Can't Stop Won't Stop

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Can't Stop Won't Stop Page 63

by Jeff Chang


  “Colorblind,” 344

  The Color Purple (film), 276

  Coltrane, John, 243, 259

  Columbia Records, 204, 245

  Combs, Sean “Puffy, P-Diddy,” 413, 434, 436, 447

  commercialism, hip-hop culture, 194, 417–419, 423–428, 447–448

  Common, 413, 449

  Common Ground show, 169

  Communist Party, 253

  Community Youth Gang Services (CYGS, Los Angeles), 358

  Company Flow, 437

  competition, hip-hop culture, 426–435

  Comprehensive Anti-Apartheid Act of 1986, 220

  Compton, California, 308

  Compton Posse, 316

  Compton’s Most Wanted, 382

  Conason, Joe, 14

  “Concrete Jungle,” 27–28

  Congos, 28

  Connerly, Ward, 391

  Contras (Nicaraguan), 302, 439

  Cook, David “Davey D,” 324–325, 411, 441

  Coolio, 316, 344

  Cooper, Abraham, 295, 350

  Cooper, Barry Michael, 272

  Cooper, Carol, 272

  Cooper, M. William, 438–439

  Cooper, Martha, 124, 144, 151, 155–157, 158–159, 160, 181, 193

  “Cop Killer,” 396–398, 399, 428

  Corral, Michael “Lucky Strike,” 42, 44–45

  Cortez, Diego, 149

  Cose, Ellis, 235

  Cosell, Howard, 10

  Council for Urban Peace and Justice, 400

  Countryman, Matthew, 219

  The Coup, 448

  Cousin Brucie, 73

  Cowboy, 205

  CRASH, 144, 150, 153, 166, 181, 199

  “Crazy Cuts,” 229

  Crazy Legs. See Colon, Richie “Crazy Legs”

  Creedence Clearwater Revival, 304

  Crenshaw, Kimberle, 401

  Cress-Welsing, Frances, 296

  Crew, John, 389

  criminal databases, 388–389

  Criminal Minded, 248

  Crips (gang), 208, 210, 302, 308, 311–314, 323, 339, 343, 344, 359, 363, 364, 365, 366–367, 368, 383, 384

  Crip Walk, 302

  Crocker, Frankie, 131

  “Crooked I” commercials, 350–353

  Cross, Brian, 210, 211, 318

  Cross-Bronx Expressway, 10–11, 13

  Crouch, Stanley, 272, 278

  Crow, Sheryl, 447

  Crown Heights riots, New York City, 294, 414

  Cuba, 32, 206, 209, 269, 449

  Culture (reggae group), 19, 26, 37

  culture wars

  “Cop Killer,” 396–398

  rap music and, 392–394

  Cuomo, Mario, 197

  curfews, 389

  Curry, Tracy “The DOC,” 318

  Daa’ood,

  dance styles. See also b-boying

  b-boying, 110

  Brown, James, 76–77

  DJ Kool Herc, 80–81

  fads in, 228

  Los Angeles, 301–302

  Dane, Dana, 274

  Danifu, O. Gl. Crip,358, 313

  “Darling Nikki,” 393

  Dash, Julie, 271

  databases, criminal, 388–389

  Davey D, 77, 327

  Davila, Chivirico, 64

  Davis, Angela Y., 253, 279, 299, 304, 305–306, 331, 333–337, 344–345, 401, 404, 405

  Davis, Mike, 310, 313, 314, 374, 383

  Davis, Miles, 259

  Davis, Thulani, 272

  “The Day the Niggas Took Over,” 420

  DAZE, 150, 199

  D.C. Scorpio, 408

  The Deadly Art of Survival (film), 184, 186

  Dean, Roger, 111

  Death Certificate, 341–344, 347–349, 414

  “Death Mix,” 171

  Death Row Records, 424, 452

  Dedeaux, Richard, 311

  Dee, Jimmy, 137

  Dee, Kippy, 140

  Deep Blues (Palmer), 275

  Def Jam label, 130, 204, 231, 232, 242, 243, 245, 246, 252, 255, 281, 285, 286, 418, 428

