by Michael Haas
Fatherland Front (i)
Faust Symphonie (Liszt) (i)
Felber, Erwin (i)
Ferdinand I, Emperor (i)
Der ferne Klang (Schreker) (i), (ii), (iii), (iv), (v)
Festival of Britain (i), (ii)
Festliches Präludium (Wellesz) (i)
Feuchtwanger, Lion (i), (ii), (iii)
Feuerbach, Ludwig (i)
Feuermann, Emanuel (i), (ii)
feuilletons (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Ficker, Rudolf von (i), (ii), (iii)
Fidelio (Beethoven) (i)
film music
Eisenstein (i)
Eisler (i)
Erich Korngold (i), (ii), (iii), (iv)
France (i)
Great Britain (i)
The Jazz Singer (i)
Meisel (i)
United States (i), (ii), (iii)
fin de siècle (i), (ii), (iii), (iv)
Fireworks (Stravinsky) (i)
First World War see World War I
Fischer, Ernst (i)
Fischer, Ida Maria (i)
Fischer, Ruth (Elfriede Eisler) (i), (ii), (iii), (iv)
Fisher, Sir Warren (i), (ii)
Five Orchestral Pieces (Schoenberg) (i)
Flammen (Schulhoff) (i)
Die Fledermaus (Strauss/Korngold) (i)
Flesch, Carl (i), (ii), (iii)
Flexner, Abraham (i)
Eine florentinische Tragödie (Zemlinsky) (i), (ii)
Die Flucht ins Mittelmäßige (Graf) (i)
The Flying Dutchman (Wagner) (i), (ii)
Flynn, Errol (i), (ii)
Foch, General (i)
Foreman, Lewis (i), (ii)
Förster, Bernhard (i)
Fortner, Wolfgang (i), (ii)
Foss, Lukas (i)
The Foundations of the Nineteenth Century (Chamberlain) (i), (ii), (iii)
Fourteen Ways of Describing the Rain (Vierzehn Arten den Regen zu Beschreiben) (Eisler) (i), (ii)
France
and Britain (i), (ii)
emigration (i), (ii), (iii), (iv), (v)
German and Jewish identity (i), (ii), (iii), (iv)
Nordau (i)
restitution after Hitler (i), (ii)
Wagner's political and cultural legacy (i)
World War I (i), (ii), (iii), (iv)
France, Anatole (i)
Franco-Prussian War (i), (ii), (iii), (iv)
Frankel, Benjamin (i)
Frankenburg, Paul (i)
Frantz, Constantin (i)
Franz Ferdinand, Archduke (i), (ii), (iii)
Franz Joseph I (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
Franz II, Emperor (i)
Franz, Robert (i)
Frederick II (Frederick the Great) (i)
Frederick III (i)
Der Freischütz (Weber) (i)
Fremde Erde (Rathaus) (i), (ii), (iii)
Frenkel, Stefan (i)
Freud, Sigmund (i), (ii), (iii)
Friedell, Egon (i), (ii), (iii)
Friedemann Bach (Graener) (i), (ii)
Friedhofer, Hugo (i), (ii)
Friedländer, Elfriede (née Eisler; later Ruth Fischer) (i), (ii), (iii), (iv)
Friedländer, Max (i), (ii)
Friedländer, Paul (i)
Fried, Oskar (i)
Friedrich Wilhelm IV (i)
From the House of the Dead (Janáček) (i)
Frühlingsstimmen (Strauss) (i)
Fuchs, Josef (i)
Fuchs, Robert (i), (ii), (iii), (iv), (v)
Fuge aus der Geographie (Geographical Fugue) (Toch) (i)
Fürstenberg, Prince Max Egon zu (i)
Furtwängler, Wilhelm (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Futurism (i), (ii)
Gál, Hans
anti-Romantics (i), (ii), (iii), (iv), (v)
Der Arzt der Sobeide (Sobeide's Doctor) (i)
Die beiden Klaas (i), (ii), (iii)
De Profundis (i)
emigration (i), (ii), (iii), (iv)
Die heilige Ente (The Sacred Duck) (i), (ii), (iii), (iv)
internment (i)
music publishers (i), (ii), (iii), (iv)
Musik hinter Stacheldraht (Music behind Barbed Wire) (i)
pupil of Adler (i)
Nazi regime (i), (ii)
resolute Romantics (i), (ii)
restitution after Hitler (i), (ii), (iii)
Violin Concerto (i), (ii)
Gayda, Thomas (i)
Gebrauchsmusik (i), (ii), (iii)
Genesis Suite (Toch) (i)
A Genius (Moszkowski) (i)
George, Stefan (i)
Gerigk, Herbert (i), (ii), (iii)
