Dean Koontz - (2000)

by From The Corner Of His Eye(Lit)

  Chapter 59 EARLY CHRISTMAS EVE, gallery brochure in hand, Junior returned to his apartment, puzzling over mysteries that had nothing to do with guiding stars and virgin births. Beyond the windows, the winter night sifted sootily down through the twinkling city, as he sat in his living room with a glass of Dry Sack in one hand and the picture of Celestina White in the other. He knew for a fact that Seraphim had died in childbirth. He had seen the gathering of Negroes at her funeral in the cemetery, the day of Naomi's burial. He had heard Max Bellini's message on the maniac cop's Ansaphone. Anyway, if Seraphim were still alive, she would be only nineteen now, too young to have graduated from Academy of Art College. The striking resemblance between this artist and Seraphim, as well as the facts in the biographical sketch under the photo, argued that the two were sisters. This baffled Junior. To the best of his recollection, during the weeks that Seraphim had come to him for physical therapy, she had never mentioned an older sister or any sister at all. In fact, though he strained hard to recall their conversations, he could dredge up nothing that Seraphim had said during therapy, as if he'd been stone-deaf in those days. The only things he retained were sensual impressions: the beauty of her face, the texture of her skin, the firmness of her flesh under his ministering hands. Again, he cast his line of memory into murky waters nearly four years in the past, to the night of passion that he had shared with Seraphim in the parsonage. As before, he could recall nothing she'd said, only the exquisite look of her, the nubile perfection of her body. In the minister's house, Junior had seen no indications of a sister. No family photos, no high-school graduation portrait proudly framed. Of course, he had not been interested in their family, for he had been all-consumed by Seraphim. Besides, being a future-focused guy who believed that the past was a burden best shed, he never made an effort to nurture memories. Sentimental wallowing in nostalgia had none of the appeal for him that it had for most people. This Dry Sack-assisted effort at recollection, however, brought back to him one thing in addition to all the sweet lubricious images of Seraphim naked. The voice of her father. On the tape recorder. The reverend droning on and on as Junior pinned the devout daughter to the mattress. As kinky and thrilling as it had been to make love to the girl while playing the recorded rough draft of a new sermon that she had been transcribing for her father, Junior could now recall nothing of what the reverend had said, only the tone and the timbre of his voice. Whether instinct, nervous irritation, or merely the sherry should be blamed, he was troubled by the thought that there was something significant about the content of that tape. He turned the brochure in his hands, to look at the front of it again. Gradually he began to suspect that the title of the exhibition might be what had brought to mind the reverend's unremembered sermon. This Momentous Day. Junior spoke the three words aloud and felt a strange resonance between them and his dim memories of Reverend White's voice on that long-ago night. Yet the link, if any actually existed, remained elusive. Reproduced in the three-fold brochure were samples of Celestina White's paintings, which Junior found naive, dull, and insipid in the extreme. She imbued her work with all the qualities that real artists disdained: realistic detail, storytelling, beauty, optimism, and even charm. This wasn't art. This was pandering, mere illustration, more suitable for painting on velvet than on canvas. Studying the brochure, Junior felt that the best response to this artist's work was to go directly into the bathroom, stick one finger down his throat, and purge himself. Considering his medical history, however, he couldn't afford to be such an expressive critic. When he returned to the kitchen to add ice and sherry to his glass,he looked up White, Celestina in the San Francisco phone directory. Her number was listed; her address was not. He considered calling her, but he didn't know what he would say if she answered. Although he didn't believe in destiny, in fate, in anything more than himself and his own ability to shape his future, Junior couldn't deny how extraordinary it was that this woman should cross his path at this precise moment in his life, when he was frustrated to the point of cerebral hemorrhage by his inability to find Bartholomew, confused and nervous about the