  DeJesus, Danny, 49

  De La Rosa, Jasmine, 457

  De La Soul, 233, 256

  DeLillo, Don, vii

  Delivery Boys (film), 192

  Dellums, Ron, 279

  Demme, Ted, 320, 418

  Denby, David, 278

  Denny, Reginald, 270, 394–395, 411, 412, 414, 415, 426, 427, 428

  Denver, Colorado, 388

  Detroit, Michigan, 389

  Deukmejian, George, 388

  Devoe, Bell Biv, 281

  Diallo, Amadou, 456

  Diaz, Al, 200

  Dibango, Manu, 175, 191

  Dickerson, Ernest, 271

  Digital Underground, 441

  Dilulio, John, 453

  Dimples D, 256

  Dinkins, David, 293–294

  Diop, Cheikh Anta, 191, 265

  Disco King Mario, 96, 97

  divestment strategy, anti-apartheid movement, 216–217, 219–220

  DJ Alladin, 316

  DJ Baron, 83

  DJ Breakout, 83, 149, 236

  DJ Dillinger, 206–207

  DJ Flavor. See Drayton, William “Flavor Flav”

  DJing

  economics of, 128–129

  hip-hop style, 109–114

  DJ Kool Herc (Clive Campbell), xi–xiii, 2, 22, 25, 67–85, 90, 91, 96, 97, 102, 111, 112, 114, 127, 192, 261, 408

  DJ Polo, 398

  DJ Pooh, 316, 350

  DJ Quik, 316, 382

  DJ Shadow, 413, 418

  DJ Smalls, 237

  DJ Tex, 97

  DMX, 413

  Dodd, Coxsone, 29, 38

  Doggy Style, 420

  “Dog N’ The Wax,” 210

  “Doin’ Dumb Shit,” 343–344

  Dole, Bob, 452

  Dominguez, Manny, 52–53, 63

  Donaldson, Eric, 23

  DONDI, 143, 153, 183, 184, 189, 248

  “Don’t Believe the Hype,” 255, 270

  “Doo Wop That Thing,” 446

  Dorismond, Patrick, 456

  Do the Right Thing (film), 276–279, 286, 292, 346–347, 424

  Double Dutch girls, 182–183

  Double Trouble, 189

  Douglass, Frederick, 279

  Downs, Jordan, 374

  downtown nightclubbing, 168–170, 173–177

  “Do You Like It,” 172

  “Do You Want to Go to the Liquor Store?” 350

  DOZE. See Green, Jeffrey “DOZE”

  Dr. Dre. See Brown, Andre “Dr. Dre”; Young, Andre “Dr. Dre”

  Drayton, William “Flavor Flav,” 232, 239, 242, 246, 247, 248, 254, 255, 260, 261, 263, 264, 281–282, 295

  “Dreamland,” 34

  “Dre Day,” 420

  drug addiction

  Basquiat, Jean-Michel, 201, 202

  hip-hop culture, 204–205

  historical perspective, 205–209

  Los Angeles, 208, 209, 302

  South Bronx, 12–13, 95

  South Bronx gangs oppose, 49–50

  Drumgo, Fleeta, 305, 306

  DST, 186

  Du, Soon Ja, 338–339, 349–350, 352, 364

  Dub Conference series, 35

  dubplates, 30

  dub reggae, 34–38

  Duck Rock (video), 162–165

  Dukakis, Michael, 265, 267, 268

  Duke, David, 395

  Duke Bootee. See Fletcher, Ed “Duke Bootee”