German Democratic Republic (i), (ii), (iii)
Die Germanen sind Blond (The Teutons Are Blond) (Toch) (i)
German Federation (i), (ii), (iii), (iv)
German language (i), (ii), (iii), (iv)
German Theatre (i)
Germany
exile and worse (i), (ii), (iii), (iv), (v), (vi)
German and Jewish identity (i)
anti-Romantics (i)
assimilation (i), (ii)
Austria and Prussia (i)
Brahms (i), (ii)
Congress of Vienna (i)
constitutions (i)
German identity (i)
Jews on a journey (i)
Königgrätz (i)
neo-Romanticism (i), (ii)
overview (i), (ii), (iii)
Revolution of 1848 (i)
Rhine Federation (i)
Wagner (i)
German nationalism (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
musical migration (i), (ii)
Nazi regime (i), (ii), (iii), (iv), (v)
restitution after Hitler (i), (ii), (iii), (iv), (v), (vi), (vii)
unification (i), (ii), (iii), (iv), (v)
World War I (i), (ii), (iii)
Germany: A Winter's Tale (Heine) (i), (ii), (iii)
Gernsheim, Friedrich (i), (ii)
Gerster, Ottmar (i)
Gerstl, Richard (i), (ii)
Geschichte des Concertwesens in Wien (Hanslick) (i)
Die geschiedene Frau (Fall/Korngold) (i), (ii)
Gesprochene Musik (Spoken Music) (Toch) (i)
Der gewaltige Hahnrei (Goldschmidt) (i), (ii), (iii), (iv), (v)
Geyer, Ludwig (i)
Die Gezeichneten (Schreker) (i), (ii), (iii), (iv), (v)
Gielen, Josef (i)
Gielen, Michael (i)
Gieseking, Walter (i)
Gilmore, Sir John (i)
Giuditta (Lehár) (i), (ii)
Glaubensbekenntnis eines Komponisten (Composer's Credo) (Toch) (i)
Gluck, Christoph Willibald Ritter von (i), (ii)
Glyndebourne (i), (ii), (iii)
Gmeindl, Walter (i)
Gnessin, Michael (i)
Gobineau, Joseph Arthur Comte de (i), (ii), (iii)
Goebbels, Joseph (i), (ii), (iii), (iv), (v), (vi), (vii)
Goehr, Alexander (i)
Goethe, Johann Wolfgang von (i), (ii), (iii)
Goethe und Ghetto (Ullmann) (i)
Goldman, Paul (i), (ii)
Goldmark, Karl
Hanslick and Brahms (i), (ii), (iii), (iv)
Das Heimchen am Herd (i)
Die Königin von Saba (i), (ii)
Die Kriegsgefangene (i)
Ländliche Hochzeit (i)
Louis (i)
Mahler (i)
Merlin (i), (ii)
Sakuntala (i), (ii)
Wagner (i), (ii)
Goldschmidt, Berthold
Beatrice Cenci (i), (ii), (iii)
emigration (i), (ii), (iii), (iv)
Der gewaltige Hahnrei (i), (ii), (iii), (iv), (v)
Passacaglia (i)
restitution after Hitler (i), (ii), (iii)
Toch (i)
Goltz, Count Robert von der (i)
Gon
e with the Wind (film) (i)
Göring, Hermann (i), (ii), (iii), (iv)
Götterdämmerung (Wagner) (i), (ii), (iii), (iv)
Gottschalk, Louis Moreau (i)
Graener, Paul (i), (ii), (iii), (iv), (v)
Graf, Max (i), (ii)
Graf, Oskar Maria (i)
Gramman, Karl (i)
La grande illusion (film) (i)
Grass, Günter (i)
Gray, Allan (Josef Zmigrod) (i)
Great Britain
Congress of Vienna (i)
Évian Conference (i)
exiled composers (i), (ii), (iii), (iv), (v)
internment (i)
interwar years (i)
monarchy (i), (ii), (iii)
Nordau (i)
refugee crisis (i), (ii)
restitution after Hitler (i), (ii), (iii), (iv)
World War I (i), (ii), (iii), (iv)
The Great Waltz (Walzer aus Wien) (Korngold) (i)
Greenberg, Louis (i)
Grey, Sir Edward (i)
Grillparzer, Franz (i), (ii), (iii)
Großes Schaupsielhaus (i)
Grossmann, Stephan (i)
Grosz, Wilhelm (i), (ii), (iii), (iv), (v), (vi)
Gründgens, Gustaf (i)
Grüning, Ilka (i)
Gubaidulina, Sofia (i)
Guinness, Alec (i)
Gurlitt, Manfred (i), (ii), (iii), (iv)
Gurrelieder (Schoenberg) (i), (ii), (iii)
Gut, Franz (i), (ii)
Gutman, Hanns (i)
Gutmann concert agency (i)
