A Night Like This (Smythe-Smith Quartet)

by Julia Quinn

  Lord Ramsgate was going to kill him. It was only a matter of time.

  “Sir,” Daniel began, because he had to say something. He couldn’t just stand there and take it. “I must tell you—”

  “No, I’m telling you,” Ramsgate spat. “I don’t care who you are, or what title your godforsaken father has passed down to you. You will die. Do you understand me?”

  “I think it is time we left,” Marcus intervened. He put his arm between the two men and carefully widened the space between them. “Doctor,” he said, nodding toward the physician as he ushered Daniel past. “Lord Ramsgate.”

  “Count your days, Winstead,” Lord Ramsgate warned. “Or better yet, your hours.”

  “Sir,” Daniel said again, trying to show the older man respect. He wanted to make this right. He needed to try. “I must tell you—”

  “Don’t speak to me,” Ramsgate cut in. “There is nothing you could say that will save you now. There is no place you will be able to hide.”

  “If you kill him, you will hang, too,” Marcus said. “And if Hugh lives, he will need you.”

  Ramsgate looked at Marcus as if he were an idiot. “You think I will do it myself? It’s an easy thing to hire a killer. The price of a life is low indeed.” He flicked his head toward Daniel. “Even his.”

  “I should leave,” the doctor said. And he fled.

  “Remember that, Winstead,” Lord Ramsgate said, his eyes landing on Daniel’s with venomous disdain. “You can run, and you can try to hide, but my men will find you. And you won’t know who they are. So you will never see them coming.”

  Those were the words that haunted Daniel for the next three years. From England to France, from France to Prussia, and from Prussia to Italy. He heard them in his sleep, in the rustle of the trees, and in every footfall that came from behind. He learned to keep his back to walls, to trust no one, not even the women with whom he occasionally took his pleasure. And he accepted the fact that he would never again step foot on English soil or see his family, until one day, to his great surprise, Hugh Prentice came limping toward him in a small village in Italy.

  He knew that Hugh had lived. He received the occasional letter from home. But he hadn’t expected to see him again, certainly not here, with the Mediterranean sun baking the ancient town square and cries of arrivederci and buon giornio singing through the air.

  “I found you,” Hugh said. He held out his hand. “I’m sorry.”

  And then he uttered the words Daniel never thought he’d hear:

  “You can come home now. I promise.”

  Chapter One

  For a lady who had spent the last eight years trying not to be noticed, Anne Wynter was in an awkward position.

  In approximately one minute, she would be forced to walk onto a makeshift stage, curtsy to at least eighty members of the crème de la crème of London society, sit at a pianoforte, and play.

  That she would be sharing the stage with three other young women was some consolation. The other musicians—members of the infamous Smythe-Smith quartet—all played stringed instruments and would have to face the audience. Anne, at least, could focus on the ivory keys and keep her head bowed. With any luck, the audience would be too focused on how horrific the music was to pay any attention to the dark-haired woman who had been forced to step in at the last minute to take the place of the pianist, who had (as her mother declared to anyone who would listen) taken dreadfully—nay, catastrophically—ill.

  Anne didn’t believe for one minute that Lady Sarah Pleinsworth was sick, but there wasn’t anything she could do about it, not if she wanted to keep her position as governess to Lady Sarah’s three younger sisters.

  But Lady Sarah had convinced her mother, who had decided that the show must go forth. And then, after delivering a remarkably detailed seventeen-year history of the Smythe-Smith musicale, she had declared that Anne would take her daughter’s place.

  “You told me once that you have played bits and pieces of Mozart’s Piano Quartet no. 1,” Lady Pleinsworth reminded her.

  Anne now regretted this, deeply.

  It did not seem to matter that Anne had not played the piece in question in over eight years, or that she had never played it in its entirety. Lady Pleinsworth would entertain no arguments, and Anne had been hauled over to Lady Pleinsworth’s sister-in-law’s house, where the concert was to be held, and given eight hours to practice.

