Robert Louis Stevenson: An Anthology

by Kevin MacNeil

  Well, as regards the dreamer, I can answer that, for he is no less a person than myself;—as I might have told you from the beginning, only that the critics murmur over my consistent egotism;—and as I am positively forced to tell you now, or I could advance but little farther with my story. And for the Little People, what shall I say they are but just my Brownies, God bless them! who do one-half my work for me while I am fast asleep, and in all human likelihood, do the rest for me as well, when I am wide awake and fondly suppose I do it for myself. That part which is done while I am sleeping is the Brownies’ part beyond contention; but that which is done when I am up and about is by no means necessarily mine, since all goes to show the Brownies have a hand in it even then.

  Here is a doubt that much concerns my conscience. For myself— what I call I, my conscious ego, the denizen of the pineal gland unless he has changed his residence since Descartes, the man with the conscience and the variable bank-account, the man with the hat and the boots, and the privilege of voting and not carrying his candidate at the general elections—I am sometimes tempted to suppose he is no story-teller at all, but a creature as matter of fact as any cheesemonger or any cheese, and a realist bemired up to the ears in actuality; so that, by that account, the whole of my published fiction should be the single-handed product of some Brownie, some Familiar, some unseen collaborator, whom I keep locked in a back garret, while I get all the praise and he but a share (which I cannot prevent him getting) of the pudding. I am an excellent adviser, something like Moliere’s servant; I pull back and I cut down; and I dress the whole in the best words and sentences that I can find and make; I hold the pen, too; and I do the sitting at the table, which is about the worst of it; and when all is done, I make up the manuscript and pay for the registration; so that, on the whole, I have some claim to share, though not so largely as I do, in the profits of our common enterprise.

  I can but give an instance or so of what part is done sleeping and what part awake, and leave the reader to share what laurels there are, at his own nod, between myself and my collaborators; and to do this I will first take a book that a number of persons have been polite enough to read, the Strange Case of Dr. Jekyll and Mr. Hyde

  I had long been trying to write a story on this subject, to find a body, a vehicle, for that strong sense of man’s double being which must at times come in upon and overwhelm the mind of every thinking creature. I had even written one, The Travelling Companion, which was returned by an editor on the plea that it was a work of genius and indecent, and which I burned the other day on the ground that it was not a work of genius, and that Jekyll had supplanted it. Then came one of those financial fluctuations to which (with an elegant modesty) I have hitherto referred in the third person. For two days I went about racking my brains for a plot of any sort; and on the second night I dreamed the scene at the window, and a scene afterward split in two, in which Hyde, pursued for some crime, took the powder and underwent the change in the presence of his pursuers. All the rest was made awake, and consciously, although I think I can trace in much of it the manner of my Brownies. The meaning of the tale is therefore mine, and had long pre-existed in my garden of Adonis, and tried one body after another in vain; indeed, I do most of the morality, worse luck! and my Brownies have not a rudiment of what we call a conscience. Mine, too, is the setting, mine the characters. All that was given me was the matter of three scenes, and the central idea of a voluntary change becoming involuntary. Will it be thought ungenerous, after I have been so liberally ladling out praise to my unseen collaborators, if I here toss them over, bound hand and foot, into the arena of the critics? For the business of the powders, which so many have censured, is, I am relieved to say, not mine at all but the Brownies’. Of another tale, in case the reader should have glanced at it, I may say a word: the not very defensible story of Olalla. Here the court, the mother, the mother’s niche, Olalla, Olalla’s chamber, the meetings on the stair, the broken window, the ugly scene of the bite, were all given me in bulk and detail as I have tried to write them; to this I added only the external scenery (for in my dream I never was beyond the court), the portrait, the characters of Felipe and the priest, the moral, such as it is, and the last pages, such as, alas! they are. And I may even say that in this case the moral itself was given me; for it arose immediately on a comparison of the mother and the daughter, and from the hideous trick of atavism in the first. Sometimes a parabolic sense is still more undeniably present in a dream; sometimes I cannot but suppose my Brownies have been aping Bunyan, and yet in no case with what would possibly be called a moral in a tract; never with the ethical narrowness; conveying hints instead of life’s larger limitations and that sort of sense which we seem to perceive in the arabesque of time and space.

  For the most part, it will be seen, my Brownies are somewhat fantastic, like their stories hot and hot, full of passion and the picturesque, alive with animating incident; and they have no prejudice against the supernatural. But the other day they gave me a surprise, entertaining me with a love-story, a little April comedy, which I ought certainly to hand over to the author of A Chance Acquaintance, for he could write it as it should be written, and I am sure (although I mean to try) that I cannot.—But who would have supposed that a Brownie of mine should invent a tale for Mr Howells?

  FICTIONS

  The Suicide Club

  There is every reason why I should not tell you my story. Perhaps that is just the reason why I am going to do so.

