by Michael Haas
Königgrätz (i)
overview (i), (ii), (iii)
Revolution of 1848 (i)
Rhine Federation (i)
Lexikon der Juden in der Musik (i), (ii), (iii), (iv)
liberalism, Brahms and Hanslick (i), (ii)
Mahler and Korngold (i), (ii)
musical migration (i), (ii), (iii)
Nazi regime
Austro-fascism (i)
classification of Jews (i)
emigration (i)
Jewish Cultural Leagues (i)
music business (i)
music policies in Hitler's Germany (i), (ii), (iii)
Mussolini (i)
Rosenberg in London (i)
Pfitzner (i), (ii)
resolute Romantics (i), (ii), (iii), (iv), (v)
restitution after Hitler (i)
Wagner on (i), (ii)
JKB see Reichsverband Jüdischer Kulturbünde
Joachim, Joseph (i), (ii), (iii)
Jobim, Antonio Carlos (i)
Jöde, Fritz (i)
Joël, Karl (i)
John, Eckard (i)
Johnson, Alvin (i)
Johnston, William (i), (ii)
Jonasz, Grete (i)
Jonny spielt auf (Krenek) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Jooss, Kurt (i)
Josef Lehmann School (i)
Josephine Munzenbacher (anon) (i)
Josselson, Michael (i)
Juarez (film) (i)
Judaism (i), (ii), (iii), (iv)
Juden auf Wanderschaft (Roth) (i), (ii)
Judenthum in der Musik (Judaism in Music) (Wagner) (i), (ii), (iii), (iv), (v), (vi)
Judentum und Modernität (Botstein) (i)
Judentum und Musik (Blessinger) (i)
Das Jüdische bei Gustav Mahler (Haber) (i)
Jugendstil (i), (ii)
Julietta (Martinů) (i)
Jung, Franz (i)
Justus, György (i)
Kafka, Franz (i), (ii), (iii)
Kagel, Mauricio (i)
Kahn, Erich Itor (i), (ii)
Der Kaiser von Atlantis (The Abdication of Death) (Ullmann) (i), (ii)
Kalbeck, Max (i)
Kaltneker, Hans (i)
Kandinsky, Vassily (i), (ii)
Kant, Immanuel (i), (ii)
Karajan, Herbert von (i)
Karas, Joža (i)
Karg-Elert, Sigfried (i)
Die Katakomben (Hiller) (i)
Kater, Michael (i)
Die Kathrin (Korngold) (i), (ii), (iii), (iv), (v), (vi), (vii)
Kauder, Hugo (i)
Kayser, Phillip Christoph (i)
Kempff, Wilhelm (i), (ii)
Kern, Adele (i)
Kestenberg, Leo (i), (ii), (iii), (iv)
Kien, Peter (Petr) (i), (ii)
Kienzl, Wilhelm (i), (ii), (iii)
Kiepura, Jan (i), (ii)
Kierkegaard, Søren (i)
‘Kindertransport’ (i)
Kingdom for a Cow (Weill) (i)
King Kong (film) (i), (ii), (iii)
King Solomon's Mines (film) (i)
Kings Row (film) (i)
Kisch, Karoline (i)
Klabund (poet) (i)
Das Klangproblem im Geigenspiel (Flesch) (i)
Kleiber, Erich (i), (ii), (iii), (iv), (v), (vi), (vii)
Kleider machen Leute (Zemlinsky) (i), (ii), (iii)
Das kleine Café (i)
Klein, Gideon (i), (ii)
Kleist, Heinrich von (i), (ii)
Klemperer, Otto (i), (ii), (iii)
Klemperer, Viktor (i), (ii)
Klenau, Paul von (i), (ii), (iii)
Klimt, Gustav (i), (ii), (iii), (iv)
Knappertsbusch, Hans (i)
Knepler, Georg (i)
Knepler, Hugo (i)
Knepler, Paul (i)
Knorr, Ernst Lothar von (i)
