The Secret of Sarek (arsene lupin)

by Maurice Leblanc

  "Shut up, will you, you old fool?" repeated Gertrude, giving her a box on the ear.

  "All right, all right!… But it's they who'll hit you; I see them hiding!…"

  The path, which was pretty rough at first, reached the table-land formed by the west cliffs, which were loftier, but less rugged and worn away than the others. The woods were scarcer; and the oaks were all bent by the wind from the sea.

  "We are coming to the heath which they call the Black Heath," said Clemence Archignat.

  "They live underneath."

  Veronique once more shrugged her shoulders:

  "How do you know?"

  "We know more than other people," said Gertrude. "They call us witches; and there's something in it. Maguennoc himself, who knew a great deal, used to ask our advice about anything that had to do with healing, lucky stones, the herbs you gather on St. John's Eve…"

  "Mugwort and vervain," chuckled the madwoman. "They are picked at sunset."

  "Or tradition too," continued Gertrude. "We know what's been said in the island for hundreds of years; and it's always been said that there was a whole town underneath, with streets and all, in which they used to live of old. And there are some left still, I've seen them myself."

  Veronique did not reply.

  "Yes, my sister and I saw one. Twice, when the June moon was six days old. He was dressed in white… and he was climbing the Great Oak to gather the sacred mistletoe… with a golden sickle. The gold glittered in the moonlight. I saw it, I tell you, and others saw it too… And he's not the only one. There are several of them left over from the old days to guard the treasure… Yes, as I say, the treasure… They say it's a stone which works miracles, which can make you die if you touch it and which makes you live if you lie down on it. That's all true, Maguennoc told us so, all perfectly true. They of old guard the stone, the God-Stone, and they are to sacrifice all of us this year… yes, all of us, thirty dead people for the thirty coffins…"

  "Four women crucified," crooned the madwoman.

  "And it will be soon. The sixth day of the moon is near at hand. We must be gone before they climb the Great Oak to gather the mistletoe. Look, you can see the Great Oak from here. It's in the[Pg 104] wood on this side of the bridge. It stands out above the others."

  "They are hiding behind it," said the madwoman, turning round in her wheel-barrow. "They are waiting for us."

  "That'll do; and don't you stir… As I was saying, you see the Great Oak… over there… beyond the end of the heath. It is… it is…"

  She dropped the wheel-barrow, without finishing her sentence.

  "Well?" asked Clemence. "What's the matter?"

  "I've seen something," stammered Gertrude. "Something white, moving about."

  "Something? What do you mean? They don't show themselves in broad daylight! You've gone cross-eyed."

  They both looked for a moment and then went on again. Soon the Great Oak was out of sight.

  The heath which they were now crossing was wild and rough, covered with stones lying flat like tombstones and all pointing in the same direction.

  "It's their burying-ground," whispered Gertrude.

  They said nothing more. Gertrude repeatedly had to stop and rest. Clemence had not the strength to push the wheel-barrow. They were both of them tottering on their legs; and they gazed into the distance with anxious eyes.

  They went down a dip in the ground and up again. The path joined that which Veronique had taken with Honorine on the first day; and they entered the wood which preceded the bridge.

  Presently the growing excitement of the sisters[Pg 105] Archignat made Veronique understand that they were approaching the Great Oak; and she saw it standing on a mound of earth and roots, bigger than the others and separated from them by wider intervals. She could not help thinking that it was possible for several men to hide behind that massive trunk and that perhaps several were hiding there now.

  Notwithstanding their fears, the sisters had quickened their pace; and they kept their eyes turned from the fatal tree.

  They left it behind. Veronique breathed more freely. All danger was passed; and she was just about to laugh at the sisters Archignat, when one of them, Clemence, spun on her heels and dropped with a moan.

  At the same time something fell to the ground, something that had struck Clemence in the back. It was an axe, a stone axe.

  "Oh, the thunder-stone, the thunder-stone!" cried Gertrude.