  STORY OF THE YOUNG MAN

  WITH THE CREAM TARTS

  DURING HIS residence in London, the accomplished Prince Florizel of Bohemia gained the affection of all classes by the seduction of his manner and by a well-considered generosity. He was a remarkable man even by what was known of him; and that was but a small part of what he actually did. Although of a placid temper in ordinary circumstances, and accustomed to take the world with as much philosophy as any ploughman, the Prince of Bohemia was not without a taste for ways of life more adventurous and eccentric than that to which he was destined by his birth. Now and then, when he fell into a low humour, when there was no laughable play to witness in any of the London theatres, and when the season of the year was unsuitable to those field sports in which he excelled all competitors, he would summon his confidant and Master of the Horse, Colonel Geraldine, and bid him prepare himself against an evening ramble. The Master of the Horse was a young officer of a brave and even temerarious disposition. He greeted the news with delight, and hastened to make ready. Long practice and a varied acquaintance of life had given him a singular facility in disguise; he could adapt not only his face and bearing, but his voice and almost his thoughts, to those of any rank, character, or nation; and in this way he diverted attention from the Prince, and sometimes gained admission for the pair into strange societies. The civil authorities were never taken into the secret of these adventures; the imperturbable courage of the one and the ready invention and chivalrous devotion of the other had brought them through a score of dangerous passes; and they grew in confidence as time went on.

  One evening in March they were driven by a sharp fall of sleet into an Oyster Bar in the immediate neighbourhood of Leicester Square. Colonel Geraldine was dressed and painted to represent a person connected with the Press in reduced circumstances; while the Prince had, as usual, travestied his appearance by the addition of false whiskers and a pair of large adhesive eyebrows. These lent him a shaggy and weather-beaten air, which, for one of his urbanity, formed the most impenetrable disguise. Thus equipped, the commander and his satellite sipped their brandy and soda in security.

  The bar was full of guests, both male and female; but though more than one of these offered to fall into talk with our adventurers, none of them promised to grow interesting upon a nearer acquaintance. There was nothing present but the lees of London and the commonplace of disrespectability; and the Prince had already fallen to yawning, and was beginning to grow weary of the whole excursion, when the swing doors were push
ed violently open, and a young man, followed by a couple of commissionaires, entered the bar. Each of the commissionaires carried a large dish of cream tarts under a cover, which they at once removed; and the young man made the round of the company, and pressed these confections upon everyone’s acceptance with an exaggerated courtesy. Sometimes his offer was laughingly accepted; sometimes it was firmly, or even harshly, rejected. In these latter cases the new-comer always ate the tart himself, with some more or less humourous commentary.

  At last he accosted Prince Florizel.

  ‘Sir,’ said he, with a profound obeisance, proffering the tart at the same time between his thumb and forefinger, ‘will you so far honour an entire stranger? I can answer for the quality of the pastry, having eaten two dozen and three of them myself since five o’clock.’

  ‘I am in the habit,’ replied the Prince, ‘of looking not so much to the nature of a gift as to the spirit in which it is offered.’

  ‘The spirit, sir,’ returned the young man, with another bow, ‘is one of mockery.’

  ‘Mockery?’ repeated Florizel. ‘And whom do you propose to mock?’

  ‘I am not here to expound my philosophy,’ replied the other, ‘but to distribute these cream tarts. If I mention that I heartily include myself in the ridicule of the transaction, I hope you will consider honour satisfied and condescend. If not, you will constrain me to eat my twenty-eighth, and I own to being weary of the exercise.’

  ‘You touch me,’ said the Prince, ‘and I have all the will in the world to rescue you from this dilemma, but upon one condition. If my friend and I eat your cakes—for which we have neither of us any natural inclination—we shall expect you to join us at supper, by way of recompense.’

  The young man seemed to reflect.

  ‘I have still several dozen upon hand,’ he said at last; ‘and that will make it necessary for me to visit several more bars before my great affair is concluded. This will take some time; and if you are hungry—’

  The Prince interrupted him with a polite gesture.

  ‘My friend and I will accompany you,’ he said: ‘for we have already a deep interest in your very agreeable mode of passing an evening. And now that the preliminaries of peace are settled, allow me to sign the treaty for both.’

  And the Prince swallowed the tart with the best grace imaginable.

  ‘It is delicious,’ said he.

  ‘I perceive you are a connoisseur,’ replied the young man.

  Colonel Geraldine likewise did honour to the pastry; and every one in that bar having now either accepted or refused his delicacies, the young man with the cream tarts led the way to another and similar establishment. The two commissionaires, who seemed to have grown accustomed to their absurd employment, followed immediately after; and the Prince and the Colonel brought up the rear, arm in arm, and smiling to each other as they went. In this order the company visited two other taverns, where scenes were enacted of a like nature to that already described—some refusing, some accepting, the favours of this vagabond hospitality, and the young man himself eating each rejected tart.

  On leaving the third saloon the young man counted his store. There were but nine remaining, three in one tray and six in the other.