  It was ludicrous.

  The only saving grace was that the rest of the quartet was so bad that Anne’s mistakes were hardly noticeable. Indeed, her only aim for the evening was that she not be noticeable. Because she really didn’t want it. To be noticed. For any number of reasons.

  “It’s almost time,” Daisy Smythe-Smith whispered excitedly.

  Anne gave her a little smile. Daisy did not seem to realize that she made terrible music.

  “Joy is mine,” came the flat, miserable voice of Daisy’s sister Iris. Who did realize.

  “Come now,” said Lady Honoria Smythe-Smith, their cousin. “This shall be wonderful. We are a family.”

  “Well, not her,” Daisy pointed out, jolting her head toward Anne.

  “She is tonight,” Honoria declared. “And again, thank you, Miss Wynter. You have truly saved the day.”

  Anne murmured a few nonsensical words, since she couldn’t quite bring herself to say that it was no trouble at all, or that it was her pleasure. She rather liked Lady Honoria. Unlike Daisy, she did realize how dreadful they were, but unlike Iris, she still wished to perform. It was all about family, Honoria insisted. Family and tradition. Seventeen sets of Smythe-Smith cousins had gone before them, and if Honoria had her way, seventeen more would follow. It didn’t matter what the music sounded like.

  “Oh, it matters,” Iris muttered.

  Honoria jabbed her cousin lightly with her violin bow. “Family and tradition,” she reminded her. “That is what matters.”

  Family and tradition. Anne wouldn’t have minded some of those. Although, really, it hadn’t gone so well for her the first time around.

  “Can you see anything?” Daisy asked. She was hopping from foot to foot like a frenetic magpie, and Anne had already backed up twice, just to preserve her toes.

  Honoria, who was closer to the spot from which they would make their entrance, nodded. “There are a few empty seats, but not many.”

  Iris groaned.

  “Is it like this every year?” Anne could not quite refrain from asking.

  “Like what?” Honoria replied.

  “Well, er . . .” There were some things one simply did not say to the nieces of one’s employer. One did not, for example, make any sort of explicit comment about the lack of another young lady’s musical skills. Or wonder aloud if the concerts were always this dreadful or if this year was particularly bad. And one definitely did not ask, If the concerts are always so horrific, why do people keep coming?

  Just then fifteen-year-old Harriet Pleinsworth came skidding in through a side door. “Miss Wynter!”

  Anne turned, but before she could say anything, Harriet announced, “I am here to turn your pages.”

  “Thank you, Harriet. That will be most helpful.”

  Harriet grinned at Daisy, who gave her a disdainful stare.

  Anne turned away so no one would see her roll her eyes. Those two had never gotten along. Daisy took herself too seriously, and Harriet took nothing seriously.

  “It’s time!” Honoria announced.

  Onto the stage they went, and after a brief introduction, they began to play.

  Anne, on the other hand, began to pray.

  Dear God, she had never worked so hard in her life. Her fingers raced across the keys, trying desperately to keep up with Daisy, who played the violin as if in a footrace.

  This is ridiculous ridiculous ridiculous, Anne singsonged in her mind. It was the strangest thing, but the only way to get through it was to keep talking to herself. It was an impossibly difficult piece of music, even for accompl
ished players.

  Ridiculous ridiculous— Ack! C-sharp! Anne flung out her right pinkie finger and hit the key just in time. Which was to say, two seconds later than it should have been.

  She stole a quick glance at the audience. A woman in the front row looked ill.

  Back to work back to work. Oh dear, wrong note. Never mind. No one would notice, not even Daisy.

  And on she played, half wondering if she should just make up her part. It couldn’t possibly make the music any worse. Daisy was flying through her section, her volume modulating between loud and extremely loud; Honoria was plodding on, each note like a determined footfall; and Iris—

  Well, Iris was actually good. Not that it mattered.

  Anne took a breath, stretching her fingers during a brief pause in the piano part. Then it was back to the keys and—

  Turn the page, Harriet.