Haas, Bertha (i)
Haas, Joseph (i)
Haas, Pavel (i), (ii), (iii)
Haas, Robert (i), (ii), (iii), (iv)
Haase, Theodor (i)
Hába, Alois (i), (ii), (iii)
Haber, Michael (i), (ii)
Habsburg, Otto van (i)
Habsburgs (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
Häfner, Herbert (i)
Hager, Johannes (i)
Hailey, Christopher (i), (ii), (iii), (iv), (v)
Hakoah Orchestra (i), (ii), (iii)
Halévy, Jacques Fromental (i), (ii)
Halle, Hiram J. (i)
Hangmen also Die (film) (i)
Hansen, Jutta Raab (i)
Hanslick, Eduard
Aestheticism (i)
Brahms (i), (ii), (iii)
Geschichte des Concertwesens in Wien (i)
Korngold (i), (ii)
musical legacy of World War I (i)
musical world (i)
Neue Freie Presse (i), (ii)
Pfitzner (i), (ii)
Schreker (i)
Vienna (i), (ii)
Vom Musikalisch-Schönen (Of Musical Beauty) (i), (ii), (iii)
Wagner (i), (ii), (iii), (iv), (v), (vi)
Zemlinsky (i)
Happy End (Weill) (i)
Harmonielehre (Schoenberg) (i), (ii), (iii), (iv), (v)
Harrison, Lou (i), (ii)
Hartlaub, Gustav Friedrich (i)
Hartmann, Karl Amadeus (i), (ii)
Hartmann, Moritz (i)
Hase, Helmuth von (i)
Haskalah (i), (ii), (iii)
Haskil, Clara (i)
Hauer, Josef Matthias (i), (ii), (iii), (iv)
Hauptmann, Gerhart (i), (ii)
Hausegger, Siegmund von (i), (ii)
Hausmusik (i)
Havemann, Gustav (i), (ii), (iii)
Heartfield, John (i)
Hebrew (i), (ii)
Hegel, G. W. F. (i)
Heger, Robert (i)
Heidi (film) (i)
Heifetz, Jascha (i), (ii)
Die Heilige (Kaltneker) (i)
Die Heilige Cäcilie oder die Gewalt der Musik (Kleist) (i)
Die heilige Ente (The Sacred Duck) (Gál) (i), (ii), (iii), (iv)
Heilige Johanna (Braunfels) (i), (ii)
Das Heimchen am Herd (Goldmark) (i)
Heimweh (Homesickness) (Jung) (i)
Heine, Heinrich (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Heinsheimer, Hans (i), (ii), (iii)
Heinzen, Karl (i)
Heiss, Hermann (i)
Ein Heldenleben (Strauss) (i)
Heliane (Das Wunder der Heliane) (Korngold) (i), (ii), (iii)
Heller, Hugo (i)
Hellmesberger, Josef (i)
Henderson, Sir Neville (i)
Henreid, Paul (i)
Herrmann, Hugo (i), (ii)
Herschkowitz, Philipp (i)
Hertz, Friedrich Otto (i)
Hertzka, Emil (i), (ii)
Herzfeld, Ernst (i)
Herzl, Theodor (i), (ii), (iii), (iv)
Das Herz (Pfitzner) (i)
Hess, Myra (i), (ii)
Hesterberg, Trude (i)
Heuberger, Richard (i), (ii)
Heuß, Alfred (i), (ii), (iii), (iv)
The Heuß Case (Aber) (i)
Heymann, Werner Richard (i), (ii)
Hildebrand, Adolf von (i)
Hiller, Ferdinand (i), (ii), (iii), (iv)
Hindemith, Paul (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Hinkel, Hans (i), (ii), (iii), (iv)
Hinrichsen, Henri (i)
Hinrichsen, Max (i)
Hinrichsen, Walter (i)
Hirschfeld, Magnus (i)
Hirschfeld, Robert (i), (ii), (iii)
Hitchcock, Alfred (i)
Hitler, Adolf
appointed as Chancellor (i), (ii), (iii)
German and Jewish identity (i), (ii), (iii), (iv), (v)
Hindemith (i)
Jugendstil school (i), (ii)
Mein Kampf (i), (ii)
Nazi regime
dictatorship (i), (ii), (iii)
exile and worse (i), (ii), (iii), (iv), (v)
mechanics of the purge (i)
music policies (i)
Rosenberg in London (i)
Tiefland (i)
restitution after Hitler (i), (ii), (iii)
Schoenberg (i), (ii)
Wagner's legacy (i), (ii), (iii)
Winifred Wagner (i)
Hitler: The Last Ten Days (film) (i)
Hoare, Sir Samuel (i)
Hoffmann, E. T. A. (i), (ii)
Hoffmann, Josef (i), (ii), (iii)
Hoffmann, Rudolf Stephan (i), (ii)
Hofmannsthal, Hugo von (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Hohenzollern, House of (i), (ii)
