Mercury Theatre
Merivale, Philip
Merry Wives of Windsor, The
Metro-Goldwyn-Mayer
Metty, Russell
“Mexican Melodrama”
Michelangelo
Millan, Victor
Miller, George
Mills, Mort
Milton, John
mise-en-scène. See also expressionism; Gothic style; long take; realism
Misraki, Paul
Mr. Arkadin (Confidential Report)
Moby Dick Rehearsed
modernist art
Molière, Jean
Monash, Paul
Monroe, Marilyn
Monsieur Verdoux
montage. See also editing; long take
Moorehead, Agnes
Moran and Mack
Moreau, Jeanne
Mori, Paola
Motion Picture Herald
Murnau, F. W.
Museum of Modern Art
music
Mussolini, Benito
Napier, Alan
narration
Nast, Thomas
National Council of Teachers of English
Native Son
New Deal
Newsweek
New Theatre League
New Yorker
New York Inquirer
New York Post
New York Times
Nietzsche, Friedrich
Night at the Opera, A
Nims, Ernest
Nixon, Richard
Noble, Peter
Nolan, Jeanette
North by Northwest
nouvelle vague
O’Banion, Dion
O’Brien, Edmond
O’Brien, Willis
Odets, Clifford
Odium, Floyd
Oedipal themes. See also Freud; psychology; sexual themes
O’Herlihy, Dan
Older, Mrs. Freemont
Olivier, Lawrence
O’Neill, Eugene
optical printing. See also special effects
Orozco, José
“Orson Welles’s Almanac”
Orson Welles’s Moby Dick
Orson Welles: One-Man Band
Orson Welles’s Sketchbook
“Orson Welles Today”
Orson Welles’s Vienna
Othello
Other Man, The
Other Side of the Wind, The
Palinkas, Olga (Oja Kodar)
Palmer, Lilli
Pan American War and Peace Conference (Mexico City)
Panic
Paramount Pictures
pastoralism
Paul et Virginie
Paul Masson Wine
Pavlov, Ivan Petrovich
Paxinou, Katina
Pearson, Bud
Pegler, Westbrook
Pennington-Richards, C. M.
Perkins, Anthony
Perón, Juan
Phantom Lady
Picasso, Pablo
Pierce, Newton L
Pirandello, Luigi
Pividal, Raphael
Playwrights’ Company
Polglase, Van Nest
politics. See also contradictions; social context; social themes
Popular Front
Porter, Cole
Porter, Edwin
“Portrait of Gina”
Powell, Richard
Power and the Glory, The
Prince of Foxes
Psycho
Pudovkin, V. L.
Rabkin, Gerald
Rackmill, Milton
radio. See also sound
Random, Bob
Rashomon
Ratoff, Gregory
realism
Realism in Our Time
Rebecca
Redgrave, Michael
Reed, Carol
Reed, Donna
Reichenbach, François
Reiguera, Francisco
Renoir, Jean
Republic Pictures
Rhinoceros
Richard II
Richardson, Ralph
Ritt, Martin
Rivera, Diego
Rivers, Joan
RKO
Robbins, Tim
Robinson, Edward G.
Robinson, Madeline
Rockefeller, John D.
Rockefeller, Nelson
Rockwell, Norman
Roger Bloomer
Rodway, Norman
Rogers, Roy
romanticism
Roosevelt, Eleanor
Roosevelt, Franklin D.
Rosenbaum, Jonathan
Rotha, Paul
Royal Road Films
Rubin, Benny
Russell, John
Ruthless
Said, Edward
Salkind, Alexander
Salkind, Michael
Salomé
Sanderson, Sybil
Sanford, Erskine
Sarnoff, David
Sarris, Andrew
Saturday Evening Post
Savage Beasts, The
Schary, Dore
Schilling, Gus
Schneider, Romy
Screen Writers Guild
self-reflexivity
Selwart, Tonio
Selznick, David O.
