Weird Tales volume 28 number 02

by Wright, Farnsworth, 1888-€“1940

  r 'Ya gomany! O mine enemy!" El Sha-bur's deep voice held sudden anguish. "Is it thou? Through all the years thy coming has been known to me, yet till now I knew thee not. Who taught thee such power as this?"

  He strode to the fiery circle, put out a hand, drew it back scorched and blackened to the bone. He turned in savage menace. Dale's hand flashed, poured oil in a swift practised fling about El Sha-bur's feet and touched it to leaping flame.

  Within this second ring the Arab stood upright. His voice boomed out like a great metal gong.

  "Melek Taos! Melek Taos! Have I not served thee truly? Give aid—give aid! Ruler of Wind and Stars and Fire! I am held in chains!"

  Dale breathed in suffocating gasps, He was cold to the marrow of his bones. He lost all sense of time—of space. He was hanging somewhere in the vast gulf of eternity. Hell battled for dominion in earth and sea and sky. W. T—S

  "To me, Abeor! Aberer! Chavajoth! Aid—give aid!" Again the great voice called upon his demon-gods.

  A sudden shock made the room quiver. Dale saw that the fires grew pale. "Was I too soon? Too soon?" he asked himself in agony. "If the oil burns out before sundown "

  There was a crash. On every hand the solid ancient walls were riven. Up—up leaped the blue fiery pillars.

  A shout of awful appeal. "Melek Taos! Master! Give aid!"

  With almost blinded eyes, Dale saw Gunnar drop at Merle's feet, saw in his stead a wolf-shape crouching, saw her stoop to it, kneel, kiss the great beast between the eyes, heard her clear, steady voice repeat the words of power, saw the flames sink and leap again.

  The issue was joined. Now! Now! God or Demon! The Arab, devil-possessed, calling on his gods. Merle, fearless before the onrush of his malice. Hate, cruel as the grave. Love, stronger than death.

  Dale's breath tore him. Cold! Cold! Cold to the blood in his veins! God! it was upon her!

  Gunnar stood in his own body, staring with wild eyes at the beast which brushed against his knee. He collapsed beside it, blind and deaf to further agony.

  And still El Shabur's will was undefeated. Still beside the unconscious Gunnar stood a wolf, its head flung up, its yellow lambent eyes fixed, remote, suffering.

  Again Dale felt himself a tiny point of conscious life swung in the womb of time. Again the forces that bear up the earth, sun, moon, and stars w r ere caught in chaos and destruction. Again he heard the roar of fire and flood and winds that drive the seas before them. Through all the tumult there rang a voice, rallying hell's legions, waking old dark

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  gods, calling from planet to planet, from star to star, calling for aid!

  Dale knew himself on earth again. Stillness was about him. In a dim and dusty room he saw Merle and Gunnar, handfast, looking into each other's eyes. About their feet a little trail of fire ran— blue as a border of gentian.

  Another circle showed, its fires dead, black ash upon the dusty ground. Across it sprawled a body, its burnoose charred and smoldering. Servant of Melek Taos. Victim of his own dark spells. El Shabur destroyed by the demon that had tormented Gunnar. Driven forth, homeless, it returned to him who had created it.

  Vhe

  edici Boots

  By PEARL NORTON SWET

  The amethyst-covered boots had been worn by an evil wanton In medieval

  Florence — but what malefic power did they carry

  over into our own time?

  FOR fifty years they lay under glass in the Dickerson museum and they were labeled "The Medici Boots." They were fashioned of creamy leather, pliable as a young girl's hands. They were threaded with silver, appliqued with sapphire silks and scarlet, and set on the tip of each was a pale and lovely amethyst. Such were the Medici boots.

  Old Silas Dickerson, globe-trotter and collector, had brought the boots from a dusty shop in Florence when he was a young man filled with the lust for travel and adventure. The years passed and Silas Dickerson was an old man, his hair white, his eyes dim, his veined hands trembling with the ague that precedes death.

  When he was ninety and the years of his wanderings over, Silas Dickerson died

  one morning as he sat in a high-backed Venetian chair in his private museum. The Fourteenth Century gold-leaf paintings, the Japanese processional banners, the stolen bones of a Normandy saint—■ all the beloved trophies of his travels must have watched the dead man impassively for hours before his housekeeper found him.

