Serials to Graphic Novels

by Catherine J Golden

  ———. Fagin the Jew. 2003. Introd., artwork, and app. by the author. Fwd. Brian Michael Bendis. Afterword Jeet Heer. 2003. Milwaukee: Dark Horse, 2013. Print.

  ———. Graphic Storytelling and Visual Narrative. Tamarac, FL: Poorhouse Press, 1996. Print.

  Eliot, George. The Mill on the Floss. 1860. Ed. and introd. Gordon S. Haight. World’s Classics. Oxford and New York: Oxford UP, 1981. Print.

  Eliot, Simon. “The Business of Victorian Publishing.” In The Cambridge Companion to the Victorian Novel. Ed. Deirdre David. Cambridge: Cambridge UP, 2001. 36–61. Print.

  Eliot, Simon, and Jonathan Rose, eds. A Companion to the History of the Book. London: Blackwell, 2007. Print.

  Engen, Rodney. Sir John Tenniel: Alice’s White Knight. Aldershot, UK: Scolar Press, 1991. Print.

  Erickson, Steve. “Dreamland: When Neil Gaiman Writes the Last Chapter of ‘The Sandman’ this Fall, the Greatest Epic in the History of Comic Books—Seven Years and 2,000 Pages—Will Come to a Close.” 3 Sept. 1995. Web. 7 July 2015. .

  Everitt, Graham. The Illustrated Book. Cambridge, MA: Harvard UP, 1938. Print.

  Feltes, N. N. Modes of Production of Victorian Novels. Chicago: Chicago UP, 1986. Print.

  Ferguson, Christine. “Steam Punk and the Visualization of the Victorian: Teaching Alan Moore’s The League of Extraordinary Gentlemen and From Hell.” In Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. New York: MLA, 2009. 200–07. Print.

  Fisher, Judith L. “Image Versus Text in the Illustrated Novels of William Makepeace Thackeray.” In Victorian Literature and the Victorian Visual Imagination. Ed. Carol T. Christ and John O. Jordan. Berkeley and Los Angeles: U of California P, 1995. 60–87. Print.

  Flanders, Judith. Inside the Victorian Home: A Portrait of Domestic Life in Victorian Britain. New York: Norton, 2003. Print.

  Forster, John. The Life of Charles Dickens. 1872–74. 3 vols. Philadelphia: J. B. Lippincott Co., 1882. Print.

  Frye, Northrop, Sheridan Baker, and George Perkins. The Harper Handbook to Literature. New York: Harper and Row, 1985. Print.

  Gardham, Julie. “The Mirror of the World.” University of Glasgow, Special Collections. Web. 17 Aug. 2014. .

  Gaskell, Elizabeth. The Life of Charlotte Brontë. 1857. New York: Penguin, 1998. Print.

  ———. Mary Barton. 1848. Ed. Edgar Wright. New York: Oxford UP, 1998. Print.

  ———. North and South. 1855. Ed. Alan Shelston. New York: Norton, 2005. Print.

  ———. Wives and Daughters. 1866. 2 vols. Illus. George Du Maurier. London: Smith, Elder and Co., 1866. Reprint. London: British Library, 1966. Print.

  Gerard, David E. “Subscription Libraries.” Encyclopedia of Library and Information Science. Ed. Allen Kent, Harold Lancour, and Jay Elwood Daily. Vol. 29. New York: Marcel Dekker, 1980. Print.

  Gibbons, Frank. Batman: The Dark Knight Returns. 1986. Artwork Klaus Johnson. New York: DC Comics, 1997.

  Golden, Catherine J. “Beatrix Potter: Naturalist Artist.” Woman’s Art Journal (Spring/Summer 1990): 16–20. Print.

  ———, ed. Book Illustrated: Text, Image, and Culture 1770–1930. New Castle, DE: Oak Knoll, 2000. Print.

  ———. “Cruikshank’s Illustrative Wrinkle in Oliver Twist’s Misrepresentation of Class.” In Book Illustrated: Text, Image, and Culture 1770–1930. Ed. Catherine J. Golden. New Castle, DE: Oak Knoll, 2000. 117–46. Print.

  ———, ed. Hannah M. Adler Collection. Saratoga Springs, NY: Skidmore College, 1993.

