by Lee Hill
screenwriting, 82, 122, 127, 143, 149, 171, 208, 216, 217, 232, 259, 260, 289
teaching, 286
television work, 246, 249, 251
money management, 159, 170–71, 200
money problems (TS), 11, 33, 93, 67, 71, 86, 97, 109–10, 132, 145, 149, 192, 195–96, 206–7, 217, 220, 242, 258, 262, 277, 282, 298
“Moon-Shot, The” (TS), 103, 110
Morgan, Ted, 222, 224
Morse, Robert, 133–34
“Most Dangerous Game, The,” 232
movie work (TS)/movies, 141, 153, 157, 158, 283
see also film; screenwriting (TS)
Nabokov, Vladimir, 72, 107, 112, 302
Naked and the Dead, The (Mailer), 31, 75
Naked Lunch (Burroughs), 54, 86, 89, 110, 200–201, 221, 226–27, 228
film project (proposed), 277–78
TS review of, 140
Nation, 132, 275
TS published in, 96, 100–101, 104, 110, 282, 285
National Lampoon, 134, 207, 245, 301
naturalism, 21, 35, 37, 43, 90, 100
in film, 110
NBC, 245, 246, 247
New American Library, 156
New Criticism, 23
New Hollywood, 182, 183, 194, 198, 221
New Journalism, 105, 176
New Journalism, The (anthology), 206
New-Story, 34–36, 38, 48, 156
New York Review of Books, 95, 191, 267
New York Times, 124, 126, 135, 189, 191, 198, 289, 299
TS book reviews for, 101
New York Times Book Review, 98, 100
New York University, 206
New York Writer, 275
New Yorker, 33, 84, 97, 189
Newman, David, 104–6, 151–52, 158, 215
Newman, Sydney, 76
Newsweek, 2, 124, 154
Nichols, Mike, 98, 127, 168, 188–89, 211, 212, 213, 276
Nicholson, Jack, 148, 173, 174, 188, 198, 228, 295
“Night the Bird Blew for Doctor Warner, The” (TS), 66
Nilsson, Harry, 240, 267–69, 276, 270–71, 272, 273, 274–75, 294
Nixon, Richard, 176, 182, 191, 202, 206, 216, 220
“Nixon: No Tit and Ass Man” (TS), 206
Northwestern University, 2, 22–23, 24
Not the New York Times, 234
nouvelle vague, 148
Nova Convention, 234–35
novel(s)
adaptations of, 3–5
limitations of, 110
of protest, 10
realist, 30, 37, 95–96
TS on, 141
novels (TS), 101, 122, 292, 302
Double Date, 209–10
Flash and Filigree, 13, 35, 57, 58–60, 65, 70
Hipsters, The, 96
Magical Christian, The, 20
out of print, 282
Texas Summer, 7, 284
Nugget (magazine), 102–3, 104, 110
Obelisk Press, 47
Obits (script), 269–70, 272
Observer, 77, 84, 85
O’Donoghue, Michael, 207, 232, 245–50, 258, 259, 285, 293, 302
death of, 294
O’Hara, Frank, 53, 96, 103
Olympia Press, 32, 47, 54, 71, 72, 104, 245
Traveller’s Companion Series, 86
Olympia Review, 103
On the Loose (teleplay), 217
On the Road (Kerouac), 54, 81, 84, 89
One-Eyed Jacks (film), 107 118, 119
O’Neill, Eugene, 81, 83
Paley, Maggie, 140–41, 200–201
Pallenberg, Anita, 143, 145, 146–47, 162–63, 169, 264, 290
“Panthers, The” (TS), 65, 78
Paramount, 149, 161, 231
Pardon Me, Sir, but Is My Eye Hurting Your Elbow? (revue), 150–51
Paris Musician’s Story, The, 213
Paris Review, 30, 44, 45–46, 48, 63, 94, 192, 220, 275, 282
Art of Fiction series, 61, 78, 140–41
excerpt from Magic Christian, 98
Green interview for, 78–79
TS published in, 2, 58, 60, 77, 243
Paris Review crowd, 42–46, 95
Paris Review salon, 97, 108, 138
Parker, Charlie, 28, 53, 66
Partisan Review, 56, 57
Paths of Glory (film), 107, 111, 113
“Peaches and Plums” (TS), 150
Peckinpah, Sam, 137, 199
