Dave Barry’s Greatest Hits
Page 12
So anyway, at the firewalking demonstration, Tolly raked out a six-foot-long bed of very hot coals from a bed of cedar and oak logs (he has also walked on mesquite) and taught the onlookers a little chant they were supposed to chant when the walkers walked across the coals. This being San Francisco, they chanted it. In New York, they would have stolen his wireless microphone. Then Tolly brought on some of his veteran walkers, who each took a couple of quick steps across the coals the way you would step if you were walking on some very hot coals. Then Tolly walked on the coals a couple of times for a newspaper photographer, including once when he pretended that while he was walking he was reading his book, which by the way is for sale.
These people actually do walk across hot coals. It is quite impressive. To find something comparable in my experience I have to go back to when I was eight years old, and Charles Ringwald ate a worm, only he did it without any assistance in the form of chanting. So if you’re looking for a way to find total happiness in your life, I urge you to walk on hot coals as soon as possible, provided of course that you have taken a seminar run by a responsible professional.
Also, Charles Ringwald, if you’re out there, please get in touch with me as soon as possible, because I have a terrific idea for a book.
The Hair Apparent
I have a letter here from mrs. Belle Ehrlich, of San Jose, California, who feels I should get a new hairdo. To quote her directly: “I enjoy reading most of your columns ... but your hairdo in your photo sure looks DATED and NOT at all flattering or becoming, to say the least. If you are still sporting that awful hairdo, I suggest you go to a good hair stylist to give you a new and better hairdo. I hope you don’t mind my criticism, it’s nothing personal just a suggestion.”
Mind? Ha ha! MIND? Of course not, Mrs. Belle Ehrlich of San Jose! As a journalist who seeks to inform his readers about topics of vital concern to the nation and the world, I welcome insulting remarks about my hair!
OK, perhaps I am a bit sensitive about my hair. I have been sensitive about my hair since second grade, when the Kissing Girls first swung into action. You probably had Kissing Girls at your elementary school too: they roamed the playground, chasing after selected boys and trying to kiss them. We boys carried on as though we would have preferred to undergo the Red-Ants-Eat-Your-Eyelids-Off Torture than get kissed, but of course we wanted desperately to be selected. And I almost never was. The boys who were selected had wavy hair. Wavy hair was big back then, and I did not have it. I had straight hair, and it did not help that my father cut it.
You should know that my father was a fine, decent, and sensitive man, but unfortunately he had no more fashion awareness than a baked potato. His idea of really el snazzo dressing was to wear a suit jacket and suit pants that both originated as part of the same suit. He would have worn the same tie to work for 42 consecutive years if my mother had let him. So, the way he would cut my hair is, he’d put me on a stool, and he’d start cutting hair off one side of my head with the electric clippers, then he’d walk around me and attempt, relying on memory, to make the other side of my head look similar. Which, of course, he could never quite do, so he would head back around to take a stab at Side One again, and he’d keep this up for some time, and all I can say is, thank heavens they had a little plastic guard on the electric clippers so that you couldn’t make the hair any shorter than a quarter-inch, because otherwise my father, with the best of intentions, trying to even me up, would have started shaving off slices of actual tissue until eventually I would have been able to turn my head sideways and stick it through a mail slot. As it was, in photographs taken back then, I look like an extremely young Marine, or some kind of radiation victim.
It also did not help that in third grade I became the first kid in the class to get glasses, and we are talking serious 1950s horn rims of the style that when you put them on a third-grade child, especially one with a comical haircut, you get a Mister Peepers effect such that everybody assumes the child must be a Goody-Two-Shoes Teacher’s Pet science-oriented little dweeb. And it also did not help that I was a late developer, pubertywise. I was ready for puberty. All of us boys were. We wanted to catch up to the girls, who about two years earlier had very suddenly, in fact I think it was all on the same day, shown up at school a foot taller than us and with bosoms and God knows what else. So I was definitely looking forward to puberty as the Dawn of a New Era in the looks department, and you can just imagine how betrayed I felt when it started happening to the other boys, even boys whom I had considered my friends, well before it happened to me. They got ahead of me then, and sometimes I think I never really caught up. I am 38 years old now, and I have yet to develop hair on my arms. Isn’t that supposed to happen, in puberty? I see men much younger than myself, with hairy arms, and I think: Does this mean I’m not done with puberty yet?