  ———. Images of the Woman Reader in Victorian British and American Fiction. Gainesville: UP of Florida, 2003. Print.

  ———. “Natural Companions: Text and Illustration in the Work of Beatrix Potter.” In Beatrix Potter as Writer and Illustrator. Beatrix Potter Studies VIII (1998): 50–68. Print.

  ———. Posting It: The Victorian Revolution in Letter Writing. Gainesville: UP of Florida, 2009. Print.

  ———. “Turning Life into Literature: The Romantic Fiction of George Du Maurier.” The CEA Critic 58.1 (1995): 43–52. Print.

  ———. “The Victorian Illustrated Book: Authors Who Composed with Graphic Images and Words.” Diss. University of Michigan, 1986. Print.

  ———. “‘The Yellow Wall-Paper’ and Joseph Henry Hatfield’s Original Magazine Illustrations.” ANQ 18.2 (Spring 2005): 53–63. Print.

  Goldman, Paul. Beyond Decoration: The Illustrations of John Everett Millais. London: British Library; New Castle, DE: Oak Knoll, 2005. Print.

  ———. “Defining Illustration Studies: Towards a New Academic Discipline.” In Reading Victorian Illustration, 1855–1875: Spoils of the Lumber Room. Ed. Paul Goldman and Simon Cooke. Surrey, UK: Ashgate Publishing Ltd., 2012. 13–32. Print.

  ———. Victorian Illustration: The Pre-Raphaelites, the Idyllic School and the High Victorians. Aldershot: Scolar Press, 1996. New ed. London: Lund Humphries, 2004. Print.

  Goldman, Paul, and Simon Cooke, eds. Reading Victorian Illustration, 1855–1875: Spoils of the Lumber Room. Surrey, UK: Ashgate Publishing Ltd., 2012. Print.

  Gombrich, E. H., and E. Kris. Caricature. London: Penguin Books Ltd., 1940. Print.

  Goodman, Helen. “Women Illustrators of the Golden Age of American Illustration.” Woman’s Art Journal 8.1 (Spring/Summer 1987): 13–22. Print.

  Gravett, Paul. “Classical Comics: Turning Classics into Comics.” Web. 3 Nov. 2014. .

  ———. Graphic Novels: Everything You Need to Know. New York: HarperCollins, 2005. Print.

  Great Exhibition of the Works of Industry of all Nations, 1851. Official Descriptive and Illustrated Catalogue. By Authority of the Royal Commission. In Three Volumes. London: Spicer Brothers, 1851. Print.

  Grennan, Simon, adapt. Courir deux lièvres: un roman de peu de mots. D’après John Caldigate. By Anthony Trollope. Artwork by the adaptor. Paris: Les Impressions Nouvelles, 2015. Print.

  ———, adapt. Dispossession: A Novel of Few Words. After John Caldigate by Anthony Trollope. Artwork by the adaptor. London: Jonathan Cape, 2015. Print.

  ———. “Perhaps I’ll Draw and You Complete the Story.” Times Higher Education (16 Apr. 2015): 54–55. Print.

  Guérin, Pierre Narcisse. Clytemnestra. 1817. Musée des Beaux Arts. Orléans, France. Oil on canvas.

  Guliano, Eduard, ed. Lewis Carroll: A Celebration. New York: Crown Publishers, 1982. Print.

  Haggard, H. Rider. King Solomon’s Mines. 1885. New York: Dover, 1996. Print.

  Hagstrum, Jean. The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago: U of Chicago P, 1958. Print.

  Hammerton, J. A. The Dickens Picture-Book: A Record of the Dickens Illustrations. London: Educational Book Co. Ltd., 1910. Print.

  Hancher, Michael. The Tenniel Illustrations to the “Alice” Books. Columbus, OH: Ohio State UP, 1985. Print.

  Hannah, Donald. “The Author’s Own Candles: The Significance of the Illustrations to Vanity Fair.” In Renaissance and Modern Essays Presented to Vivian Sola Pinto in Celebration of His Seventieth Birthday. Ed. George R. Hibbard. London: Routledge and Kegan Paul, 1966. 119–27. Print.

  Hardy, Thomas. Far from the Madding Crowd. 1874. New York: Bantam, 1974. Print.