phantom singer and other apparently supernatural events in his life, and generally in a funk unlike any he had ever known before. Here was a link to Seraphim and, through Seraphim, to Bartholomew. Adoption records would have been kept as secret from Celestina as from everyone else. But perhaps she knew something about the fate of her sister's bastard son that Junior didn't know, a small detail that would seem insignificant to her but that might put him on the right trail at last. He must be careful in his approach to her. He dared not rush into this. Think it through. Devise a strategy. This valuable opportunity must not be wasted. With his refreshed drink, studying Celestina's photograph in the brochure, Junior returned to the living room. She was as stunning as her sister, but unlike her poor sister, she wasn't dead and was, therefore, an appealing prospect for romance. From her, he must learn whatever she knew that might help him in the Bartholomew hunt, without alerting her to his motive. At the same time, there was no reason that they couldn't have a fling, a love affair, even a serious future together. How ironic it would be if Celestina, the aunt of Seraphim's bastard boy, proved to be the heart mate for whom Junior had been longing through the past few years of unsatisfying relationships and casual sex. This seemed unlikely, considering the jejune quality of her paintings, but perhaps he could help her to grow and to evolve as an artist. He was an open-minded man, without prejudices, so anything could happen after the child was found and killed. The sensual memories of his torrid evening with Seraphim had left Junior aroused. Unfortunately, the only female nearby was Industrial Woman, and he wasn't that desperate. He'd been invited to a Christmas Eve celebration with a satanic theme, but he hadn't intended to go. The party was not being thrown by real Satanists, which might have been interesting, but by a group of young artists, all nonbelievers, who shared a wry sense of humor. Junior decided to attend the festivities, after all, motivated by the prospect of connecting with a woman more pliant than the Bavol Poriferan sculpture. Almost as an afterthought, as he was leaving, he tucked the brochure for "This Momentous Day" into a jacket pocket. There would be amusement value in hearing a group of cutting-edge young artists analyze Celestina's greeting-card images. Besides, as the Academy of Art College was the premier school of its type on the West Coast, a few of the partygoers might actually know her and be able to give him some valuable background. The party raged in a cavernous loft on the third-and top-floor of a converted industrial building, the communal residence and studio of a group of artists who believed that art, sex, and politics were the three hammers of violent revolution, or something like that. A nuclear-powered sound system blasted out the Doors, Jefferson Airplane, the Mamas and the Papas, Strawberry Alarm Clock, Country Joe and the Fish, the Lovin' Spoonful, Donovan (unfortunately), the Rolling Stones (annoyingly), and the Beatles (infuriatingly). Megatons of music crashed off the brick walls, made the many-paned metal framed windows reverberate like the drumheads in a hard-marching military band, and created simultaneously an exhilarating sense of possibility and a sense of doom, the feeling that Armageddon was coming soon but that it was going to be fun. Both the red and the white wines were too cheap for Junior's taste' so he drank Dos Equis beer and got two kinds of high by inhaling enough secondhand pot smoke to cure the state of Virginia's entire annual production of hams. Among the two or three hundred partyers, some were tripping on some exhibited the particular excitability and talkativeness typical of cokeheads, but Junior succumbed to none of these temptations. Self-improvement and self control mattered to him; he didn't approve of this degree of self indulgence. Besides, he'd 'noticed a tendency among dopers to get maudlin, whereupon they sank into a confessional mood, seeking peace through rambling self-analysis and self-revelation. Junior was too private a person to behave in such a fashion. Furthermore, if drugs ever put him in a confessional mood, the consequence might be electrocution or poison gas, or lethal injection, depending on the jurisdiction and the year in which he fell in