  The old man sat with his head thrown back against the faded tapestry of the Venetian chair, his eyes closed, his bony arms extended along the beautifully carved arms of the chair, and on his lap lay the Medici boots.

  It was high noon when they found him, and the sun was streaming through the stained-glass window above the chair and picking at the amethysts, so that the violet stones seemed to eye Marthe, the

  "She imparted to me those terrible secrets of the Blade Arts which were deep in her souL"

  old housekeeper, with an impudent glitter. Marthe muttered a prayer and crossed herself, before she ran like a scared rabbit with the news of the master's death.

  Silas dickerson's only surviving relatives, the three young Delameters, did not take too seriously the note which was found among the papers in the museum's desk. Old Silas had written the note. It was addressed to John Dela-meter, for John was his uncle's favorite,

  but John's pretty wife, Suzanne, and hisi twin brother, Doctor Eric, read it over nis shoulder; and they all smiled tolerantly. Old Dickerson had written of things incomprehensible to the young moderns:

  "The contents of my private museum are yours, John, to do with as you see fit. Merely as a suggestion, I would say that the Antiquarian Society would snap up many of the things. A very few are of no particular value, except to me. One thing I want done, however. The Medici boots of ivory leather must either be de-

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  stroked or be put for ever under glass in a public museum. I prefer that they be destroyed, for they are a dangerous possession. They have gone to the adulterous rendezvous celebrated in the scandalous verses of Lorenzo the Magnificent. They have shod the feet of a murderess. Thej' were cursed by the Church as trappings of the Devil, inciting the wearer to foul deeds and intrigue.

  "I shall not disturb you with all their hideous history, but I repeat, they are a dangerous possession. I have taken care to keep them under lock and key, behind plate glass, for more than fifty years. I have never taken them out. Destroy the Medici boots, before they destroy you!"

  "But he did take them out!" cried Suzanne. "Uncle was holding the boots when—when Marthe found him there in the museum."

  John reread the note, and looked thoughtfully at his young wife. "Yes. Perhaps he was preparing to destroy them right then. Of course, I think the poor old fellow took things a bit too seriously —he was very old, you know, and Marthe says he practically lived in this museum of his."

  "And why call a pair of old boots dangerous? Of course, we all know the Medicis were plenty dangerous, but the Medici boots—that's ridiculous, John. Besides "

  Suzanne paused provocatively, her red lips pouting. She looked down at her trimly shod feet. "Besides, I'd like to try on those Medici boots—just once. They're lovely, I think."

  John was frowning thoughtfully. He scarcely heard her suggestion. He spoke to Eric, instead, and his voice seemed a bit troubled.

  "I believe that Uncle was getting ready to destroy those boots that very morning

  he died; else why should he have taken them from their case—after fifty years?"

  "Yes, I believe you're right, John, because that note is dated fully a month before Uncle's death. I think he brooded over leaving those boots to one he cared for. Poor old man!"

  "I wouldn't call him so, Brie. He had his dreams of adventure realized more fully than most men. I—I think I'll do as he says. I'll destroy the Medici boots."

  "If you'd feel better about it," assented his brother. But Suzanne did not speak. She was looking at het shoe, pursing her lips tho
ughtfully, seeing her feet encased in the gay embroideries of the Medici boots.

  John seemed relieved by his decision. "Yes, I'd better do it. We'll be getting back to town in a few days. Old Erskine, you know, Uncle's lawyer, is coming down this afternoon. Then soon we'll be on the wing, Susie and I—Vienna, Paris, the Alps—thanks to Uncle."

  "Maybe you think I'm not thankful for my chance at a bit more work at Johns Hopkins," said Eric, and they did not again speak of the Medici boots.

  The deaf old lawyer of the Dickerson estate arrived, and Suzanne, with the easy capability that was part of her charm, saw that he was made comfortable.

  At seven there was a perfect dinner served on the awninged terrace outside the softly lit living-room. The stars aided the two little rosy lamps on the table, and swaying willows beside a stone-encircled pool swung the incense of the garden about them.