Holländer, Friedrich (i), (ii), (iii), (iv), (v)
Das höllisch Gold (Bittner) (i)
Hollywood (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Hollywood Bowl (i)
Hollywood Songbook (Eisler) (i)
Hope, Bob (i)
Hoppla, Wir Leben! (Hey! We're Alive!) revue (i), (ii)
Horenstein, Jascha (i), (ii), (iii), (iv)
Horkheimer, Max (i)
Horovitz, Joseph (i)
Horowitz, Vladimir (i)
Horst Wessel Song (Nazi anthem) (i)
Horthy, Miklós (i)
Huberman, Bronisław (i), (ii)
Humperdinck, Engelbert (i), (ii)
Hungarian Dances (Brahms) (i)
Hungary (i), (ii), (iii), (iv), (v), (vi), (vii)
Hussa, Maria (i)
Huston, John (i)
Ibert, Jacques (i)
Ich and Du (Buber) (i)
Ich bin von Kopf bis Fuß (Holländer) (i)
Idyllen (Wellesz) (i)
IGC see Intergovernmental Committee on Refugees
Im Atem der Zeit (Krenek) (i), (ii)
Impressionism (i), (ii), (iii), (iv), (v), (vi), (vii)
Im Weißen Rößl (The White Horse Inn) (Benatzky) (i)
Incognito (Wellesz) (i), (ii)
Incorporated Society of Musicians (ISM) (i), (ii), (iii)
Innitzer, Cardinal Theodor (i)
Intergovernmental Committee on Refugees (IGC) (i), (ii), (iii), (iv)
Internati
onal Society for Contemporary Music (ISCM) (i), (ii), (iii), (iv), (v), (vi), (vii)
internment (i), (ii)
Iphigenie auf Aulis (Gluck) (i)
Irrelohe (Schreker) (i), (ii)
Isaacs, Leonard (i), (ii)
ISCM see International Society for Contemporary Music
Isherwood, Christopher (i)
ISM see Incorporated Society of Musicians
Italian Futurism (i), (ii)
Italy (i), (ii), (iii), (iv), (v), (vi), (vii)
Ivens, Joris (i), (ii), (iii)
I wander through Theresienstadt (Weber) (i)
Jacob, Gordon (i)
Jadassohn, Salomon (i)
Janáček, Leoš (i), (ii), (iii), (iv), (v)
Japan (i), (ii)
Jarnach, Philipp (i)
Der Jasager (Weill) (i)
jazz (i), (ii), (iii), (iv)
The Jazz Singer (film) (i)
Jelavich, Peter (i)
Jenùfa (Janáček) (i)
Jephtha (Toch) (i)
Jerger, Alfred (i)
Jeritza, Maria (i), (ii), (iii)
Jewish composers
anti-Romantics (i), (ii), (iii), (iv), (v)
exile and worse (i)
Aryanisation of music business (i)
Austrian Leagues (i)
Évian Conference (i)
France (i)
Great Britain (i)
Hollywood (i)
internment (i)
Jewish Cultural Leagues (i)
no escape (i)
overview (i)
refugee crisis (i)
United States (i)
film music (i), (ii), (iii)
German and Jewish identity (i), (ii), (iii), (iv), (v), (vi), (vii)
Hanslick (i), (ii), (iii)
Jugendstil school (i), (ii)
Lexikon der Juden in der Musik (i), (ii), (iii), (iv)
liberalism, Brahms and Hanslick (i)
Mahler's influence (i)
musical migration (i), (ii), (iii)
music for the masses (i)
Nazi regime (i), (ii), (iii), (iv), (v)
political science of music (i)
resolute Romantics (i), (ii), (iii), (iv)
restitution after Hitler (i)
Wagner and German Jewish composers at time of Wagner (i)
Judenthum in der Musik (i)
Wagner on Mendelssohn (i)
Wagner's political and cultural legacy (i)
Jewish Cultural Leagues (i)
Jewish Refugee Committee (i), (ii)
Jewish Song Society (i), (ii)
Jews
Berlin cabaret (i), (ii)
emancipation (i), (ii), (iii), (iv), (v), (vi)
exile and worse (i)
Aryanisation of music business (i)
Évian Conference (i)
France (i)
Great Britain (i)
Hollywood (i)
internment (i)
no escape (i)
overview (i)
refugee crisis (i)
United States (i)
German and Jewish identity (i)
assimilation (i), (ii)
Austria and Prussia (i)
Congress of Vienna (i)
constitutions (i)
German identity (i)
Jews on a journey (i)