  Turn the page, Harriet.

  “Turn the page, Harriet!” she hissed.

  Harriet turned the page.

  Anne struck the first chord, then realized that Iris and Honoria were already two bars ahead. Daisy was—well, good gracious, she had no idea where Daisy was.

  Anne skipped ahead to where she hoped the rest of them were. If nothing else, she’d be somewhere in the middle.

  “You missed some of it,” Harriet whispered.

  “Doesn’t matter.”

  And really, it didn’t.

  And then finally, oh finally, they reached a section where Anne didn’t have to play for three entire pages. She sat back, let out the breath she’d been holding for, oh, it felt like ten minutes, and . . .

  Saw someone.

  She froze. Someone was watching them from the back room. The door through which they had entered the stage—the one which Anne was certain she’d shut with a click—was now ever so slightly ajar. And because she was the closest to the door, not to mention the only musician who didn’t have her back to it, she could see a sliver of a man’s face peering through.

  Panic.

  It burst through her, compressing her lungs, firing her skin. She knew this feeling. It didn’t come often, thank God, but often enough. Every time she saw someone where someone shouldn’t be . . .

  Stop.

  She made herself breathe. She was in the home of the dowager Countess of Winstead. She was as safe as safe could be. What she needed to do was—

  “Miss Wynter!” hissed Harriet.

  Anne jumped to attention.

  “You missed your entrance.”

  “Where are we now?” Anne asked frantically.

  “I don’t know. I can’t read music.”

  Despite herself, Anne looked up. “But you play the violin.”

  “I know,” Harriet said miserably.

  Anne scanned the notes on the page as fast as she could, her eyes jumping quickly from bar to bar.

  “Daisy’s glaring at us,” Harriet whispered.

  “Shhh.” Anne needed to concentrate. She flipped the page, took her best guess, and brought her fingers down into G minor.

  And then slid over to major. That was better.

  Better being a most relative term.

  For the rest of the performance she kept her head down. She didn’t look up, not at the audience, not at the man watching her from the back room. She banged through the notes with as much finesse as the rest of the Smythe-Smiths, and when they were done, she stood and curtsied with her head still bowed, murmured something to Harriet about needing to tend to herself, and fled.

  Daniel Smythe-Smith hadn’t planned to return to London on the day of his family’s annual musicale, and indeed, his ears were wishing mightily that he hadn’t, but his heart . . . well, that was another story.

  It was good to be home. Even with the cacophony.

  Especially with the cacophony. Nothing said “home” to a Smythe-Smith male like badly played music.

  He hadn’t wanted anyone to see him before the concert; he’d been gone three years, and he knew that his return would upstage the performance. The audience would probably have thanked him, but the last thing he wanted was to greet his family in front of a crowd of lords and ladies, most of whom probably thought he should have remained in exile.

  But he wanted to see his family, and so as soon as he’d heard the music begin, he’d crept silently into the rehearsal room, tiptoed to the door, and opened it just a crack.

  He smiled. There was Honoria, smiling that big smile of hers as she attacked her violin with her bow. She had no idea she couldn’t play, poor thing. His other sisters had been the same. But he loved them for trying.

  At the other violin was—good heavens, was that Daisy? Wasn’t she still in the schoolroom? No, he supposed she must be sixteen by now, not yet out in society but no longer a young girl.

  And there was Iris at the cello, looking miserable. And at the piano—

  He paused. Who the devil was that at the piano? He leaned a little closer. Her head was down, and he couldn’t see much of her face, but one thing was for certain—she was definitely not his cousin.

  Well, now, this was a mystery. He knew for a fact (because his mother had told him so, many times) that the Smythe-Smith quartet was comprised of unmarried Smythe-Smith young ladies, and no one else. The family was rather proud of this, that they’d produced so many musically inclined (his mother’s words, not his) female cousins. When one married, there was always another waiting to take her place. They had never needed an outsider to step in.

  But more to the point, what outsider would want to step in?