  She looked up for a second, as if, in accordance with the inveterate popular belief, she believed that the axe came from the sky and was an emanation of the thunder.

  But, at that moment, the madwoman, who had got out of her barrow, leapt from the ground and fell head forward. Something else had whizzed through the air. The madwoman was writhing with pain. Gertrude and Veronique saw an arrow which had been driven through her shoulder and was still vibrating.

  Then Gertrude fled screaming.

  Veronique hesitated. Clemence and the mad[Pg 106]woman were rolling about on the ground. The madwoman giggled:

  "Behind the oak! They're hiding… I see them."

  Clemence stammered:

  "Help!… Lift me up… carry me… I'm terrified!"

  But another arrow whizzed past them and fell some distance farther.

  Veronique now also took to her heels, urged not so much by panic, though this would have been excusable, as by the eager longing to find a weapon and defend herself. She remembered that in her father's study there was a glass case filled with guns and revolvers, all bearing the word "loaded," no doubt as a warning to Francois; and it was one of these that she wished to seize in order to face the enemy. She did not even turn round. She was not interested to know whether she was being pursued. She ran for the goal, the only profitable goal.

  Being lighter and swifter of foot, she overtook Gertrude, who panted:

  "The bridge… We must burn it… The petrol's there…"

  Veronique did not reply. Breaking down the bridge was a secondary matter and would even have been an obstacle to her plan of taking a gun and attacking the enemy.

  But, when she reached the bridge, Gertrude whirled about in such a way that she almost fell down the precipice. An arrow had struck her in the back.

  "Help! Help!" she screamed. "Don't leave me!"

  "I'm coming back," replied Veronique, who had not seen the arrow and thought that Gertrude had merely caught her foot in running. "I'm coming back, with two guns. You join me."

  She imagined in her mind that, once they were both armed, they would go back to the wood and rescue the other sisters. Redoubling her efforts, therefore, she reached the wall of the estate, ran across the grass and went up to her father's study. Here she stopped to recover her breath; and, after she had taken the two guns, her heart beat so fast that she had to go back at a slower pace.

  She was astonished at not meeting Gertrude, at not seeing her. She called her. No reply. And it was not till then that the thought occurred to her that Gertrude had been wounded like her sisters.

  She once more broke into a run. But, when she came within sight of the bridge, she heard shrill cries pierce through the buzzing in her ears and, on coming into the open opposite the sharp ascent that led to the wood of the Great Oak, she saw…

  What she saw rivetted her to the entrance to the bridge. On the other side, Gertrude was sprawling upon the ground, struggling, clutching at the roots, digging her nails into the grass and slowly, slowly, with an imperceptible and uninterrupted movement, moving along the slope.

  And Veronique became aware that the unfortunate woman was fastened under the arms and round the waist by a cord which was hoisting her up, like a bound and helpless prey, and which was pulled by invisible hands above.

  Veronique raised one of the guns to her shoulder. But at what enemy was she to take aim? What[Pg 108] enemy was she to fight? Who was hiding behind the trees and stones that crowned the hill like a rampart?

  Gertrude slipped between those stones, between those
trees. She had ceased screaming, no doubt she was exhausted and swooning. She disappeared from sight.

  Veronique had not moved. She realized the futility of any venture or enterprise. By rushing into a contest in which she was beaten beforehand she would not be able to rescue the sisters Archignat and would merely offer herself to the conqueror as a new and final victim.

  Besides, she was overcome with fear. Everything was happening in accordance with the ruthless logic of facts of which she did not grasp the meaning but which all seemed connected like the links of a chain. She was afraid, afraid of those beings, afraid of those ghosts, instinctively and unconsciously afraid, afraid like the sisters Archignat, like Honorine, like all the victims of the terrible scourge.

  She stooped, so as not to be seen from the Great Oak, and, bending forward and taking the shelter offered by some bramble-bushes, she reached the little hut of which the sisters Archignat had spoken, a sort of summer-house with a pointed roof and coloured tiles. Half the summer-house was filled with cans of petrol.

