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Delphi Complete Works of O. Henry

Page 106

by O. Henry


  Your old friend,

  Jimmy.

  On the Monday night after Jimmy wrote this letter, Ben Price jogged unobtrusively into Elmore in a livery buggy. He lounged about town in his quiet way until he found out what he wanted to know. From the drug-store across the street from Spencer’s shoe-store he got a good look at Ralph D. Spencer.

  “Going to marry the banker’s daughter are you, Jimmy?” said Ben to himself, softly. “Well, I don’t know!”

  The next morning Jimmy took breakfast at the Adamses. He was going to Little Rock that day to order his wedding-suit and buy something nice for Annabel. That would be the first time he had left town since he came to Elmore. It had been more than a year now since those last professional “jobs,” and he thought he could safely venture out.

  After breakfast quite a family party went downtown together — Mr. Adams, Annabel, Jimmy, and Annabel’s married sister with her two little girls, aged five and nine. They came by the hotel where Jimmy still boarded, and he ran up to his room and brought along his suit-case. Then they went on to the bank. There stood Jimmy’s horse and buggy and Dolph Gibson, who was going to drive him over to the railroad station.

  All went inside the high, carved oak railings into the banking-room — Jimmy included, for Mr. Adams’s future son-in-law was welcome anywhere. The clerks were pleased to be greeted by the good-looking, agreeable young man who was going to marry Miss Annabel. Jimmy set his suit-case down. Annabel, whose heart was bubbling with happiness and lively youth, put on Jimmy’s hat, and picked up the suit-case. “Wouldn’t I make a nice drummer?” said Annabel. “My! Ralph, how heavy it is? Feels like it was full of gold bricks.”

  “Lot of nickel-plated shoe-horns in there,” said Jimmy, coolly, “that I’m going to return. Thought I’d save express charges by taking them up. I’m getting awfully economical.”

  The Elmore Bank had just put in a new safe and vault. Mr. Adams was very proud of it, and insisted on an inspection by every one. The vault was a small one, but it had a new, patented door. It fastened with three solid steel bolts thrown simultaneously with a single handle, and had a time-lock. Mr. Adams beamingly explained its workings to Mr. Spencer, who showed a courteous but not too intelligent interest. The two children, May and Agatha, were delighted by the shining metal and funny clock and knobs.

  While they were thus engaged Ben Price sauntered in and leaned on his elbow, looking casually inside between the railings. He told the teller that he didn’t want anything; he was just waiting for a man he knew.

  Suddenly there was a scream or two from the women, and a commotion. Unperceived by the elders, May, the nine-year-old girl, in a spirit of play, had shut Agatha in the vault. She had then shot the bolts and turned the knob of the combination as she had seen Mr. Adams do.

  The old banker sprang to the handle and tugged at it for a moment. “The door can’t be opened,” he groaned. “The clock hasn’t been wound nor the combination set.”

  Agatha’s mother screamed again, hysterically.

  “Hush!” said Mr. Adams, raising his trembling hand. “All be quite for a moment. Agatha!” he called as loudly as he could. “Listen to me.” During the following silence they could just hear the faint sound of the child wildly shrieking in the dark vault in a panic of terror.

  “My precious darling!” wailed the mother. “She will die of fright! Open the door! Oh, break it open! Can’t you men do something?”

  “There isn’t a man nearer than Little Rock who can open that door,” said Mr. Adams, in a shaky voice. “My God! Spencer, what shall we do? That child — she can’t stand it long in there. There isn’t enough air, and, besides, she’ll go into convulsions from fright.”

  Agatha’s mother, frantic now, beat the door of the vault with her hands. Somebody wildly suggested dynamite. Annabel turned to Jimmy, her large eyes full of anguish, but not yet despairing. To a woman nothing seems quite impossible to the powers of the man she worships.

  “Can’t you do something, Ralph — try, won’t you?”

  He looked at her with a queer, soft smile on his lips and in his keen eyes.

  “Annabel,” he said, “give me that rose you are wearing, will you?”