Koellreuter, Hans Joachim (i)
Koestler, Arthur (i)
Kokoschka, Oskar (i), (ii)
Kolisch, Gertrude (i)
Kolisch, Rudolf (i), (ii), (iii)
Kolisch Quartet (i), (ii)
Kol Nidrei (Sulzer) (i)
Königgrätz (i), (ii)
Die Königin von Saba (Goldmark) (i), (ii)
Die Königsbraut (Fuchs) (i)
Korda, Alexander (i), (ii)
Kornau, Edward (i)
Kornauth, Egon (i), (ii), (iii), (iv)
Korngold, Erich Wolfgang
as arranger (i), (ii)
death of (i)
exile (i), (ii), (iii), (iv), (v)
film music (i), (ii), (iii), (iv), (v), (vi)
Die Fledermaus (i)
Die geschiedene Frau (i), (ii)
The Great Waltz (Walzer aus Wien) (i)
Julius Korngold on (i), (ii), (iii), (iv)
Die Kathrin (i), (ii), (iii), (iv), (v), (vi), (vii)
Das Lied der Liebe (i)
Mahler and Julius Korngold (i), (ii), (iii), (iv), (v), (vi)
Nazi regime (i), (ii), (iii)
resolute Romantics (i), (ii)
restitution after Hitler (i), (ii)
Der Ring des Polykrates (i)
Die schöne Helene (i), (ii)
Schott & Sons (i)
Sinfonietta Op. 5 (i)
Die stumme Serenade (i), (ii)
symphonies (i), (ii)
Die tote Stadt (i), (ii), (iii), (iv), (v), (vi)
Violanta (i), (ii), (iii), (iv), (v)
Weigl (i)
Das Wunder der Heliane (i), (ii), (iii)
Korngold, Hanns (i)
Korngold, Julius
anti-Romantics (i), (ii), (iii), (iv)
on Erich Korngold (i), (ii), (iii), (iv)
exile (i)
German and Jewish identity (i), (ii)
Hanslick (i)
Jugendstil school (i), (ii)
Mahler (i), (ii), (iii), (iv)
musical migration (i), (ii)
political science of music (i)
resolute Romantics (i), (ii)
Schreker (i), (ii), (iii)
Weißmann (i)
Wellesz (i), (ii), (iii), (iv)
Korngold, Luise (i)
Kosma, Joseph (József Kozma) (i), (ii), (iii), (iv), (v)
Kraft durch Freude (i)
Krása, Hans (i), (ii), (iii), (iv)
Kraus, Clemens (i), (ii)
Kraus, Karl (i), (ii), (iii), (iv), (v), (vi), (vii)
Kraus, Lili (i), (ii)
Krauss, Clemens (i), (ii)
Der Kreidekreis (Zemlinsky) (i), (ii), (iii)
Krein, Alexander (i)
Kreisler, Fritz (i), (ii), (iii)
Krenek, Anna (i)
Krenek, Bertha (i)
Krenek, Ernst
anti-Romantics (i), (ii), (iii), (iv)
exile (i), (ii), (iii), (iv), (v), (vi)
German and Jewish identity (i), (ii), (iii)
Im Atem der Zeit (i), (ii)
Jonny spielt auf (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Karl V (i)
Das Leben des Orest (i)
musical migration (i), (ii), (iii)
Nazi regime (i)
resolute Romantics (i), (ii)
restitution after Hitler (i)
Schreker (i), (ii), (iii)
Die Kriegsgefangene (Goldmark) (i)
Kristallnacht (i), (ii)
Kuh, Anton (i)
Kuhle Wampe, oder wem gehört die Welt? (film) (i)
Kulenkampff, Georg (i), (ii)
Kulturbund (i), (ii), (iii)
‘Kulturbund’ festival (i)
Kun, Béla (i)
Das Kunstwerk der Zukunft (The Art-work of the Future) (Wagner) (i)
