The Vampire Chronicles Collection

by Anne Rice

  “ ‘After all, what does it take to make those creatures?’ she went on. ‘Those vagabond monsters? How many drops of your blood intermingled with a man’s blood … and what kind of heart to survive that first attack?’

  “I could feel her watching my face, and I stood there, my arms folded, my back to the side of the window, looking out.

  “ ‘That pale-faced Emily, that miserable Englishman …’ she said, oblivious to the flicker of pain in my face. ‘Their hearts were nothing, and it was the fear of death as much as the drawing of blood that killed them. The idea killed them. But what of the hearts that survive? Are you sure you haven’t fathered a league of monsters who, from time to time, struggled vainly and instinctively to follow in your footsteps? What was their life span, these orphans you left behind you—a day there, a week here, before the sun burnt them to ashes or some mortal victim cut them down?’

  “ ‘Stop it,’ I begged her. ‘If you knew how completely I envision everything you describe, you would not describe it. I tell you it’s never happened! Lestat drained me to the point of death to make me a vampire. And gave back all that blood mingled with his own. That is how it was done!’

  “She looked away from me, and then it seemed she was looking down at her hands. I think I heard her sigh, but I wasn’t certain. And then her eyes moved over me, slowly, up and down, before they finally met mine. Then it seemed she smiled. ‘Don’t be frightened of my fancy,’ she said softly. ‘After all, the final decision will always rest With you. Is that not so?’

  “ ‘I don’t understand,’ I said. And a cold laughter erupted from her as she turned away.

  “ ‘Can you picture it?’ she said, so softly I scarcely heard. ‘A coven of children? That is all I could provide.…’

  “ ‘Claudia,’ I murmured.

  “ ‘Rest easy,’ she said abruptly, her voice still low. ‘I tell you that as much as I hated Lestat …’ She stopped.

  “ ‘Yes …’ I whispered. ‘Yes.…’

  “ ‘As much as I hated him, with him we were … complete.’ She looked at me, her eyelids quivering, as if the slight rise in her voice had disturbed her even as it had disturbed me.

  “ ‘No, only you were complete …’ I said to her. ‘Because there were two of us, one on either side of you, from the beginning.’

  “I thought I saw her smile then, but I was not certain. She bowed her head, but I could see her eyes moving beneath the lashes, back and forth, back and forth. Then she said, ‘The two of you at my side. Do you picture that as you say it, as you picture everything else?’

  “One night, long gone by, was as material to me as if I were in it still, but I didn’t tell her. She was desperate in that night, running away from Lestat, who had urged her to kill a woman in the street from whom she’d backed off, clearly alarmed. I was sure the woman had resembled her mother. Finally she’d escaped us entirely, but I’d found her in the armoire, beneath the jackets and coats, clinging to her doll. And, carrying her to her crib, I sat beside her and sang to her, and she stared at me as she clung to that doll, as if trying blindly and mysteriously to calm a pain she herself did not begin to understand. Can you picture it, this splendid domesticity, dim lamps, the vampire father singing to the vampire daughter? Only the doll had a human face, only the doll.

  “ ‘But we must get away from here!’ said the present Claudia suddenly, as though the thought had just taken shape in her mind with a special urgency. She had her hand to her ear, as if clutching it against some awful sound. ‘From the roads behind us, from what I see in your eyes now, because I give voice to thoughts which are nothing more to me than plain considerations …’

  “ ‘Forgive me,’ I said as gently as I could, withdrawing slowly from that long-ago room, that ruffled crib, that frightened monster child and monster voice. And Lestat, where was Lestat? A match striking in the other room, a shadow leaping suddenly into life, as light and dark come alive where there was only darkness.

  “ ‘No, you forgive me …’ she was saying to me now, in this little hotel room near the first capital of western Europe. ‘No, we forgive each other. But we don’t forgive him; and, without him, you see what things are between us.’

  “ ‘Only now because we are tired, and things are dreary …’ I said to her and to myself, because there was no one else in the world to whom I could speak.

