The A. Merritt Megapack
Page 1
Table of Contents
COPYRIGHT INFO
A NOTE FROM THE PUBLISHER
THE MEGAPACK SERIES
THROUGH THE DRAGON GLASS (1917)
THE PEOPLE OF THE PIT (1918)
THE MOON POOL (1919) [Part 1]
THE MOON POOL [Part 2]
THE MOON POOL [Part 3]
THE METAL MONSTER (1920) [Part 1]
THE METAL MONSTER [Part 2]
THE SHIP OF ISHTAR (1924) [Part 1]
THE SHIP OF ISHTAR [Part 2]
THE POOL OF THE STONE GOD (1925)
THE WOMEN OF THE WOOD (1926)
SEVEN FOOTPRINTS TO SATAN (1927) [Part 1]
SEVEN FOOTPRINTS TO SATAN [Part 2]
THE FACE IN THE ABYSS (1931) [Part 1]
THE FACE IN THE ABYSS (1931) [Part 2]
DWELLERS IN THE MIRAGE (1932) [Part 1]
DWELLERS IN THE MIRAGE [Part 2]
BURN, WITCH, BURN! (1933) [Part 1]
BURN, WITCH, BURN! [Part 2]
CREEP, SHADOW! (1934) [Part 1]
CREEP, SHADOW! [Part 2]
THE DRONE (1934)
THE LAST POET AND THE ROBOTS (1936)
THREE LINES OF OLD FRENCH (1919)
THE WHITE ROAD (1949)
WHEN OLD GODS WAKE (1948)
THE WOMEN OF THE WOOD (1926)
THE FOX WOMAN (1949)
COPYRIGHT INFO
The Abraham Merritt Megapack is copyright © 2014 by Wildside Press LLC. All rights reserved. For more information, contact the publisher through wildsidepress.com or the Wildside Press Forums.
NOTE
Language has not been updated for “political correctness” and some stories may contain language which some might find offensive. Please note that languages change and evolve, and what was acceptable in the time of original publication may prove offensive to some today.
A NOTE FROM THE PUBLISHER
Abraham Grace Merritt (1884–1943)—known by his byline, A. Merritt, or more recently Abraham Merritt—was an American magazine editor and a writer of fantastic fiction. The Science Fiction and Fantasy Hall of Fame inducted him in 1999, its fourth class of two deceased and two living writers.
Merritt’s writings were heavily influenced by H. Rider Haggard, Robert W. Chambers, Helena Blavatsky, and Gertrude Barrows Bennett (writing as Francis Stevens). His stories typically revolve around conventional pulp magazine themes: lost civilizations, hideous monsters, etc. His heroes are gallant Irishmen or Scandinavians, his villains treacherous Germans or Russians, and his heroines often virginal, mysterious and scantily clad.
What sets Merritt apart from the typical pulp author, however, is his lush, florid prose style and his exhaustive (at times exhausting) penchant for adjective-laden detail. Merritt’s fondness for micro-description nicely complements the pointillistic style of Hannes Bok’s illustrations. Bok was a fan of his work and completed some of Merritt’s incomplete stories after Merritt’s death. (Those collaborations are not included in this volume, however.)
Merritt’s first fantasy story was published in 1917, “Through the Dragon Glass” in the November 14 issue of Frank Munsey’s All-Story Weekly. Other short stories and serial novels followed in the Munsey magazines All-Story, Argosy All-Story, and Argosy.
Merritt also contributed to the round robin story The Challenge from Beyond with H.P. Lovecraft, Robert E. Howard, C. L. Moore, and Frank Belknap Long.
The Fox Woman and the Blue Pagoda (1946) combined an unfinished story with a conclusion written by Merritt’s friend Hannes Bok. The Fox Woman and Other Stories (1949) collected the same fragment, minus Bok’s conclusion (this is the version included in The A. Merritt Megapack), with Merritt’s short stories. The book The Black Wheel was published in 1948, after Merritt’s death; it was written by Bok using previously unpublished material as well.
My thanks to Wikipedia for supplying much of this info.