Kurella, Alfred (i)
Kurz, Selma (i)
Kurzweil, Max (i)
Kuti, Sándor (i)
Lach, Robert (i)
Lajthai-Lazarus, Walter (i)
Laks, Szymon (i)
Ländliche Hochzeit (Goldmark) (i)
Land
of Smiles (Lehár) (i)
Der lange Blick (Adorno) (i)
Lang, Fritz (i), (ii)
language (i), (ii), (iii), (iv), (v), (vi), (vii)
The Lavender Song (Spoliansky) (i)
‘Law Preventing Inherited Diseases’ (i)
League of Jewish Austrian Front Soldiers (i), (ii)
League of Nations (i), (ii)
Das Leben des Orest (Krenek) (i)
Lebensraum (i), (ii)
Lechthaler, Josef (i), (ii)
Lederer, Emil (i)
Lehár, Franz (i), (ii), (iii)
Lehmann, Lotte (i), (ii)
Lehrstücke (i), (ii), (iii)
Leibowitz, René (i)
Leichtentritt, Hugo (i)
Leinsdorf, Erich (i)
Lemberg pogrom (i)
Lendvai, Erwin (i)
Lenya, Lotte (i)
Lessing, G. E. (i)
Die Letzten Tage der Menschheit (Kraus) (i)
Leveztkow, Karl (i)
Levi, Erik (i)
Levi, Hermann (i), (ii)
Lexikon der Juden in der Musik (Stengel and Gerigk) (i), (ii), (iii), (iv)
Ley, Robert (i)
liberalism (i), (ii), (iii), (iv), (v)
Liberal Party (i), (ii), (iii)
Das Lied von der Erde (Mahler) (i)
The Life and Death of Colonel Blimp (film) (i)
Lion, Margo (i), (ii)
Lipiner, Siegfried von (i), (ii)
Lippay, Alexander (i)
Lissauer, Ernst (i)
Liszt, Franz
Aryanisation of music business (i)
Des Bohémiens et de leur musique en Hongrie (i)
Faust Symphonie (i)
Hanslick on (i)
Jewish response to neo-Romanticism (i)
‘New German School’ (i)
and Offenbach (i)
Les Préludes (i)
and Wagner (i), (ii), (iii)
Little Friend (film) (i)
The Little Mermaid (Andersen) (i), (ii)
Lloyd George, David (i), (ii)
Lobgesang (Mendelssohn) (i)
Locke, John (i)
Lohengrin (Wagner) (i)
Löhner-Beda, Fritz (i), (ii)
Loos, Adolf (i)
Lopatnikoff, Nikolai (i), (ii)
Lord Spleen (Lothar) (i)
Die Lorelei (Schubert) (i)
Lorre, Peter (i)
Lortzing, Albert (i), (ii)
Lothar, Mark (i)
Lothar, Rudolf (i)
Lott, Walter (i)
Louis, Rudolf (i), (ii), (iii)
Lovett, Martin (i)
Lubitsch, Ernst (i)
Lueger, Karl (i), (ii), (iii), (iv)
Lukás, Georg (i)
Lulu (Berg) (i), (ii), (iii), (iv)
Lustgarten, Egon (i)
Lustige Witwe (Lehár) (i)
Lutetia (Heine) (i)
Luther, Martin (i), (ii)
Luxemburg, Rosa (i)
Lyons and Co. (i)
Mack, Dietrich (i)
Maeterlinck, Maurice (i), (ii)
Mahler, Abraham (i)
Mahler, Alma (i), (ii), (iii), (iv)
Mahler, Anna (i)
Mahler, Bernard (Baruch) (i)
Mahler, Gustav (i)
anti-Romantics (i), (ii)
German and Jewish identity (i), (ii)
influence of (i)
Jewish response to neo-Romanticism (i)
Jewish Vienna (i)
Jugendstil school (i), (ii)
Korngold (i), (ii), (iii)
liberalism, Brahms and Hanslick (i), (ii)
Das Lied von der Erde (i)
metropolis Vienna (i)
Nazi regime (i)
restitution after Hitler (i), (ii)
