Remembrance

by Jude Deveraux

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  Critical acclaim for the marvelous

  romances of

  Jude Deveraux

  TEMPTATION

  “An exciting historical romance that centers on the early twentieth-century women’s rights movement…. Filled with excitement, action, and insight…. A nonstop thriller.”

  —Harriet Klausner, Barnesandnoble.com

  “A satisfying story.”

  —Booklist

  “Deveraux[’s] lively pace and happy endings…will keep readers turning pages.”

  —Publishers Weekly

  HIGH TIDE

  A Romantic Times Top Pick

  “High Tide is packed full of warmth, humor, sensual tension, and exciting adventure. What more could you ask of a book?”

  —Romantic Times

  “Fast-paced, suspenseful…. A sassy love story.”

  —Publishers Weekly

  “Exciting…may be Jude Deveraux’s best novel in her stellar career…. Fans of romantic suspense will gain much pleasure.”

  —Midwest Book Review

  “In this fast-paced escapade, Jude Deveraux delivers adventure and romance as mysterious and sultry as the Everglades themselves.”

  —BookPage

  “Jude Deveraux not only keeps you guessing but mixes crime and human morality with humor in the most unexpected moments…. Real-life characters, tension-building suspense, intense passion, and a dynamic climax make this a fantastic read.”

  —Rendezvous

  THE BLESSING

  “Plenty of romance, fun, and adventure…fans won’t be disappointed.”

  —San Antonio Express-News

  “[A] fun and entertaining love story…a wonderful read…. A must for Deveraux fans.”

  —The Advocate (Baton Rouge, LA)

  “The Blessing is another bestseller by one of the all-time greats.”

  —Midwest Book Review

  “A heartwarming story.”

  —Kerrville Daily Times

  AN ANGEL FOR EMILY

  “All sorts of clever turns and surprises. Definitely a keeper…. Wow!”

  —The Philadelphia Inquirer

  LEGEND

  “First-rate reading…. Only Jude Deveraux could mix romance with tongue-in-cheek humor and have it all come out so perfectly right.”

  —Rendezvous

  THE HEIRESS

  “Deveraux’s novels are always eagerly awaited by her fans, and The Heiress lives up to her usual standards.”

  —The Pilot (Southern Pines, NC)

  “An enchanting, entertaining love story [from] a master storyteller.”

  —The Literary Times

  REMEMBRANCE

  “Brilliant…. Unforgettable…. As romantic as A Knight in Shining Armor…. Ms. Deveraux…is a superb craftsman and a mesmerizing storyteller.”

  —Kathe Robin, Romantic Times

  “A smart and savvy swoon of a yarn.”

  —Publishers Weekly

  A KNIGHT IN SHINING ARMOR

  “A glorious love story that spans centuries, worlds, and souls…. Enchanting and extraordinary.”

  —Chicago Daily Herald

  Part One

  1

  New York City

  1994

  You can’t be happy in this life because of what happened in your past lives.

  What would you think if someone said that to you? You’d think, “It’s hopeless, why bother trying.” Right? Or would you think, “The woman telling me this is crazy and I’d better get me and all my worldly goods out of here?”

  Or would you be like me and think, “A story! Everyone’s into time travel now and nobody’s doing past lives, so maybe I can ask a lot of questions and make a story from this lady’s answers.”

  This last is what I thought when I first met Nora because I am a writer inside and out. There isn’t one molecule of me that isn’t geared toward, How can I use this in a story?

  People are always asking me how I came to be a writer. I’d like to have an answer that would please them. I’d like to say that I was walking through a meadow full of tiny blue flowers when a beautiful woman in a silver dress appeared and bopped me on the head with her wand. She had a golden voice and said, “I am giving you the gift of writing. Go forth and write.”

  Sometimes I think that people want to hear that I was “chosen,” rather like a prophet. But you know, whenever you read about prophets, they always cry to God, “Oh Lord, why me?” Sometimes I think being “chosen” isn’t a gift, it’s a curse.

  At any rate, I have just told you why I became a writer. I make up stories about everything. Absolutely everything on earth. I see something, hear something, read something, and my mind starts creating a story.

  Storytelling is natural to me. When people ask me how I came to be a writer, what I want to ask in return is, What is in your head in place of stories? What do you think about while listening to a terminally boring speech? While driving a car? While putting the sixth load of wash in the machine? To me, this is the real mystery of life. I already know what’s inside my head, but what is inside other people’s heads if not stories?

  Well, anyway, now that I am a full-fledged writer (that means I need no outside job to pay the bills) I find that we writers have a little club that we’re all supposed to be loyal to. The Hippocratic oath is nothing compared to this.

  Since I don’t want to lose my writing membership, I’ll say what I’m supposed to. It’s bloody hard work writing. What is that thing someone said about opening a vein and spilling your blood onto the paper? Well, it’s true. Writing is really, really hard work. By golly, I bet I sit on my fanny six to ten hours a day. I pace the floor thinking about “what happens next.” I have a publishing house that sends me flowers and money every time I turn in a book.