  One of his cousins must have taken ill. That could be the only explanation. He tried to remember who ought to have been at the piano. Marigold? No, she was married now. Viola? He thought he’d received a letter saying she’d married, too. Sarah? It must have been Sarah.

  He shook his head. He had a ferocious lot of female cousins.

  He watched the lady at the piano with some interest. She was working very hard to keep up. Her head was bobbing up and down as she glanced at the music, and every now and then she’d wince. Harriet was next to her, turning the pages at all the wrong times.

  Daniel chuckled. Whoever that poor girl was, he hoped his family was paying her well.

  And then, finally, she lifted her fingers from the keys as Daisy began her painful violin solo. He watched her exhale, stretching her fingers, and then . . .

  She looked up.

  Time stopped. It simply stopped. It was the most maudlin and clichéd way of describing it, but those few seconds when her face was lifted toward his . . . they stretched and pulled, melting into eternity.

  She was beautiful. But that didn’t explain it. He’d seen beautiful women before. He’d slept with plenty of them, even. But this . . . Her . . . She . . .

  Even his thoughts were tongue-tied.

  Her hair was lustrously dark and thick, and it didn’t matter that it had been pulled back into a serviceable bun. She didn’t need curling tongs or velvet ribbons. She could have scraped her hair back like a ballerina, or shaved it all off, and she’d still be the most exquisite creature he’d ever beheld.

  It was her face, it had to be. Heart-shaped and pale, with the most amazing dark, winged brows. In the dusky light, he couldn’t tell what color her eyes were, and that seemed a tragedy. But her lips . . .

  He dearly hoped this woman was not married, because he was going to kiss her. The only question was when.

  Then—he knew the instant it happened—she saw him. Her face jerked with a tiny gasp, and she froze, her eyes widening in alarm. He smiled wryly, shaking his head. Did she think him a madman, sneaking into Winstead House to spy on the concert?

  Well, he supposed it made sense. He had spent enough time being wary of strangers to recognize the trait in someone else. She didn’t know who he was, and there certainly wasn’t supposed to be anyone in the back room during the performance.

  The amazing thing was, she didn’t look away. Her eyes held his, and he didn’t move, didn’t even breathe
until the moment was broken by his cousin Harriet, jabbing at the dark-haired woman and presumably informing her that she’d missed her entrance.

  She never looked up again.

  But Daniel watched her. He watched her through every flip of the page, every fortissimo chord. He watched her so intently that at some point, he even ceased to hear the music. His mind played its own symphony, lush and full, sweeping toward a perfect, inevitable climax.

  Which it never reached. The spell was broken when the quartet slammed out its final notes and the four ladies stood to make their curtsies. The dark-haired beauty said something to Harriet, who was beaming at the applause as if she had been a player herself, and then took off so quickly Daniel was surprised she didn’t leave marks on the floor.

  No matter. He’d find her.

  He moved quickly through the back hallway of Winstead House. He’d sneaked out himself many times when he was a young man; he knew exactly which route someone would take to escape undetected. And sure enough, he cut her off right before she rounded the last corner toward the servants’ entrance. She didn’t see him right away, though, she didn’t see him until—

  “There you are,” he said, smiling as if greeting a long-lost friend. There was nothing like an unexpected smile to set someone off balance.

  She lurched with shock, and a staccato scream flew from her lips.

  “Good Lord,” Daniel said, clamping a hand over her mouth. “Don’t do that. Someone will hear you.”

  He pulled her against him—it was the only way to keep a firm grip over her mouth. Her body was small and slight against his, and shaking like a leaf. She was terrified.

  “I’m not going to hurt you,” he said. “I just want to know what you’re doing here.” He waited for a moment, then adjusted his position so he could see her face more directly. Her eyes met his, dark and alarmed.

  “Now then,” he said, “if I let you go, will you be quiet?”

  She nodded.

  He considered this. “You’re lying.”

  She rolled her eyes, as if to say, What did you expect, and he chuckled. “Who are you?” he mused.