Resurrection Symphony (i)
Der Schildwache Nachtlied (i)
Schoenberg (i), (ii), (iii)
Society of Creative Musicians (i), (ii), (iii)
Steiner (i)
symphonies (i), (ii), (iii), (iv), (v)
Wagner's legacy (i)
Mahler, Justine (i)
Mahler(-Werfel), Alma (i), (ii), (iii), (iv)
Malte Fischer, Jens (i), (ii)
Mandyczewski, Eusebius (i), (ii), (iii)
Mann, Heinrich (i), (ii)
Mann, Klaus (i), (ii), (iii)
Mann, Thomas (i), (ii), (iii), (iv), (v)
The Man Who Could Work Miracles (film) (i)
Marffa (Hager) (i)
Marietta di Monaco (i)
Marischka, Ernst (i)
Marischka, Hubert (i), (ii)
Martinů, Bohuslav (i)
Marx, Joseph (i), (ii), (iii), (iv), (v), (vi)
Marx, Karl (i), (ii), (iii), (iv)
Marxism (i), (ii), (iii)
Maschinist Hopkins (Brand) (i), (ii), (iii)
Masculinum-Femininum (Spoliansky) (i)
Maslow, Arkadi (i)
Massine, Léonide (i)
Mathis der Maler (Hindemith) (i), (ii)
Matka (The Mother) (Hába) (i)
Mauvaise graine (film) (i)
May, Hans (i)
Mayer, Dorothy (i)
Mayer, Robert (i)
McCarthy, Joseph (i)
Mehring, Walter (i), (ii)
Mein Kampf (Hitler) (i), (ii)
Mein Weg zur jüdischen Musik (Stutschewsky) (i)
Meisel, Edmund (i), (ii), (iii), (iv)
Die Meistersinger von Nürnberg (Wagner) (i), (ii)
Melichar, Alois (i)
Melodielehre (Toch) (i), (ii)
Melos (i), (ii), (iii), (iv), (v), (vi)
Mendelssohn, Fanny (i)
Mendelssohn, Felix
Austrian Leagues (i), (ii)
Bach's St Matthew Passion (i)
death of (i)
Elijah (i)
German and Jewish identity (i)
Jewish Cultural Leagues (i)
liberalism, Brahms and Hanslick (i), (ii), (iii)
Lobgesang (i)
A Midsummer Night's Dream (i), (ii)
‘Old German School’ (i), (ii)
Paulus (i), (ii)
restitution after Hitler (i)
Wagner and German Jewish composers (i), (ii), (iii), (iv)
Wagner's legacy (i)
Mendelssohn, Moses (i)
Mephisto (Mann) (i)
Merlin (Goldmark) (i), (ii)
Metternich, Prince von (i), (ii)
Meyerbeer, Giacomo (Jacob Liebermann Beer) (i), (ii), (iii), (iv), (v), (vi)
Meyer, Ernst Hermann (i)
Michael Kohlhaas (Klenau) (i), (ii), (iii)
A Midsummer Night's Dream (film) (i), (ii), (iii)
The Mighty Wurlitzer (Wilford) (i)
Miller zu Aichholz, Viktor von (i), (ii)
Mills, Irmgard (‘Spoli’) (i)
Milstein, Nathan (i)
Minne, George (i)
Mirabile Mysterium (Wellesz) (i)
Mitropoulos, Dimitri (i)
modernism
anti-Romantics (i), (ii)
Jewish response to neo-Romanticism (i)
Jugendstil school (i), (ii), (iii)
Mahler (i)
musical migration (i), (ii)
music policies in Hitler's Germany (i)
restitution after Hitler (i), (ii), (iii)
Modern Racial Theory (Hertz) (i)
Mohaupt, Richard (i)
Moll, Carl (i), (ii)
Mona Lisa (Schillings) (i), (ii)
Moody, Alma (i)
Moravia (i), (ii), (iii)
Mörder, Hoffnung der Frauen (Hindemith) (i)