  As dinner ended, John took from the pocket of his coat a small, limp-leather book. He pushed back his dessert plate and laid the book on the table, tapping it with a ringer as he spoke.

  THE MEDICI BOOTS

  197

  "This is the history of the Medici boots. It was in the little wall-safe in the museum. After all Uncle said of the Medici boots, shall we read it?" And turning to the old lawyer, he told of Silas Dickerson's letter concerning the boots.

  Erskine shook his head, smiling. "Most collectors get an exaggerated sense of the supernatural. Read this, by all means— it should prove interesting."

  "Yes, read it, John." Suzanne and Eric spoke almost together.

  So, in the circle of rosy light at their little table, John read the story of the Medici boots. It was not a long story and it was told in the language of an anonymous translator, but as John read on, his listeners were drawn together, as by a spell. They scarcely breathed, and the summer night that was so mildly beautiful seemed to take on a sense of hovering danger.

  "In the palace of Giuliano de' Medici I have lived long. I am an old woman now, as the years are reckoned in this infamous place, though I am but fifty and three.

  "Separated from my betrothed, duped, sold into the marble labyrinth of this hateful palace, it was long before my spirit broke and I went forth, bejeweled and attired in elegance, among the silk-dad Florentines. I was labeled the most beautiful mistress of any of the Medici. I was smirked at, fawned upon for my lord's favors, obscenely jested about in the orgies that took place in the great banquet hall of the palace.

  "But in my heart always lay the remembrance of my lost love, and in my soul grew black hatred for the Medici and all their kind. I, who had dreamed only of a modest home, a kind husband, black-haired, trusting little children, was made a tool of the Medici infamy.

  "In time, I almost felt myself in league with the Devil. Secretly, and with a growing sense of elation, I made frequent rendezvous with a foul hag whose very name was anathema to the churchly folk of Florence. In her hole of a room in a certain noisome street, she imparted to me those terrible secrets of the Black Arts which were deep in her soul. It was amusing that she was paid in Medici gold.

  "The corruption of the Medici bred in them fear; in me a sort of reckless bravery. It was I who poisoned the wine of many a foe of the Medici. It was I who put the point of a dagger in the heart of the old Prince de Vittorio, whose lands and power and palaces were coveted by my lord, Giuliano.

  "After a time, bloodshed became an exhilaration to me; the death agonies of those who drank the poisoned cup became more interesting than the flattery of the Medici followers. Even the ladies of the house of the Medici did me the honor of their subtly barbed friendliness.

  "Through this very friendliness, I conceived my plan of sweet revenge upon the monsters who had ruined my life. With so great a hatred boiling in my soul that my mind reeled, my senses throbbed, my heart rose in my throat like a spurt of flame, I cursed three things of exquisite beauty with all the fervor of my newly learned lessons in devilish lore.

  "These three beautiful objects I presented to three ladies of the house of Medici—presented them with honeyed words of mock humility. A necklace of jeweled links—I pledged myself to the Devil and willed that the golden necklace would tighten on the soft throat of a lady of the Medici while she slept, and strangle her into black death. A bracelet of filigree and sapphires—to pierce by its hidden silver needle the blue vein in a white Medici wrist, so that her life's

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  blood would spurt and she would know the terror that the house of the Medici gave to others.

  "Last, and most ingenious, a pair of creamy boots, pliable, embroidered in silver and silks, encrusted with amethysts—■ my betrothal jewels. In my hatred I cursed the boots, willing that the wearer, as long as a shred of the boots remained, should kill as I had killed, poison as I had poisoned, leave all thoughts of home and husband and live in wantonness and evil. So I cursed the beautiful boots, forgetting, in my hate, that perhaps another than a Medici might, in the years to come, wear them and become the Devil's pawn, even as I am now.

  "In my life, the Medici will have the boots, of that I feel sure; but after that—■ I can only hope that this bloody history of the boots may be found when I am no more, and may it be a warning.

  "I have lived to see my gifts received and worn, and I have laughed in my soul to see my curses bring death and terror and evil to three Medici women. I know not what will become of the golden necklace, the bracelet, or the boots. The boots may be lost or stolen, or they may lie in a Medici palace for age on age, but the curse will cling to them till they are destroyed. So I pray that no woman, save a Medici, will ever wear them.