  ———. The Hand of Ethelberta. 1876. Ed. Tim Dolin. New York: Penguin, 1998. Print.

  ———. A Laodicean. 1891. Ed. John Schad. New York: Penguin, 1998. Print.

  ———. Tess of the D’Urbervilles. 1891. Ed. Scott Elledge. 3rd ed. New York: Norton, 1991. Print.

  Hargreaves, Alice Liddell. “Alice’s Recollections of Carrollian Days as Told to Her Son, Caryl Hargreaves.” The Cornhill Magazine (July 1932): 1–12. Print.

  Harris, Laurie Lanzen. Nineteenth-Century Literature Criticism. Vol. 3. Detroit, MI: Gale Research Co., 1983. Print.

  Harr
is, Neil. “Pictorial Perils: The Rise of American Illustration.” In The American Illustrated Book in the Nineteenth Century. Ed. Gerald W. R. Ward. Charlottesville: UP of Virginia, 2002. 3–19. Print.

  Harrison, Antony H., ed. The Letters of Christina Rossetti. Charlottesville: U of Virginia P, 1997. Print.

  Harrison, Kimberly, and Richard Fantina, eds. Victorian Sensations: Essays on a Scandalous Genre. Columbus, OH: Ohio State UP, 2006. Print.

  Harthan, Jonathan. The History of the Illustrated Book: The Western Tradition. London: Thames and Hudson, 1981. Print.

  Harvey, John Robert. Victorian Novelists and Their Illustrators. New York: New York UP, 1971. Print.

  Hastings, Chris. “Bigamy! Blackmail! Betrayal! A scorching new graphic novel by … celebrated Victorian novelist Anthony Trollope.” Daily Mail, 5 July 2014. Web. 14 July 2015. .

  Heer, Jeet. “Rewriting Dickens: Eisner’s Fagin the Jew.” In Fagin the Jew. By Will Eisner. Milwaukee: Dark Horse, 2013. 128–33. Print.

  Helfand, Lewis, adapt. Alice in Wonderland. By Lewis Carroll. Artwork Rajesh Nagulakonda. Campfire. New Delhi, Ind.: Kalyani Navyug Media Pvt. Ltd., 2010. Print.

  Heller, Deborah. “The Outcast as Villain and Victim: Jews in Dickens’s Oliver Twist and Our Mutual Friend.” In Jewish Presences in English Literature. Ed. Derek Cohen and Deborah Heller. Montreal: McGill-Queen’s UP, 1990. 40–60. Print.

  Helsinger, Elizabeth. “Rossetti and the Art of the Book.” In Book Illustrated: Text, Image, and Culture 1770–1930. Ed. Catherine J. Golden. New Castle, DE: Oak Knoll, 2000. 147–93. Print.

  Hicks, George Elgar. The General Post Office, One Minute to Six. 1860. Museum of London. Oil paint on canvas.

  Hill, Jonathan E. “Cruikshank, Ainsworth, and Tableau Illustration.” Victorian Studies 23.4 (Summer 1980): 429–59. Print.

  Hill, Richard J. Picturing Scotland Through the Waverley Novels: Walter Scott and the Origins of the Victorian Illustrated Book. Burlington, VT: Ashgate, 2010. Print.

  Hobbs, Anne Stevenson. Beatrix Potter’s Art. London: Frederick Warne and Co., 1989. Print.

  Hobbs, Anne Stevenson, and Joyce Irene Whalley. Beatrix Potter: The V&A Collection. London: The Victoria and Albert Museum and Frederick Warne and Co., 1985. Print.

  Hodnett, Edward. Five Centuries of English Book Illustration. Aldershott, UK: Scolar Press, 1988. Print.

  Hogarth, William. The Rake’s Progress. ca. 1733–35. Eight paintings. Sir John Soames Museum, London. Oil on canvas. Holme, Geoffrey. British Book Illustration Yesterday and Today. London: Studio Ltd., 1923. Print.

  Hollington, Michael. The Reception of Charles Dickens in Europe. Vol. I. London: Bloomsbury, 2013. Print.

  Homans, Margaret. “Dreaming of Children: Literalisation in Jane Eyre and Wuthering Heights.” In Jane Eyre: Contemporary Critical Essays. Ed. Heather Glen. New York: St. Martin’s Press, 1997. 147–67. Print.

