnesota Press, 1995.

  Pochna, Marie-France. Dior: The Man Who Made the World Look New. Translated by Joanna Savill. 1994. Reprint, New York: Arcade Publishing, 1996.

  Ponsonby, Loelia. Grace and Favour: The Memoirs of Loelia, Duchess of Westminster. London: Weidenfeld & Nicolson, 1961.

  Pope, Virginia. “In the Chanel Spirit.” The New York Times, July 11, 1954.

  Porter, A. N. “Sir Alfred Milner and the Press, 1897–1899.” The Historical Journal 16, no. 2 (June 1975): 323–39.

  Pougy, Liane de. My Blue Notebooks: The Intimate Journal of Paris’s Beautiful and Notorious Courtesan. Translated by Diana Athill. New York: Tarches/Putnam, 2002.

  Pound, Ezra. “Paris Letter.” The Dial, March 13, 1923.

  Pratt, George C., Herbert Reynolds, and Cecil B. DeMille. “Forty-Five Years of Picture-Making: An Interview with Cecil B. DeMille.” Film History 3, no. 2 (1989): 133–45.

  Price, Roger. A Social History of Nineteenth-Century France. London: Hutchinson, 1987.

  Pryce-Jones, David. Paris in the Third Reich: A History of the German Occupation 1940–1944. New York: Holt, Rinehart, and Winston, 1981.

  Radzinsky, Edvard. The Rasputin File. Translated by Judson Rosengrant. New York: Nan A. Talese, 2000.

  Rafferty, John. “Name Dropping on the Riviera.” The New York Times, May 19, 2011.

  Ramsey, Burt. Alien Bodies: Representations of Modernity, “Race,” and Nation in Early Modern Dance. London: Routledge, 1998.

  Reed, Valerie. “Bringing Antigone Home?” Comparative Literature Studies 45, no. 3 (2008), 316–41.

  Reggiani, Andrés Horacio. “Procreating France: The Politics of Demography, 1919–1945.” French Historical Studies 19, no. 3 (Spring 1996): 725–54.

  Rémond, René. The Right in France from 1815 to Today. Translated by James M. Laux. 1954. Reprint, Philadelphia: University of Pennsylvania Press, 1966.

  Rénier, Martin. “La Fleur du goût français à l’Exposition à New York.” Femina, June 1939.

  Reverdy, Pierre. Gant de crin. Paris: Plon, 1927.

  ——. Nord-Sud: Self-defence et autres écrits sur l’art et la poésie. Paris: Flammarion, 1975.

  ——. Oeuvres complètes, tome II. Paris: Flammarion, 2010.

  ——. Plupart du Temps 1915–1922. Paris: Gallimard, 1967.

  ——. The Roof Slates and Other Poems of Pierre Reverdy. Translated by Mary Ann Caws and Patricia Terry. Boston: Northeastern University Press, 1981.

  Reves, Wendy and Emery Reves. The Wendy and Emery Reves Collection Catalogue. Dallas, TX: Dallas Museum of Art, 1985. Published to commemorate the opening of the recreated villa, La Pausa, in the Dallas Museum of Art.

  Richardson, John. A Life of Picasso: The Triumphant Years, 1917–1932. New York: Knopf, 2010.

  Ridley, George. Bend’Or, Duke of Westminster: A Personal Memoir. London: Quartet Books, 1986.

  Robertson, Nan. “Texas Store Fetes Chanel for Her Great Influence.” The New York Times, September 9, 1957.

  Robilant, Gabriella di. Una gran bella vita. Milan: Mondadori, 1988.

  Romanoff, Prince Michel. Le Grand Duc Paul Alexandrovich de Russie: Fils d’empereur, frère d’empereur, oncle d’empereur: Sa famille, sa descendance, chroniques et photographies. Paris: Jacques Ferrand, 1993.

  Romanov, Grand Duchess Marie. A Princess in Exile. New York: Viking Press, 1932.

  Rosenberg, Alfred. The Myth of the Twentieth Century: An Evaluation of the Spiritual-Intellectual Confrontations of Our Age. 1930. Reprint, Invictus Press, 2011.

  Ross, David, and Helen Puttick. “Coco Chanel’s Love Nest in the Highlands.” The Herald, September 29, 2003.

  Ross, Kristin. “Commune Culture.” In A New History of French Literature, edited by Denis Hollier, 751–58. Cambridge, Mass.: Harvard University Press, 1989.

  Ross, Nancy L. “Seeing Her Own Life: Chanel to Attend Coco Bow.” Los Angeles Times, December 12, 1969.

  Rousselot, Jean. Pierre Reverdy. Paris: Editions Seghers, 1951.

