IGMS - Issue 17

by IGMS

  "Do you promise to stay right there till I'm through talking?" she says.

  When she moved, it was like her clothes got almost transparent for a second, but not quite. Couldn't take my eyes off her. I promised.

  And then all of a sudden she was just a woman. Not ugly, but not all that pretty, neither. Just looking at me with eyes like fire. I was scared again, and I wanted to leave, especially cause now I began to think she really was doing something to me. But I promised, so I stayed.

  "That's how it began," she says.

  "What's how it began?" says I.

  "What you just felt. What I made you feel. That only works on people like you. Nobody else can feel it."

  "Feel what?" says I. Now, I knew what she meant, but I didn't know for sure if she meant what I knew. I mean, it bothered me real bad that she could tell how I felt about her those few minutes there.

  "Feel that," she says, and there it is again, all I can think about is her body. But it only lasted a few seconds, and then I knew for sure that she was doing it to me.

  "Stop it," I says, and she says, "I already did."

  I ask her, "How do you do that?"

  "Everybody can do it, just a little. A woman looks at a man, she's interested, and so the bio-electrical system heats up, causes some odors to change, and he smells them and notices her and he pays attention."

  "Does it work the other way?"

  "Men are always giving off odors, Mick. Makes no difference. It isn't a man's stink that gives a woman her ideas. But like I said, Mick, that's what everybody can do. With some men, though, it isn't a woman's smell that draws his eye. It's the bio-electrical system itself. The smell is nothing. You can feel the heat of the fire. It's the same thing as when you kill people, Mick. If you couldn't kill people the way you do, you also couldn't feel it so strong when I give off magnetic pulses."

  Of course I didn't understand all that the first time, and maybe I'm remembering it now with words she didn't teach me until later. At the time, though, I was scared, yes, because she knew, and because she could do things to me, but I was also excited, because she sounded like she had some answers, like she knew why it was that I killed people without meaning to.

  But when I asked her to explain everything, she couldn't. "We're only just beginning to understand it ourselves, Mick. There's a Swedish scientist who is making some strides that way. We've sent some people over to meet with him. We've read his book, and maybe even some of us understand it. I've got to tell you, Mick, just because we can do this thing doesn't mean we're particularly smart or anything. It doesn't get us through college any faster or anything. It just means that teachers who flunk us tend to die off a little younger."

  "You're like me! You can do it too!"

  She shook her head. "Not likely," she says. "If I'm really furious at somebody, if I really hate him, if I really try, and if I keep it up for weeks, I can maybe give him an ulcer. You're in a whole different league from me. You and your people."

  "I got no people," I says.

  "I'm here, Mick, because you got people. People who knew just exactly what you could do from the minute you were born. People who knew that if you didn't get a tit to suck you wouldn't just cry, you'd kill. Spraying out death from your cradle. So they planned it all from the beginning. Put you in an orphanage. Let other people, all those do-gooders, let them get sick and die, and then when you're old enough to have control over it, then they look you up, they tell you who you are, they bring you home to live with them."

  "So you're my kin?" I ask her.

  "Not so you'd notice," she says. "I'm here to warn you about your kin. We've been watching you for years, and now it's time to warn you."

  "Now it's time? I spent fifteen years in that children's home killing everybody who ever cared about me, and if they'd just come along -- or you, or anybody, if you just said, Mick, you got to control your temper or you'll hurt people, if somebody just said to me, Mick, we're your people and we'll keep you safe, then maybe I wouldn't be so scared all the time, maybe I wouldn't go killing people so much, did you ever think of that?" Or maybe I didn't say all that, but that's what I was feeling, and so I said a lot, I chewed her up and down.