  Horace. “Art of Poetry.” In Horace for English Readers. Transl. E. C. Wickham. Oxford: Oxford UP, 1903. 340–63. Print.

  Houghton, Walter. The Victorian Frame of Mind, 1830–1870. New Haven: Yale UP, 1963. Print.

  House, Madeline, and Graham Storey, eds. Letters: Charles Dickens. 10 vols. Oxford: Clarendon, 1965. Print.

  Hughes, Kristine. The Writer’s Guide to Everyday Life in Regency and Victorian England from 1811–1901. Cincinnati, Ohio: Writer’s Digest Books, 1998. Print.

  Hughes, Linda K., and Michael Lund. The Victorian Serial. Charlottesville: U of Virginia P, 1991. Print.

  Interview with Charles Parkhurst, e-mail, 13 July 2016.

  Interview with Francis Mosley, e-mail, 8 July 2015.

  Interview with Simon Grennan, e-mail, 4 July 2015.

  Jackson, Arlene M. Illustration and the Novels of Thomas Hardy. Totowa, NJ: Rowman and Littlefield, 1981. Print.

  James, Henry. “The Art of Fiction.” In Partial Portraits. 1888. London: Macmillan, 1899. 375–408. Print.

  ———. Autobiography. 1911. New York: Criterion Books, 1956. Print.

  ———. Du Maurier and London Society. London: Kessinger Publishing, 2004. Print.

  ———. “George Du Maurier.” Harper’s New Monthly Magazine 95 (Sept. 1897): 594–609. Print.

  ———. “George Du Maurier.” Harper’s Weekly 88 (14 Apr. 1894): 341–42. Print.

  ———. The Golden Bowl. 1904. New York: A. M. Kelley, 1971. Print.

  ———. The Portrait of a Lady. 1881. Ed. Jan Cohn. Boston: Houghton Mifflin, 2001. Print.

  ———. A Small Boy and Others. 1913. New York: Scribner, 1914. Print.

  Johnson, Dan, adapt. Oliver Twist. By Charles Dickens. Artwork Rajesh Nagulakonda. Campfire. New Delhi, Ind.: Kalyani Navyug Media Pvt. Ltd., 2011. Print.

  Jones, Bruce, adapt. Batman: Through the Looking Glass. Artwork Sam Keith. New York: DC Comics, 2011. Print.

  Jones, William B., Jr. Classics Illustrated: A Cultural History, With Illustrations. Jefferson, NC: McFarland, 2002. Print.

  Katz, Bill. A History of Book Illustration: 29 Points of View. Metuchen, NJ: Scarecrow Press, 1994. Print.

  Kaufman, Richard Frederick. “The Relationship Between Text and Illustration in the Novels of Dickens, Thackeray, Trollope, and Hardy.” Diss. New York University, 1979. Print.

  Kelly, Richard. George Du Maurier. Boston: Twayne, 1983. Print.

  ———. “‘If You Don’t Know What a Gryphon Is’: Text and Illustration in Alice’s Adventures in Wonderland.” In Lewis Carroll: A Celebration. Ed. Edward Guliano. New York: Crown Publishers, 1982. 62–74. Print.

  Kerker, Milton. “Svengali, Another Byword in the Lexicon of Jewish Villainy.” Midstream: A Quarterly Jewish Review (Nov./Dec. 2005): n. pag. Print. Free Library. 2005 Theodor Herzl Foundation. Web. 14 July 2015. .

  Kick, Russ, ed. The Graphic Canon, Vol. II: From “Kubla Khan” to the Brontë Sisters, to The Picture of Dorian Gray. New York: Seven Stories Press, 2012. Print.

  King, Andrew, and John Plunkett, eds. Victorian Print Media: A Reader. New York: Oxford UP, 2005. Print.

  King, Stacy, adapt. Pride and Prejudice. By Jane Austen. Artwork Po-Tse. Manga Classics. Udon Entertainment in association with Morpheus Publishing Ltd. Richmond Hill, Ontario, Can.: Morpheus Publishing Ltd., 2014. Print.

  Kinsley, James. Introd. to The Posthumous Papers of the Pickwick Club. Ed. James Kinsley. Illus. Robert Seymour and Hablot Knight Browne. New York: Oxford UP, 1986. vii–xv. Print.

