by Lee Hill
soundtrack, 292
success of, 189
Torn lawsuit, 295–96
TS draft of, 296
Ebersol, Dick, 245, 246, 248, 249, 250
Eisner, Michael, 231
Ejve, Ingmar, 213–14
Elaine’s, 151–52, 234, 296, 297
Electric Lady (film), 242
Eliot, T. S., 20, 28, 74
Emperor Jones (O’Neill)
adapting for screen, 81–83
End of the Game, The (script), 204, 254
End of the Road (film), 173, 175, 178–83, 184, 189, 276
abortion scene/X-rating, 180, 181, 182, 183, 189
erotica, 13, 141, 148, 207–8, 302
Esquire, 17, 30, 113, 132, 202, 261, 293
TS employed at, 104–6, 107–8, 163
TS published in, 2, 40, 80–81, 106–7, 110, 122, 136, 156, 175–78
European art film, 29, 95, 110, 169, 207
Evergreen Review, 3, 42, 80, 94, 95, 103, 161, 245
TS published in, 99, 163, 164
existentialism, 29, 35, 52, 100
expatriates, 27, 29–31, 32, 33, 34, 35, 39, 45, 46, 47, 72, 87
hipster ethos, 40
Ivy League wing of, 42, 44
Eye of the Devil (film), 149–50
“Face of the Arena, The” (TS), 103
Faithfull, Marianne, 143, 144, 145, 163, 263, 264, 275, 282, 293
Faulkner, William, 12, 30, 32, 49, 63, 64, 132, 137, 158, 196
friendship with TS, 60–61
TS review of work of, 100
FBI, 220–21, 261
Feldman, Charles, 141–42
Festival (film), 287–88, 289
film, 52, 110, 113
TS involvement with, 62, 96, 121–23, 138–39, 140, 211
Filmways, 129, 130, 133, 136, 150, 217
Fitzgerald, F. Scott, 3, 17, 24, 30, 49, 138, 158
“Fixing up Ert” (TS), 213
Flash and Filigree (TS), 2, 13, 35, 45, 57, 58–60, 110, 113, 144, 211, 280, 281
accepted for publication, 75, 76
characters in, 114
critical confusion over, 89
optioned, 148
publication of, 83–84, 85
published in U.S., 90, 98
reissue of, 261, 296
“Flashing on Gid” (TS), 294
Floaters (script), 255
Flynt, Larry, 260–61, 282
Foley, Martha, 34, 61–62
Fonda, Jane, 44, 139, 156, 161, 162, 164, 168, 216
Fonda, Peter, 138, 164–67, 171–75, 188–89, 198
Easy Rider sequel, 258–59, 289
Fontaine, Dick, 196–97
Fourplay (anthology film), 208
Fowles, John, 122, 129–30
Frank, Robert, 8, 53, 65, 103, 203
Fraser, Robert, 138, 161, 163
Fraser, Robert, gallery, 143–44, 145, 146, 147, 151, 156, 159
Freeman, Joel, 234
Friedman, Bruce Jay, 8, 150–51, 152, 157–59, 205, 208, 215
Friedman, Josh Alan, 8, 157, 205–6, 260, 292
Gaddis, William, 102
Gadiot, Pud, 48, 52, 61, 62, 98
Gallant, Mavis, 34
Gelber, Jack, 4, 97, 99–100, 107, 150, 170, 171
Genet, Jean, 95, 175, 176–77, 178
George, Peter, 107, 110–12, 114, 116, 117, 124–25, 126, 127
suicide, 125
Gerber, Gail, 8, 10, 16, 18, 48, 171, 176, 185, 187, 188, 191, 231, 268–69, 272, 273, 274–75, 277, 280, 284
and FBI surveillance, 221
and death of TS, 297–99
employment, 153, 206, 282
and tax problems, 195
and TS, 131–32, 133, 138, 139, 140, 143, 144, 145, 148, 157, 159, 160, 164, 199, 218, 223, 242, 286, 290, 291, 292, 294
on TS, 11
and TS alcoholism, 24
GI Bill, 22, 24, 28, 30, 32
Gibbons, Aylene, 136
Gill, Brendan, 240–41, 253
Ginsberg, Allen, 53, 54, 55, 71, 88, 89, 103, 150, 153, 232, 276
agent for, 283
at Democratic Convention, 176, 177
introduction to Junky, 228
reaction to Flash and Filigree, 89
Girodias, Maurice, 32, 47, 54, 71–72, 79, 86, 89, 94, 211, 245, 275, 294
and Olympia Review, 103
God Is Love, 196, 197
Godard, Jean-Luc, 148, 183, 196
Goldberg, Whoopi, 271–72