  Rudnytsky, Peter. Oedipus and Freud. New York: Columbia University Press, 1987.

  Rupp, Leila. “Mother of the ‘Volk’: The Image of Women in Nazi Ideology.” Signs 3, no. 2 (Winter 1977): 362–79.

  Sachs, Maurice. Au Temps du boeuf sur le toit. Paris: Editions de la Nouvelle Revue Critique, 1939.

  Safe, Georgina. “Chanel Opens Shop in Melbourne.” The Sydney Morning Herald, October 31, 2013.

  Satterthwaite, P. H. “Mademoiselle Chanel’s House.” Vogue, March 29, 1930, 63.

  Saunders, Thomas T. “A ‘New Man’: Fascism, Cinema, and Image Creation.” International Journal of Politics, Culture, and Society 12, no. 2 (Winter 1998): 227–46.

  Schaeffer, Marlyse. “Marlyse Schaeffer écrit à Chanel.” Elle (France), 1962, 32.

  Schellenberg, Walter. The Labyrinth: Memoirs of Walter Schellenberg, Hitler’s Chief of Counterintelligence. Translated by Louis Hagen. New York: HarperCollins, 1984.

  Schouvaloff, Alexander. The Art of the Ballets Russes: Serge Lifar Collection of Theater Designs, Costumes, and Paintings at the Wadsworth Atheneum. New Haven, Conn.: Yale University Press, 1998.

  “Scotland, the Happy Shooting Ground.” Vogue, October 27, 1928, 46.

  Sert, Misia. Misia and the Muses: The Memoirs of Misia Sert. Translated by Moura Budberg. New York: John Day, 1953.

  Servadio, Gaia. Luchino Visconti: A Biography. London: Weidenfeld and Nicolson, 1981.

  Sheppard, Eugenia. “Chanel for Men.” Harper’s Bazaar, December 1969, 158.

  ——. “Musical ‘Coco’ May End a Friendship.” Los Angeles Times, November 23, 1969.

  Silverman, De
bora. Art Nouveau in Fin-de-Siècle France. Berkeley: University of California Press, 1989.

  Simmel, Ernst. “Fashion.” International Quarterly 10 (New York, 1904): 130–55.

  Simon, John. “Theatre Chronicle.” Hudson Review 23, no. 1 (Spring 1970): 91–102.

  Singer, Barnett. “Clemenceau and the Jews.” Jewish Social Studies 43, no. 1 (Winter 1981): 47–58.

  Smith, Cecil. “Producer Brisson Bursting with Big Plans for ‘Coco.’ ” Los Angeles Times, April 15, 1966.

  Smith, Paul. Feminism and the Third Republic. Oxford: Clarendon Press, 1996.

  Snow, Carmel, and Mary Louise Atwell. The World of Carmel Snow. New York: McGraw-Hill, 1962.

  Sonn, Richard. “Your Body Is Yours: Anarchism, Birth Control, and Eugenics in Interwar France.” Journal of the History of Sexuality 14, no. 4 (October 2005): 415–32.

  Sontag, Susan. “Fascinating Fascism.” In Under the Sign of Saturn, 73–108. New York: Picador, 2002. Originally published in The New York Review of Books, February 6, 1975.

  Sophocles. Antigone. Translated by Elizabeth Wyckoff. In Sophocles I, edited by David Grene and Richmond Lattimore. Chicago: University of Chicago Press, 1973.

  Soucy, Robert. Fascism in France. Berkeley: University of California Press, 1972.

  ——. Fascist Intellectual: Drieu La Rochelle. Berkeley: University of California Press, 1979.

  ——. “French Press Reactions to Hitler’s First Two Years in Power.” Contemporary European History 7, no. 1 (March 1998): 21–38.

  Soulier, Vincent. Presse féminine: La puissance frivole. Montreal: Editions Archipel, 2008.

  “Spain Prodded Again on Sheltering Nazis.” The New York Times, June 19, 1946.

  Spitzy, Reinhard. How We Squandered the Reich. Translated by G. T. Waddington. Norfolk, Va.: Michael Russell, 1997.

  ——. “The Master Race: Nazism Takes Over German South.” Master Race. PBS television series. Directed by Jonathan Lewis. June 15, 1988.

  “Sportswear Notes from Abroad.” Women’s Wear Daily, August 14, 1923, 3.

  Spotts, Frederic. The Shameful Peace: How French Artists and Intellectuals Survived the Nazi Occupation. New Haven, Conn.: Yale University Press, 2009.

