Essential Essays

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Essential Essays Page 41

by Adrienne Rich


  NANCY MOREJON: “Elogia de la Dialéctica,” in Breaking the Silences: Twentieth Century Poetry by Cuban Women, edited by Margaret Randall (1982, Pulp Press, Box 3868 MPO, Vancouver, Canada V6B 3Z3).

  JEAN MUNDY: From “Rape— For Women Only” by Jean Mundy, Ph.D., unpublished paper presented to the American Psychological Association, September 1, 1974, New Orleans, Louisiana.

  SYLVIA PLATH: Brief excerpts from pp. 465 and 466 from Letters Home by Sylvia Plath: Correspondance 1950–1963 by Aurelia Schober Plath. Copyright © 1975 by Aurelia Schober Plath. Reprinted by permission of HarperCollins Publishers. From Letters Home by Sylvia Plath: Correspondance 1950–1963 by Sylvia Plath (Faber & Faber Ltd., 1999]. Copyright © The Estate of Sylvia Plath, 1999. Reproduced by permission of Faber & Faber Ltd.

  RAINER MARIA RILKE: From The Essential Rilke, selected and translated by Galway Kinnell and Hannah Liebmann. Translation copyright © 1999 by Galway Kinnell and Hannah Liebmann. Reprinted by permission of HarperCollins Publishers.

  YANNIS RITSOS: Excerpts from “Romiosini,” translated by Kimon Friar, from Selected Poems, 1938–1988, edited by Kimon Friar and Kostas Myrsiades, with additional translations by Athan Anagnostopoulos. Copyright © 1988 by BOA Editions, Ltd. Reprinted by permission of BOA Editions, Ltd., www .boaeditions.org.

  RAMI SAARI: “Searching the Land” by Rami Saari, reprinted by permission from With an Iron Pen: Twenty Years of Hebrew Protest Poetry, edited by Tal Nitzan and Rachel Tzvia Back, the State University of New York Press © 2009, State University of New York. All rights reserved.

  JAMES SCULLY: From Line Break: Poetry as Social Practice, published by Curbstone Books/Northwestern University Press, 2005. Copyright © 1998 by James Scully. Reprinted by permission of the author.

  AHARON SHABTAI: “The Fence” by Aharon Shabtai, reprinted by permission from With an Iron Pen: Twenty Years of Hebrew Protest Poetry, edited by Tal Nitzan and Rachel Tzvia Back, State University of New York Press © 2009, State University of New York. All rights reserved.

  SUE SILVERMARIE: “The Motherbond,” copyright © 1974 by Susa Silvermarie. Reprinted by permission of the author.

  CARROLL SMITH-ROSENBERG: From “The Female World of Love and Ritual,” copyright © by Carroll Smith-Rosenberg, Mary Frances Berry Collegiate Professor Emerita. Reprinted by permission of the author.

  WALLACE STEVENS: “Of Modern Poetry,” “The House Was Quiet and the World Was Calm,” “The Idea of Order at Key West,” “The Man with the Blue Guitar,” “The Comedian as the Letter C,” and “Contrary Theses [I]” from The Collected Poems by Wallace Stevens, copyright © 1954 by Wallace Stevens and copyright renewed 1982 by Holly Stevens. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Reprinted by permission of Faber & Faber.

  ALLEN TATE: “Sonnets for Christmas” and “Sonnets for Christmas II” from Collected Poems 1919–1976 by Allen Tate. Copyright © 1977 by Allen Tate. Reprinted by permission of Farrar, Straus and Giroux. “Remarks on the Southern Religion” by Allen Tate, from I’ll Take My Stand: The South and the Agrarian Tradition, (Louisiana State University Press, 1930, 1977).

  ANITA VALERIO: Selection from “I Am Listening: A Lyric of Roots” from A Gathering of Spirit, Sinister Wisdom 22/23 (1983, edited by Beth Brant). Copyright © by Max Wolf Valerio. Reprinted by permission of the author. For his more recent work, see https://hypotenusewolf.wordpress.com.

  VIRGINIA WOOLF: Excerpt from The Common Reader by Virginia Woolf. Copyright 1925 by Houghton Mifflin Harcourt Publishing Company, renewed 1953 by Leonard Woolf. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Reprinted by permission of The Society of Authors as the Literary Representative of the Estate of Virginia Woolf.

  WILLIAM BUTLER YEATS: From The Collected Works of W. B. Yeats, Volume I: The Poems Revised by W. B. Yeats, edited by Richard J. Finneran. Copyright © 1940 by Georgie Yeats, renewed 1968 by Bertha Georgie Yeats, Michael Butler Yeats, and Anne Yeats. Reprinted with the permission of Scribner, a division of Simon & Schuster, Inc. All rights reserved.