I realize I sound insecure here, but if you really wanted to see insecure, you should have seen me in eighth grade. I was a mess. That was why I developed a sense of humor. I needed something to do at parties. The other boys, the boys who had wavy hair and reasonable hormone-activity levels, would be necking with girls, and I would be over by the record player, a short radiation victim in horn-rimmed spectacles, playing 45s and making jokes to entertain the 10-year-old brother of whoever was holding the party. Now that I’m grown up, I keep reading magazine articles about these surveys where they ask you women what you really want most in a man, and you always say: A Sense of Humor. And I think to myself: Right. Sure. Great. Now you want a sense of humor. But back in the eighth grade, back when it really mattered, what you wanted was puberty.
And I am not even going to mention here that for several years my hands were covered with warts.
So anyway, Mrs. Belle Ehrlich of San Jose, what I’m trying to say here is: Thanks, thanks a million for taking the time to drop me a note informing me that my hair looks awful. Because now I’m grown up (except in terms of arm hair) and have contact lenses, and I have finally come to think of myself as very nearly average in appearance, I can handle this kind of helpful criticism, and I will definitely see if I can’t find a good hair stylist. This is assuming that I ever leave my bedroom again.
TV Or Not TV
The turning point, in terms of my giving in to the concept of being a Television Personality, was when I let them put the styling mousse on my hair. Hair has always been my dividing line between television personalities and us newspaper guys. We newspaper guys generally have hair that looks like we trim it by burning the ends with Bic lighters. We like to stand around and snicker at the TV guys, whose hair all goes in the same direction and looks as though it’s full-bodied and soft, but which in fact has been permeated with hardened petrochemical substances to the point where it could deflect small-caliber bullets. We newspaper guys think these substances have actually penetrated the skulls and attacked the brain cells of the TV guys, which we believe explains why their concept of a really major journalistic achievement is to interview Mr. T.
So I need to explain how I became a Television Personality. A while back, a public-television station asked me to be the host of a new TV series they want to start for parents of young children, and I said, sure, what the heck. I remember saying, “Sounds like fun.” And thus I became a talent. That’s what TV people call you if you go in front of the camera: a “talent.” They call you that right to your face. Only after a while you realize they don’t mean that you have any actual talent. In fact, it’s sort of an insult. In the TV business, “talent” means “not the camera, lighting, or sound people, all of whom will do exactly what they’re supposed to do every single time, but the bonehead with the pancake makeup who will make us all stay in the studio for two extra hours because he cannot remember that he is supposed to say ‘See you next time’ instead of ‘See you next week.’” It reminds me of the way people in the computer industry use the word “user,” which to them means “idiot.”
When you are a TV talent, you are meat. People are always straightening your c
ollar, smearing things on your face, and talking about you in the third person, saying things like: “What if we had him sitting down?” and “Can we make his face look less round?” and “Can we do anything about his nose?” This is how my hair came to contain several vats of styling mousse, which is this gunk that looks like shaving cream and which you can just tell was invented by a French hair professional whom, if you met him, you would want to punch directly in the mouth. The TV people felt it made me look older. I felt it made me look like a water bed salesman, but hey, I’m just a talent.
Still, I thought I’d be all right, once we got into the studio. What I pictured was, I would saunter in front of the camera, and say something like, “Hi! Welcome to our show! Here’s an expert psychological authority to tell you what it means when your child puts the cat in the Cuisinart! And sets it on ‘mince’!” Then I would just sit back and listen to the expert, nodding my head and frowning with concern from time to time. And every now and then I might say something spontaneous and riotously funny.