  Stanley, Edward George Villiers. Paris 1918: The War Diary of the British Ambassador, the 17th Earl of Derby, Edward George Villiers Stanley. Edited by David Dutton. Liverpool: Liverpool University Press, 2001.

  Steegmuller, Francis. “Cocteau: A Brief Biography.” In Jean Cocteau and the French Scene, edited by Alexandra Anderson and Carol Saltus. New York: Abbeville Press, 1984.

  Steele, Valerie. The Corset: A Cultural History. New Haven, Conn.: Yale University Press, 2003.

  Steiner, George. Antigones. New Haven, Conn.: Yale University Press, 1996.

  Sternhell, Zeev. Neither Right nor Left. Translated by David Maisel. 1983. Reprint, Princeton, N.J.: Princeton University Press, 1995.

  Stewart, Amanda Mackenzie. Consuelo and Alva Vanderbilt: The Story of a Daughter and a Mother in the Gilded Age. New York: HarperPerennial, 2007.

  Stravinsky, Igor. Chroniques de ma vie. Paris: Editions Denoël, 1935.

  Stuart, Graham H. “Clemenceau.” The North American Review 207, no. 750 (May 1918): 695–705.

  Sweets, John F. Choices in Vichy France: The French Under Nazi Occupation. New York: Oxford University Press, 1994.

  ——. “Hold That Pendulum! Redefining Fascism, Collaborationism, and Resistance in France.” French Historical Studies 15, no. 4 (Autumn 1988): 731–58.

  Syberborg, Hans Jürgen. “Hitler”: A Film from Germany. Translated by J. Negroschel. London: Little Hampton Book Service, 1982.

  Theweleit, Klaus. Male Fantasies. Vol. 1, Women, Floods, Bodies, History. Translated by Stephen Conway. 1977. Reprint, Minneapolis: University of Minnesota Press, 1987.

  Thomas, Dana. “The Power Behind the Cologne.” The New York Times, February 24, 2002.

  “Throwaway Elegance of Chanel.” Vogue, September 1, 1959.

  Trevières, Pierre de. “Paris et Ailleurs.” Femme de France, no. 1035 (March 10, 1935).

  Tual, Denise. Le Temps dévoré. Paris: Fayard, 1980.

  Updike, John. “Qui Qu’a Vu Coco.” The New Yorker, September 21, 1998, 132–36.

  “Valet’s £420,000 Claim on Chanel Will Come Before Court.” The Times (London), March 22, 1973.

  Veber, Denise. “Mademoiselle Chanel nous parle.” Marianne, November 11, 1937.

  Veillon, Dominique. Fashion Under the Occupation. Translated by Miriam Kochan. 1990. Reprint, New York: Berg, 2001.

  Verner, Amy. “The Newest Chanel Boutique Is Like Stepping into Coco’s Closet.” Globe and Mail, May 26, 2012.

  Viguié, Liane. Mannequin Haute Couture: Une Femme et son métier. Paris: Editions Robert Laffont, 1977.

  “Vogue’s Eye View: First Impressions of the Paris Collections.” Vogue, March 15, 1947, 151.

  “Votre heure de veine.” Le Miroir du Monde, no. 192 (November 4, 1933): 10.

  Warnod, André. “Obituary for Paul Iribe.” Le Figaro, September 29, 1935.

  “Way of the Mode at Monte Carlo.” Vogue, May 1, 1915.

  Weber, Eugen. Action Française. Stanford: Stanford University Press, 1962.

  ——. The Hollow Years: France in the 1930s. New York: W.W. Norton & Co., 1994.

  ——. Peasants into Frenchmen, 1870–1914. Stanford: Stanford University Press, 1976.

  Weiner, Susan. Enfants Terribles: Youth and Femininity in the Mass Media in France 1945–1968. Baltimore: Johns Hopkins University Press, 2001.

  “What Chanel Storm Is About.” Life, March 1, 1954.

  “What Were They Expecting?” Petit Echo de la Mode, March 1954.

  Will, Barbara. Unlikely Collaborations: Gertrude Stein, Bernard Fay, and the Vichy Dilemma. New York: Columbia University Press, 2011.

  “Will Chanel Star in Stores?” The New York Times, December 19, 1969.

  Wilson, Bettina Ballard. In My Fashion. New York: D. McKay, 1969.

  Wilson, Colin. Rasputin and the Fall of the Romanovs. New York: Farrar, Straus and Giroux, 1964.

  Wilson, Stephen. “The Action Française in French Intellectual Life.” The Historical Journal 12, no. 2 (1969): 328–50.

  Windt, Harry de. My Note-Book at Home and Abroad. London: Chapman and Hall, 1923.