Grand Guy persona, 20, 55–56, 136, 141, 145, 154, 235, 274, 277, 299, 303
Grand Street, 261, 265, 282–83, 291, 294
Grauerholz, James, 201, 222–23, 224, 225, 227–28, 230–31, 277, 278
Green, Henry, 57–58, 60, 66, 71, 73–74, 76–78, 83–84, 114, 137, 139, 229
death of, 211
fan of TS, 89–90
interview for Paris Review, 78–79
legacy of, 302
relationship with TS, 63, 64
trip to Spain, 78
Greenburg, Dan, 208
Greenfield, Robert, 205
Greenwich Village, 32, 51–54, 55, 56, 57, 63, 65, 66, 70, 94, 110, 195
Grgurevich, Boris, 54, 96–97, 106–7
“Groovin’ in Chi” (TS), 177–78
Grossing Out (script), 239–41, 253
Grove Press, 3, 4, 94, 95, 102, 296, 302–3
Gurevich, Carl, 208
Haggard, Edith, 72
“Hard-Corpse Pornography” (TS), 207
Harper’s Bazaar, 2, 65, 66
Harper’s Bazaar (U.K.), 80, 84–86
Harris, James B., 107, 110–11, 113, 125, 127, 254–55
Harvey, Anthony, 121, 126
Hasford, Gustav, 126
Hatch, Robert, 100
Haven Can Wait (TS and Loguidice), 232–34
Hawkeye, 267–75, 279, 294
“Heavy Put Away, a Hustle Not Entirely Devoid of a Certain Grossness Granted” (TS), 243–44, 260, 286
Heller, Joseph, 18, 62, 96, 142
Hemingway, Ernest, 17, 24, 30, 31, 32, 35, 49, 78, 127, 158
Henry, Buck, 168, 300
Hills, Rust, 81, 104, 105, 106, 108
Himes, Chester, 30
Hip, 52–53, 300, 301
Hipster, 32, 81, 100, 300
hipster ethos, 31, 36–37, 40–41
hipster persona, 45, 48, 138–39
hipsters, 96–97, 157, 163
Hipsters, The (TS), 80, 96, 98–99, 104, 110
Hoffenberg, Mason, 32–33, 36, 42, 45, 55, 56–57, 66, 67, 69, 71, 81
and Candy option, 148–49
collaboration on Candy, 2, 72, 79–80, 86, 101, 103, 124, 169, 300
comments on TS, 210–11
death of, 262–65
drugs/addiction, 32, 33, 34, 37, 148, 264
relationship with TS, 38–39, 47, 48, 54, 63
Hoffman, Abbie, 153, 176, 230, 232
Hollywood, 4, 61, 64, 95, 107, 112, 129, 134, 193, 269
competitive environment, 272
drugs in, 219, 260
TS going, 138–39
Hollywood New Wave, 193, 194
Holmes, John Clellon, 54
Hopper, Dennis, 130, 138, 140, 177, 240, 258, 282
addictions, 222
and Easy Rider, 164–67, 171–75, 188–89, 192, 198
and Easy Rider sequel, 289
and Junky, 221, 222, 223, 224, 225, 226, 227, 228, 230
Larry Flynt episode, 260–61
sued by Rip Torn, 295–96
Humes, H. L. “Doc,” 42, 44, 97
Hunters of Karin Hall, The, 214–15
“I Am Mike Hammer” (TS), 122, 156, 205
improvisation, 49, 116, 119, 185, 198, 199, 272
Intensive Heat (script), 261–62
Interview magazine, 224, 279, 281
interviews (TS), 8, 12, 84–86, 140–41, 279–82
irony, 20, 301
in film, 110, 194
TS use of, 8, 10, 36, 66, 1
78, 205
IRS, 163, 171, 189, 192, 195, 199, 210, 220, 221, 242, 258, 275
Isherwood, Christopher, 1, 36, 134, 135
Israel, Peter, 97, 103
Jagger, Mick, 159, 163, 202, 203, 204, 205, 217, 296
“Janus” (TS), 84
jazz, 22, 29, 31, 39, 40, 49, 56, 73, 96, 157
Jewison, Norman, 137
Jews, 20, 33
Jim Morrison Story, The, 260–61
Johnny Blood project, 240–41, 253–54
Johnny Stud (treatment), 218
Johnson, A. W., 206
Johnson, Lyndon B., 1, 169, 175, 182
Jones, James, 31, 91, 97, 226
Jones, James Earl, 81, 119, 120, 178, 182, 183
Jones, Jennifer, 132
Junky project, 221–28, 229, 230–31, 232
Kafka, Franz, 12, 37, 110, 114
Kahane, Jack, 47
Kashner, Charles, 121
Kaufman, Elaine, 151, 152
Kennedy, John F., 95, 105, 123, 127
Kennedy, Robert, 169, 175, 182
