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Tea and Sympathy

Page 11

by Robert Anderson


  LAURA

  Tomorrow . . . We must celebrate.

  TOM

  You'd better not make any plans.

  LAURA

  He was just your age then.

  (She looks at him again with slight wonder)

  It doesn't seem possible now, looking at you . . .

  TOM

  Why, do I look like such a child?

  LAURA

  Why no.

  TOM

  Men are married at my age.

  LAURA

  Of course, they are. He was. Maybe a few months older. Such a lonely boy, away from home for the first time . . . and . . . and going off to war.

  (TOM looks up inquiringly)

  Yes, he was killed.

  TOM

  I'm sorry . . . but I'm glad to hear about him.

  LAURA

  Glad?

  TOM

  Yes. I don't know . . . He sounds like someone you should have been married to, not . . .

  (Stops)

  I'm sorry if I . . .

  (Stops.)

  LAURA (After a moment)

  He was killed being conspicuously brave. He had to be conspicuously brave, you see, because something had happened in training camp . . . I don't know what . . . and he was afraid the others thought him a coward . . . He showed them he wasn't.

  TOM

  He had that satisfaction.

  LAURA

  What was it worth if it killed him?

  TOM

  I don't know. But I can understand.

  LAURA

  Of course you can. You're very like him.

  TOM

  Me?

  LAURA

  (Holding out the coffee cup)

  Before I finish it all?

  (TOM comes over and takes a sip from his side of the cup)

  He was kind and gentle, and lonely.

  (TOM turns away in embarrassment at hearing himself so described)

  We knew it wouldn't last . . . We sensed it . . . But he always said, "Why must the test of everything be its durability?"

  TOM

  I'm sorry he was killed.

  LAURA

  Yes, so am I. I'm sorry he was killed the way he was killed . . . trying to prove how brave he was. In trying to prove he was a man, he died a boy.

  TOM

  Still he must have died happy.

  LAURA

  Because he proved his courage?

  TOM

  That . . . and because he was married to you.

  (Embarrassed, he walks to his coat which she has been holding in her lap)

  I've got to go.

  LAURA

  Tom, please.

  TOM

  I've got to.

  LAURA

  It must be a very important engagement.

  TOM

  It is.

  LAURA

  If you go now, I'll think I bored you, talking all about myself.

  TOM

  You haven't.

  LAURA

  I probably shouldn't have gone on like that. It's just that I felt like it . . . a rainy spring night . . . a fire. I guess I'm in a reminiscent mood. Do you ever get in reminiscing moods on nights like this?

  TOM

  About what?

  LAURA

  Oh, come now . . . there must be something pleasant to remember, or someone.

  (TOM stands by the door beginning to think back, his raincoat in his hand, but still dragging on the floor)

  Isn't there? . . . Of course there is. Who was it, or don't you want to tell?

  TOM (After a long silence)

  May I have a cigarette?

  LAURA (Relieved that she has won another moments delay)

  Yes. Of course.

  (Hands him a box, then lights his cigarette.)

  TOM

  My seventh-grade teacher.

  LAURA

  What?

  TOM

  That's who I remember.

  LAURA

  Oh.

  TOM

  Miss Middleton . . .

  LAURA

  How sweet.

  TOM (Drops the raincoat again, and moves into the room)

  It wasn't sweet. It was terrible.

  LAURA

  At that time, of course . . . Tell me about her.

  TOM

  She was just out of college . . . tall, blonde, honey-colored hair . . . and she wore a polo coat, and drove a convertible.

  LAURA

  Sounds very fetching.

  TOM

  Ever since then I've been a sucker for girls in polo coats.

  LAURA (Smiling)

  I have one somewhere.

  TOM

  Yes, I know.

  (He looks at her.)

  LAURA

  What happened?

  TOM

  What could happen? As usual I made a fool of myself. I guess everyone knew I was in love with her. People I like, I can't help showing it.

  LAURA

  That's a good trait.

  TOM

  When she used to go on errands and she needed one of the boys to go along and help carry something, there I was.

  LAURA

  She liked you too, then.

  TOM

  This is a stupid thing to talk about.

  LAURA

  I can see why she liked you.

  TOM

  I thought she . . . I thought she loved me. I was twelve years old.

  LAURA

  Maybe she did.

  TOM

  Anyway, when I was in eighth grade, she got married. And you know what they made me do? They gave a luncheon at school in her honor, and I had to be the toastmaster and wish her happiness and everything . . . I had to write a poem . . .

  (He quotes)

  "Now that you are going to be married, And away from us be carried, Before you promise to love, honor and obey, There are a few things I want to say."