  Hardly believing that she heard him aright, she unpinned the bud from the bosom of her dress, and placed it in his hand. Jimmy stuffed it into his vest-pocket, threw off his coat and pulled up his shirt-sleeves. With that act Ralph D. Spencer passed away and Jimmy Valentine took his place.

  “Get away from the door, all of you,” he commanded, shortly.

  He set his suit-case on the table, and opened it out flat. From that time on he seemed to be unconscious of the presence of any one else. He laid out the shining, queer implements swiftly and orderly, whistling softly to himself as he always did when at work. In a deep silence and immovable, the others watched him as if under a spell.

  In a minute Jimmy’s pet drill was biting smoothly into the steel door. In ten minutes — breaking his own burglarious record — he threw back the bolts and opened the door.

  Agatha, almost collapsed, but safe, was gathered into her mother’s arms.

  Jimmy Valentine put on his coat, and walked outside the railings towards the front door. As he went he thought he heard a far-away voice that he once knew call “Ralph!” But he never hesitated.

  At the door a big man stood somewhat in his way.

  “Hello, Ben!” said Jimmy, still with his strange smile. “Got around at last, have you? Well, let’s go. I don’t know that it makes much difference, now.”

  And then Ben Price acted rather strangely.

  “Guess you’re mistaken, Mr. Spencer,” he said. “Don’t believe I recognize you. Your buggy’s waiting for you, ain’t it?”

  And Ben Price turned and strolled down the street.

  CHERCHEZ LA FEMME

  Robbins, reporter for the Picayune, and Dumars, of L’Abeille — the old French newspaper that has buzzed for nearly a century — were good friends, well proven by years of ups and downs together. They were seated where they had a habit of meeting — in the little, Creole-haunted café of Madame Tibault, in Dumaine Street. If you know the place, you will experience a thrill of pleasure in recalling it to mind. It is small and dark, with six little polished tables, at which you may sit and drink the best coffee in New Orleans, and concoctions of absinthe equal to Sazerac’s best. Madame Tibault, fat and indulgent, presides at the desk, and takes your money. Nicolette and Mémé, madame’s nieces, in charming bib aprons, bring the desirable beverages.

  Dumars, with true Creole luxury, was sipping his absinthe, with half-closed eyes, in a swirl of cigarette smoke. Robbins was looking over the morning Pic., detecting, as young reporters will, the gross blunders in the make-up, and the envious blue-pencilling his own stuff had received. This item, in the advertising columns, caught his eye, and with an exclamation of sudden interest he read it aloud to his friend.

  Public Auction. — At three o’clock this afternoon there will be sold to the highest bidder all the common property of the Little Sisters of Samaria, at the home of the Sisterhood, in Bonhomme Street. The sale will dispose of the building, ground, and the complete furnishings of the house and chapel, without reserve.

  This notice stirred the two friends to a reminiscent talk concerning an episode in their journalistic career that had occurred about two years before. They recalled the incidents, went over the old theories, and discussed it anew from the different perspective time had brought.

  There were no other customers in the café. Madame’s fine ear had caught the line of their talk, and she came over to their table — for had it not been her lost money — her vanished twenty thousand dollars — that had set the whole matter going?

  The three took up the long-abandoned mystery, threshing over the old, dry chaff of it. It was in the chapel of this house of the Little Sisters of Samaria that Robbins and Dumars had stood during that eager, fruitless news search of theirs, and looked upon the gilded statue of the Virgin.
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  “Thass so, boys,” said madame, summing up. “Thass ver’ wicked man, M’sieur Morin. Everybody shall be cert’ he steal those money I plaze in his hand for keep safe. Yes. He’s boun’ spend that money, somehow.” Madame turned a broad and contemplative smile upon Dumars. “I ond’stand you, M’sieur Dumars, those day you come ask fo’ tell ev’ything I know ‘bout M’sieur Morin. Ah! yes, I know most time when those men lose money you say ‘Cherchez la femme’ — there is somewhere the woman. But not for M’sieur Morin. No, boys. Before he shall die, he is like one saint. You might’s well, M’sieur Dumars, go try find those money in those statue of Virgin Mary that M’sieur Morin present at those p’tite sœurs, as try find one femme.”