  “ ‘Ah, yes; and that is what must end. I tell you, I begin to understand that we have done it all wrong from the start. We must bypass Vienna. We need our language, our people. I want to go directly now to Paris.’ ”

  PART III

  I THINK the very name of Paris brought a rush of pleasure to me that was extraordinary, a relief so near to well-being that I was amazed, not only that I could feel it, but that I’d so nearly forgotten it.

  “I wonder if you can understand what it meant. My expression can’t convey it now, for what Paris means to me is very different from what it meant then, in those days, at that hour; but still, even now, to think of it, I feel something akin to that happiness. And I’ve more reason now than ever to say that happiness is not what I will ever know, or will ever deserve to know. I am not so much in love with happiness. Yet the name Paris makes me feel it.

  “Mortal beauty often makes me ache, and mortal grandeur can fill me with that longing I felt so hopelessly in the Mediterranean Sea. But Paris, Paris drew me close to her heart, so I forgot myself entirely. Forgot the damned and questing preternatural thing that doted on mortal skin and mortal clothing. Paris overwhelmed, and lightened and rewarded more richly than any promise.

  “It was the mother of New Orleans, understand that first; it had given New Orleans its life, its first populace; and it was what New Orleans had for so long tried to be. But New Orleans, though beautiful and desperately alive, was desperately fragile. There was something forever savage and primitive there, something that threatened the exotic and sophisticated life both from within and without. Not an inch of those wooden streets nor a brick of the crowded Spanish houses had not been bought from the fierce wilderness that forever surrounded the city, ready to engulf it. Hurricanes, floods, fevers, the plague—and the damp of the Louisiana climate itself worked tirelessly on every hewn plank or stone façade, so that New Orleans seemed at all times like a dream in the imagination of her striving populace, a dream held intact at every second by a tenacious, though unconscious, collective will.

  “But Paris, Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets—as vast and indestructible as nature itself. All was embraced by her, by her volatile and enchanted populace thronging the galleries, the theaters, the cafés, giving birth over and over to genius and sanctity, philosophy and war, frivolity and the finest art; so it seemed that if all the world outside her were to sink into darkness, what was fine, what was beautiful, what was essential might there still come to its finest flower. Even the majestic trees that graced and sheltered her streets were attuned to her—and the waters of the Seine, contained and beautiful as they wound through her heart; so that the earth on that spot, so shaped by blood and consciousness, had ceased to be the earth and had become Paris.

  “We were alive again. We were in love, and so euphoric was I after those hopeless nights of wandering in eastern Europe that I yielded completely when Claudia moved us into the Hôtel Saint-Gabriel on the Boulevard des Capucines. It was rumored to be one of the largest hotels in Europe, its immense rooms dwarfing the memory of our old town house, while at the same time recalling it with a comfortable splendor. We were to have one of the finest suites. Our windows looked out over the gas-lit boulevard itself where, in the early evening, the asphalt sidewalks teemed with strollers and an endless stream of carriages flowed past, taking lavishly dressed ladies and their gentlemen to the Opéra or the Opéra Comique, the ballet, the theaters, the balls and recep
tions without end at the Tuileries.

  “Claudia put her reasons for expense to me gently and logically, but I could see that she became impatient ordering everything through me; it was wearing for her. The hotel, she said, quietly afforded us complete freedom, our nocturnal habits going unnoticed in the continual press of European tourists, our rooms immaculately maintained by an anonymous staff, while the immense price we paid guaranteed our privacy and our security. But there was more to it than that. There was a feverish purpose to her buying.

  “ ‘This is my world,’ she explained to me as she sat in a small velvet chair before the open balcony, watching the long row of broughams stopping one by one before the hotel doors. ‘I must have it as I like,’ she said, as if speaking to herself. And so it was as she liked, stunning wallpaper of rose and gold, an abundance of damask and velvet furniture, embroidered pillows and silk trappings for the fourposter bed. Dozens of roses appeared daily for the marble mantels and the inlaid tables, crowding the curtained alcove of her dressing room, reflected endlessly in tilted mirrors. And finally she crowded the high French windows with a veritable garden of camellia and fern. ‘I miss the flowers; more than anything else I miss the flowers,’ she mused. And sought after them even in the paintings which we brought from the shops and the galleries, magnificent canvases such as I’d never seen in New Orleans—from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like to those states when I’m nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps. Paris flowed into these rooms.