  "As I live and breathe and do the bidding of the lords of Florence, the accursed Medici—I have told the truth. When I am dead, perhaps they will find this book, and, in hell, I shall know and be glad.

  "Maria Modena di Cavouri.

  "Florence, 1476."

  "TTThew!" said old Erskine.

  VV John laughed. "I don't suppose this charming history would have been any more thrilling if I had read it

  from the original book, in Italian, of course. Wonder where Uncle got it! There was no mention of it being in the library—but there it was."

  "Now, will you destroy those boots?" asked Eric, and he was not entirely in jest.

  But Suzanne said, laughingly, "Not before I find out if the Medici lady had a smaller foot than I! Are they still in the museum, John?"

  "Never you mind, my dear. They're not for the likes of you."

  "Oh, don't be silly, John. This is 1955, not the Fifteenth Century." And they laughed at Suzanne's earnestness.

  The book that held the story of the Medici boots lay on the white cloth, looking like a book of lovely verse.

  Suzanne, a small white blur against the summer dark, sat quietly while the men talked of Silas Dickerson, his life, his mania for collecting, his death that had so fittingly come to him in his museum. It was nearly twelve when Suzanne left the men on the terrace and with a quiet "good-night" entered the living-room and crossed to the long, shining stairs.

  The men went on with their talk. Once, John, looking toward the jutting wing that was the museum, exclaimed, "Look at that, will you? Why—I'd swear I saw a light in the museum."

  "You locked it, didn't you?" asked Eric.

  "Of course; the key's in my desk upstairs. H-m. I'm probably mistaken, but it did seem as though a light shone there just a moment ago."

  "Reflection from the living-room window, I think. Country life is making you jittery, John." And Eric laughed at his brother.

  The men sat on, reluctant to leave the beauty of the night, and it was almost two o'clock when they finally went inside.

  THE MEDICI BOOTS

  19%

  John said, "I think I'll not disturb Suzanne." And he went to sleep in a wide four-postered bed in a room next to his wife. Eric and the old lawyer were in rooms across the hall.

  The still summer night closed about the house of Silas Dkkerson, and when the moon lay dyin
g against the bank of cloud, puffed across a sky by the little wind that came before dawn, young Doctor Eric Deiameter awoke, suddenly and completely, to a feeling of clammy apprehension. He had not locked his door, and now, across the grayness of the room, he saw it slowly opening.

  A hand was closed around the edge of the door—a woman's hand, small and white and jeweled. Eric sat straight and tense on the edge of his bed, peering across the room. A woman, young and slender, in a long, trailing gown, came, toward him smiling. It was Suzanne.

  With a gasp, Eric watched her approach till she stood directly before him.

  "Suzanne! You are asleep? Suzanne, shall I call John?"

  He thought that perhaps he should not waken her; there were things one must remember about sleep-walkers, but physicians scarcely believed them.

  Eric was puzzled, too, by her costume. It was not a night-robe she wore, but an elaborate, trailing dress upon which embroideries in silver shone faintly. Her short black curls were bound about three times with strands of pearly beads, her slim white arms were loaded with bracelets. The pointed toes of little shoes I peeped beneath her gown, little shoes of creamy leather. An amethyst gleamed on each shoe. j

  The sight of these amethystine tips affected Eric strangely, much as though he had looked at something hideously repulsive. He stood up and put out a hand to touch Suzanne's arm, "^

  "Suzanne," he said, gently. "Let me take you to John. Shall I?"

  Suzanne looked up at him, and her brown eyes, usually so merry, were deeply slumberous, not with sleep, but with a look of utter abandon. She shook bet pearl-bound head slowly, smilingly.

  "No, not John. I want you, Eric."

  "Mad! Suzanne must be mad!" was Eric's quick thought, but her caress was swifter than his thought. Both jewel-laden arms about his neck, Suzanne kissed him, her red lips pouting warmly upon his.

  "Suzanne! You don't know what you're doing." He grasped both her hands in his and with a haste that would have seemed ludicrous to him had he viewed the scene in a picture-play, he hurried her out of his room and across the hall.