  DURO, 144

  Dylan, Bob, 222, 243, 251

  Dynamic Breakers, 194

  Dynamic Rockers, 139, 159

  The Eagles, 170

  Eazy Duz It, 318, 319, 331

  Eazy E. See Wright, Eric “Eazy E”

  education. See schools

  Edwards, King, 29

  Edwards, Prince Emmanuel, 39

  Edwards, Reo, 409

  Efil4zaggin, 416, 420

  E-40, 441

  8 Ball malt liquor advertising campaign, 350�
��353

  Eins, Stefan, 150

  Electric Boogaloo, 301

  Elektra Records, 418

  Elliott, Missy, 445

  Ellis, Brett Easton, 269–270

  Ellis, Shirley, 113

  Ellis, Trey, 270–271

  EMI, 27

  Emile (rapper), 450 The Wax,” 210

  employment

  Los Angeles, California, 315, 340

  Reagan recession, 177–178

  South Bronx, 13

  Enjoy Records, 132, 133, 244

  environmentalism, 451, 464

  EPMD, 233, 256, 350, 425

  Eric B., 228, 257, 258, 259, 274, 279, 295, 303

  ERNI, 166

  ESG, 155

  Esposito, Giancarlo, 277

  Esse, Sam, 143, 144

  E.U., 408

  Evers, Medgar, 279

  The Evidence of Things Not Seen (Baldwin), 360

  Ewa, Tamu du, 441

  “Expansions,” 139

  exploitation, hip-hop culture, 191–194. See also commercialism, hip-hop culture

  “Express Yourself,” 326

  Fabara, Sandra “LADY PINK,” 111, 120–121, 124, 153, 166, 182, 185, 199

  Fabel. See Pabon, Jorge “Popmaster Fabel”

  FAB 5 FREDDY, 147, 148–151, 153, 154, 156, 165, 168, 169, 173, 174, 175, 180, 183, 184–187, 189, 200, 201, 320, 419, 445

  Fad, J. J., 319

  Fair Housing Act of 1968, 233

  “Fallin’,” 446

  Fama, Joey, 293

  Fanon, Franz, 264

  Fantastic, 186

  Fantastic Five Freaks, 185

  Farrakhan, Al-Malik, 402

  Farrakhan, Louis, 100, 223–225, 253–254, 258, 261, 265–267, 269–270, 276, 292, 333, 360, 362–363, 381, 384, 400–402, 403–404, 439

  Farrakhan, Mustapha, 363

  Fast Break, 140

  Fast Forward (film), 192

  Fatback Band, 130

  Fear of a Black Planet, 273, 332

  Fecher, Rita, 53, 64

  Federal Bureau of Investigation (FBI)

  COINTELPRO operation, 46, 248, 437, 438

  King, Rodney riots, 371

  Los Angeles gangs, 365

  NWA, 325–326, 393

  Scott, Raymond “Ray Dog, Benzino,” 433

  South Bronx gangs, 63

  Watts Writers Workshop, 312

  Federal Emergency Management Agency Act, 438– 439

  Fekner, John, 167

  Felisberto, Luke “SPAR ONE,” 118

  feminism, 332, 345, 445–446, 452

  “Fencewalk,” 261

  “Fight the Power,” 279, 280, 286

  film industry. See also specific films

  hip-hop culture, 161–162, 192–194

  Jamaica, 26

  Lee, Spike, 249, 276–279

  The Final Call, 342

  Fine, Serious Lee, 256

  “Fire,” 264

  Fitzwater, Marlin, 379

  “Five Minutes of Funk,” 133

  Five Percenters, 106, 163, 256, 258–259, 265, 437

  Flash and the Five, 184

  Flashdance (film), 192

  Flash of the Spirit (Thompson), 164

  Flavor Flav. See Drayton, William “Flavor Flav”

  Flavor Unit, 428

  Fletcher, Ed “Duke Bootee,” 178, 179

  folk mento, 25

  Fonda Rae, 257

  Ford, Andrea, 225

  Ford, Henry, 268, 284, 286

  Fort Apache: The Bronx (film), 99, 145, 193, 249

  4th and Broadway, 399

  Fox, James Alan, 381, 453

  Franklin, Aretha, 73, 276

  “Freaks Come Out at Night,” 210

  FREEDOM, 166

  Freeway Rick. See Ross, Ricky “Freeway Rick”

