Delivering His Heir

by Jesse Jordan

  “Yeah well, a hundred and seventy million albums sold can get you a shitload of preaching,” Martha counters. “I'm not saying that you don't have a point, but what I'm saying is that acts have to evolve. You can't just be the same three guys out there jamming rock for the next thirty years. Hell, can you imagine yourself out there at forty-five or fifty still trying to grind away in the jeans and jacket? You wanna be still singing at forty and looking like a pathetic loser doing it?”

  “No,” I admit. “But Martha, that's the point. Mass produced pop-rock isn't going to give me a career in thirty years. Yeah, we've got to evolve, but first, we have to have a starting point. And right now, what Gerry and the Idiot Brigade are doing isn't even giving us that. We don't have a solid foundation, we've got a gigantic pile of shit. He even took the good work that we did before and has more or less wrecked it with his digital fuckery. You saw what that little bar performance of Gimme Danger did. Is that anything at all like what Gerry has it sounding like now?”

  Martha sighs, shaking her head. The video was uploaded to Facebook by someone in the audience, and so far, it's one of the trending videos in the music category even a week and a half after it hit the ‘Net, getting shared and liked thousands of times. “He's just seeing if he can add to it, that's all Rocky.”

  “Bullshit,” I fume, trying to explain myself. “Listen, do you like cookies?”

  “Of course, I do. Who the fuck doesn't?” Martha asks curiously, then chuckles. “Never mind, this is California. Gotta watch my girlish figure.”

  “My Mom, back when I was in elementary school, she went through a phase where she really wanted to get into that whole at-home chef thing,” I explain, stopping to think about how I exactly want to make my point. “And one of the recipes she latched onto was a basic cookie dough. Now, by itself, it was a little plain, kinda sweet, a little bit of butter flavor. Got what I'm saying?”

  “Not yet, but go on,” Martha says, stopping and crossing her arms.

  “Well, the first thing Mom did was what anyone would, she dropped some chocolate chips in the mix. Holy hell, were those cookies good. Me, then my buddies tried them, and by the end of the week I was the most popular kid in third grade for a while with Mom cranking out batches of those chocolate chip cookies for my lunches and for my friends.”

  “I bet,” Martha comments, rubbing her stomach. “Speaking of which, fuck it, you owe me some Mrs. Fields' after this.”

  I nod, pointing down the block. I know where the nearest cookie place is, it's not that far away. “Deal. Anyway, after the chocolate chips got boring for Mom, she added some peanut butter. I can seriously say that it was as good an experience as my first couple of orgasms, but then, Mom went a little wonky. Instead of trying different kinds of doughs, different combinations, she just kept adding more and more. Dried fruits, nuts, herbs, spices. At one point, she tried to bake a chocolate chip cookie with almond chunks and a bunch of other shit in it. The fucking dough wouldn't even hold together there was so much that was taking away from the basic cookie, it had to be turned into a crumble for ice cream topping. My friends learned to stay as far away from my lunch box cookies as possible. Mom finally figured it out when she took a tray of that shit into the office and literally not a single cookie was eaten, and she found a note that just said Can we get the plain peanut butter back? The home chef thing kinda petered out after that, but she still makes a kick-ass chocolate chip or peanut butter chip cookie.”

  “So, you're comparing Gerry to your Mom,” Martha says, and I nod. “But Gerry's a pro.”

  “Who's throwing shit at the wall and hoping it sticks, forgetting that the goddamn wall isn't even finished yet,” I retort hotly. “Martha, what I'm saying is... get rid of Gerry. Get rid of the team, get rid of the corporate bullshit. Cora knows how to get the most out of us. Let's build the foundation before we start fucking up the main ingredients of our success. Let's put out that basic chocolate chip cookie first, then we can see about trying out peanut butter and more. But we can't do that with Gerry.”

  Martha turns pink, I know she's pissed. “What is it with Cora? Fuck, Rocky, she betrayed you!”

  “Personally, yeah,” I shoot back, my voice going up a notch, “but she never, ever fucked with the music the way Gerry is! You keep Gerry in the booth, and I'm going to have a nervous fucking breakdown or slam his head through the fucking amp! I'm fucking serious, Martha! Dump Gerry, and get Cora back NOW!”