Penn, Arthur, 54, 95, 183
Perry, Frank, 133, 148, 167
Pickens, Slim, 118–19, 120
Piece of Bloody Cake, A (script), 216, 218, 239
Playboy, 210–11, 263
Plimpton, George, 42, 52, 78, 94, 96, 108, 113, 127, 140–41, 151, 192, 220, 234, 244, 297
Poe, Edgar Allan, 12, 14, 37, 43
Polanski, Roman, 147, 184, 187, 191
Pull My Daisy (film), 103
“Put Down” (TS), 42, 80
Putnam, 97, 103, 124, 261
“Putting America to Work for Something Besides Killing” (TS), 291
Quality Lit, 3, 48, 82, 91, 127, 140, 158, 206, 213, 283, 294, 302
TS estrangement from, 211, 220, 232
TS status in, 122–23
Quality Lit Game, 95, 99, 100, 102–3, 138, 282
Quinton, Anthony, 84, 90
Raab, Max L., 175, 179, 180, 199, 216–17
Rafelson, Bob, 167, 171
Random House, 90, 98, 135, 156
Ransohoff, Martin, 124, 129, 130, 135, 136, 137, 149, 150
Ransom, John Crowe, 23
Rauschenberg, Robert, 22, 53, 54, 221
Raymond, Marcel, 28
“Razor Fight” (TS), 21, 104, 284
Realist, The, 103, 110, 140, 163
“Recruiting for the Big Parade” (TS), 106–7, 122
“Red Dirt Marijuana” (TS), 99, 284
Red Dirt Marijuana and Other Tastes (anthology), 7, 14, 65, 80, 156–57, 163
influence of, 302
reissue, 281, 283
“Refreshing Ambiguity of the Déjà Vu, The” (TS), 265, 291–92
reviews
American Parade, 216
Blue Movie, 191
Candy, 184
Candy (film), 168
End of the Road, 182–83, 189
Flash and Filigree, 84, 98
Magic Christian, 17, 90, 189
Red Dirt Marijuana and Other Tastes, 157
Texas Summer, 289
of TS screenplays, 83
Richards, Keith, 159, 163, 202, 203, 204, 234, 276, 279
Richardson, Jack, 105, 150, 151, 152, 208
Richardson, Perry, 275–77, 290, 296–97
Richardson, Tony, 3, 4–5, 133–34, 135, 139
Richler, Mordecai, 33–34, 36, 38, 42, 44, 48, 73, 75–76, 78, 79, 81, 91, 145
and death of Hoffenberg, 263
scriptwriting for television, 76
“Riding the Lapping Tongue” (TS), 205
Rimbaud, Arthur, 12, 30, 37
Rivers, Larry, 24, 53, 72, 143, 144, 155–56, 157, 175, 195, 199, 204, 218, 229, 255–57
“Road out of Axotle, The” (TS), 81, 106, 156
Roeg, Nicolas, 143, 182–83, 204, 216–17, 230, 301
Rolling Stone, 202, 205, 210, 285
Rolling Stones, 8, 143, 144, 145, 146, 149, 153, 191, 285, 290, 291
Black and Blue tour, 217–18
drug busts, 147
U.S. tour, 202–4, 205
Rolling Stones on Tour, The—A Log Book, 232
Rosenbaum, Ron, 244
Rosset, Barney, 3–4, 94–95, 96, 103, 135, 161, 164
Roth, Philip, 22, 62, 96, 97, 150
Sack, John, 175, 178
Sartre, Jean-Paul, 12, 20, 28, 29, 35, 47, 52
satire, 90, 97, 98, 112, 117, 194
in TS, 100, 107, 114, 168, 194, 301–2
Saturday Night Live, 134, 245–51, 253, 293, 301
Saturday Review, 202, 205
“Scandale at the Dumpling Shop” (TS), 10
3
Schapiro, Steve, 1, 2, 3
Schatzberg, Jerry, 201, 202
Schneider, Bert, 167, 171, 174, 188, 258, 259, 289
Schnitzler, Arthur, 259
Scorsese, Martin, 183, 193, 230
screenwriting, 237–38, 267
TS teaching, 17, 40, 206, 286–87
screenwriting (TS), 81–83, 110, 116, 122, 129, 135–37, 140, 142–43, 148–50, 155, 158, 193, 196–97, 199, 201–2, 204, 208, 211, 213–18, 220, 232–34, 237, 241–42, 245, 253–59, 260–62, 276, 284, 287–88
acclaim and achievment 139
Barbarella, 161–63
Blue Movie, 211–13
credit for, 81, 162, 296
