Sophie's Choice (Open Road)

by William Styron

  I did not know where Nathan had spent the several days and nights since that awful performance he had put on at the Maple Court, although something Sophie said in an offhand way made me think that he had sought refuge with his brother in Forest Hills. But his absence and his whereabouts did not seem to matter; in the same way, his devastating attractiveness made it seem of small importance that he had recently reviled Sophie and me in such an outpouring of animosity and spite that it made us both physically ill. In a sense, the in-and-out addiction which Sophie had so vividly and scarily described to me had the effect of drawing me closer to Nathan, now that he was back; romantic as my reaction doubtless was, his demonic side—that Mr. Hyde persona who possessed him and devoured his entrails from time to time—seemed now an integral and compelling part of his strange genius, and I accepted it with only the vaguest misgivings about some frenzied recurrence in the future. Sophie and I were—to put it obviously—pushovers. It was enough that he had reentered our lives, bringing to us the same high spirits, generosity, energy, fun, magic and love we had thought were gone for good. As a matter of fact, his return to the Pink Palace and his establishment once again of the cozy love nest upstairs seemed so natural that to this day I cannot remember when or how he transported back all the furniture and clothing and paraphernalia he had decamped with that night, replacing them so that it appeared that he had never stormed off with them at all.

  It was like old times again. The daily routine began anew as if nothing had ever happened—as if Nathan’s violent furor had not come close to wrecking once and for all our tripartite camaraderie and happiness. It was September now, with the heat of summer still hovering over the sizzling streets of the borough in a fine, lambent haze. Each morning Nathan and Sophie took their separate subway trains at the BMT station on Church Avenue—he to go to his laboratory at Pfizer, she to Dr. Blackstock’s office in downtown Brooklyn. And I returned happily to my homely little oaken writing desk. I refused to let Sophie obsess me as a love object, yielding her up willingly again to the older man to whom she so naturally and rightfully belonged, and acquiescing once more in the realization that my claims to her heart had all along been modest and amateurish at best. Thus, with no Sophie to cause me futile woolgathering, I got back to my interrupted novel with brisk eagerness and a lively sense of purpose. Naturally, it was impossible not to remain haunted and, to some extent, intermittently depressed over what Sophie had told me about her past. But generally speaking, I was able to put her story out of my mind. Life does indeed go on. Also, I was caught up in an exhilaratingly creative floodtide and was intensely aware that I had my own tragic chronicle to tell and to occupy my working hours. Possibly inspired by Nathan’s financial donation—always the most bracing form of encouragement a creative artist can receive—I began to work at what for me has to be described as runaway speed, correcting and polishing as I went, dulling one after another of my Venus Velvet pencils as five, six, seven, even eight or nine yellow sheets became piled on my desk after a long morning’s work.

  And (totally aside from the money) Nathan returned once more to that role of supportive brother-figure, mentor, constructive critic and all-purpose cherished older friend whom I had so looked up to from the very beginning. Again he began to absorb my exhaustively worked-over prose, taking the manuscript upstairs with him to read after several days’ work, when I had acquired twenty-five or thirty pages, and returning a few hours later, usually smiling, almost always ready to bestow upon me the single thing I needed most—praise—though hardly ever praise that was not modified or honestly spiced by a dollop of tough criticism; his eye for the sentence hobbled by an awkward rhythm, for the attitudinized reflection, the onanistic dalliance, the less than felicitous metaphor, was unsparingly sharp. But for the most part I could tell that he was in a straightforward way captivated by my dark Tidewater fable, by the landscape and the weather which I had tried to render with all the passion, precision and affection that it was within my young unfolding talent to command, by the distraught little group of characters taking flesh on the page as I led them on their anxiety-sick, funereal journey across the Virginia lowlands, and, I think, finally and most genuinely by some fresh vision of the South that (despite the influence of Faulkner which he detected and to which I readily admitted) was uniquely and, as he said, “electrifyingly” my own. And I was secretly delighted by the knowledge that subtly, through the alchemy of my art, I seemed gradually to be converting Nathan’s prejudice against the South into something resembling acceptance or understanding. I found that he no longer directed at me his jibes about harelips and ringworm and lynchings and rednecks. My work had begun to affect him strongly, and because I so admired and respected him I was infinitely touched by his response.