As it turns out, nothing happens spontaneously in a television studio. Before anything can happen, they have to spend several hours shining extremely bright lights on it from different angles, then they have to stand around frowning at it, then they have to smear it and dust it with various substances to get it to stop the glare from those bright lights that they are shining on it, and then they have to decide that it has to be moved to a completely different place so they can start all over.
Once they get all set up, once they’re satisfied that the lights are as bright and as hot as they can possibly get them, it’s time for the talent to come in and make a fool out of itself. On a typical day, I would have to do something like walk up to a table, lean on it casually, say some witty remarks to one camera, turn to the right and say some more witty remarks to another camera, and walk off. This sounds very easy, right? Well, here’s what would happen. I would do my little performance, and there would be a lengthy pause while the director and the producer and the executive producer and all the assistant producers back in the control room discussed, out of my hearing, what I had done wrong.
Now I can take criticism. I’m a writer and my editor is always very direct with me. “Dave, this column bites the big one,” is the kind of thing he’ll say by way of criticism. And I can handle it. But in the TV world, they never talk to you like that. They talk to you as though you’re a small child, and they’re not sure whether you’re just emotionally unbalanced or actually retarded. They take tremendous pains not to hurt your feelings. First of all, they always tell you it was great.
“That was great, Dave. We’re going to try it again, with just a little more energy, OK? Also, when you walk in, try not to shuffle your feet, OK? Also, When you turn right, dip your eyes a bit, then come up to the next camera, because otherwise it looks odd, OK? Also, don’t bob your head so much, OK And try not to smack your lips, OK? Also, remember you’re supposed to say next time, not next week, OK? So just try to be natural, and have some fun with it, OK? I think we’re almost there.”
So I had to do everything a great many times, and of course all my jokes, which I thought were absolute killers when I wrote them in the privacy of my home, soon seemed, in this studio where I was telling them over and over to camera persons who hadn’t even laughed the first time, remarkably stupid, or even the opposite of jokes, anti-humor, somber remarks that you might make to somebody who had just lost his whole family in a boat explosion. But I kept at it, and finally after God knows how many attempts, would come the voice from the control room: “That was perfect, Dave. Let’s try it again with a little more energy. Also you forgot to say your name.”
The Embarrassing Truth
Have you ever really embarrassed yourself? Don’t answer that, stupid. It’s a rhetorical question. Of course you’ve embarrassed yourself. Everybody has. I bet the pope has. If you were to say to the pope: “Your Holy Worshipfulness, I bet you’ve pulled some blockheaded boners in your day, huh?” he’d smile that warm, knowing, fatherly smile he has, and then he’d wave. He can’t hear a word you’re saying, up on that balcony. But my point is that if you’ve ever done anything humiliating, you’ve probably noticed that your brain never lets you forget it. This is the same brain that never remembers things you should remember. If you were bleeding to death and the emergency-room doctor asked you what blood type you were, you’d say: “I think it’s B. Or maybe C. I’m pretty sure it’s a letter.” But if your doctor asked you to describe the skirt you were wearing when you were doing the Mashed Potatoes in the ninth-grade dance competition in front of 350 people, and your underwear, which had holes in it, fell to your ankles, you’d say, without hesitating for a millisecond, “It was gray felt with a pink flocked poodle.”