to an unbosoming frame of mind. Speaking of bosoms, everywhere in the loft were braless girls in sweaters and miniskirts, braless girls in T-shirts and miniskirts, braless girls in silk-lined rawhide vests and jeans, braless girls in tie-dyed sash tops, with bared midriffs, and calypso pants. Lots of guys moved through the crowd, too, but Junior barely noticed them. The sole male guest in whom he took an interest-a big interest was Sklent, the one-name painter whose three canvases were the only art on the walls of Junior's apartment. The artist, six feet four and two hundred fifty pounds, looked markedly more dangerous in person than in his scary publicity photo. Still in his twenties, he had white hair that fell limp and straight to his shoulders. Dead-white skin. His deep-set eyes, as silver-gray as rain with an albino-pink undertone, had a predatory glint as chilling as that in the eyes of a panther. Terrible scars slashed his face, and red hash marks covered his big hands, as though he'd frequently defended himself barehanded against men armed with swords. At the farthest end of the loft from the stereo speakers, voices nevertheless had to be raised in even the most intimate exchanges. The artist who had created In the Baby 's Brain Lies the Parasite of Doom, Version 6, however, possessed a voice as deep, sharp-edged, and penetrating as his talent. Sklent proved to be angry, suspicious, volatile, but also a man of tremendous intellectual power. A profound and dazzling conversationalist, he rattled off breathtaking insights into the human condition, astonishing yet unarguable opinions about art, and revolutionary philosophical concepts. Later, except in the matter of ghosts, Junior would not be able to remember a single word of what Sklent had said, only that it had all been brilliant and really cool. Ghosts. Sklent was an atheist, and yet he believed in spirits. Here's how that works: Heaven, Hell, and God do not exist, but human beings are as much energy as flesh, and when the flesh gives out, the energy goes on. "We're the most stubborn, selfish, greedy, grubbing, vicious, psychotic, evil species in the universe," Sklent explained, "and some of us just refuse to die, we're too hardass to die. The spirit is a prickly bur of energy that sometimes clings to places and people that were once important to us, so then you get haunted houses, poor bastards still tormented by their dead wives, and crap like that. And sometimes, the bur attaches itself to the embryo in some slut who's just been knocked up, so you get reincarnation. You don't need a god for all this. It's just the way things are. Life and the afterlife are the same place, right here, right now, and we're all just a bunch of filthy, scabby monkeys tumbling through an endless damn series of barrels." For two years, since finding the quarter in his cheeseburger, Junior had been searching for a metaphysics that he could embrace, that squared with all the truths that he had learned from Zedd, and that didn't require him to acknowledge any power higher than himself Here it was. Unexpected. Complete. He didn't fully understand the bit about monkeys and barrels, but he got the rest of it, and peace of a sort descended upon him. Junior would have liked to pursue spiritual matters with Sklent, but numerous other partyers wanted their time with the great man. In parting, sure that he would give the artist a laugh, Junior withdrew the brochure for "This Momentous Day" from his jacket and coyly asked for an opinion of Celestina White's paintings. Based on the evidence, perhaps Sklent never laughed, regardless of how clever the joke. He scowled fiercely at the paintings in the brochure, returned it to Junior, and snarled, "Shoot the bitch." Assuming this criticism was amusing hyperbole, Junior laughed, but Sklent squinted those virtually colorless eyes, and Junior's laugh withered in his throat. "Well, maybe that's how it'll work out," he said, wanting to be on Sklent's good side, but he was at once sorry he'd spoken those words in front of witnesses. Using the brochure as an ice-breaker, Junior circulated through the throng, seeking anyone who'd attended the Academy of Art College and might have met Celestina White. The critiques of her paintings were uniformly negative, frequently hilarious, but never as succinct and violent as Sklent's. Eventually, a braless blonde in shiny white plastic boots, a white miniskirt, and a hot-pink T-shirt featuring the silk-screened face of Albert Einstein, said, "Sure, I know her. Had some classes with her. She's nice enough, but she's kind of nerdy, especially for an Afro-American. I mean, they're never nerdy--am I right?" "You're right, except maybe for Buckwheat." "Who?" she shouted, though they were perched side by side on a black-leather love seat. Junior raised his voice even further: "In those old movies, the Little Rascals." "Me, I don't like anything old. This White chick's got a weird thing for old people, old buildings, old stuff in general. Like she doesn't realize she's young. You want to grab her, shake her, and say, 'Hey, let's move on,' you know?" "The past is past." "It's what?" she shouted. "Past!" "So true." "But my late wife used to like those Little Rascals movies." "You're married?" "She died." "So young?" "Cancer," he said, because that was more tragic and far less suspicious than a fall from a fire tower. In commiseration, she put a hand on his thigh. "It's been a tough few years," he said. "Losing her ... and then getting out of Nam alive." The blonde's eyes widened. "You were over there?" He found it difficult to make a painful personal revelation sound sincere when delivered in a shout, but he managed well enough to bring a shine of tears to her eyes: "Part of my left foot was shot off in this upcountry sweep we did." "Oh, bummer. That sucks. Man, I hate this war." The blonde was coming on to him, just as a score of other women had done since his arrival, so Junior tried to balance seduction with information gathering. Putting his hand over the hand with which she was gently massaging his thigh, he said, "I knew her brother in Nam. Then I got wounded, shipped out, lost touch. Like to find him." Bewildered, the blonde said, "Whose brother?" "Celestina White's." "She have a brother?" "Great guy. Do you have an address for her, a way maybe I could get in touch about her brother?" "I didn't know her well. She didn't hang out or party much--especially after the baby. " "so she's married," Junior said, figuring that maybe Celestina wasn't his heart mate, after all. "Could be. I haven't seen her in a while." "No, I mean, you said 'baby."' "Oh. No, her sister. But then the sister died." "Yeah, I know. But-" "So Celestina took it." "It?" "The kid-thing, the baby." Junior forgot all about seduction. "And she--what?--She adopted her sister's baby?" "Weird, huh?" "Little boy named Bartholomew?" he asked. "I never saw it." "But his name was Bartholomew?" "For all I know, it was Piss-ant." "What?" "I'm saying, for all I know." She took her hand off his thigh. "What's all this about Celestina, anyway?" "Excuse me," Junior said. He left the party and stood in the street for a while, taking slow deep breaths, letting the brisk night air clean the pot smoke out of his lungs, slow deep breaths, suddenly sober in spite of the beer he'd drunk, slow deep breaths, as chilled as a slab of beef in a meat locker, but not because of the cold night. He was astonished that adoption records would be sealed and so closely guarded when a child was being placed with a member of its immediate family, with its mother's sister. Only two explanations occurred to him. First, bureaucracies slavishly follow the rules even when the rules make no sense. Second, the Ugliest Private Detective in the World, Nolly Wulfstan, was an incompetent dunce. Junior didn't care which explanation was correct. Only one thing mattered: The Bartholomew hunt was at last nearing an end. On Wednesday, December 27, Junior met Google, the document forger, in a theater, during a matinee of Bonnie and Clyde. As instructed earlier by phone, Junior purchased a large box of Raisinettes and a box of Milk Duds at the refreshment stand, and then he sat in one of the last three rows in the center section, eating the Milk Duds, grimacing at the sticky noises his shoes made when he moved them on the tacky floor, and waiting for Google to find him. Packed full of aftermath, the movie was too violent for Junior's taste. He had wanted to meet at a showing of Doctor Dolittle or The Graduate. But Google, as paranoid as a lab rat after half a lifetime of electroshock experiments, insisted on choosing the theater. Although he related well to the theme of moral relativism and personal autonomy in a value-neutral world, Junior grew apprehensive about each impending scene of violence, and closed his eyes against the prospect of blood. He resented having to endure ninety minutes of the film before Google