  “That party scene at the country club is terrific,” he said to me as we sat in my room early one Saturday afternoon. “Just that little scrap of dialogue between the mother and the colored maid—I don’t know, it just seems to me right on target. That sense of summer in the South, I don’t know how you do it.”

  I preened inwardly, murmuring my thanks and swallowed part of a can of beer. “It’s coming along fairly well,” I said, conscious of my strained modesty. “I’m glad you like it, really glad.”

  “Maybe I should go down South,” he said, “see what it’s like. This stuff of yours whets my appetite. You could be the guide. How would that suit you, old buddy? A trip through the old Confederacy.”

  I found myself positively leaping at the idea. “God, yes!” I said. “That would be just tremendous! We could start in Washington and head on down. I have an old school pal in Fredericksburg who’s a great Civil War buff. We could stay with him and visit all the northern Virginia battlefields. Manassas, Fredericksburg, the Wilderness, Spotsylvania—the whole works. Then we’d get a car and go down to Richmond, see Petersburg, head toward my father’s farm down in Southampton County. Pretty soon they’ll be harvesting peanuts...”

  I could tell that Nathan had warmed immediately to this proposal, or endorsement, nodding vigorously while in my own wound-up zeal I continued to embellish the outlines of the travelogue. I saw the trip as educative, serious, comprehensive—but fun. After Virginia: the coastal region of North Carolina where my dear old daddy grew up, then Charleston, Savannah, Atlanta, and a slow journey through the heart of Dixieland, the sweet bowels of the South—Alabama, Mississippi—finally ending up in New Orleans, where the oysters were plump and juicy and two cents apiece, the gumbo was glorious and the crawfish grew on trees. “What a trip!” I crowed, cutting open another can of beer. “Southern cooking. Fried chicken. Hush puppies. Field peas with bacon. Grits. Collard greens. Country ham with redeye gravy. Nathan, you gourmet, you’ll go crazy with happiness!”

  I was wonderfully high from the beer. The day itself lay nearly prostrate with heat, but a light breeze was blowing from the park and through the fluttering which the breeze made against my windowshade I heard the sound of Beethoven from above. This, of course, was the handiwork of Sophie, home from her half-day’s work on Saturday, who always turned on her phonograph full blast while she took a shower. I realized even as I spun out my Southland fantasy that I was laying it on thick, sounding every bit like the professional Southerner whose attitudes I abhorred nearly as much as those of the snotty New Yorker gripped by that reflexive liberalism and animosity toward the South which had given me such a pain in the ass, but it didn’t matter; I was exhilarated after a morning of especially fruitful work, and the spell of the South (whose sights and sounds I had so painfully set down, spilling quarts of my heart’s blood) was upon me like a minor ecstasy, or a major heartache. I had, of course, experienced this surge of bittersweet time-sorrow often before—most recently when in a seizure considerably less sincere my cornpone blandishments had so notably failed to work their sorcery on Leslie Lapidus—but today the mood seemed especially fragile, quivering, poignant, translucent; I felt that at any moment I might dissolve into unseemly albeit magnificently gen
uine tears. The lovely adagio from the Fourth Symphony floated down, merging like the serene, steadfast throb of a human pulse with my exalted mood.

  “I’m with you, old pal,” I heard Nathan say from his chair behind me. “You know, it’s time I saw the South. Something you said early this summer—it seems so long ago—something you said about the South has stuck with me. Or I guess I should say it has more to do with the North and the South. We were having one of the arguments we used to have, and I remember you said something to the effect that at least Southerners have ventured North, have come to see what the North is like, while very few Northerners have really ever troubled themselves to travel to the South, to look at the lay of the land down there. I remember your saying how smug Northerners appeared to be in their willful and self-righteous ignorance. You said it was intellectual arrogance. Those were the words you used—they seemed awfully strong at the time—but I later began to think about it, began to see that you may be right.” He paused for a moment, then with real passion said, “I’ll confess to that ignorance. How can I really have hated a place I have never seen or known? I’m with you. We’ll take that trip!”