  Fresh, Doug E., 192, 274, 408

  Friedman, Glen, 286

  Frost, Wayne “Frosty Freeze,” 137, 138, 156, 157

  Frye, Marquette, 309

  Frye, Rena, 309

  Frye, Ronald, 309

  Fuchs, Aaron, 184, 410

  “Fuck Tha Police,” 317, 319, 325, 326

  Fun Gallery, 180, 201

  “Funky Drumme,” 260

  Funky 4 + 1 More, 114, 132, 228

  “Funky Nassau,” 65

  “Funky President,” 257

  Furious Five, 113, 127, 132, 133, 155, 178–179, 203, 205, 228, 444

  Furious Four, 113, 148

  FUTURA, 143, 144, 153, 155, 173, 174, 181, 183, 188, 189, 199, 200

  Gabbert, Ken “Swift,” 137, 138

  “Gangsta Gangsta,” 319

  Gangsta rap

  origins of, 307

  politics, 452–453

  post-gangsta crossover, 419–421

  term of, 320

  “Gansta

  Garcia, Bobbito, 411

  Garvey, Julius, 235

  Garvey, Marcus, 279

  Garvey, Marcus Mosiah, 23–24, 147, 222, 235, 276

  Gates, Daryl, 210, 314, 322–323, 335, 370, 371, 374, 375, 386

  Gee, Spoonie, 133

  generational differences, fiction of, 1–3

  Generation X, 1, 2

  Generation Y, 2

  “Genius of Love,” 170

  George, Nelson, 272, 409, 418

  Geto Boys, 350, 444

  “Get Ready,” 76

  “Ghana’E,” 191

  Ghetto Brothers (gang), 40, 48, 50–58, 64, 96

  Ghetto Brothers Power Fuerza, 64–65

  Gibbs, Joe, 35

  Gillespie, Dizzy, 240

  Gillespie, Marcia A., 401

  Ginsberg, Allen, 243

  Giuliani, Rudy, 293, 455

  “Give It to Me,” 172

  “Give it Up or Turn it Loose,” 76, 79

  “Givin’ Up the Nappy Dugout,” 343

  Gladwell, Malcolm, 136

  Glazer, Nathan, 135, 136, 161, 203

  The Gleaner, 37

  Glenn, Charles Andre (Afrika Islam), 151, 301

  Glover, Melvin “Melle Mel,” 113, 155, 178, 179, 192, 242, 256

  Glover, Nathaniel “Kidd Creole,” 113

  Glueck, Grace, 100

  Goddess, Rha, 445

  Goetz, Bernhard Hugo, 136, 202, 203, 227, 247

  go-go culture, Washington, D. C., 407–409

  Goldstein, Richard, 109, 121–122, 144, 189, 198

  Gomez, Mayra, 459

  Goode, W. Wilson, 209

  Goodie Mob, 437–438, 439, 453

  Goodman, Robert, 265–266

  “Good Times,” 130–131, 237

  Good to Go (film), 408

  Gordon, Allen, 328

  Gordy, Berry, 77, 245

  Gore, Al, 265, 393, 399

  Gore, Karenna, 393

  Gore, Tipper, 393, 397–398

  “Got This Happy Feeling,” 65

  Grabel, Richard, 192

  graffiti culture, 73–75, 91, 102, 104, 109, 111, 118–125, 134–135, 334. See also hip-hop culture

  art and, 142–144, 146–148, 151, 152–154, 160, 198–200

  bohemians, 145–146

  conflict in, 179–182

  crackdown on, 181, 202–203

  cultural cohesion, 148–152

  Los Angeles, 382

  publishing industry, 160–161

  spread of, 228

  Stewart, Michael case, 194–198

  “Graffiti Rock” event, 156–157, 169, 175

  Grandmaster Caz, 130

  Grandmaster Flash, 90, 102, 112, 113, 148, 150, 155, 174, 178, 179, 228–229, 261, 444