  ‘Gentlemen,’ said he, addressing himself to his two new followers, ‘I am unwilling to delay your supper. I am positively sure you must be hungry. I feel that I owe you a special consideration. And on this great day for me, when I am closing a career of folly by my most conspicuously silly action, I wish to behave handsomely to all who give me countenance. Gentlemen, you shall wait no longer. Although my constitution is shattered by previous excesses, at the risk of my life I liquidate the suspensory condition.’

  With these words he crushed the nine remaining tarts into his mouth, and swallowed them at a single movement each. Then, turning to the commissionaires, he gave them a couple of sovereigns.

  ‘I have to thank you,’ said he, ‘for your extraordinary patience.’

  And he dismissed them with a bow apiece. For some seconds he stood looking at the purse from which he had just paid his assistants, then, with a laugh, he tossed it into the middle of the street, and signified his readiness for supper.

  In a small French restaurant in Soho, which had enjoyed an exaggerated reputation for some little while, but had already begun to be forgotten, and in a private room up two pair of stairs, the three companions made a very elegant supper, and drank three or four bottles of champagne, talking the while upon indifferent subjects. The young man was fluent and gay, but he laughed louder than was natural in a person of polite breeding; his hands trembled violently, and his voice took sudden and surprising inflections, which seemed to be independent of his will. The dessert had been cleared away, and all three had lighted their cigars, when the Prince addressed him in these words:—

  ‘You will, I am sure, pardon my curiosity. What I have seen of you has greatly pleased but even more puzzled me. And though I should be loath to seem indiscreet, I must tell you that my friend and I are persons very well worthy to be entrusted with a secret. We have many of our own, which we are continually revealing to improper ears. And if, as I suppose, your story is a silly one, you need have no delicacy with us, who are two of the silliest men in England. My name is Godall, Theophilus Godall; my friend is Major Alfred Hammersmith—or at least, such is the name by which he chooses to be known. We pass our lives entirely in the search for extravagant adventures; and there is no extravagance with which we are not capable of sympathy.’

  ‘I like you, Mr Godall,’ returned the young man; ‘you inspire me with a natural confidence; and I have not the slightest objection to your friend, the Major; whom I take to be a nobleman in masquerade. At least, I am sure he is no soldier.’

  The Colonel smiled at this compliment to the perfection of his art; and the young man went on in a more animated manner.

  ‘There is every reason why I should not tell you my story. Perhaps that is just the reason why I am going to do so. At least, you seem so well prepared to hear a tale of silliness that I cannot find it in my heart to disappoint you. My name, in spite of your example, I shall keep to myself. My age is not essential to the narrative. I am descended from my ancestors by ordinary generation, and from them I inherited the very eligible human tenement which I still occupy and a fortune of three hundred pounds a year. I suppose they also handed on to me a hare-brain humour, which it has been my chief delight to indulge. I received a good education. I can play the violin nearly well enough to earn money in the orchestra of a penny gaff, but not quite. The same remark applies to the flute and the French horn. I learned enough of whist to lose about a hundred a year at that scientific game. My acquaintance with French was sufficient to enable me to squander money in Paris with almost the same facility as in London. In short, I am a person full of manly accomplishments. I have had every sort of adventure, including a duel about nothing. Only two months ago I met a young lady exactly suited to my taste in mind and body; I found my heart melt; I saw that I had come upon my fate at last, and was in the way to fall in love. But when I came to reckon up what remained to me of my capital, I found it amounted to something less than four hundred pounds! I ask you fairly—can a man who respects himself fall in love on four hundred pounds? I concluded, certainly not; left the presence of my charmer, and slightly accelerating my usual rate of expenditure, came this morning to my last eighty pounds. This I divided into two equal parts; forty I reserved for a particular purpose; the remaining forty I was to dissipate before the night. I have passed a very entertaining day; and played many farces besides that of the cream tarts which procured me the advantage of your acquaintance; for I was determined, as I told you, to bring a foolish career to a still more foolish conclusion; and when you saw me throw my purse into the street, the forty pounds were at an end. Now you know me as well as I know myself: a fool but consistent in his folly; and, as I will ask you to believe, neither a whimperer nor a coward.’

  From the whole tone
of the young man’s statement it was plain that he harboured very bitter and contemptuous thoughts about himself. His auditors were led to imagine that his love affair was nearer his heart than he admitted, and that he had a design on his own life. The farce of the cream tarts began to have very much the air of a tragedy in disguise.

  ‘Why, is this not odd,’ broke out Geraldine, giving a look to Prince Florizel, ‘that we three fellows should have met by the merest accident in so large a wilderness as London, and should be so nearly in the same condition?’

  ‘How?’ cried the young man. ‘Are you, too, ruined? Is this supper a folly like my cream tarts? Has the Devil brought three of his own together for a last carouse?’

  ‘The Devil, depend upon it, can sometimes do a very gentlemanly thing,’ returned Prince Florizel; ‘and I am so much touched by this coincidence, that, although we are not entirely in the same case, I am going to put an end to the disparity. Let your heroic treatment of the last cream tarts be my example.’