  At Madame Tibault’s last words, Robbins started slightly and cast a keen, sidelong glance at Dumars. The Creole sat, unmoved, dreamily watching the spirals of his cigarette smoke.

  It was then nine o’clock in the morning and, a few minutes later, the two friends separated, going different ways to their day’s duties. And now follows the brief story of Madame Tibault’s vanished thousands:

  New Orleans will readily recall to mind the circumstances attendant upon the death of Mr. Gaspard Morin, in that city. Mr. Morin was an artistic goldsmith and jeweller in the old French Quarter, and a man held in the highest esteem. He belonged to one of the oldest French families, and was of some distinction as an antiquary and historian. He was a bachelor, about fifty years of age. He lived in quiet comfort, at one of those rare old hostelries in Royal Street. He was found in his rooms, one morning, dead from unknown causes.

  When his affairs came to be looked into, it was found that he was practically insolvent, his stock of goods and personal property barely — but nearly enough to free him from censure — covering his liabilities. Following came the disclosure that he had been entrusted with the sum of twenty thousand dollars by a former upper servant in the Morin family, one Madame Tibault, which she had received as a legacy from relatives in France.

  The most searching scrutiny by friends and the legal authorities failed to reveal the disposition of the money. It had vanished, and left no trace. Some weeks before his death, Mr. Morin had drawn the entire amount, in gold coin, from the bank where it had been placed while he looked about (he told Madame Tibault) for a safe investment. Therefore, Mr. Morin’s memory seemed doomed to bear the cloud of dishonesty, while madame was, of course, disconsolate.

  Then it was that Robbins and Dumars, representing their respective journals, began one of those pertinacious private investigations which, of late years, the press has adopted as a means to glory and the satisfaction of public curiosity.

  “Cherchez la femme,” said Dumars.

  “That’s the ticket!” agreed Robbins. “All roads lead to the eternal feminine. We will find the woman.”

  They exhausted the knowledge of the staff of Mr. Morin’s hotel, from the bell-boy down to the proprietor. They gently, but inflexibly, pumped the family of the deceased as far as his cousins twice removed. They artfully sounded the employees of the late jeweller, and dogged his customers for information concerning his habits. Like bloodhounds they traced every step of the supposed defaulter, as nearly as might be, for years along the limited and monotonous paths he had trodden.

  At the end of their labours, Mr. Morin stood, an immaculate man. Not one weakness that might be served up as a criminal tendency, not one deviation from the path of rectitude, not even a hint of a predilection for the opposite sex, was found to be placed in his debit. His life had been as regular and austere as a monk’s; his habits, simple and unconcealed. Generous, charitable, and a model in propriety, was the verdict of all who knew him.

  “What, now?” asked Robbins, fingering his empty notebook.

  “Cherchez la femme,” said Dumars, lighting a cigarette. “Try Lady Bellairs.”

  This piece of femininity was the race-track favourite of the season. Being feminine, she was erratic in her gaits, and there were a few heavy losers about town who had believed she could be true. The reporters applied for information.

  Mr. Morin? Certainly not. He was never even a spectator at the races. Not that kind of a man. Surprised the gentlemen should ask.

  “Shall we throw it up?” suggested Robbins, “and let the puzzle department have a try?”

  “Cherchez la femme,” hummed Dumars, reaching for a match. “Try the Little Sisters of What-d’-you-call-’em.”

  It had developed, during the investigation, that Mr. Morin had held this benevolent order in particular favour. He had contributed liberally toward its support and had chosen its chapel as his favourite place of private worship. It was said that he went there daily to make his devotions at the altar. Indeed, toward the last of his life his whole mind seemed to have fixed itself upon religious matters, perhaps to the detriment of his worldly affairs.

  Thither went Robbins and Dumars, and were admitted through the narrow doorway in the blank stone wall that frowned upon Bonhomme Street. An old woman was sweeping the chapel. She told them that Sister Félicité, the head of the order, was then at prayer at the altar in the alcove. In a few moments she would emerge. Heavy, black curtains screened the alcove. They waited.