Morgenstern, Soma (i), (ii)
Moritz Bethmann, Simon (i)
Moscheles, Ignas (i), (ii), (iii), (iv)
Moscow Declaration (i)
Moseley, Oswald (i)
Moser, Koloman (i)
Moszkowski, Alexander (i)
Moszkowski, Moritz (i)
Mozart, Wolfgang Amadeus (i), (ii), (iii), (iv), (v)
Muchanoff, Frau (née Countess Nesselrode) (i)
Müller, Hans (i), (ii), (iii)
Müller, Willy (i)
Munch, Charles (i)
Münchhausen (Holländer) (i)
Munich Agreement (i), (ii)
Münzenberg, Willi (i)
Music after Hitler (Thacker) (i), (ii)
Musica Viva series (i)
music festivals (i), (ii), (iii), (iv), (v), (vi), (vii)
Music in Terezín (Karas) (i)
musicology (i), (ii), (iii), (iv), (v), (vi)
music publishers (i), (ii)
Die Musik (magazine) (i)
Musikblätter des Anbruch see Anbruch
Musik-Bolschewismus (John) (i)
Musik hinter Stacheldraht (Music behind Barbed Wire) (Gál) (i)
Die Musik in der Weltkrise (Weißmann) (i), (ii)
Musil, Robert (i)
Mussolini, Benito (i), (ii), (iii), (iv)
My Path as a Pan-European (Huberman) (i)
My Song goes Round the World (film) (i)
Nabokov, Nicolas (i)
‘Nachtwandler’ (‘The Somnambulist’) (Falke) (i)
Nana (Gurlitt) (i)
Napoleon III (i), (ii), (iii), (iv), (v)
National Socialism see Nazism
Nationalversammlung (National Assembly) (i), (ii)
Naturalism (i), (ii), (iii)
Nazism (National Socialism)
anti-Romantics (i), (ii), (iii), (iv), (v), (vi), (vii)
Berlin cabaret (i)
‘Entartung’ (degeneration) (i), (ii)
exile and worse
camps (i), (ii), (iii), (iv)
Évian Conference (i)
France (i), (ii)
MS St Louis (i)
refugee crisis (i)
German and Jewish identity (i), (ii), (iii)
Hanslick on Liszt (i)
Hitler appointed as Chancellor (i), (ii), (iii)
Jugendstil school (i), (ii)
Lexikon der Juden in der Musik (i), (ii), (iii), (iv)
Mahler and Korngold (i), (ii), (iii)
musical migration (i), (ii), (iii), (iv), (v)
Nazi regime (i)
Aryanisation of music business (i)
Austrian Leagues (i)
Austro-fascism (i)
Braunfels (i)
classification of Jews (i)
confused beginning (i)
dictatorship (i)
Furtwängler (i)
German tragedy (i)
Graener (i)
Havemann (i)
Jewish Cultural Leagues (i)
mechanics of the purge (i)
music business (i)
music policies in Hitler's Germany (i), (ii), (iii)
overview (i)
Rosenberg in London (i)
political science of music (i)
resolute Romantics (i), (ii), (iii), (iv)
restitution after Hitler
Cold War (i), (ii)
music in the Austria zones (i)
Nazi resistance (i)
overview (i)
war criminals (i), (ii)
Wagner's legacy (i), (ii)
Nelson (Berkeley) (i)
Nelson, Rudolph (i), (ii)
neo-Romanticism (i)
Nessler, Victor Ernst (i)
Nettl, Paul (i)
Die neue Aesthetik der musikalischen Impotenz (The New Aesthetic of Musical Impotence) (Pfitzner) (i), (ii), (iii)