  And then I saw how scared she was, because I was all sparky, and I realized I was just about to shed a load of death onto her, and so I kind of jumped back and yelled at her to leave me alone, and then she does the craziest thing, she reaches out toward me, and I scream at her, "Don't touch me!" cause if she touches me I can't hold it in, it'll just go all through her and tear up her guts inside, but she just keeps reaching, leaning toward me, and so I kind of crawled over toward a tree, and I hung onto that tree, I just held on and let the tree kind of soak up all my sparkiness, almost like I was burning up the tree. Maybe I killed it, for all I know. Or maybe it was so big, I couldn't hurt it, but it took all the fire out of me, and then she did touch me, like nobody ever touched me, her arm across my back, and hand holding my shoulder, her face right up against my ear, and she says to me, "Mick, you didn't hurt me."

  "Just leave me alone," says I.

  "You're not like them," she says. "Don't you see that? They love the killing. They use the killing. Only they're not as strong as you. They have to be touching, for one thing, or close to it. They have to keep it up longer. They're stronger than I am, but not as strong as you. So they'll want you, that's for sure, Mick, but they'll also be scared of you, and you know what'll scare them most? That you didn't kill me, that you can control it like that."

  "I can't always. That bus driver today."

  "So you're not perfect. But you're trying. Trying not to kill people. Don't you see, Mick? You're not like them. They may be your blood family, but you don't belong with them, and they'll see that, and when they do --"

  All I could think about was what she said, my blood family. "My mama and daddy, you telling me I'm going to meet them?"

  "They're calling you now, and that's why I had to warn you."

  "Calling me?"

  "The way I called you up this hill. Only it wasn't just me, of course, it was a bunch of us."

  "I just decided to come up here, to get off the road."

  "You just decided to cross the highway and climb this hill, instead of the other one? Anyway, that's how it works. It's part of the human race for all time, only we never knew it. A bunch of people kind of harmonize their bio-electrical systems, to call for somebody to come home, and they come home, after a while. Or sometimes a whole nation unites to hate somebody. Like Iran and the Shah, or the Philippines and Marcos."

  "They just kicked them out," I says.

  "But they were already dying, weren't they? A whole nation, hating together, they make a constant interference with their enemy's bio-electrical system. A constant noise. All of them together, millions of people, they are finally able to match what you can do with one flash of anger."

  I thought about that for a few minutes, and it came back to me all the times I thought how I wasn't even human. So maybe I was human, after all, but human like a guy with three arms is a human, or one of those guys in the horror movies I saw, gigantic and lumpy and going around hacking up teenagers whenever they was about to get laid. And in all those movies they always try to kill the guy only they can't, he gets stabbed and shot and burned up and he still comes back, and that's like me, I must have tried to kill myself so many times only it never worked.

  No. Wait a minute.

  I got to get this straight, or you'll think I'm crazy or a liar. I didn't jump off that highway overpass like I said. I stood on one for a long time, watching the cars go by. Whenever a big old semi came along I'd say, this one, and I'd count, and at the right second I'd say, now. Only I never did jump. And then afterward I dreamed about jumping, and in all those dreams I'd just bounce off the truck and get up and limp away. Like the time I was a kid and sat in the bathroom with the little gardening shears, the spring-loaded kind that popped open, I sat there thinking about jamming it into my stomach right under th
e breastbone, and then letting go of the handle, it'd pop right open and make a bad wound and cut open my heart or something. I was there so long I fell asleep on the toilet, and later I dreamed about doing it but no blood ever came out, because I couldn't die.

  So I never tried to kill myself. But I thought about it all the time. I was like those monsters in those movies, just killing people but secretly hoping somebody would catch on to what was going on and kill me first.

  And so I says to her, "Why didn't you just kill me?"

  And there she was with her face close to mine and she says, just like it was love talk, she says, "I've had you in my rifle sights, Mick, and then I didn't do it. Because I saw something in you. I saw that maybe you were trying to control it. That maybe you didn't want to use your power to kill. And so I let you live, thinking that one day I'd be here like this, telling you what you are, and giving you a little hope."

  I thought she meant I'd hope because of knowing my mama and daddy were alive and wanted me.