  (He shakes his head as they both laugh)

  From there on it turned out to be more of a love poem than anything else.

  LAURA (As she stops laughing)

  Puppy love can be heartbreaking.

  TOM

  (The smile dying quickly as he looks at her. Then after what seems like forever)

  I'm always falling in love with the wrong people.

  LAURA

  Who isn't?

  TOM

  You too?

  LAURA

  It wouldn't be any fun if we didn't. Of course, nothing ever comes of it, but there are bittersweet memories, and they can be pleasant.

  (Kidding him as friend to friend, trying to get him to smile again)

  Who else have you been desperately in love with?

  TOM (He doesn't answer. Then he looks at his watch)

  It's almost nine . . . I'm late.

  (Starts to go.)

  LAURA (Rising)

  I can't persuade you to stay?

  (TOM shakes his head, "no")

  We were getting on so well.

  TOM

  Thanks.

  LAURA

  In another moment I would have told you all the deep, dark secrets of my life.

  TOM

  I'm sorry.

  (He picks up his coat from the floor.)

  LAURA

  (Desperately trying to think of something to keep him from going)

  Won't you stay even for a dance?

  TOM

  I don't dance.

  LAURA

  I was going to teach you.

  (She goes over to the phonograph and snaps on the button.)

  TOM (Opens the door)

  Some other time . . .

  LAURA

  Please, for me.

  (She comes back.)

  TOM (After a moment he closes the door)

  Tell me something.

  LAURA

  Yes?

  (The record starts to play, something soft and melodic. It plays through to the end of the act.) />
  TOM

  Why are you so nice to me?

  LAURA

  Why . . . I . . .

  TOM

  You're not this way to the rest of the fellows.

  LAURA

  No, I know I'm not. Do you mind my being nice to you?

  TOM (Shakes his head, "no")

  I just wondered why.

  LAURA (In a perfectly open way)

  I guess, Tom . . . I guess it's because I like you.

  TOM

  No one else seems to. Why do you?

  LAURA

  I don't know . . . I . . .

  TOM

  Is it because no one else likes me? Is it just pity?

  LAURA

  No, Tom, no, of course not . . . It's, well . . . it's because you've been very nice to me . . . very considerate. It wasn't easy for me, you know, coming into a school, my first year. You seemed to sense that. I don't know, we just seem to have hit it off.

  (She smiles at him.)

  TOM

  Mr. Reynolds knows you like me.

  LAURA

  I suppose so. I haven't kept it a secret.

  TOM

  Is that why he hates me so?

  LAURA

  I don't think he hates you.

  TOM

  Yes, he hates me. Why lie? I think everyone here hates me but you. But they won't.

  LAURA

  Of course they won't.

  TOM

  He hates me because he made a flop with me. I know all about it. My father put me in this house when I first came here, and when he left me he said to your husband, "Make a man out of him." He's failed, and he's mad, and then you came along, and were nice to me . . . out of pity.

  LAURA

  No, Tom, not pity. I'm too selfish a woman to like you just out of pity.

  TOM

  (He has worked himself up into a state of confusion, and anger, and desperation)

  There's so much I . . . there's so munch I don't understand.

  LAURA (reaches out and touches his arm)

  Tom, don't go out tonight.

  TOM

  I've got to. That's one thing that's clear. I've got to!

  LAURA (Holds up her arms for dancing)

  Won't you let me teach you how to dance?

  TOM

  (Suddenly and impulsively he throws his arms around her, and kisses her passionately, awkwardly, and then in embarrassment he buries his head in her shoulder)

  Oh, God . . . God.

  LAURA

  Tom . . . Tom . . .

  (TOM raises his face and looks at her, and would kiss her again)

  No, Tom . . . No, I . . .

  (At the first "No," TOM breaks from her and runs out the door halfway up the stairs. Calling)

  Tom! . . . Tom!

  (TOM stops at the sound of her voice and turns around and looks down the stairs. LAURA moves to the open door)

  Tom, I . . .

  (The front door opens and two of the mountain-climbing boys, PHIL and PAUL come in, with their packs.)

  PHIL (Seeing TOM poised on the stairs)

  What the hell are you doing?

  (TOM just looks at him)

  What's the matter with you?

  (He goes on and up the stairs.)

  TOM

  What are you doing back?

  PAUL

  The whole bunch is back. Who wants to go mountain climbing in the rain?

  BILL (Outside his study door)

  Say, any of you fellows want to go across the street for something to eat when you get changed, go ahead.

  (PHIL and PAUL go up the stairs past TOM. BILL goes into his own room, leaving door open)

 

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