  Now, really, does it sound like a writer suffers more than, say, a secretary? She has to be awakened by an alarm clock (I wake when I want to), get the kids and hubby off, work for a boss who never praises her, then do another shift of work when she gets home. And no one ever says, “Wow, you’re a secretary. How did you get to be one?”

  I guess we all do whatever we can. If you can drive a truck, you do that. If you can hassle people without conscience, you become a lawyer. If you have stories in your head you write them down. To me being a writer isn’t any different—and not nearly as important—as most other professions. But it seems that the world doesn’t agree with me. The world at large has decided that writers are smarter, more astute, more enlightened, more whatever than other people, so they treat them with awe and reverence.

  My opinion is that we should have a National Profession Lottery and every year about ten professions would be drawn from a hat, and for that year all the praise would go to the people in those professions. They should have best-seller lists, receive fan letters, have autographing parties, and have something like a publishing house to praise them and give them gifts.

  See? There I go again with a story. Give me a keyboard and I can’t stop.

  However, about these ten professions to be chosen, I want to make it clear that there is one “profession” that is too evil to be included in this lottery. Book reviewers. Specifically, romance book reviewers.

  Maybe I should tell you right now so, if you are offended, you can stop reading this book. I write romances.

  There, I’ve said it. It’s out in the open.

  For all the joy of my life, the
re is one aspect of it that is really and truly quite awful. Shockingly awful. And that is the way the world looks at romance novels, at romance readers, and above all, at romance writers!

  Isn’t the world a weird place? I saw a man on Oprah who was admitting that he’d had sex with his daughter several times when she was a child. Nearly every actor/singer tells the world he/she has done every drug known and hurt or driven away most of the people in their lives.

  And how are all these people greeted? With love, that’s how. With love and understanding and sympathy.

  But here I am and what do I do? I write funny little romantic stories about men and women who fall in love with each other. The wildest thing they do is make a baby or two. No drugs. No incest. No one boiling anyone and doing heaven only knows what else to them. I don’t even have people plotting clever ways to kill someone. I just invent stories about what we all dream about: having someone to love who loves us in return.

  You’d think that the very thought of a romance writer would bring a smile to people’s lips. Ah, how nice. Love. Making love. Laughter. Kissing.

  But no, the world is upside down as far as I can see, and romances and their writers are ridiculed, hissed, and generally spat upon.

  And for what reasons? One of my favorites is that women who read them might get mixed up about reality and imagine a man is going to rescue them from Life. According to this theory, women are so stupid that they can’t tell a story from reality. Is anyone worried that the men who read spy thrillers are going to go after their neighbors with an automatic weapon? No, I don’t remember anyone thinking that. Nor do I remember anyone worrying about murder mysteries or science fiction. It just seems to be dumb ol’ women who might think some gorgeous, thoughtful, giving hunk is going to rescue them.

  Honey, if any woman thought a gorgeous hunk was going to rescue her, romance novels wouldn’t be forty percent of the publishing industry.

  Anyway, back to the reviewers. These smart young people graduate from college with dreams of working on some magazine of intellectual merit, and what happens to them? Some old man who no longer has stars in his eyes decides to teach the young whippersnapper a lesson about life so he gives this child the lowest job in all the industry: reviewing romance novels!

  Guess who bears the brunt of the newly graduated person’s rage? Eighty grand spent on education and they are given a book to read that has a nursing mother cover (so called because of the size of the you-know-whats and the obviously about-to-be-lowered bodice [Quiz: do you think a man or a woman invented these covers?]).

  Anyway, this person takes her/his rage out on me, the romance writer. The lowest creature on earth. A housewife with a bank account.

  Rule number one for reviewing a romance novel: compare the book to the best book you’ve ever read. If it does not live up to Jane Austen, then use about sixty grand of your education to cut this writer down in the nastiest way possible. If, however, you should make the error of liking the book, write that “Readers of Hayden Lane should like this one.” Whatever you do, don’t stick your neck out and actually say you liked the book. If you allow anyone to think you like romances, you’ll never get promoted to reviewing the “good” books.

  So, anyway, what does all this have to do with the subject of past lives? It has everything to do with it because, you see, I’m thirty-nine years old; I’m about to hit the big four-oh, and I’m trying to figure out some things about my life. Sometimes I think I’m as curious as my readers as to how I became a writer. What does make us what we are today?

  All in all, the most interesting thing to analyze is people. Why does the lady down the street dress with military precision? Why does someone have a fear of knives or fire or high places? What about those people who are too afraid to leave their houses?

  There is, of course, the theory that every fear in your adult life was caused by something awful that happened in your childhood, preferably something you don’t remember so that a therapist can see you hundreds of times and charge you thousands of dollars to help you remember this dreadful thing. So after therapy you’re poorer and have some more rotten memories as well.