finally settled into the seat beside him. The forger's crossed eyes glowed with reflected light from the screen. He licked his rubbery lips, and his prominent Adam's apple bobbled: "Like to drain my pipes in that Faye Dunaway, huh?" Junior regarded him with undisguised repulsion. Google didn't realize that he was an object of disgust. He wiggled his eyebrows in what he evidently assumed to be an expression of male camaraderie, and he nudged Junior with one elbow. Only a few theater goers attended the matinee. No one sat near, so Google and Junior openly swapped packages: a five-by-six manila envelope to Google, a nine-by-twelve to Junior. The papermaker withdrew a thick wad of hundred-dollar bills from his envelope and, squinting, inspected the currency in the flickering light. "I'm leaving now, but you wait until movie's over." "Why don't I go, and you wait?" 'Cause if you try that, I'll ram a shiv through your eye." "It was just a question," said Junior. "And, listen, if you leave too soon behind me, I've got a guy watching, and he'll put a hollow-point thirty-eight in your ass." "It's just that I hate this movie." "You're nuts. It's classic. Hey, you eat those Raisinets?" "Told you on the phone, I don't like 'em." "Gimme." Junior gave the Raisinets to him, and Google left the theater with his candy and his cash. The slow-motion death ballet, in which Bonnie and Clyde were riddled with bullets, was the worst moment Junior had ever heard in a film. He didn't see more than a brief glimpse of it, because he sat with his eyes squeezed shut. Nine days previously, at Google's instructions, Junior had rented boxes at two mail-receiving services, using the name John Pinchbeck at one, Richard Gammoner at the other, and then he had supplied those addresses to the papermaker. These were the two identities for which Google ultimately provided elaborate and convincing documentation. On Thursday, December 28, employing forged driver's licenses and social-security cards as identification, Junior opened small savings accounts and also rented safe-deposit boxes for Pinchbeck and Gammoner at different banks with which he'd never previously done business, using the mailing addresses that he'd established earlier. In each savings account, he deposited five hundred dollars in cash. He tucked twenty thousand in crisp new bills into each safe-deposit box. For Gammoner, exactly as for Pinchbeck, Google had provided: a driver's license that was actually registered with the California Department of Motor Vehicles, and that would, therefore, stand up to any cop's inspection; a legitimate social-security card; a birth certificate actually on file with the cited courthouse; and an authentic, valid passport. Junior kept both forged driver's licenses in his wallet, in addition to the one that featured his real name. He stowed everything else in Pinchbeck's and Gammoner's safe-deposit boxes, along with the emergency cash. He also concluded arrangements to open an account for Gammoner in a Grand Cayman Island bank and one for Pinchbeck in Switzerland. That evening, he was filled with a greater sense of adventure than he'd felt since arriving in the city from Oregon. Consequently, he treated himself to three glasses of a superb Bordeaux and a filet mignon in the same elegant hotel lounge where he had dined on his first night in San Francisco, almost three years earlier. The glittering room appeared unchanged. Even the piano player seemed to be the man who'd been at the keyboard back then, though his yellow-rose boutonniere and probably his tuxedo, as well, were new. A few attractive women were here alone, proof that social mores had changed dramatically in three years. Junior was aware of their hot gazes, their need, and he knew that he could have any of them. The stress that he currently felt wasn't the same that he so often relieved with women. This was an energizing tension, a not-unpleasant tightening of the nerves, a delicious anticipation that he wanted to experience to its fullest-until the gallery reception for Celestina, on the evening that her show opened, January 12. This tension could not be released by intercourse, but only by the killing of Bartholomew, and when that long-sought moment arrived, Junior expected the relief he experienced would far exceed mere orgasm. He had considered tracking down Celestina-and the bastard boy--prior to her exhibition. The alumni office of her college might be one route to her. And further inquiries in the city's fine-arts community would no doubt eventually provide him with her address. Following little Bartholomew's murder, however, people might remember the man who had been asking after the mother, Celestina. Junior wasn't just any man, either; irresistibly handsome, he left an indelible impression on people, especially on women. Inevitably, the cops would be knocking on his door, sooner or later. Of course, he had the Pinchbeck and Gammoner identities waiting, two escape hatches. But he didn't want to use them. He liked his life on Russian Hill, and he was loath to leave it. Since he knew where Celestina would be on