  DAVID ZONSHEINE: From “A Personal and Political Moment,” Haaretz (November 7, 2004).

  Index

  Page numbers listed correspond to the print edition of this book. You can use your device’s search function to locate particular terms in the text.

  abortion-rights movement, 192–93, 241

  Abu Ghraib prison, 357

  Abu-Jamal, Mumia, 336, 357

  Adler, Frances Payne, 341

  Adonis, 365

  Adorno, Theodor, 359

  Africa, secret sororities and female economic networks in, 180, 379n

  African Americans:

  in advertising, 260, 276

  mass incarceration of, 357

  poetry by, 239

  African American women:

  lesbian continuum and, 188–89, 196

  as nannies and nursemaids, 144–46

  slaveowners’ rape of, 99–100

  women’s liberation and, 331–32

  “Africanism,” 277, 383n

  “After great pain, a formal feeling comes—” (Dickinson, #341), 62

  Against Our Will (Brownmiller), 371n

  Age of Reason, The (Paine), 202

  Ahmad, Aijaz, 333

  Akiba, 314

  Alberta Alone (Sandel), 127

  Alcott, Abigail, 111

  Alcott, Bronson, 111

  Alcott, Louisa May, 111

  alienation, 243

  American Academy and Institute of Arts and Letters, 316

  American frontier, women in, 124

  American Poetry Review, xv, xix, 73n

  Amherst, Mass., Dickinson’s home in, 39, 40, 41

  anger:

  of daughters toward mothers, 125, 134–35

  of women, 12, 18–19

  women writers’ suppression of, 6, 18

  anger, motherhood and:

  directed at children, 86, 87, 88–89, 95, 96–97, 113

  at manipulation of mother-child relationship, 98

  repression of, 85

  and sense of powerlessness, 95

  as taboo, 89

  “Anger and Tenderness” (Rich), xix, 85–106

  ani-yun-wiyu (“real people”), 282

  Another Country (Baldwin), 300

  Anthon, Kate Scott, 41, 181

  anticommunist witch hunts, 315

  anti-Semitism, 199–200, 214, 267

  unacknowledged pervasiveness of, 198, 201–3, 208, 231

  Anzaldúa, Gloria, 280–82

  apartheid, 355

  “Arcturus is his other name” (Dickinson, #70), 47

  arrested sexual development, of men, 175, 176

  art:

  commodification of, 322–23, 329

  as conversation, 245

  democracy and, 323–24

  dialogue between society and, 349

  encapsulation of, 241

  federal funding for, 324–25

  justice and, 319–20, 324

  making of, as basic need, 287

  as precious resource, 243

  privilege and, 287

  resilience of, 322–23

  see also poetry, poetics

  artists’ colonies, 287

  Arts of the Possible (Rich), xx

  “Arts of the Possible” (Rich), xiv, 326–44

  assimilation, Jews and, 207–8, 210, 212, 214, 217, 231, 316

  “A still—Volcano—Life—” (Dickinson, #601), 51–52

  Aten, 115

  Atlas of the Difficult World, An (Rich), xiii

  “Atlas of the Difficult World, An” (Rich), xviii

  atomic bomb, 229, 261

  Atwood, Margaret, 131–33

  Auden, W. H., xv, xvi, 8, 264–65

  “Aunt Jennifer’s Tigers” (Rich), 8–9

  Aurora Leigh (Barrett Browning), 57

  Austen, Jane, 6, 18

  “Aut
umn Day” (Rilke), 297–98

  Awakening, The (Chopin), 127, 188

  Baca, Jimmy Santiago, 278–79, 281

  Bachelard, Gaston, 29

  “Backside of the Academy, The” (Rukeyser), 316

  Baldwin, James, 213, 215, 236–37, 240, 241, 300, 357

  Baltimore, Md., xiv

  AR’s childhood in, 199–204

  World War II and, 261

  barren women, 79, 85, 94, 140

  Barrett Browning, Elizabeth, 41, 43, 57, 234

  Barry, Kathleen, 169, 172–76

  Beauvoir, Simone de, 133n–34n, 142n, 143, 215–16, 236, 237, 240

  Becoming Visible: Women in European History (Bridenthal and Koonz, eds.), 375n

  Bedouin, 294–95, 296–97

  Beguines, 180

  Bell, Vanessa, 116

  Benedict, Ruth, 141

  Bernstein, Charles, 295n–96n, 305n

  Bethel, Lorraine, 188–89

  Bianchi, Martha Dickinson “Matty,” 39

  Birmingham, Ala., 199

  birth control, 94–95, 124

  Bishop, Elizabeth, xx, 5, 218–27, 381n

  balance of power as theme of, 224, 225–26

  Brazil and, 224–27

  outsiderhood as theme of, 220–21, 222, 224, 227

  Black English, 240

  Black women, see African American women

  Blake, William, 230, 232, 258

  “Blood, Bread, and Poetry” (Rich), xiii, xx, 228–45

  Bolts of Melody (Dickinson), 49

  Book of Common Prayer, 267

  Borderlands/La Frontera (Anzaldúa), 280–82

  Bowles, Samuel, 41, 43

  Bradstreet, Anne, xviii

  Brazil, Bishop and, 224–27

  “Brazil, January 1, 1502” (Bishop), 225

  Breaking the Silences (Randall, ed.), 242–43

  Brecht, Bertolt, 359

  Brennan, William, 324

  Brontë, Charlotte, 143, 189

  Brontë, Emily, 57, 143

  Brontë family, 41

  Brownmiller, Susan, 82, 171, 371n

  Brussels International Tribunal on Crimes against Women, 182–83

  Brutus, Dennis, 355–56

  Bryher, 180

  Budbill, David, 299

  Bureau of Justice Statistics, 357

  “Burglar of Babylon, The” (Bishop), 226

  Burlak, Anne, 317

  Byron, George Gordon, Lord, 232

  Calhoun, A. W., 99–100

  Cambridge, Mass., xiv, 199, 204

  cante jondo, 292

  capitalism, 241, 322

  compulsory heterosexuality and, 161, 177

  as dehumanizing force, 342, 343

  democracy and, 327

  economic and social inequality and, 327, 328, 335–36, 341–42

  exploitation of women by, 161, 170–71

  feminism and, 332

  glorification of, 327–28, 340–41

  “Caryatid” (Rich), 73–75

  Cavin, Susan, 176–77

  Cellblock Visions: Prison Art in America (Kornfeld), 323

  censorship, 338–39

  Césaire, Aimé, 322

  Change of World, A (Rich), xv

  Auden’s introduction to, 264–65

  Char, René, 349

  Chase, Richard, 48

  chauvinism, pervasiveness of, 242

  “Chemin de Fer” (Bishop), 221–22

  Chesler, Phyllis, 22, 370n

  Chicanos, 279, 280, 281–82

  child abuse, 104n

  childbirth:

  as psychic crisis, 101

  writing poetry compared to, 280

  child care, gender roles and, 79, 80, 162, 163, 166

  child-care centers, 371n

  childlessness:

  as choice, 140–41

  false polarity of motherhood and, 141–44

  mother’s envy of, 140

  negative connotations of, 140, 142–43

  as rejection of institution of motherhood, 142

  as threat to patriarchy, 143

  children:

  and demands for attention, 87–88

  male power over, 167

  “Children and Work in the Lives of Women” (Rossi), 159

  China, marriage-resistance sisterhoods in, 180–81

  Chodorow, Nancy, 135n–36n, 163–64, 194

  Chopin, Kate, 127, 188

  Christianity, 266–67

  as social norm, 203

  CIA (Central Intelligence Agency), 232

  Cicero, 129

  City of Night (Rechy), 281

  City University of New York, 214, 215

  Civil Rights movement, 213–15, 224, 239

  Claiming Breath (Glancy), 278, 282–84

  “Clarities” (Gelman), 342–43

  Cliff, Michelle, xviii

  Clinton, Bill, 319, 321

  Cocktail Party, The (Eliot), 266

  Cody, John, 52

  Cold Spring, A (Bishop), 223

  Cold War, 232, 235

  Colette, 189

  Collected Poems (Bishop), xx

  Collected Poems (Lawrence), xv

  Collected Poems (Rukeyser), 315

  Collected Poems of Wallace Stevens, 270, 274

  “Comedian As the Letter C, The” (Stevens), 272–73

  Commentary, 214

  Common Reader, The (Woolf), 370n

  communal responsibility, xii

  communism, 315, 327, 341

  Complaints and Disorders (Ehrenreich and English), 161

  Complete Poems (Dickinson), 49

  Complete Poems, 1927–1979 (Bishop), xx, 218–27

  compulsory heterosexuality, 210

  capitalism and, 161, 177

  destructive nature of, 187–88

  economic consequences of, 190

  and economic exploitation of women, 170–71

  education of women and, 190

  false consciousness of women and, 176–77, 192, 194

  false dichotomies created by, 190–91

  as female sexual slavery, 174, 175

  feminists and, 157–97

  and fragmenting of emotional/erotic experience, 164, 165

  historical resistance to, 159, 162–63, 178, 182, 191, 195

  and ideology of uncontrollable male sex drive, 174–75

  lesbian existence and, 159–60, 177

  as maintenance of mother-son relationship, 177

  male power in enforcement of, 168–69

  marriage and, 183–84

  servicing of male needs as basis of, 173

  single women and widows viewed as deviant in, 162

  woman identification as suppressed by, 166

  women as male property in, 158, 167, 168, 177

  women’s double life in, 184–87, 188, 190

  women’s natural preferences and, 181–82

  women’s supposed collaboration with, 162, 182

  “Compulsory Heterosexuality and Lesbian Existence” (Rich), xiii, xviii, xix

  concentration camps, 203–4

  Congress, U.S., anti-immigrant legislation in, 358

  connectedness, of women, 153, 154, 155, 156

  male denunciation of, 176–77

  see also woman identification; women, relationships between

  Conrad, Alfred, xvii

  consciousness, awakening of, 3–4, 18

  Conway, Jill Kerr, 153

  “Cootchie” (Bishop), 224

  corridos, 282

  Courage to Refuse movement, 362, 363

  creativity, in women, patriarchal control of, 105, 168

  Crisis, 338

  “Crumbling is not an instant’s Act” (Dickinson, #997), 66

  culture:

  appropriation of, 296

  ideology and, 150

  daemonic possession, writing of poetry as, 47, 52–53, 55, 57–58, 280

  Dalton, Roque, 310

  Daly, Mary, 19, 156, 173, 178

  Darwish, Mahmoud, 337

  daught
ers:

  infanticide and, 115–16

  as mothers, 144

  Davidowicz, Lucy, 217

  Davis, Angela, 217

  Decision, 315

  Decter, Midge, xiv

  “Defence of Poetry, The” (Shelley), 352

  deMause, Lloyd, 115

  Demeter, 128–31

  democracy, 320

  art and, 323–24

  capitalism and, 327

  literacy and, 339–40

  democratic institutions, undermining of, 321–22, 336

  Democratic Party, 356–57

  Democratic Vistas (Whitman), 301

  Diamond Cutters, The (Rich), xv, xvii

  Dickinson, Austin, 43

  Dickinson, Edward, 43

  Dickinson, Emily, xix, 8, 39–67, 118–19, 143, 181, 289, 317

  daemonic possession in, 47, 52–53, 55, 57–58

  editor’s alterations to poems of, 48–49

  exploration of psychic extremity in, 58–67

  freedom and, 39, 42, 44

  friends and correspondents of, 41

  home of, 40, 41, 42

  masculine pronoun as used by, 43, 46–47

  metaphors as used by, 43, 54

  patriarchal culture and, 46, 47, 67

  personal crisis of, 59

  postage stamp in honor of, 44–45

  self-imposed seclusion of, 41, 42, 48

  self-knowledge of, 47, 53–54

  split persona of, 57–58

  supposed naiveté of, 48

  women’s relationships with, 43–44

  Dickinson, Lavinia “Vinnie,” 41

  Dickinson, Martha, see Bianchi, Martha Dickinson “Matty”

  Dickinson, Susan Gilbert, 41, 181

  dictatorships, U.S. support of, 356–57

  Dinnerstein, Dorothy, 162–63, 164, 172, 182, 194

  Dionne quintuplets, 260

  disclosure, xiii–xiv

  displacement, the displaced, silence and, 330

  dispossessed, history of, 235–36

  dissent, dissenters, xiii, xiv, 13, 300, 331

  “Distance Between Language and Violence, The” (Rich), 257–63

  “Diving into the Wreck” (Rich), xi

  Dolphin, The (Lowell), 73, 75

  Dominated Man (Memmi), 142n

  Donne, John, 8

  Doolittle, Hilda, see H.D.

  Dost, Abdul Rahim, 362

  Drama of the Gifted Child, The (Miller), 103n–4n

  Duchess of Malfy, The (Webster), 253–54

  Dunayevskaya, Raya, 289

  Duncan, Robert, 291, 293–94, 302–8, 309–10

  economic and social inequality, 241, 319–20, 321, 322, 324, 326–27

  capitalism and, 327, 328, 335–36, 341–42

  Edison, Thomas A., 317

  education:

  elitism in, 339–40

 

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