  "I hoped for a long time, but I gave it up. I don't want to see my mama and daddy, if they could leave me there all those years. I don't want to see you, neither, if you didn't so much as warn me not to get mad at Old Peleg. I didn't want to kill Old Peleg, and I couldn't even help it! You didn't help me a bit!"

  "We argued about it," she says. "We knew you were killing people while you tried to sort things out and get control. Puberty's the worst time, even worse than infancy, and we knew that if we didn't kill you a lot of people would die -- and mostly they'd be the people you loved best. That's the way it is for most kids your age, they get angriest at the people they love most, only you couldn't help killing them, and what does that do to your mind? What kind of person do you become? There was some who said we didn't have the right to leave you alive even to study you, because it would be like having a cure for cancer and then not using it on people just to see how fast they'd die. Like that experiment where the government left syphilis cases untreated just to see what the final stages of the disease were like, even though they could have cured those people at any time. But some of us told them, Mick isn't a disease, and a bullet isn't penicillin. I told them, Mick is something special. And they said, yes, he's special, he kills more than any of those other kids, and we shot them or ran them over with a truck or drowned them, and here we've got the worst one of all and you want to keep him alive."

  And I was crying cause I wished they had killed me, but also because it was the first time I ever thought there was people arguing that I ought to be alive, and even though I didn't rightly understand then or even now why you didn't kill me, I got to tell you that knowing somebody knew what I was and still chose not to blast my head off, that done me in, I just bawled like a baby.

  One thing led to another, there, my crying and her holding me, and pretty soon I figured out that she pretty much wanted to get laid right there. But that just made me sick, when I knew that. "How can you want to do that!" I says to her. "I can't get married! I can't have no kids! They'd be like me!"

  She didn't argue with me or say nothing about birth control, and so I figured out later that I was right, she wanted to have a baby, and that told me plain that she was crazy as a loon. I got my pants pulled back on and my shirt on, and I wouldn't look at her getting dressed again, neither.

  "I could make you do it," she says to me. "I could do that to you. The ability you have that lets you kill also makes you sensitive. I can make you lose your mind with desire for me."

  "Then why don't you?" I says.

  "Why don't you kill if you can help it?" she says.

  "Cause nobody has the right," says I.

  "That's right," she says.

  "Anyway you're ten years older than me," I tell her.

  "Fifteen," she says. "Almost twice your age. But that don't mean nothing." Or I guess she actually said, "That doesn't mean nothing," or probably, "That doesn't mean anything." She talks better than I do but I can't always remember the fancy way. "That doesn't mean a thing," she says. "You'll go to your folks, and you can bet they'll have some pretty little girl waiting for you, and she'll know how to do it much better than me, she'll turn you on so your pants unzip themselves, cause that's what they want most from you. They want your babies. As many as they can get, because you're the strongest they've produced in all the years since Grandpa Jake realized that the cursing power went father to son, mother to daughter, and that he could breed for it like you breed dogs or horses. They'll breed you like a stud, but then when they find out that you don't like killing people and you don't want to play along and you aren't going to take orders from whoever's in charge there now, they'll kill you. That's why I came to warn you. We could feel them just starting to call you. We knew it was time. And I came to warn you."

  Most of this didn't mean much to me yet. Just the idea of having kinfolk was still so new I couldn't exactly get worried about whether they'd kill me or put me out for stud or whatever. Mostly what I thought about was her, anyway. "I might have killed you, you know."

  "Maybe I didn't care," she says. "And maybe I'm not so easy to kill."

  "And maybe you ought to tell me your name," says I.

  "Can't," she says.

  "How come?" says I.

  "Because if you decide to put in with them, and you know my name, then I am dead."

  "I wouldn't let anybody hurt you," says I.

  She didn't answer that. She just says to me, "Mick, you don't know my name, but you remember this. I have hopes for you, cause I know you're a good man and you never meant to kill nobody. I could've made you love me, and I didn't, because I want you to do what you do by your own choice. And most important of all, if you come with me, we have a chance to see if maybe your ability doesn't have a good side."