  From here she overlooked the bridge, on which no one could step without being seen by her. But no one came down from the wood.

  Night fell, a night of thick fog silvered by the[Pg 109] moon which just allowed Veronique to see the opposite side.

  After an hour, feeling a little reassured, she made a first trip with two cans which she emptied on the outer beams of the bridge.

  Ten times, with her ears pricked up, carrying her gun slung over her shoulder and prepared at any moment to defend herself, she repeated the journey. She poured the petrol a little at random, groping her way and yet as far as possible selecting the places where her sense of touch seemed to tell her that the wood was most rotten.

  She had a box of matches, the only one that she had found in the house. She took out a match and hesitated a moment, frightened at the thought of the great light it would make:

  "Even so," she reflected, "if it could be seen from the mainland… But, with this fog…"

  Suddenly she struck the match and at once lit a paper torch which she had prepared by soaking it in petrol.

  A great flame blazed and burnt her fingers. Then she threw the paper in a pool of petrol which had formed in a hollow and fled back to the summer-house.

  The fire flared up immediately and, at one flash, spread over the whole part which she had sprinkled. The cliffs on the two islands, the strip of granite that united them, the big trees around, the hill, the wood of the Great Oak and the sea at the bottom of the ravine: these were all lit up.

  "They know where I am… They are looking at the summer-house where I am hiding,"[Pg 110] thought Veronique, keeping her eyes fixed on the Great Oak.

  But not a shadow passed through the wood. Not a sound of voices reached her ears. Those concealed above did not leave their impenetrable retreat.

  In a few minutes, half the bridge collapsed, with a great crash and a gush of sparks. But the other half went on burning; and at every moment a piece of timber tumbled into the precipice, lighting up the depths of the night.

  Each time that this happened, Veronique had a sense of relief and her overstrung nerves grew relaxed. A feeling of security crept over her and became more and more justified as the gulf between her and her enemies widened. Nevertheless she remained inside the summer-house and resolved to wait for the dawn in order to make sure that no communication was henceforth possible.

  The fog increased. Everything was shrouded in darkness. About the middle of the night, she heard a sound on the other side, at the top of the hill, so far as she could judge. It was the sound of wood-cutters felling trees, the regular sound of an axe biting into branches which were finally removed by breaking.

  Veronique had an idea, absurd though she knew it to be, that they were perhaps building a foot-bridge; and she clutched her gun resolutely.

  About an hour later, she seemed to hear moans and even a stifled cry, followed, for some time, by the rustle of leaves and the sound of steps coming and going. This ceased. Once more there was a great silence which seemed to absorb in space every[Pg 111] stirring, every restless, every quivering, every living thing.

  The numbness produced by the fatigue and hunger from which she was beginning to suffer left Veronique little power of thought. She remembered above all that, having failed to bring any provisions from the village, she had nothing to eat. She did not distress herself, for she was determined, as soon as the fog lifted-and this was bound to happen before long-to light bonfires with the cans of petrol. She reflected that the best place would be at the end of the island, at the spot where the dolmen stood.

  But suddenly a dreadful thought struck her: had she not left her box of matches on the bridge? She felt in her pockets but could not find it. All search was in vain.

  This also did not perturb her unduly. For the time being, the feeling that she had escaped the attacks of the enemy filled her with such delight that it seemed to her that all the difficulties would disappear of their own accord.

  The hours passed in this way, endlessly long hours, which the penetrating fog and the cold made more painful as the morning approached.

  Then a faint gleam overspread the sky. Things emerged from the gloom and assumed their actual forms. And Veronique now saw that the bridge had collapsed throughout its length. An interval of fifty yards separated the two islands, which were only joined below by the sharp, pointed, inaccessible ridge of the cliff.

  She was saved.

  But, on raising her eyes to the hill opposite, she[Pg 112] saw, right at the top of the slope, a sight that made her utter a cry of horror. Three of the nearest trees of those which crowned the hill and belonged to the wood of the Great Oak had been stripped of their lower branches. And, on the three bare trunks, with their arms strained backward, with their legs bound, under the tatters of their skirts, and with ropes drawn tight beneath their livid faces, half-hidden by the black bows of their caps, hung the three sisters Archignat.