  “Bless you, Nathan,” I replied, glowing with affection and Rheingold.

  Beer in hand, I had edged into the bathroom to take a leak. I was a little drunker than I had realized. I peed all over the seat. Over the plashing stream I heard Nathan’s voice: “I’m due a vacation from the lab in mid-October and by that time the way you’re going you should have a big hunk of your book done. You’ll probably need a little breathing spell. Why don’t we plan for then? Sophie hasn’t had a vacation from that quack during the entire time she’s worked for him, so she’s due a couple of weeks too. I can borrow my brother’s car, the convertible. He won’t need it, he’s bought a new Oldsmobile. We’ll drive down to Washington...” Even as he spoke my gaze rested upon the medicine chest—that depository which had seemed so secure until my recent robbery. Who had been the perpetrator, I wondered, now that Morris Fink was absolved of the crime? Some Flatbush prowler, thieves were always around. It no longer really mattered and I sensed that my earlier rage and chagrin were now supplanted by an odd, complex unrest about the purloined cash, which, after all, had been the proceeds of the sale of a human being. Artiste! My grandmother’s chattel, source of my own salvation. It was the slave boy Artiste who had provided me with the wherewithal for much of this summer’s sojourn in Brooklyn; by the posthumous sacrifice of his flesh and hide he had done a great deal to keep me afloat during the early stages of my book, so perhaps it was divine justice that Artiste would support me no longer. My survival would no more be assured through funds tainted with guilt across the span of a century. I was glad in a way to get shut of such blood money, to get rid of slavery.

  Yet how could I ever get rid of slavery? A lump rose in my gorge, I whispered the word aloud, “Slavery!” There was dwelling somewhere in the inward part of my mind a compulsion to write about slavery, to make slavery give up its most deeply buried and tormented secrets, which was every bit as necessary as the compulsion that drove me to write, as I had been writing today, about the inheritors of that institution who now in the 1940s floundered amid the insane apartheid of Tidewater Virginia—my beloved and bedeviled bourgeois New South family whose every move and gesture, I had begun to realize, were played out in the presence of a vast, brooding company of black witnesses, all sprung from the loins of bondage. And were not all of us, white and Negro, still enslaved? I knew that in the fever of my mind and in the most unquiet regions of my heart I would be shackled by slavery as long as I remained a writer. Then suddenly, through a pleasant, lazy, slightly intoxicated mental ramble which led from Artiste to my father to the vision of a white-robed Negro baptism in the muddy river James to my father again, snoring in the Hotel McAlpin—suddenly I thought of Nat Turner, and was riven by a pain of nostalgia so intense that it was like being impaled upon a spear. I removed myself from the bathroom with a lurch and with a sound on my lips that, a little too loudly, startled Nathan with its incoherent urgency.

  “Nat Turner!” I said.

  “Nat Turner?” Nathan replied with a puzzled look. “Who in hell is Nat Turner?”

  “Nat Turner,” I said, “was a Negro slave who in the year 1831 killed about sixty white people—none of them, I might add, Jewish boys. He lived not far from my hometown on the James River. My father’s farm is right in the middle of the country where he led this bloody revolt of his.” And then I began to tell Nathan of the little I knew about this prodigious black figure, whose life and deeds were shrouded in such mystery that his very existence was scarcely remembered by the people of that backwater region, much less the rest of the world. As I spoke, Sophie entered the room, looking scrubbed and fresh and pink and utterly beautiful, and seated herself on the arm of Nathan’s chair. She began to listen too, her face sweet and absorbed as she negligently stroked his shoulder. But I was soon finished, for I realized that there was very little I could tell about this man; he had appeared out of the mists of history to commit his gigantic deed in one blinding cataclysmic explosion, then faded as enigmatically as he had come, leaving no explanation for himself, no identity, no after-image, nothing but his name. He had to be discovered anew, and that afternoon, trying to explain him to Nathan and Sophie in my half-drunken excitement and enthusiasm, I realized for the first time that I would have to write about him and make him mine, and re-create him for the world.