  During a bad time in my life (what can cause a woman a “bad time” except a man?) I went to a therapist. She told me that I had stories going through my head because I wanted to go to bed with my father. When I recovered my power of speech, I said in great indignation, “I did not want to go to bed with my father!” “Oh,” she said calmly, “then you suppressed it.”

  Seeing that I couldn’t win—and winning has always been important to me—I didn’t return after that visit.

  But I have tried to figure out why I write and why I write what I do. You see, all writers want one thing. They want immortality. That’s why we’re so vain that we think someone else will want to read what we put down on paper. We writers hear of Mark Twain dying in poverty and feel no sympathy because ol’ Mark attained the goal. He will live forever. Our families would no doubt choose for us to be writers who make lots of money, but we writers would take eternal recognition over wealth every time.

  But that’s the problem. No one comes to you, sitting on a pink cloud, a clipboard in hand, and says, “We’re giving you the gift of writing. Do you want the kind that everyone sneers at or the kind that people remember after you’re dead?” Talent is not like a used car. You can’t take it back if you don’t like it. You can’t say, “I’d like to trade in my talent for an Edith Wharton model.”

  My talent happens to be in writing romantic novels, and they get laughed at and ridiculed. In any movie, if the director wants to show that a female character is stupid, he puts a romance novel into her hands.

  Early on, I decided that I was grateful for any talent at all. Those who can, do, and those who can’t, review. As Anthony Trollope said, “Only a blockhead writes for anything except money.” Or thereabouts. Anyway, it’s true. You can’t very well sit down at your computer and say, “I’m now going to write my way into history.” It doesn’t work that way. You don’t decide what lives on after you, other people do.

  So, anyway, I still wonder how I came to write romantic novels and I look back at my life to see if I can figure out what made me such a writer. In fact, I’d like to know what made me like I am in every aspect.

  Until I was seven years old, I was the happiest child on the planet. My parents and sister and I lived next door to two houses filled with cousins and aunts and uncles and a couple of sets of grandparents. It was heaven. I was the ringleader of the bunch, ordering everyone about, telling them what to do and how to do it. My creativity was truly appreciated.

  Well, maybe not appreciated by everyone. There was the time I saw my grandmother twist the head off a chicken, so I told my cousin we ought to help Nana and twist the heads off all the chickens. There we were, no more than five years old, chickens tucked between our scraped knees and twisting and twisting and twisting. My grandmother came out of the house with a load of wash and there were all her chickens, their heads cocked to one side, listing drunkenly about the yard. Looking back on it and thinking of the ferocious temper of my grandmother, I don’t know how my cousin and I escaped alive.

  But those wonderful years ended soon enough when my mother decided she’d had enough of her mother-in-law’s renowned temper. My mother (who could defeat any temper with her rock-hard stubbornness) on one fateful day informed my father that she had bought a piece of land and he was going to build her a house on it. In my parents’ household we all liked to pretend that my father was the one who made the rules. I think the rule he made was, Give Mama what she wants or she’ll make life hell for all of us. Whatever his thoughts, he wasn’t fool enough to say no to my mother when she had that look in her eye.

  Whatever the philosophy behind it, the result was the same: We moved. In that one day I lost all those cousins and grandparents; I lost the chickens and the cows and the possum that lived in a barrel in the barn. I lost blackberry bushes that gave me chiggers and I lost apple tree
s to climb. In one day I went from being the champion of all, a person of prime importance, to being the child-who-must-be-kept-down.

  In a matter of hours I went from having the most exciting life in the world to having a life of supreme dullness. My mother and sister were cut out of the same cloth. They were good. Good, good, good.

  What is more boring than good? My mother was always saying, “Don’t eat too much chocolate. It’ll make you sick” or “I can’t look at that right now. I have too much work to do” or “Hayden, you cannot read that book now. You haven’t finished cleaning the bathroom.” On and on she went. There was a right time and a wrong time for everything. But as far as I could tell the right time for exuberance never came.

  Didn’t people ever want to do something that wasn’t on the schedule? Was I the only one in the world who actually wanted to eat as much chocolate as I could hold and damn the consequences?

  Looking back, I think that some people are afraid to break out of the rules. Maybe they’re afraid that if they break the rules, they’ll lose all self-control and become something horrible—in my mother’s case that would be a woman with a dirty bathroom floor.

  Whatever was behind it all, again the result was the same: I was put in a bubble of isolation and left there alone. I had to try to remember to sit up straight, walk sedately, and never, never be rambunctious. I tried, but it’s difficult to control yourself when you’re a child. I guess an awful lot of me slipped out because I heard the phrase “You know how you are” a few million times. Sometimes I got the feeling that my parents thought that if they didn’t keep me under rigid control every minute of every day that I’d lose it altogether. Maybe I’d start eating chocolate and laughing and just plain never stop. Maybe they feared not being able to reel me back in if they just let me go ahead and be myself.