  They were crucified.

  CHAPTER VI

  ALL'S WELL

  Walking erect, with a stiff and mechanical gait, without turning round to look at the abominable spectacle, without recking of what might happen if she were seen, Veronique went back to the Priory.

  A single aim, a single hope sustained her: that of leaving the Isle of Sarek. She had had her fill of horror. Had she seen three corpses, three women who had had their throats cut, or been shot, or even hanged, she would not have felt, as she did now, that her whole being was in revolt. But this, this torture, was too much. It involved an ignominy, it was an act of sacrilege, a damnable performance which surpassed the bounds of wickedness.

  And then she was thinking of herself, the fourth and last victim. Fate seemed to be leading her towards that catastrophe as a person condemned to death is pushed on to the scaffold. How could she do other than tremble with fear? How could she fail to read a warning in the choice of the hill of the Great Oak for the torture of the three sisters Archignat?

  She tried to find comfort in words:

  "Everything will be explained. At the bottom of these hideous mysteries are quite simple causes, actions apparently fantastic but in reality performed by beings of the same species as myself, who behave as they do from criminal motives and in accordance with a determined plan. No doubt all this is only possible because of the war; the war brings about a peculiar state of affairs in which events of this kind are able to take place. But, all the same, there is nothing miraculous about it nor anything inconsistent with the rules of ordinary life."

  Useless phrases! Vain attempts at argument which her brain found difficulty in following! In reality, upset as she was by violent nervous shocks, she came to think and feel like all those people of Sarek whose death she had witnessed. She shared their weakness, she was shaken by the same terrors, besieged by the same nightmares, unbalanced by the persistence within her of the instincts of bygone ages and lingering superstitions ever ready to rise to the surface.

  Who were these in
visible beings who persecuted her? Whose mission was it to fill the thirty coffins of Sarek? Who was it that was wiping out all the inhabitants of the luckless island? Who was it that lived in caverns, gathering at the fateful hours the sacred mistletoe and the herbs of St. John, using axes and arrows and crucifying women? And in view of what horrible task, of what monstrous duty? In accordance with what inconceivable plans? Were they spirits of darkness, malevolent genii, priests of a dead religion, sacrificing men, women and children to their blood-thirsty gods?

  "Enough, enough, or I shall go mad!" she said, aloud. "I must go! That must be my only thought: to get away from this hell!"

  But it was as though destiny were taking special pains to torture her! On beginning her search for a little food, she suddenly noticed, in her father's study, at the back of a cupboard, a drawing pinned to the wall, representing the same scene as the roll of paper which she had found near Maguennoc's body in the deserted cabin.

  A portfolio full of drawings lay on one of the shelves in the cupboard. She opened it. It contained a number of sketches of the same scene, likewise in red chalk. Each of them bore above the head of the first woman the inscription, "V. d'H." One of them was signed, "Antoine d'Hergemont."

  So it was her father who had made the drawing on Maguennoc's paper! It was her father who had tried in all these sketches to give the tortured woman a closer and closer resemblance to his own daughter!

  "Enough, enough!" repeated Veronique. "I won't think, I won't reflect!"

  Feeling very faint, she pursued her search but found nothing with which to stay her hunger.

  Nor did she find anything that would allow her to light a fire at the point of the island, though the fog had lifted and the signals would certainly have been observed.

  She tried rubbing two flints against each other, but she did not understand how to go to work and she did not succeed.

  For three days she kept herself alive with water and wild grapes gathered among the ruins. Feverish and utterly exhausted, she had fits of weeping which nearly every time produced the sudden appearance of All's Well; and her physical suffering was such that she felt angry with the poor dog for having that ridiculous name and drove him away. All's Well, greatly surprised, squatted on his haunches farther off and began to sit up again. She felt exasperated with him, as though he could help being Francois' dog!