  Kooistra, Lorraine Janzen. The Artist as Critic: Bitextuality in Fin-de-Siècle Illustrated Books. Aldershot, UK: Scolar Press, 1995. Print.

  ———. Christina Rossetti and Illustration: A Publishing History. Athens: Ohio UP, 2002. Print.

  ———. Poetry, Pictures, and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture, 1855–1875. Athens: Ohio UP, 2011. Print.

  Kunzle, David. The History of the Comic Strip, Vol. II: The Nineteenth Century. Berkeley and Los Angeles: U of California P, 1990. Print.

  Landow, George P. “Social and Economic Forces Influencing Pickwick’s Mass Readership.” The Victorian Web. George P. Landow, editor-in-chief and webmaster. Web. 18 Sept. 2014. .

  Lane, Lauriat, Jr. “Dickens’ Archetypal Jew.” PMLA 73.1 (March 1958): 94–100. Print.

  Lane, Margaret. The Magic Years of Beatrix Potter. London: Frederick Warne and Co., 1978. Print.

  Lear, Linda. Beatrix Potter: A Life in Nature. New York: St. Martin’s Griffin, 2008. Print.

  ———. “Natural History: A Scientist’s Eye.” Nature 508 (24 Apr. 2014): 454–55. Print.

  L’Estrange, A. G., ed. The Life of Mary Russell Mitford. Vol. 3. London: Richard Bentley, 1870. Print.

  Leighton, Mary Elizabeth, and Lis
a Surridge. “The Plot Thickens: Toward a Narratological Analysis of Illustrated Serial Fiction in the 1860s.” Victorian Studies 51.1 (Autumn 2008): 65–101. Print.

  Lessing, Gotthold Ephraim. Laocoön. 1766. London: G. Routledge and Sons, 1905. Print.

  Linder, Leslie. A History of the Writings of Beatrix Potter. London: Frederick Warne and Co., 1979. Print.

  ———. The Journal of Beatrix Potter from 1881–1897. London: Frederick Warne and Co., Ltd., 1979. Print.

  Linder, Leslie, and Enid Linder. The Art of Beatrix Potter. London: Frederick Warne and Co., 1985. Print.

  Lister, T. H. “Dickens’ ‘Tales.’” Edinburgh Review 68.137 (Oct. 1838): 75–97. Included in Nineteenth-Century Literature Criticism. Ed. Laurie Lanzen Harris. New York: Gale Research Co., 1983. 138–40. Print.

  Locker, Arthur. “Charles Dickens.” The Graphic (18 June 1870): 687. Print.

  Logan, Thad. The Victorian Parlour: A Cultural Study. Cambridge, UK: Cambridge UP, 2001. Print.

  “London Census.” Web. 22 Sept. 2014. .

  Longfellow, Henry Wordsworth. Evangeline. 1847. Illus. F. O. C. Darley. Boston: Fields, Osgood, and Co., 1869. Print.

  Lopes, Paul. Demanding Respect: The Evolution of the American Comic Book. Philadelphia: Temple UP, 2009. Print.

  Lovell-Smith, Rose. “The Animals of Wonderland: Tenniel as Carroll’s Reader.” Criticism 45.4 (Fall 2003): 383–415. Print.

  Macdonald, Fiona, adapt. Jane Eyre. By Charlotte Brontë. Artwork Penko Gelev. Hauppauge, NY: Barron’s Educational Series, 2009. Print.

  MacDonald, George. At the Back of the North Wind. Illus. Arthur Hughes. London: Strahan and Co., 1871. Print.

  Maidment, Brian. Comedy, Caricature and the Social Order, 1820–50. Manchester, UK: Manchester UP, 2013. Print.

  Masereel, Frans. Passionate Journey: A Vision in Woodcuts. 1919. New York: Dover, 2007. Print.

  Maxwell, Richard. “Afterword: The Destruction, Rebirth, and Apotheosis of the Victorian Illustrated Book.” In The Victorian Illustrated Book. Ed. Richard Maxwell. Charlottesville: UP of Virginia, 2002. 385–422. Print.

  ———, ed. The Victorian Illustrated Book. Charlottesville: UP of Virginia, 2002. Print.