  “I found myself at home there, again forsaking dreams of ethereal simplicity for what another’s gentle insistence had given me, because the air was sweet like the air of our courtyard in the Rue Royale, and all was alive with a shocking profusion of gas light that rendered even the ornate lofty ceilings devoid of shadows. The light raced on the gilt curlicues, flickered in the baubles of the chandeliers. Darkness did not exist. Vampires did not exist.

  “And even bent as I was on my quest, it was sweet to think that, for an hour, father and daughter climbed into the cabriolet from such civilized luxury only to ride along the banks of the Seine, over the bridge into the Latin Quarter to roam those darker, narrower streets in search of history, not victims. And then to return to the ticking clock and the brass andirons and the playing cards laid out upon the table. Books of poets, the program from a play, and all around the soft humming of the vast hotel, distant violins, a woman talking in a rapid, animated voice above the zinging of a hairbrush, and a man high above on the top floor repeating over and over to the night air, ‘I understand, I am just beginning, I am just beginning to understand.…’

  “ ‘Is it as you would have it?’ Claudia asked, perhaps just to let me know she hadn’t forgotten me, for she was quiet now for hours; no talk of vampires. But something was wrong. It was not the old serenity, the pensiveness that was recollection. There was a brooding there, a smoldering dissatisfaction. And though it would vanish from her eyes when I would call to her or answer her, anger seemed to settle very near the surface.

  “ ‘Oh, you know how I would have it,’ I answered, persisting in the myth of my own will. ‘Some garret near the Sorbonne, near enough to the noise of the Rue St. Michel, far enough away. But I would mainly have it as you would have it.’ And I could see her warmed, but looking past me, as if to say, ‘You have no remedy; don’t draw too near; don’t ask of me what I ask of you: are you content?’

  “My memory is too clear; too sharp; things should wear at the edges, and what is unresolved should soften. So, scenes are near my heart like pictures in lockets, yet monstrous pictures no artist or camera would ever catch; and over and over I would see Claudia at the piano’s edge that last night when Lestat was playing, preparing to die, her face when he was taunting her, that contortion that at once became a mask; attention might have saved his life, if, in fact, he were dead at all.

  “Something was collecting in Claudia, revealing itself slowly to the most unwilling witness in the world. She had a new passion for rings and bracelets children did not wear. Her jaunty, straight-backed walk was not a child’s, and often she entered small boutiques ahead of me and pointed a commanding finger at the perfume or the gloves she would then pay for herself. I was never far away, and always uncomfortable—not because I feared anything in this vast city, but because I feared her. She’d always been the ‘lost child’ to her victims, the ‘Orphan,’ and now it seemed she would be something else, something wicked and shocking to the passers-by who succumbed to her. But this was often private; I was left for an hour haunting the carved edifices of Notre-Dame, or sitting at the edge of a park in the carriage.

  “And then one night, when I awoke on the lavish bed in the suite of the hotel, my book crunched uncomfortably under me, I found her gone altogether. I didn’t dare ask the attendants if they’d seen her. It was our practice to spirit past them; we had no name. I searched the corridors for her, the side streets, even the ballroom, where some almost inexplicable dread came over me at the thought of her there alone. But then I finally saw her coming through the side doors of the lobby, her hair beneath her bonnet brim sparkling from the light rain, the child rushing as if on a mischievous escapade, lighting the faces of doting men and women as she mounted the grand staircase and passed me, as if she hadn’t seen me at all. An impossibility, a strange graceful slight.