  Soon the curtains were disturbed, and Sister Félicité came forth. She was tall, tragic, bony, and plain-featured, dressed in the black gown and severe bonnet of the sisterhood.

  Robbins, a good rough-and-tumble reporter, but lacking the delicate touch, began to speak.

  They represented the press. The lady had, no doubt, heard of the Morin affair. It was necessary, in justice to that gentleman’s memory, to probe the mystery of the lost money. It was known that he had come often to this chapel. Any information, now, concerning Mr. Morin’s habits, tastes, the friends he had, and so on, would be of value in doing him posthumous justice.

  Sister Félicité had heard. Whatever she knew would be willingly told, but it was very little. Monsieur Morin had been a good friend to the order, sometimes contributing as much as a hundred dollars. The sisterhood was an independent one, depending entirely upon private contributions for the means to carry on its charitable work. Mr. Morin had presented the chapel with silver candlesticks and an altar cloth. He came every day to worship in the chapel, sometimes remaining for an hour. He was a devout Catholic, consecrated to holiness. Yes, and also in the alcove was a statue of the Virgin that he had himself modeled, cast, and presented to the order. Oh, it was cruel to cast a doubt upon so good a man!

  Robbins was also profoundly grieved at the imputation. But, until it was found what Mr. Morin had done with Madame Tibault’s money, he feared the tongue of slander would not be stilled. Sometimes — in fact, very often — in affairs of the kind there was — er — as the saying goes — er — a lady in the case. In absolute confidence, now — if — perhaps —

  Sister Félicité’s large eyes regarded him solemnly.

  “There was one woman,” she said, slowly, “to whom he bowed — to whom he gave his heart.”

  Robbins fumbled rapturously for his pencil.

  “Behold the woman!” said Sister Félicité, suddenly, in deep tones.

  She reached a long arm and swept aside the curtain of the alcove. In there was a shrine, lit to a glow of soft colour by the light pouring through a stained-glass window. Within a deep niche in the bare stone wall stood an image of the Virgin Mary, the colour of pure gold.

  Dumars, a conventional Catholic, succumbed to the dramatic in the act. He bowed his head for an instant and made the sign of the cross. The somewhat abashed Robbins, murmuring an indistinct apology, backed awkwardly away. Sister Félicité drew back the curtain, and the reporters departed.

  On the narrow stone sidewalk of Bonhomme Street, Robbins turned to Dumars, with unworthy sarcasm.

  “Well, what next? Churchy law fem?”

  “Absinthe,” said Dumars.

  With the history of the missing money thus partially related, some conjecture may be formed of the sudden idea that Madame Tibault’s words see
med to have suggested to Robbins’s brain.

  Was it so wild a surmise — that the religious fanatic had offered up his wealth — or, rather, Madame Tibault’s — in the shape of a material symbol of his consuming devotion? Stranger things have been done in the name of worship. Was it not possible that the lost thousands were molded into that lustrous image? That the goldsmith had formed it of the pure and precious metal, and set it there, through some hope of a perhaps disordered brain to propitiate the saints and pave the way to his own selfish glory?

  That afternoon, at five minutes to three, Robbins entered the chapel door of the Little Sisters of Samaria. He saw, in the dim light, a crowd of perhaps a hundred people gathered to attend the sale. Most of them were members of various religious orders, priests and churchmen, come to purchase the paraphernalia of the chapel, lest they fall into desecrating hands. Others were business men and agents come to bid upon the realty. A clerical-looking brother had volunteered to wield the hammer, bringing to the office of auctioneer the anomaly of choice diction and dignity of manner.

  A few of the minor articles were sold, and then two assistants brought forward the image of the Virgin.

  Robbins started the bidding at ten dollars. A stout man, in an ecclesiastical garb, went to fifteen. A voice from another part of the crowd raised to twenty. The three bid alternately, raising by bids of five, until the offer was fifty dollars. Then the stout man dropped out, and Robbins, as a sort of coup de main, went to a hundred.

 

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