January 12, there was no point in taking risks to find her sooner. He had plenty of time to prepare for their encounter, time to savor the sweet anticipation. Junior was paying his dinner check and calculating the tip when the pianist launched into "Someone to Watch over Me." Although he'd expected it all evening, he twitched when he recognized the tune. As he'd proved to himself on his previous two visits-his first night in town and then two nights thereafter-this number was merely part of the pianist's repertoire. Nothing supernatural here. Nevertheless, when he signed the credit-card form, his signature looked shaky. Junior hadn't suffered a paranormal experience since the early- morning hours of October 18, when he'd drifted up from a vile dream of worms and beetles to hear the ghostly singer's faint a cappella serenade. Shouting at her to shut up, he had awakened neighbors. Now, the hateful music unnerved him. He became convinced that if he went home alone, the phantom chanteuse-whether Victoria Bressler's vengeful ghost or something else-would croon to him once more. He wanted company and distraction, after all. An exceptionally attractive woman, alone at the bar, stirred his desire. Glossy black hair: the tresses of night itself, shorn from the sky Olive complexion, no less smooth than the skin of a calamata. Eyes as lustrous as pools shimmering with a reflection of eternity and stars. Wow. She inspired the poet in him. Her elegance was appealing. A pink Chanel suit with knee-length skirt, a strand of pearls. Her figure was spectacular, but she didn't flaunt it. She was even wearing a bra. In this age of bold erotic fashion, her more demure style was enormously seductive. Settling onto the empty stool beside this beauty, Junior offered to buy her a drink, and she accepted. Renee Vivi spoke with a silken southern accent. Vivacious without being cloyingly coquettish, well-educated and well-read but never pretentious, direct in her conversation without seeming either bold or opinionated, she was charming company. She appeared to be in her early thirties, perhaps six years older than Junior, but he didn't hold that against her. He wasn't any more prejudiced against older people than he was against people of other races and ethnic origins. Whether making l ove or killing, he was never guided by bigotry. A private little joke with himself. But true. He wondered what it would be like to make love to Renee and kill her. Only once had he killed without good reason. And that had been one of the infuriating Bartholomews. Prosser in Terra Linda. A man. On that occasion, no erotic element had been involved. This would be a first. Junior Cain definitely was not a crazed sex-killer, not driven to homicide by weird lusts beyond his control. A single night of sex and death-an indulgence never to be repeated-wouldn't require serious self-examination or a reconsideration of his self-image. Twice would indicate a dangerous mania. Three times would be indefensible. But once was healthy experimentation. A learning experience. Any true adventurer would understand. When Renee, sweetly oblivious of her looming doom, claimed to have inherited a sizable industrial-valve fortune, Junior thought she might be inventing the wealth or at least exaggerating to make herself more desirable. But when he accompanied her back to her place, he discovered a level of luxury that proved she wasn't a shop girl with fantasies. Escorting her home didn't require either a car or a long walk, because she lived upstairs in the hotel where he'd had dinner. The top three floors of the building featured enormous owner-occupied apartments. Stepping into her digs was like passing through a time machine into another century, traveling in space, as well, to the Europe of Louis XIV. The expansive, high-ceilinged rooms overwhelmed the eye with the
rich somber colors and the heavy forms of Baroque art and furniture. Shells, acanthus leaves, volutes, garlands, and scrolls-often gilded decorated the museum-quality antique Bombay chests, chairs, tables, massive mirrors, cabinets, and etageres. Junior realized that killing Renee this very night would be an unthinkable waste. Instead, he could marry her first, enjoy her for a while, and eventually arrange an accident or suicide that left him with all-or at least a significant portion of her assets. This wasn't thrill killing-which, now that he'd had time to think about it, he realized was beneath him, even if in the service of personal growth. This would be murder for good, justifiable cause. During the past few years, he had discovered that a lousy few