  I don't think I've ever yelled at Martha before, not like this. I'm not yelling to be heard, or in excitement, I'm pissed. I'm pissed that she won't listen to me, that she's willing to sacrifice the good of the album and the group for some reason. “Goddammit Rocky, what the fuck is it with you and her?!” Martha yells back. “She's all in your fucking head, and you're screwing the team on this because of it.”

  “Fuck that!” I yell back, stomping my foot. Holy shit, I'm in the middle of my first diva tantrum, and to be honest I don't give a fuck. I want Cora back. “I'm doing this for the team! I can keep my distance from Cora, I don't have to let her in this time! I can deal with that side without a problem, but what I can't deal with is a goddamn studio session where I'm about ready to kill the fucking production team because we can't even lay a single track in two goddamn weeks! This is the music business, seventy-five percent of us are assholes! But we get shit done!”

  I'm panting, my breath whistling in and out of my nose as I stare a hole into Martha, who stares back, just as pissed. Finally, she throws her hands up, turning on a heel. “Fine, fuck it. You guys are costing Gashouse a shitload of money already as it is. You're going to need to do like, at least two more concert dates just to pay the company back for this shit as it is. Fine, you wanna be a bitch and have a piss party, you got it. I'll contact Cora and see if she's available. It's been three weeks since she was let go though, Rocky. She may have gotten another gig, you know.”

  “She'll drop it if we invite her back,” I reply confidently, and Martha starts to storm away. I run after her and get in front, taking her by the arms and stopping her. I don't want Martha to be angry at me, I do like her most of the time. She's bossy, she's worried more about my bank account than about my artistry, and she's definitely got a sharp tongue on her... but she's been looking out for us for years, and I do like her, kind of. I let go of her shoulders to take her hands, giving her my most charming smile. “Come on Martha... look, I'm sorry I yelled at you. Just, this album means a lot to me, and you guys all mean a lot to me. Still friends?”

  Martha looks up, sighing, then nods, giving my hands a squeeze. “You are a major pain in the ass, Rocky Blake. And just for that outburst, you owe me cookies tomorrow too.”

  I grin and give Martha a quick pat on the back. “I'll give my mom a call, you can have some of her homemade goodness tomorrow.”

  Cora

  “Guys... thanks for giving me another chance,” I shyly tell Rocky, Ian, and Joey when they come into the studio. The call from Martha couldn't have come at a better time, Duane's child support payment is a few days late, and the paid production work has been barely enough to call it work. The fact is, I'm not making ends meet this month, and I really don't know when I'm going to be able to pay for Bella's daycare for the rest of this session, the center needs payment Friday.

  “It's good to have you back, Cora,” Joey says warmly, while Ian just gives me his normal surly grunt before he takes off his jacket and sits down behind his drums, checking his seat height.

  Rocky doesn't say much but gives me a little nod, and I feel a twist in my chest. He's obviously still mad, but hey, they brought me back, right? “Okay... well, I went over the stuff that Martha forwarded to me, and not to sound like a jerk but... well, in my opinion, most of it is crap.”

  Rocky finally smiles, giving me a short, sarcastic laugh. “You mean it's total dogshit. Did you find anything that is usable out of it?”

  “Well, I was thinking we could take that reverbed drum track of Ian's, mix it with a twe
aked guitar riff from Joey, and sell it to a horror movie soundtrack,” I joke, and the ice at least partially breaks, everyone's smiling. The expression on their faces when they came in had me worried that it'd take longer to get them in a good mode. “But no, Rock, I figured I'd ditch about ninety-nine percent of what Gerry and the team did. If it's okay with you guys, how about we start with the base tracks we had before, and we can start laying the instrumentals for Not the Time?”

  We start work, and while it takes me most of an hour to get the guys back into the mode they were a month ago when we last worked together, we still get a solid three hours of work in. Ian's drums are as always powerful, and Joey's guitar wants to peel the paint off the walls, it's so hot. By the time that I call a lunch break, I have both of their tracks down perfect, I don't even think I'm going to need to do any tweaking at all to them, I just need to lay them together along with the backup guitar that Rocky's going to lay down this afternoon.