Kerouac, Jack, 39, 53, 54, 55, 81, 84, 88, 89, 103, 106, 210, 302
King, Martin Luther, Jr., 153, 169, 175, 182
Kissinger, Henry, 117–18
Kopit, Arthur, 19, 150, 151, 154–55
Kosinski, Jerzy, 238
Kotcheff, Ted, 76, 79, 81–83, 145, 149, 155, 216, 241–42, 244
Kramer, Stanley, 112
Krassner, Paul, 71, 87, 110, 140, 163–64, 232
Kubrick, Christiane, 111, 114–15, 116, 119, 120, 125, 126, 197–98
Kubrick, Stanley, 110–11, 139, 140, 183, 184, 213, 216, 230, 241, 254, 301
Clockwork Orange, 197, 199, 211
collaboration, 108, 109, 259
collaboration on Dr. Stangelove, 113–22, 123–25, 197, 300
and fight about credit for Dr. Strangelove script, 124, 125–26, 127
and London scene, 147
position as director, 127
post-Strangelove relationship with TS, 197–98
and Red Alert, 110–12
TS interview with, 107
TS letters to, 210
Last Movie, The (film), 188, 198, 222
Lawrence, D. H., 47, 95
Lennon, John, 127, 144, 184, 242, 268, 269, 274
Leslie, Alfred, 103
letters (TS), 46, 207, 210, 260, 282, 285–86
Levin, Martin, 98
Lewis, Paul, 171, 172, 222, 230
Lieberson, Sandy, 143, 144, 145–46, 147, 148, 149, 261–62, 276
Life magazine, 1, 2, 31, 52, 56, 58, 124–25, 126, 181, 189, 299
limited edition books, 72, 229–30, 275–76, 290
little magazines, 27, 30, 42, 53
Litvinoff, Seymour “Si,” 99, 113, 139, 149, 151, 156, 165, 170, 175, 197, 199, 216–17, 241–42, 273
Log Book of the Making of The Loved One, The, 135–36
Loguidice, Joe, 230, 231, 232, 256, 257, 258
Lolita (film), 3, 86, 107, 111, 112, 113, 238
Lord, Sterling, 103, 110, 283, 296
Lost Generation, 30, 49
Lougee, Jane, 44, 46
“Love Is a Many Splendored” (TS), 103
Loved One, The (film), 3–5, 124, 129–36, 137, 194, 294
cult movie, 134–35
logook for, 135–36, 140
Lynn, Vera, 121, 124
Lyon, Nelson, 207–8, 245, 246–47, 249, 250, 253–54, 258, 259, 262, 293, 294
McCarthy, Joseph/McCarthyism, 24, 56–57, 95, 182
McCartney, Paul, 144, 145, 187, 276
McGovern, George, 205–6, 221
McGrath, Earl, 217, 277
McGrath, Joseph, 141–42, 183, 184, 185–86, 187, 188, 190, 287–88
Mackendrick, Alexander, 133, 150
Magic Christian (film), 168, 186, 187–88, 189, 194
cult status, 190
filming, 185–86
shooting script for, 140, 183–85
world premiere, 189–90
Magic Christian, The (TS), 2, 55, 70, 72, 77, 84, 87–88, 104, 105, 106, 107, 110, 113, 132, 147, 280
accepted for publication, 76
characters in, 114
critical reaction to, 89–90
excerpt from in Paris Review, 98
humor in, 115
influence of, 302
paperback reissue, 262, 296
reviews, 17
screen adaptation, 148, 175
TS reading from, 292
Mailer, Norman, 31, 53, 75, 95, 97, 104, 105, 123, 157, 164, 178, 196, 197, 206, 243, 281, 293
on Dr. Strangelove, 127–28
Malanga, Gerard, 148, 222
Malick, Terence, 193, 230
Man Who Fell to Earth, The (film), 183, 216–17
Mann, Stanley, 76, 130
Mardigian, Ron, 254, 283
Marquand, Christian, 155, 163, 168
Marquand, John, Jr., 28, 44, 45, 52, 93, 95, 138, 178
Matthews, Harry, 96, 100
Matthiessen, Peter, 42, 43–44, 45, 46, 52, 94, 96, 100, 220
Mead, Taylor, 205–6, 232
Merlin (screenplay), 202
Merrill, Sam, 210–11, 263
MGM, 129, 131, 133, 136, 197, 255
Miller, Henry, 47, 95, 100
Mitford, Jessica, 135
money, 28, 64, 70
money earned (TS), 90, 99, 104, 110
book reviewing, 100
as Hawkeye executive, 268, 273–74