A note to the culturally sensitive: Merritt was writing in a much less enlightened age, and some of his works contain racism and racist stereotypes. Please read them with a view toward the time in which they were written and the markets in which they appeared. (You have been warned!)
—John Betancourt
Publisher, Wildside Press LLC
www.wildsidepress.com
ABOUT THE MEGAPACKS
Over the last few years, our “Megapack” series of ebook anthologies has proved to be one of our most popular endeavors. (Maybe it helps that we sometimes offer them as premiums to our mailing list!) One question we keep getting asked is, “Who’s the editor?”
The Megapacks (except where specifically credited) are a group effort. Everyone at Wildside works on them. This includes John Betancourt, Mary Wickizer Burgess, Sam Cooper, Carla Coupe, Steve Coupe, Bonner Menking, Colin Azariah-Kribbs, Robert Reginald. A. E. Warren, and many of Wildside’s authors…who often suggest stories to include (and not just their own!).
A NOTE FOR KINDLE READERS
The Kindle versions of our Megapacks employ active tables of contents for easy navigation…please look for one before writing reviews on Amazon that complain about the lack! (They are sometimes at the ends of ebooks, depending on your reader.)
RECOMMEND A FAVORITE STORY?
Do you know a great classic science fiction story, or have a favorite author whom you believe is perfect for the Megapack series? We’d love your suggestions! You can post them on our message board at http://movies.ning.com/forum (there is an area for Wildside Press comments).
Note: we only consider stories that have already been professionally published. This is not a market for new works.
TYPOS
Unfortunately, as hard as we try, a few typos do slip through. We update our ebooks periodically, so make sure you have the current version (or download a fresh copy if it’s been sitting in your ebook reader for months.) It may have already been updated.
If you spot a new typo, please let us know. We’ll fix it for everyone. You can email the publisher at wildsidepress@yahoo.com or use the message boards above.
THE MEGAPACK SERIES
MYSTERY
The Achmed Abdullah Megapack
The Charlie Chan Megapack*
The Craig Kennedy Scientific Detective Megapack
The Detective Megapack
The Father Brown Megapack
The Girl Detective Megapack
The Jacques Futrelle Megapack
The Anna Katharine Green Mystery Megapack
The First Mystery Megapack
The Penny Parker Megapack
The Philo Vance Megapack*
The Pulp Fiction Megapack
The Raffles Megapack
The Victorian Mystery Megapack
The Wilkie Collins Megapack
GENERAL INTEREST
The Adventure Megapack
The Baseball Megapack
The Cat Story Megapack
The Second Cat Story Megapack
The Third Cat Story Megapack
The Third Cat Story Megapack
The Christmas Megapack
The Second Christmas Megapack
The Classic American Short Stories Megapack, Vol. 1.
The Classic Humor Megapack
The Dog Story Megapack
The Doll Story Megapack
The Horse Story Megapack
The Military Megapack
The Pirate Story Megapack
The Sea-Story Megapack
SCIENCE FICTION & FANTASY
The Edward Bellamy Megapack
The First Reginald Bretnor Megapack
The Fredric Brown Megapack
The Ray Cummings Megapack
The Philip K. Dick Megapack
The Randall Garrett Mega
pack
The Second Randall Garrett Megapack
The Edmond Hamilton Megapack
The C.J. Henderson Megapack
The Murray Leinster Megapack
The Second Murray Leinster Megapack
The Martian Megapack
The A. Merritt Megapack*
The Andre Norton Megapack
The H. Beam Piper Megapack
The Pulp Fiction Megapack
The Mack Reynolds Megapack
The Darrell Schweitzer Megapack
The Science-Fantasy Megapack
The First Science Fiction Megapack
The Second Science Fiction Megapack
The Third Science Fiction Megapack