  Grandmixer DST, 174, 183, 184, 229

  Grandwizard Theodore. See Saddler, Theodore “Grandwizard Theodore”

  Grape Street Boys, 302

  The Grateful Dead, 111

  The Great Rock ‘N’ Roll Swindle (film), 174

  Great Society programs, 379

  Green, Jeffrey “DOZE,” 81, 117, 127, 137–138, 141, 156, 157, 159, 174, 176, 204–205

  Greene, Harold, 374


  Grier, Pam, 193

  Griffin, Richard “Professor Griff,” 111, 232, 235, 239, 246, 248, 253, 254, 263, 268, 273, 280, 281–283, 284–291, 294, 295, 335, 394

  Griffin, William, Jr. (Rakim Allah), 215, 228, 233, 256, 257–259, 260–261, 274, 303, 319, 321, 350

  Griffith, Michael, 214, 225–228

  Grimes, Timothy, 226, 227

  griots (African storytellers), 275

  Gross, Elliot, 196, 197

  Gross, Ted, 61

  Group Sex, 302

  “The Grunt, Part 1,” 260

  Guerrero, Ed, 276

  “Gun Music,” 448

  Gunn, David L., 203

  Gunst, Laurie, 31

  Haan, Jenny, 168

  Hager, Steven, 76, 77, 96, 193, 410

  Hahn, James K., 389–390

  “Hail to the Chief,” 241

  Hall, Gus, 253

  Hamill, Pete, 49

  Hamilton, Anthony “Amde,” 310–311

  Hammond, Beres, 37

  Hampton, Fred, 46

  Hampton, Ronald, 397

  Hancock, Herbie, 229

  Harder They Come (film), 408

  “Hard Times,” 179

  Haring, Keith, 147, 148, 151, 174, 180, 198, 200, 202

  Harlem Underground Band, 91

  Harlins, Latasha, 338–339, 350, 365, 414

  Harper, Marvin “Hollywood,” 59, 64, 128

  Harrell, Andre, 271

  Harris, Carter, 429

  Harris, Patricia, 17

  Harris, Rennie, 115

  Harry, Deborah, 148, 168

  Hawkins, Odie, 310, 311

  Hawkins, Yusuf, 292–294, 296

  Hayden, Tom, 458, 459, 460, 462

  Haywood, Leon, 316

  “Head,” 302

  Heller, Jerry, 304, 317, 331, 349, 414, 419, 420

  Henderson, Ahmad, 101

  Henzell, Perry, 26, 27

  Heptones, 28

  Hernandez, Mike, 375

  heroin. See drug addiction

  Hershkovits, David, 93, 174–175, 183, 410

  Hess, Elizabeth, 153, 180, 199–200

  Heston, Charlton, 397–398

  HEX, 382

  High School of Art and Design (New York City), 182

  Hill, Gwen, 396

  Hill, Lauryn, 445, 446

  Hill, Michael, 155

  Hinds, Selwyn Seyfu, 426

  hip-hop culture. See also graffiti culture; rap music

  Black August tour, 448–450

  bohemians, 145–146

  boomers and, 142–144

  commercialism, 194, 417–419, 423–428, 447–448

  competition in, 426–435

  criminality, 134–136

  crossover, post-gangsta, 419–421

  drug addiction, 204–205

  Duck Rock (video), 162–165

  evolution of, 209–211

  exploitation, 191–194

  fading of, 127–129

  go-go culture and, 408

  homophobia, 254–255, 327, 402–403, 413

  Jamaica, 22

  jazz, 147–148

  mainstream culture and, 158–162

  media, 184, 192–193, 249, 409–412, 423–426

  alternative, 410–415, 423–426

  mainstream, 184, 192–193, 249

 

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