Your brain cherishes embarrassing memories. It likes to take them out and fondle them. This probably explains a lot of unexplained suicides. A successful man with a nice family and a good career will be out on his patio, cooking hamburgers, seemingly without a care in the world, when his brain, rummaging through its humiliating-incident collection, selects an old favorite, which it replays for a zillionth time, and the man is suddenly so overcome by feelings of shame that he stabs himself in the skull with his barbecue fork. At the funeral, people say how shocking it was, a seemingly happy and well-adjusted person choosing to end it all. They assume he must have had a terrible dark secret involving drugs or organized crime or dressing members of the conch family in flimsy undergarments. Little do they know he was thinking about the time in Social Studies class in 1963 when he discovered a hard-to-reach pimple roughly halfway down his back, and he got to working on it, subtly at first, but with gradually increasing intensity, eventually losing track of where he was, until suddenly he realized the room had become silent, and he looked up, with his arm stuck halfway down the back of his shirt, and he saw that everybody in the class, including the teacher, was watching what he was doing, and he knew they’d give him a cruel nickname that would stick like epoxy cement for the rest of his life, such as when he went to his 45th reunion, even if he had been appointed Chief Justice of the U.S. Supreme Court, the instant his classmates saw him, they’d shriek: “Hey look! It’s ZIT!”
Everybody has incidents like this. My mother is always reliving the time she lost her car in a shopping-center parking lot, and she was wandering around with several large shopping bags and two small children, looking helpless, and after a while other shoppers took pity on her and offered to help. “It’s a black Chevrolet,” she told them, over and Over. And they searched and searched and searched for it. They were extremely nice. They all agreed that it can be darned easy to lose your car in these big parking lots. They had been there for an hour, some of them, searching for this black Chevrolet, and it was getting dark, when my mother remembered that several days earlier we had bought a new car. “I’m sorry!” she told the people, smiling brightly so they would see what a humorous situation this was. “It’s not a black Chevrolet! It’s a yellow Ford!” She kept on smiling as they edged away, keeping their eyes on her.
My own personal brain is forever dredging up the time in 11th grade when I took a girl, a very attractive girl on whom I had a life-threatening crush, to a dance. I was standing in the gym next to her, holding her hand, thinking what a sharp couple we made—Steve Suave and His Gorgeous Date—when one of my friends sidled up to me and observed that, over on the other side, my date was using her spare hand to hold hands with another guy. This was of course a much better-looking guy. This was Paul Newman, only taller.
Several of my friends gathered to watch. I thought: What am I supposed to do here? Hit the guy? That would have been asking for a lifetime of dental problems. He was a varsity football player; I was on the Dance Committee. I also had to rule out hitting my date. The ideal move would have been to spontaneously burst into flames and die. I have read that this sometimes happens to people. But you never get a break like that when you need it.
Finally I turned to my date, d
ropped her hand, looked her square in the eye, and said: “Um.” just like that: “Um. My brain absolutely loves to remember this. “Way to go, Dave!” it shrieks to me, when I’m stopped at red lights, 23-1/2 years later. Talk about eloquent! My brain can’t get over what a jerk I was. It’s always coming up with much better ideas for things I could have said. I should start writing them down, in case we ever develop time travel. I’d go back to the gym with a whole Rolodex file filled with remarks, and I’d read them to my date over the course of a couple of hours. Wouldn’t she feel awful! Ha ha!
It just occurred to me that she may be out there right now, in our reading audience, in which case I wish to state for the record that I am leading an absolutely wonderful life, and I have been on the Johnny Carson show, and I hope things are equally fine with you.
Twice. I was on Carson twice.
A Million Words
It was time to go have my last words with my father. He was dying, in the bedroom he built, He built our whole house, even dug the foundation himself, with a diaper tied around his head to keep the sweat out of his eyes. He was always working on the house, more than 35 years, and he never did finish it. He was first to admit that he really didn’t know how to build a house.
When I went in to see him, he was lying in the bedroom, listening to the “People’s Court.” I remember when he always would be on those Sunday-morning television talk shows, back in the fifties and sixties. Dr. Barry, they called him. He was a Presbyterian minister, and he worked in inner-city New York. They were always asking him to be on those shows to talk about Harlem and the South Bronx, because back then he was the only white man they could find who seemed to know anything about it. I remember when he was the Quotation of the Day in the New York Times. The Rev. Dr. David W. Barry.