  Winegarten, Renée. “Who Was Paul Morand?” New Criterion 6 (November 6, 1987): 71–73.

  Wiser, William. The Twilight Years: Paris in the 1930s. New York: Carroll and Graf, 2000.

  Wollen, Peter. “Fashion, Orientalism, the Body.” New Formations, no. 1 (Spring 1987): 5–33.

  “Women at Work.” Time, February 12, 1940.

  Woolf, Virginia. Mrs. Dalloway. 1925. Reprint, New York: Harcourt, Brace, 1981.

  ——. Three Guineas. 1938. Reprint, San Diego: Harvest–Harcourt Brace Jovanovich, 1966.

  Youssoupoff, Prince Felix. Lost Splendor: The Amazing Memoirs of the Man Who Killed Rasputin. Translated by Ann Green and Nicholas Katkoff. New York: Helen Marx Books, 2003.

  Zeldin, Theodore. “The Conflict of Moralities: Confession, Sin, and Pleasure in the Nineteenth Century.” In Conflicts in French Society, edited by Zeldin, 13–50. London: George Allen and Unwin, 1970.

  NOTES

  EPIGRAPH

  1 To know her: Virginia Woolf, Mrs. Dalloway (1925; repr., New York: Harcourt Brace, 1981), 152–53.

  INTRODUCTION

  1 I dressed the universe: Quoted in Paul Morand, L’Allure de Chanel (1976; repr., Paris: Hermann, 1996), 206.

  2 What is Chanel?: E.G., “La Femme de la semaine,” L’Express, August 17, 1956, 8–9.

  3 Bowing to her wishes: Michel Déon, Bagages pour Vancouver (Paris: Editions de la Table Ronde, 1985), 16–18; Pépita Dupont, “Michel Déon Raconte Chanel,” Paris Match, October 31, 2008.

  4 insisted at the last minute: Later, Arthur Gold and Robert Fizdale published the lost section on Chanel in their 1980 biography of Sert.

  5 Charles-Roux’s biography: An �
��irregular woman” is the antiquated French term for a woman who enters society through unorthodox means, through the back door—a woman of slightly imperfect virtue (similar to the English use of the term for damaged clothing or merchandise sold at a discount: “irregulars”).

  6 this impossible injunction: Despite knowing of Chanel’s wishes, in 1990 Marquand published her own—largely flattering, and rather thin—memoir about her friendship with Chanel, Chanel m’a dit [Chanel told me] (Paris: Editions Lattès, 1990).

  7 mysterious footsteps: Justine Picardie, Coco Chanel: The Legend and the Life (New York: HarperCollins, 2010), 328; “Lunch with Coco Chanel Biographer Justine Picardie,” La Chanelphile, September 22, 2011.

  8 ongoing unearthly power: Picardie also credits Chanel with helping her through her own painful divorce and has published articles comparing her own life’s travails to Chanel’s. See, for example: Justine Picardie, “How Coco Chanel Healed My Broken Heart,” Mail Online, September 29, 2010.

  1. EARLY LIFE

  1 If there’s one thing: Quoted in Marcel Haedrich, Coco Chanel (2008; repr., Paris: Belfond, 1987), 14.

  2 housewives who gathered early: Edmonde Charles-Roux, L’Irrégulière: L’Itinéraire de Coco Chanel (Paris: Editions Grasset, 1974), 42–45.

  3 “The stands of itinerant peddlers”: Eugen Weber, Peasants into Frenchmen, 1870–1914 (Stanford, Calif.: Stanford University Press, 1976), 408.

  4 restricted their selling: Charles-Roux, 45–48.

  5 “My father always wished”: Louise de Vilmorin, Mémoires de Coco (Paris: Editions Gallimard, 1999), 19.

  6 pregnant once more: Charles-Roux, 47–56.

  7 “Early happiness handicaps people”: Morand, L’Allure de Chanel, 24.

  8 good-luck charm: Haedrich, 21.

  9 “I have satisfied her needs”: Vilmorin, 17.

  10 exhausted women who bore them: Axel Madsen, Chanel: A Woman of Her Own (New York: Henry Holt, 1991), 7. “Disappearing was a practice at which all the Chanels excelled,” notes Edmonde Charles-Roux, 65.

  11 The toddlers ran about: Chanel never acknowledged her poor, itinerant roots, but on rare occasions, a tidbit about her peasant existence would escape her. She recounted, for example, this brutally vivid snippet about peddler-style dentistry: “[I recall] the tooth-extractors who traveled with a drummer and a trombonist in order to drown out the screams of the unhappy patient at the moment when his rotten tooth was being wrenched out.” Quoted in Vilmorin, 27.

 

‹ Prev