The Fourth Science Fiction Megapack
The Fifth Science Fiction Megapack
The Sixth Science Fiction Megapack
The Seventh Science Fiction Megapack
The Eighth Science Fiction Megapack
The Robert Sheckley Megapack
The Steampunk Megapack
The Time Travel Megapack
The Wizard of Oz Megapack
HORROR
The Achmed Abdullah Megapack
The Second Achmed Abdullah Megapack
The E.F. Benson Megapack
The Second E.F. Benson Megapack
The Algernon Blackwood Megapack
The Second Algernon Blackwood Megapack
The Cthulhu Mythos Megapack
The Erckmann-Chatrian Megapack
The Ghost Story Megapack
The Second Ghost Story Megapack
The Third Ghost Story Megapack
The Haunts & Horrors Megapack
The Horror Megapack
The M.R. James Megapack
The Macabre Megapack
The Second Macabre Megapack
The Arthur Machen Megapack**
The Mummy Megapack
The Occult Detective Megapack
The Darrell Schweitzer Megapack
The Vampire Megapack
The Werewolf Megapack
WESTERNS
The B.M. Bower Megapack
The Max Brand Megapack
The Buffalo Bill Megapack
The Cowboy Megapack
The Zane Grey Megapack
The Western Megapack
The Second Western Megapack
The Wizard of Oz Megapack
YOUNG ADULT
The Boys’ Adventure Megapack
The Dan Carter, Cub Scout Megapack
The Doll Story Megapack
The G.A. Henty Megapack
The Girl Detectives Megapack
The Penny Parker Megapack
The Pinocchio Megapack
The Rover Boys Megapack
The Tom Corbett, Space Cadet Megapack
The Tom Swift Megapack
AUTHOR MEGAPACKS
The Achmed Abdullah Megapack
The Edward Bellamy Megapack
The B.M. Bower Megapack
The E.F. Benson Megapack
The Second E.F. Benson Megapack
The Algernon Blackwood Megapack
The Second Algernon Blackwood Megapack
The Max Brand Megapack
The First Reginald Bretnor Megapack
The Fredric Brown Megapack
The Wilkie Collins Megapack
The Ray Cummings Megapack
The Guy de Maupassant Megapack
The Philip K. Dick Megapack
The Erckmann-Chatrian Megapack
The Jacques Futrelle Megapack
The Randall Garrett Megapack
The Second Randall Garrett Megapack
The Anna Katharine Green Megapack
The Zane Grey Megapack
The Edmond Hamilton Megapack
The Dashiell Hammett Megapack
The C.J. Henderson Megapack
The M.R. James Megapack
The Selma Lagerlof Megapack
The Murray Leinster Megapack
The Second Murray Leinster Megapack
The Arthur Machen Megapack**
The George Barr McCutcheon Megapack
The A. Merritt Megapack*
The Talbot Mundy Megapack
The Andre Norton Megapack
The H. Beam Piper Megapack
The Mack Reynolds Megapack
The Rafael Sabatini Megapack
The Saki Megapack
The Darrell Schweitzer Megapack
The Robert Sheckley Megapack
* Not available in the United States
** Not available in the European Union
OTHER COLLECTIONS YOU MAY ENJOY
The Great Book of Wonder, by Lord Dunsany (it should have been called “The Lord Dunsany Megapack”)
The Wildside Book of Fantasy
The Wildside Book of Science Fiction
Yondering: The First Borgo Press Book of Science Fiction Stories
To the Stars—And Beyond! The Second Borgo Press Book of Science Fiction Stories
Once Upon a Future: The Third Borgo Press Book of Science Fiction Stories
Whodunit?—The First Borgo Press Book of Crime and Mystery Stories
More Whodunits—The Second Borgo Press Book of Crime and Mystery Stories
X is for Xmas: Christmas Mysteries
THROUGH THE DRAGON GLASS (1917)
Herndon helped loot the Forbidden City when the Allies turned the suppression of the Boxers into the most gorgeous burglar-party since the days of Tamerlane. Six of his sailormen followed faithfully his buccaneering fancy. A sympathetic Russian highness whom he had entertained in New York saw to it that he got to the coast and his yacht. That is why Hemdon was able to sail through the Narrows with as much of the Son of Heaven’s treasures as the most accomplished laborer in Peking’s mission vineyards.