million could buy even more freedom than he had thought when he'd shoved Naomi off the fire tower. Great wealth, fifty or a hundred million, would purchase not only greater freedom, and not just the ability to pursue even more ambitious self-improvement, but also power. The prospect of power intrigued Junior. He hadn't the slightest doubt that eventually he could romance Renee into marriage, regardless of her wealth and sophistication. He could shape women to his desire as easily as Sklent could paint his brilliant visions on canvas, easier than Wroth Griskin could cast bronze into disturbing works of art. Besides, even before he had fully turned on his charm, before he had shown her that a ride on the Junior Cain love machine would make other men seem forever inadequate, Renee was so hot for him that it might have been wise to open a bottle of champagne to douse her when spontaneous combustion destroyed her Chanel suit. In the living room, the central and largest window framed a magnificent view, and swagged silk brocatelle draperies framed the window. An oversize hand-painted and heavily gilded chaise lounge, upholstered in an exquisite tapestry, stood against this backdrop of city and silk, and Renee pulled Junior down upon the chaise, desperate to be ravished there. Her mouth was as greedy as it was ripe, and her pliant body radiated volcanic heat, and as Junior slipped his hands under her skirt, his mind teemed with thoughts of sex and wealth and power, until he discovered that the heiress was an heir, with genitalia better suited to boxer shorts than to silk lingerie. He exploded off Renee with the velocity of high-powered rifle fire. Stunned, disgusted, humiliated, he backed away from the chaise lounge, spluttering, wiping at his mouth, cursing. Incredibly, Renee came after him, slinky and seductive, trying to calm him and lure him back into an embrace. Junior wanted to kill her. Kill him. Whatever. But he sensed that Renee knew more than a little about dirty fighting and that the outcome of a violent confrontation would not be easy to predict. When Renee realized that this rejection was complete and final, she-he, whatever-was transformed from well-sugared southern lady to bitter, venomous reptile. Eyes glittering with fury, lips twisted and skinned back from her teeth, she called him all kinds of bastard, stringing epithets together so effortlessly and colorfully that she enhanced his vocabulary more than had all the home-study courses that he'd ever taken, combined. "And face it, pretty-boy, you knew what I was from the moment you offered to buy me a drink. You knew, and you wanted it, wanted me, and then when we got right down to the nasty, you lost your nerve. Lost your nerve, pretty-boy, but not your need." Backing off, trying to feel his way to the foyer and front door, afraid that if he stumbled over a chair, she'd descend upon him like a screaming hawk upon a mouse, Junior denied her accusation. "You're crazy. How could I know? Look at you! How could 1 possibly know?" "I've got an obvious Adam's apple, don't I?" she shrieked. Yes, she did, she had one, but not much of one, and compared to the McIntosh in Google's throat, this was just a bitty crab apple, easy to overlook, not excessive for a woman. "And what about my hands, pretty-boy, my hands?" she snarled. Hers were the most feminine hands he'd ever seen. Slender, soft, prettier than Naomi's. He had no idea what she was talking about. Risking all, he turned his back on her and fled, and in spite of his expectations to the contrary, she allowed him to escape. Later, at home, he gargled until he had drained half a bottle of mint-flavored mouthwash, took the Iongest shower of his life, and then used the other half of the mouthwash. He threw away his necktie, because in the elevator, on the way down from Renee's-or Rene's--penthouse, and again on the walk back to his apartment, he had scrubbed his tongue with it. On further consideration, he threw away everything that he had been wearing, including his shoes. He swore that he would throw away all memory of this incident, as well. In Caesar Zedd's best-selling How to Deny the Power of the Past, the author offers a series of techniques for expunging forever all recollection of those events that cause us psychological damage, pain, or even merely embarrassment. Junior went to bed with his precious copy of this book and a snifter of cognac filled almost to the brim. There was a valuable lesson to be learned from the encounter with Renee Vivi: Many things in this life are not what they first appear to be. To Junior, however, the lesson