  “Okay guys, that's a morning wrap!” I call, giving them all a thumb’s up. “Joey, Holy God boy, you got the angels shredding along with you by the end there!”

  Joey blushes and rubs his head, smiling. “Thanks, Cora. Hey, what're you doing for lunch?”

  “Same as I always do,” I reply, holding up my plastic bag with a PB&J. “You want some?”

  “Nah, I think I'll check out the burrito truck,” Joey says. “Check you after lunch.”

  Ian leaves with Joey, leaving just me and Rocky, who's looking over his stuff for the afternoon session. I grab my bag and head into the studio, feeling shy. Now's the time. “Uh, Rock, can we talk?”

  “What about?” Rocky asks his voice level and professional. “The session this morning was good. It's good to have you back.”

  “Thanks, but well... I feel like I owe you a personal apology too. I know there were things that got so screwed up last time and...”

  “Cora, wait,” Rocky says, cutting me off. “Listen, stuff happened. And maybe we both made mistakes. I get that. Five years ago, we were friends. But that's behind us, Cora. So... while I'm not saying that we can't be friends, right now, I just want to get this album done. I demanded that you come back for that reason only. Not because of the date or anything like that. We can talk about that after the album's done and put to bed. For now, though, this is business only. Okay?”

  I can see the hurt still in Rocky's eyes, and the anger that's still there too. My heart aches, but I nod, I know there's no way that I'll get him to understand my point of view right now. “Okay, Rocky. Just... I'm sorry. I'm sorry that I hurt you.”

  I turn to leave the studio, and as I have the door open, I hear Rocky reply, almost too soft for me to hear him at all. “Yeah... me too.”

  Unlike the previous month of frustration and not getting anything done, within three weeks we've gotten eight tracks finished for the new album. I finished polishing up the two done before being fired, so that gives us ten, plus the remastered three that they had left over from old EP studio sessions. Thirteen tracks, a good LP.

  But we're looking for one more. Call Larry superstitious, but he doesn't like releasing albums with thirteen tracks. “I don't care if the Beatles released three albums with thirteen tracks or not,” he says as he sits in the production booth. “I want there to be fourteen on this release.”

  “What do you have in mind, Larry?” I ask. “We're out of material. Rocky's written his ass off, but even the corporate writers are dry right now. All the good stuff's taken, all that's left is movie soundtrack or pro wrestling level.”

  Larry nods, sighing as he rubs at his temples, something that makes me know he's thinking. He's gotten more and more excited about the Fragments’ album as he's listened to each completed track, and I can tell he really wants to sink his shoulder behind this thing and push it to the top. If we can get past this superstition of his, I think we can do it. “Well, what about a cover? I've always liked Eternal Flame.”

  “You want the guys to cover The Bangles biggest ballad?” I ask. “That's a total throw away Larry, there's no way you can top those girls on that song.”

  Larry nods, then stands up. “I know, but it's a good song, and since the girls aren't touring as much anymore, maybe we can appeal to some of that Gen X audience. Rocky's got the voice to do that sort of searching soulful mix. And the album's missing a love ballad. Plenty of dance stuff, plenty of hard rock, plenty of party rock. It should have a love ballad in there too. Think of it for the teenybopper crowd.”

  Larry gives me a wink and leaves the booth, and I sigh, turning back to the guys. Joey finishes his guitar playing, and I give him a thumb’s up. “Okay, Joey, that was good. Listen, guys, Larry just came in, he wants another track for the album.”

  “By the look on your face, that's not a good thing,” Rocky comments. His attitude towards me has thawed some since I tried to apologize, but there's still that gap between us, and it hurts. We were so close, so close to that happiness that I've wanted my whole life and now it feels like we're still farther apart than ever, and I don't know how to close that distance anymore. They say that time heals all wounds, and maybe that's just what Rocky needs, but in the meantime, I'm hurting.

  “Well, you guys might feel the same when you find out what Larry wants,” I say, putting my hurt out of my mind for the moment. “Hold on, let me come in there, I'll bring my laptop.”