Easy Rider, 165–67, 171–75, 189, 192, 198
End of the Road, 178–83
fees for, 127
Grossing Out, 239–41
with Hawkeye, 267–75
Junky, 221–28, 230–31
Magic Christian, The, 183–86, 190
script doctoring, 122, 162, 220, 267
scripts/screenplays (TS)
Dr. Strangelove, 2
Loved One, The, 3–5
unfinished, 232
“Sea Change” (TS), 80–81
Seaver, Richard, 46, 47, 48, 94, 96, 104, 176–77, 283, 284, 286, 289, 297
and Writers in Revolt, 101–2
Segal, George, 138, 155, 216, 241–42, 287
Sellers, Peter, 3, 107, 140, 143, 148, 175, 200, 250, 281
and Casino Royale, 142–43
death of, 241
and Dr. Strangelove, 114, 116, 118, 119, 126
and Magic Christian, 183, 184, 185–86, 187–88
optioning and developing screenplays, 238–39
screenwriting, 237–38
sex/sexuality, 13, 41, 48, 148, 208
Sgt. Pepper’s Lonely Hearts Club Band (album), 147, 156, 157, 203
Shaw, Artie, 93–94, 138
Shaw, Irwin, 31, 91
short stories (TS), 2, 34–36, 40–41, 42, 43, 48, 64, 65, 70, 77, 103, 106, 164, 213, 243–44, 260, 265, 292, 302
in anthology, 7
published, 98–99
shopping around, 80–81
Silverman, Fred, 247, 249
Sims, Cindy, 268, 274, 275
Sinclair, Charlie, 73
“Slippery When Wet” (TS), 208
Smith, Cathy, 250
Sorbonne, 2, 17, 27–28, 34, 42, 60
Sorel, Edward, 98
Southern, Carol Kauffman, 4, 37, 54, 62, 65–67, 69–70, 71, 73, 74, 77, 78, 79, 80, 86, 87, 90, 99, 107, 162
birth of son, 102
Connecticut home, 93, 94, 104, 139
and death of TS, 298, 299
divorce, 199–200
and Dr. Strangelove production, 114, 115, 119, 124
employment, 67, 69, 70–71, 93, 109–10
in FBI files, 221
marriage problems, 123, 132–33, 138, 139, 140, 159–60
and tax problems, 192
on TS, 9, 16
and TS film work, 121, 122, 129, 130–31
on TS money managment, 170
on TS works, 96–98, 106
Southern, Helen Simonds, 9, 12, 15, 18, 74
Southern, Nile, 4, 109, 114, 115, 121, 122, 129, 131, 132, 139, 140, 192, 199–200, 217, 257, 269, 271–72, 294
birth of, 102
career, 290–91
and death of TS, 298, 299
on Hawkeye, 273–74
relationship with TS, 159
and Texas Summer, 283–84
at UCLA, 241
Southern, Terrence Marion, 9, 10 11, 15, 74–75
Southern, Terry (TS)
accent, 2–3, 21, 28, 55, 118
attitude toward Texas, 7–9, 21, 43–44
awards, honors, 127, 194–95
birth of, 9–10
blurring of art and commerce, 95, 99, 137
cameo performance, 203
career, 61–62, 97, 104–6, 195, 220, 257
creative laziness, 211
death of, 297–99
decline, 194, 218, 279, 281–82, 289, 292, 293
Dexamyl use, 37, 116, 219–20, 291
did not get recognition for his work, 84, 85–86, 276, 279, 281
drugs, drinking, 11, 37, 133, 194, 196, 219–20, 248, 250, 257, 277, 278
early life, 8–16, 43–44
education, 11–12, 15, 16–18, 22–25, 27–28
on effect of success, 141
employment at Esquire, 104–6, 107–8, 163
as father, 159, 200
health, illness, 275, 279, 283, 291, 293, 294, 296, 298
on his writing, 297
influence of, 301–3
lack of business skills, 28, 61, 145, 194–96
Life magazine photo session, 1–3
love of reading, 12, 17
marriages: P. Gadiot, 48, 52, 61, 62–63
marriages: Carol Kauffman, 65–67, 69–70, 123, 132, 138, 139, 140, 159–60, 199–200
mentors to, 63, 64
military service, 17–20, 21, 28
mixing business and pleasure, 153, 159, 162, 195, 223, 255–56