was not worth learning if he had to live with the vivid memory of his humiliation. By the grace of Caesar Zedd and Remy Martin, Junior eventually slipped into undulant currents of sleep, and as he drifted away on those velvet tides, he took some solace from the thought that come what may, December 29 would be a better day than December 28. He was wrong about this. On the final Friday of every month, in sunshine and in rain, Junior routinely took a walking tour of the six galleries that were his very favorites, browsing leisurely in each and chatting up the galerieurs, with a one-o'clock break for lunch at the St. Francis Hotel. This was a tradition with him, and invariably at the end of each such day, he felt wonderfully cozy. Friday, December 29, was a grand day: cool but not cold; high scattered clouds ornamenting a Wedgwood-blue sky. The streets were agreeably abustle but not swarming like the corridors of a hive, as sometimes they could be. San Franciscans, reliably a pleasant lot, were still in a holiday mood and, therefore, even quicker to smile and more courteous than usual. Following a splendid lunch, having just left the fourth gallery on his list and strolling toward the fifth, Junior didn't at once see the source of the quarters. Indeed, when the first three rapid-fire coins hit the side of his face, he didn't even know what they were. Startled, he flinched and looked down as he heard them ring off the sidewalk. Snap, snap, snap! Three more quarters ricocheted off the left side of his face-temple, cheek, jaw. As the unwanted change pinged against the concrete at his feet, Junior-snap, snap-saw the source of the next two rounds. They spat out of the vertical pay slot on a newspaper-vending machine; one hit his nose, and the other rang off his teeth. The machine, one in a bank of four, wasn't filled with ordinary newspapers, which cost only a dime, but with a raunchy tabloid aimed at heterosexual swingers. The slamming of Junior's heart sounded as loud to him as mortar rounds. He stepped back and sideways, out of the vending machine's line of fire. As though one of the quarters had dropped into his ear and triggered a golden oldie in the jukebox of his mind, Junior heard Vanadium's voice in the hospital room, in Spruce Hills, on the night of the day when Naomi died: "en you cut Naomi's string, you put an end to the effects that her music would have on the lives of others and on the shape of the future.... Another machine beside the first, stocked with copies of a sexually explicit publication for gays, fired a quarter that hit Junior's forehead. The next snapped against the bridge of his nose. You struck a discord that can he heard, however faintly, all the way to the farthest end of the universe.... Had Junior been chest-deep in wet concrete, he would have been more mobile than he was now. He had no feeling in his legs. Unable to run, he raised his arms defensively, crossing them in front of his face, though the impact of the c oins wasn't painful. Volleys flicked off his fingers, palms, and wrists. ... That discord sets up lots of other vibrations, some of which will return to you in ways you might expect ... The vending machines were designed to accept quarters, not to eject them. They didn't make change. Mechanically, this barrage wasn't possible. ... and some in ways you could never see coming... Two teenage boys and one elderly woman scrambled across the sidewalk, grabbing at the ringing rain of quarters. They caught some, but others bounced and twirled through their grasping fingers, rolling-spinning away into the gutter.
... Of the things you couldn't have seen coming, I'm the worst... In addition to these scavengers, another presence was here, unseen but not unfelt. The chill of this invisible entity pierced Junior to the marrow: the stubborn, vicious, psychotic, prickly-bur spirit of Thomas Vanadium, maniac cop, not satisfied to haunt the house in which he'd died, not ready yet to seek reincarnation, but instead pursuing his beleaguered suspect even after death, capering--to paraphrase Sklent like an invisible, filthy, scabby monkey here on this city street, in bright daylight. Of the things you couldn't have seen coming, I'm the worst. One of the coin seekers knocked against Junior, jarring him loose of his paralysis, but when he stumbled out of the line of fire of the second vending machine, a third machine shot quarters at him. Of the things you couldn't have seen coming, I'm the worst ... I'm the worst ... I'm the worst.... Mocked by the silvery ping-ting-jingle of the maniac detective emptying his ghostly pockets, Junior ran.