Some of the loot he gave to charming ladies who had dwelt or were still dwelling on the sunny side of his heart. Most of it he used to fit up those two astonishing Chinese rooms in his Fifth Avenue house. And a little of it, following a vague religious impulse, he presented to the Metropolitan Museum. This, somehow, seemed to put the stamp of legitimacy on his part of the pilIage—like offerings to the gods and building hospitals and peace palaces and such things.
But the Dragon Glass, because he had never seen anything quite so wonderful, he set up in his bedroom Where he could look at it the first thing in the morning, and he placed shaded lights about it so that he could wake up in the night and look at it! Wonderful? It is more than wonderful, the Dragon Glass! Whoever made it lived when the gods walked about the earth creating something new every day. Only a man who lived in that sort of atmosphere could have wrought it. There was never anything like it.
I was in Hawaii when the cables told of Herndon’s first disappearance. There wasn’t much to tell. His man had gone to his room to awaken him one morning—and Herndon wasn’t there. All his clothes were, though, Everything was just as if Herndon ought to be somewhere in the house—only he wasn’t.
A man worth ten millions can’t step out into thin air and vanish without leaving behind him the probability of some commotion, naturally. The newspapers attend to the commotion, but the columns of type boiled down to essentials contained just two facts—that Herndon had come home the night before, and in the morning he was undiscoverable.
I was on the high seas, homeward bound to help the search, when the wireless told the story of his reappearance. They had found him on the floor of his bedroom, shreds of a silken robe on him, and his body mauled as though by a tiger. But there was no more explanation of his return than there had been of his disappearance.
The night before he hadn’t been there—and in the morning there he was. Herndon, when he was able to talk, utterly refused to confide even in his doctors. I went straight through to New York, and waited until the men of medicine decided that it was better to let him see me than have him worry any longer about not seeing me.
Herndon got up from a big invalid chair when I entered. His eyes were clear and
bright, and there was no weakness in the way he greeted me, nor in the grip of his hand. A nurse slipped from the room.
“What was it, Jim?” I cried. “What on earth happened to you?”
“Not so sure it was on earth,” he said. He pointed to what looked like a tall easel hooded with a heavy piece of silk covered with embroidered Chinese characters. He hesitated for a moment and then walked over to a closet. He drew out two heavy bore guns, the very ones, I remembered, that he had used in his last elephant hunt.
“You won’t think me crazy if I ask you to keep one of these handy while I talk, will you, Ward?” he asked rather apologetically. “This looks pretty real, doesn’t it?”
He opened his dressing gown and showed me his chest swathed in bandages. He gripped my shoulder as I took without question one of the guns. He walked to the easel and drew off the hood.
“There it is,” said Herndon.
And then, for the first time, I saw the Dragon Glass!
There never has been anything like that thing! Never! At first all you saw was a cool, green, glimmering translucence, like the sea when you are swimming under water on a still summer day and look up through it. Around its edges ran flickers of scarlet and gold, flashes of emerald, shimmers of silver and ivory. At its base a disk of topaz rimmed with red fire shot up dusky little vaporous yellow flames.
Afterward you were aware that the green translucence was an oval slice of polished stone. The flashes and flickers became dragons. There were twelve of them. Their eyes were emeralds, their fangs were ivory, their claws were gold. There were scaled dragons, and each scale was so inlaid that the base, green as the primeval jungle, shaded off into vivid scarlet, and the scarlet into tip’s of gold. Their wings were of silver and vermilion, and were folded close to their bodies.
But they were alive, those dragons. There was never so much life in metal and wood since Al-Akram, the Sculptor of ancient Ad, carved the first crocodile, and the jealous Almighty breathed life into it for a punishment!
And last you saw that the topaz disk that sent up the little yellow flames was the top of a metal sphere around which coiled a thirteenth dragon, thin and red, and biting its scorpion-tipped tail.
It took your breath away, the first glimpse of the Dragon Glass. Yes, and the second and third glimpse, too—and every other time you looked at it.
“Where did you get it?” I asked, a little shakily.