  I get up out of my chair and go into the recording studio, taking the folding chair that Joey offers and sitting down, putting my laptop on top of one of the amps that the band uses when they're just practicing. “Larry says you guys need a love ballad on the track list. He's proposing a cover song.”

  Rocky laughs, while Joey groans and Ian grunts. It's Ian who speaks up first. “A fucking love ballad? Why?”

  “Well, part of it is that, apparently, Larry won't release an album with thirteen tracks. So, it's either twelve or fourteen, and in my opinion, if we cut it down to twelve you're going to be running a bit too short for the type of album you want,” I comment. “Rocky, you said it yourself last week, you're looking for a solid hour of good rock, right?”

  “That's the goal,” Rocky confirms. “What's our time hack right now?”

  “Well,” I say, turning around and looking at my quick spreadsheet that I've been keeping to help me with my mixing work ever since Rocky's comment, “with twelve tracks and no remixing, the longest we can get is thirty-nine minutes. That's not bad, I knew we'd have to come back for some work, but there's no way I can stretch that out to a full hour unless Joey's willing to play some Metallica's One level guitar solos for almost every track, or we bring in some guest verses.”

  Joey cocks an eyebrow. “So, we need another track. What's Larry got in mind? Because we're pretty much tapped out.”

  I nod, then sigh. “He happens to like the Bangles.”

  “Eternal Flame?” Ian explodes. “Is he out of his fucking mind? He does realize that track's written for multiple women, a shitload of piano-synth, and to top it off, if he's superstitious, it was the last song they released before they broke up the first time?”

  I sigh, nodding. “I didn't know that last bit, but yeah, I kinda mentioned that to him, in short form. But I could read his eyes, he's vibing off it until he can be convinced otherwise. So... if you guys have a better idea, I'm all ears.”

  “A female love ballad,” Joey hisses, shaking his head. “What the hell?”

  “Rocky and I have done it before,” I remind Joey. I look up at Rock, giving him a smile. He's sat silent the whole time, chewing his lip as he considers everything. “What do you say, Rocky? It's that or we can do My Immortal again.”

  “No way would we get the rights to it, it's too new,” Rocky says. “Besides, who does own the rights to that?”

  I do a quick search, and check it out. Not good, and I tell the guys.

  “Shit,” Ian mutters. “We're not in either group.”

  “Yep... and Eternal Flame is old enough that Larry can pick up the right
s on the cheap,” I comment. “Since this is going to be a throwaway anyway, let's just do it, jam the thing with a little bit of your style, and I can get it remixed and ready to go by the end of the week. Then it's nothing but stretching and remixing, calling you guys in for extra bits. What do you say?”

  The guys nod, and I stand up, taking my laptop back into the studio. I find song lyrics and sheet music for the guys to use as a takeoff point and sit back, listening as they try to work an arrangement. Ian's quickly bored out of his mind, I can understand, the percussion of the original mix is tame, and while Joey can pick out a lead guitar relatively quickly, there are parts that are going to need re-work. Frustration builds, Rocky's trying his best as well, but there's little progress made by five thirty.

  “Okay guys, let's just call it a day,” I call into the booth. “I've got the materials on the other thirteen tracks, we can keep practicing on Flame tomorrow. Joey, that lead guitar sounded okay, maybe we can get that laid down.”

  My prediction is way off though, as by Friday afternoon we've got exactly jack and squat on tape for Eternal Flame, and the guys are not feeling good about it. I expect today to go late so I arranged for Mom to pick up Bella from daycare, and now, at seven o'clock, I'm glad I did.

  “Ian?” I ask from the booth as he rubs at his temples. “You okay?”

  “Fuck no,” Ian grumps, then stands up. “Cora, I'm sorry, maybe it's the whole only going until six or so like we've done working together, but I've got a migraine right now. I'm calling it a night for me.”

  “Yeah... I guess me too,” Joey says. “I'll keep working on the guitar stuff over the weekend, but I'm gonna call it myself.”

  Joey and Ian leave, and I look in at Rocky, who's still sitting down, thinking. I get up and go into the studio, taking a seat in a chair. “Talk to me Rock. You're looking like you're about ready to chew glass.”