  You think I hadn't thought of that before? When I saw Rambo shooting down all those little brown guys, I thought, I could do that, and without no gun, either. And if somebody took me hostage like the Achille Lauro thing, we wouldn't have to worry about the terrorists going unpunished. They'd all be rotting in a hospital in no time. "Are you with the government?" I ask her.

  "No," she says.

  So they didn't want me to be a soldier. I was kind of disappointed. I kind of thought I might be useful that way. But I couldn't volunteer or nothing, cause you don't walk into the recruiting office and say, I've killed a couple dozen people by giving sparks off my body, and I could do it to Castro and Qaddafi if you like. Cause if they believe you, then you're a murderer, and if they don't believe you, they lock you up in a nuthouse.

  "Nobody's been calling me, anyway," I says. "If I didn't see you today, I wouldn't've gone nowhere. I would've stayed with Mr. Kaiser."

  "Then why did you take all your money out of the bank?" she says. "And when you ran away from me, why did you run toward the highway where you can hitch a ride at least to Madison and then catch another on in to Eden?"

  And I didn't have no answer for her then, cause I didn't know rightly why I took my money out of the bank lessen it was like she said, and I was planning to leave town. It was just an impulse, to close that account, I didn't thinking nothing of it, just stuffed three hundreds into my wallet and come to think of it I really was heading toward Eden, I just didn't think of it, I was just doing it. Just the way I climbed that hill.

  "They're stronger than we are," she says. "So we can't hold you here. You have to go anyway, you have to work this thing out. The most we could do was just get you on the bus next to me, and then call you up this hill."

  "Then why don't you come with me?" I says.

  "They'd kill me in two seconds, right in front of your eyes, and none of this cursing stuff, either, Mick. They'd just take my head off with a machete."

  "Do they know you?"

  "They know us," she says. "We're the only ones that know your people exist, so we're the only ones working to stop them. I won't lie to you, Mick. If you join them, you can find us, you'll learn how, it isn't hard, and you can do this stuff from farther
away, you could really take us apart. But if you join us, the tables are turned."

  "Well maybe I don't want to be on either side of this war," I says. "And maybe now I won't go to Eden, neither. Maybe I'll go up to Washington, D.C. and join the C.I.A."

  "Maybe," she says.

  "And don't try to stop me."

  "I wouldn't try," she says.

  "Damn straight," I says. And then I just walked on out, and this time I didn't walk in no circles, I just headed north, past her car, down the railroad right of way. And I caught a ride heading up toward D.C., and that was that.

  to be continued in issue 18. . .

  Nice Kitty

  by David Lubar

  Artwork by Lance Card

  Seventh grade seems sort of old for Pet Day, but I have the greatest dog in the world, so I figured I'd bring him. Roy was fine being around other animals, even after we walked into my first-period math class and saw the tiger lying next to Mr. Stockton's desk. At first, I thought it was fake. Mr. Stockton is a bit of a joker. But then I noticed that the tiger's flanks were moving slowly with each breath. As I said, Roy was fine -- but I could feel myself tense up a bit.

  "She's safe," Mr. Stockton said. "She just had a big meal. Sheeba won't want to do anything except nap for a while."

  "Okay . . ." I pulled back on the leash as Roy tried to get close enough to sniff the tiger.

  "You're just a big kitty, aren't you?" Mr. Stockton said. He knelt down and ruffled the tiger's head. "Who's my sweet girl? Who's my little biddle kitty-iddle."

  I led Roy over to my seat in the second row. I was the first one there, which meant I got to watch the rest of the class come in. It was pretty much a three-step process. Step one: walk in, all proud of your pet -- whether it was a cat, a rat, or a salamander -- and all ready to get attention. Step two: freeze, then stare in disbelief at Sheeba, possibly leaving your mouth open long enough for a bit of drool to form and dangle. Step three: chase your fleeing pet down the hall while groaning at the pain of having claws, teeth, beaks, or pincers break your flesh.