  “Fantastic!” I heard myself cry in beery joy. “You know something, Nathan, I just began to see. I’m going to make a book out of that slave. And the timing is absolutely perfect for our trip. I’ll be at a point in this novel where I can feel free to break off—I’ll have a whole solid chunk of it down. And so when we get down to Southampton we can ride all over Nat Turner country, talk to people, look at all the old houses. I’ll be able to soak up a lot of the atmosphere and also make a lot of notes, collect information. It’ll be my next book, a novel about old Nat. Meanwhile, you and Sophie will be adding something very valuable to your education. It’ll be one of the most fascinating parts of our trip...”

  Nathan put his arm around Sophie and gave her an enormous squeeze. “Stingo,” he said, “I can’t wait. We’ll be heading in October for Dixieland.” Then he glanced up into Sophie’s face. The look of love they exchanged—the merest instant of eyes meeting then melting together, but marvelously intense—was so embarrassingly intimate that I turned briefly away. “Shall I tell him?” he said to Sophie.

  “Why not?” she replied. “Stingo’s our best friend, isn’t he?”

  “And also our best man, I hope. We’re going to get married in October!” he said gaily. “So this trip will also be our honeymoon.”

  “God Almighty!” I yelled. “Congratulations!” And I strode over to the chair and kissed them both—Sophie next to her ear, where I was stung by a fragrance of gardenia, and Nathan on his noble blade of a nose. “That’s perfectly wonderful,” I murmured, and I meant it, having totally forgotten how in the recent past such ecstatic moments with their premonitions of even greater delight had almost always been a brightness that blinded the eyes to onrushing disaster.

  It must have been ten days or so after this, during the last week of September, that I received a telephone call from Nathan’s brother, Larry. I was surprised when one morning Morris Fink summoned me to the greasy pay phone in the hallway—surprised to get any call at all, but especially from a person whom I had so often heard about but never met. The voice was warm and likable—it sounded almost the same as Nathan’s with its distinctly Brooklyn resonance—and was casual enough at first but then took on a slight edge of insistence when Larry inquired whether it was possible for us to arrange a meeting, the sooner the better. He said he would prefer not to come to Mrs. Zimmerman’s, and therefore would I mind paying him a visit at his home in Forest Hills. He added that I must be aware that all this had to do with Nathan—it was urgent. Without hesitation I said that I would be glad t
o see him, and we arranged to meet at his place late in the afternoon.

  I got hopelessly lost in the labyrinth of subway tunnels that connects the counties of Kings and Queens, took a wrong bus and found myself in the desolate sprawl of Jamaica, and thus was well over an hour late; but Larry greeted me with enormous courtesy and friendliness. He met me at the door of a large and comfortable apartment in what I took to be a rather fashionable neighborhood. I had almost never encountered anyone for whom I felt such an immediate and positive attraction. He was a bit shorter and distinctly more stocky and fleshed out than Nathan, and of course he was older, resembling his brother in an arresting way; yet the difference between the two was quickly apparent, for where Nathan was all nervous energy, volatile, unpredictable, Larry was calm and soft-spoken, almost phlegmatic, with a reassuring manner which may have been part of his doctor’s make-up but which I really think was due to some essential solidity or decency of character. He put me quickly at ease when I tried to apologize for my lateness, and offered me a bottle of Molson’s Canadian ale in the most ingratiating manner by saying, “Nathan tells me that you are a connoisseur of malt beverages.” And as we sat down on chairs by a spacious open window overlooking a complex of pleasant ivy-covered Tudor buildings, his words helped make me feel that we were already well-acquainted.