sequence shots. See also long take
Seventeen
sexual themes. See also Freud; Oedipal themes; psychology
“Shadow, The”
Shadow of a Doubt
Schaefer, George
Shakespeare, William
Shance, Tamara
Shaw, George Bernard
Shaw, Irwin
Sherlock Holmes
Sherman, Hiram
Sherwood, Robert
Shklovsky, Victor
Shoemaker’s Holiday, The
Shore, Naydra
shot/reverse shot
Show People
Sight and Sound
Sinatra, Frank
Siodmak, Robert
Siqueiros, David
Sirhan, Sirhan
Sirk, Douglas
Six Characters in Search of an Author
Sleepy Lagoon
Sloane, Everett
Smiler with a Knife
Smith, Fred
Snow White and the Seven Dwarfs
sound. See also music; radio
special effects. See also optical printing
Spiegel, Sam
Stagecoach
Stainton, Audrey
Stalin, Joseph
Starvation on Red River
Steinberg, Saul
Sternberg, Josef von
Stevenson, Robert
Stewart, Donald Ogden
Stewart, James
Stewart, Paul
St.-Pierre, Jacques Henri Bernardin de
Stranger, The
Strasberg, Susan
Stroheim, Erich von
Sturges, Preston
Suber, Howard
Sunrise
Sunset Boulevard
Swanberg, W. A.
Taft, Robert
Take This Woman
Tale of Two Cities, A
Tamiroff, Akim
Taras Bulba
Tarkington, Booth
Taylor, John Russell
television
Temple, Shirley
Ten Million Ghosts
Thalberg, Irving
theatre
Theatre Education League
Theatre Guild
Theatre Union
Thin Man, The
Third Man, The
Thompson, Jim
“Through Theatre to Cinema”
Thurston, Howard
Time
Tobin, Dan
Todd, Michael
Todd School
Togliatti, Palmiro
Toland, Gregg
Too Much Johnson
Touch of Evil
“Toujours ou jamais”
Tracy, Spence
r
Trauner, Alexandre
Treasure Island
Trial, The
Trouble in Paradise
Truffaut, François
Truman, Harry
Twain, Mark
Twelve Angry Men
Twelfth Night
Twentieth-Century Fox
“Two Black Crows”
Tynan, Kenneth
Ulmer, Edgar G.
United Nations Conference (San Francisco)
Universal Pictures
Utah Shakespeare Festival
Vance, William
Vandenberg, Arthur
Van Eyck, Peter
Van Gogh, Vincent
Van Zandt, Philip
Vargas, Valentin de
Variety
Veiller, Anthony
Vertigo
Vidor, King
Vorkapitch, Slavo
Wagner, Richard
Waiting for Lefty
Walker, Vernon
Wallace, Henry
Warner, Harry
Warner, Jack
Warner Brothers
War of the Worlds, The
Warrick, Ruth
Wasserman, Harry
Weaver, Dennis
Webb, Alan
Webb, Roy
Webber, Peggy
Weinberg, Herman C.
Weissberger, Arnold
Welles, Beatrice Ives
Welles, Richard Head
Wells, H. G.
Wells, Orson C.
Wheeler, Burt
When Strangers Marry
White, Les
Why Bring That Up?
wide-angle photography. See also deep focus; long take
Wild, Harry
Wilde, Oscar
Wilder, Billy
William Randolph Hearst, American
Williams, Charles
Williams, Raymond
Wilson, Richard
Wisconsin Center for Theatre Research
Wise, Robert
Woolsey, Roberto
Wood, Michael
Woodrow Wilson
Woodward, Isaac
Workman, Chuck
Works Projects Administration Theatre (WPA). See also Federal Theatre
Wright, Richard
Wrong Man, The
Wyler, William
Wynn, Keenan
Yeats, Herbert
Yeats, Peter
Yeats, William Butler
Young, Loretta
Young Mr. Lincoln
Zaharoff, Basil
Zanuck, Darryl
Zinneman, Fred
Zugsmith, Albert
JAMES NAREMORE is Chancellors’ Professor Emeritus at Indiana University. His books include On Kubrick, The Films of Vincente Minnelli, More than Night: Film Noir in Its Contexts, Acting in the Cinema, Sweet Smell of Success, and An Invention without a Future: Essays on Cinema.
The University of Illinois Press
is a founding member of the
Association of American University Presses.
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The Magic World of Orson Welles Page 42