  “I shut the door behind me just as she was taking off her cape, and, in a flurry of golden raindrops, she shook it, shook her hair. The ribbons crushed from the bonnet fell loose and I felt a palpable relief to see the childish dress, those ribbons, and something wonderfully comforting in her arms, a small china doll. Still she said nothing to me; she was fussing with the doll. Jointed somehow with hooks or wire beneath its flouncing dress, its tiny feet tinkled like a bell. ‘It’s a lady doll,’ she said, looking up at me. ‘See? A lady doll.’ She put it on the dresser.

  “ ‘So it is,’ I whispered.

  “ ‘A woman made it,’ she said. ‘She makes baby dolls, all the same, baby dolls, a shop of baby dolls, until I said to her, “I want a lady doll.’ ”

  “It was taunting, mysterious. She sat there now with the wet strands of hair streaking her high forehead, intent on that doll. ‘Do you know why she made it for me?’ she asked. I was wishing now the room had shadows, that I could retreat from the warm circle of the superfluous fire into some darkness, that I wasn’t sitting on the bed as if on a lighted stage, seeing her before me and in her mirrors, puffed sleeves and puffed sleeves.

  “ ‘Because you are a beautiful child and she wanted to make you happy,’ I said, my voice small and foreign to myself.

  “She was laughing soundlessly. ‘A beautiful child,’ she said, glancing up at me. ‘Is that what you still think I am?’ And her face went dark as again she played with the doll, her fingers pushing the tiny crocheted neckline down toward the china breasts. ‘Yes, I resemble her baby dolls, I am her baby dolls. You should see her working in that shop; bent on her dolls, each with the same face, lips.’ Her finger touched her own lip. Something seemed to shift suddenly, something within the very walls of the room itself, and the mirrors trembled with her image as if the earth had sighed beneath the foundations. Carriages rumbled in the streets; but they were too far away. And then I saw what her still childish figure was doing: in one hand she held the doll, the other to her lips; and the hand that held the doll was crushing it, crushing it and popping it so it bobbed and broke in a heap of glass that fell now from her open, bloody hand onto the carpet. She wrung the tiny dress to make a shower of littering particles as I averted my eyes, only to see her in the tilted mirror over the fire, see her eyes scanning me from my feet to the top of my head. She moved through that mirror towards me and drew close on the bed.

 
“ ‘Why do you look away, why don’t you look at me?’ she asked, her voice very smooth, very like a silver bell. But then she laughed softly, a woman’s laugh, and said, ‘Did you think I’d be your daughter forever? Are you the father of fools, the fool of fathers?’

  “ ‘Your tone is unkind with me,’ I answered.

  “ ‘Hmmm … unkind.’ I think she nodded. She was a blaze in the corner of my eye, blue flames, golden flames.

  “ ‘And what do they think of you,’ I asked as gently as I could, ‘out there?’ I gestured to the open window.

  “ ‘Many things.’ She smiled. ‘Many things. Men are marvellous at explanations. Have you see the “little people” in the parks, the circuses, the freaks that men pay money to laugh at?’

  “ ‘I was a sorcerer’s apprentice only!’ I burst out suddenly, despite myself. ‘Apprentice!’ I said. I wanted to touch her, to stroke her hair, but I sat there afraid of her, her anger like a match about to kindle.

  “Again she smiled, and then she drew my hand into her lap and covered it as best she could with her own. ‘Apprentice, yes,’ she laughed. ‘But tell me one thing, one thing from that lofty height. What was it like … making love?’

  “I was walking away from her before I meant to, I was searching like a dim-witted mortal man for cape and gloves. ‘You don’t remember?’ she asked with perfect calm, as I put my hand on the brass door handle.

  “I stopped, feeling her eyes on my back, ashamed, and then I turned around and made as if to think, Where am I going, what shall I do, why do I stand here?

  “ ‘It was something hurried,’ I said, trying now to meet her eyes. How perfectly, coldly blue they were. How earnest. ‘And … it was seldom savored … something acute that was quickly lost. I think that it was the pale shadow of killing.’

  “ ‘Ahhh …’ she said. ‘Like hurting you as I do now … that is also the pale shadow of killing.’