Clarkesworld Magazine Issue 110

by Neil Clarke

  The ball is not in the Hero’s honor, but that does not stop him from being mobbed by well-wishers as he comes down the sweeping staircase. They shake his hand, and pat his back, and ask him to dance, and offer him drinks, all of which he waves away with a good natured laugh. By inches, he makes his way to the dais, where sits the Elector of Asteria, watching the hub-bub with a fond eye.

  The Hero kisses the Elector’s hand, and is warmly received in return. After he extends his well-wishes on her birthday, he is swept away by the Elector’s Heir to the roulette table, where he puts his fabulous luck to work at winning a large sum of gold. Later he charms the crowd with a vigorous horn-pipe solo, orates a touching toast to the birthday girl, and quickly dispatches a kettle-snake that somehow managed to crawl in through an open door and help itself to the oyster bar.

  Later still, when the ball is called closed by the steward, and the rest of the guests have been stuffed, drunken and exhausted, into their carriages, the Hero slips through the darkened hallways of the Elector’s palace, evading the drowsy guards, and climbs the one hundred and fifty steps to the top of the Star Tower. He arrives at the top, puffing and a bit winded, for the steps are steep and very narrow. But the Elector is waiting for him inside, and she doesn’t mind that he’s a bit sweaty, not at all.

  Even later, they lie wrapped in fur blankets, before the fire, and look upward, through the glass ceiling at the star-studded sky. The moon has long since set, but to the south, the darkness is slightly washed with green. The comet will be rising soon.

  “I’m getting old,” the Hero says with a sigh. “Once this time of night would have felt too early. Now it feels too late.”

  “Oh, tut,” says the Elector, who is older than the Hero by at least fifteen years, and still feels in her prime. Their exertions reopened the dragon scratch on the Hero’s thigh, and they are both now liberally streaked with blood, but neither feels like leaving their cocoon to attend to the mess. Their limbs are entangled in the most perfect comfort, and because of the glass above, the room is cold.

  “I should retire,” the Hero says, yawning. “I’m thinking of retiring, actually.”

  “And what would you do then, I wonder? Take up knitting?” The Elector toys with the scar on his shoulder, received years ago in a fight with an egregore.

  “You don’t know how it is, darling,” he complains. “People trying to kill you all the time, facing death, pretending you don’t care—”

  “No, I don’t know about any of that,” the Elector answers. She has weathered six assassination attempts, given birth to three children, and faced down two coups, all with a smile on her face. But that’s not heroic, that’s just life.

  “I think about it . . . stopping. Sleeping late in the morning, not being responsible for anyone’s well-being. But then I think: What’s my legacy? What will I have left behind? What will they sing of in the evenings when I’m gone, and the next hero’s come in to slay nameless beasts with his well-named sword . . . ? And I think to myself: one last adventure. One last great adventure to go out on . . . And then I can buy a small house in the country and grow fat on apple dumplings.”

  “Well if that’s really what you want, I may be able to help.” The Elector slithers from the fur blankets, goes to her desk, pawing through the mess. “Are you familiar with Illyria?”

  “It’s west, somewhere, isn’t it?”

  The Elector has found what she was looking for, and now she turns back to the Hero. The comet has risen fully now, flooding the room with green light, turning her long gray hair silvery, turns the dried blood on her stomach and thighs emerald. “Far west. It’s a small country, not much to commend it. Some decent rubies. A few songs. And this.”

  He catches the chain she lobs at him. The pendant hits him square on the chest. He holds it up, sees a dangling gold locket set with a circle of tiny rubies. Inside is a gorgeously rendered portrait of a small pair of bare feet. The feet are young and soft, fragile looking. They are feet that have never walked a mile, or climbed a fence, or worn an ill-fitting shoe.

  “Is this a joke?” the Hero asks. He is finding these small feet strangely stirring. They look so defenseless. The toes remind him of little pearls.

  “Illyria is a hilly country. They like feet there. Their poets say the feet are the root of the soul. Or something.” She fusses with some papers, not looking at him. “And besides, some people find feet to be very erotic.”

  “Some do.” Now he too rises from the fur blankets, to fill his jorum with wine poured from the clay jug warming on the hob. He tosses the wine back, and begins to dress. “But what should I do in Illyria?”

  “Along with feet, what Illyria is rich in, is monsters. Strange, complicated, hard-to-kill ones. One monster in particular is causing the King of Illyria a lot of consternation. He has sent out a diplomatic circular seeking a hero to slay this monster.”

  “Has he no heroes of his own?”

  “Apparently not. But he does have a daughter with beautiful feet.”

  “What is wrong with this princess that she cannot slay her own monster?”

  “Not everyone is so enamored of swordplay, my love. And anyway, in Illyria they prefer their ladies to be delicate and decorative.” The Elector returns to the snug nest of blankets, watches the Hero as he sits in a chair, pulls on one boot.

  He says casually, “You mentioned songs. Is there, perhaps a song in which a hero slays a monster and wins the hand of the princess, and the rights to a kingdom rich in rubies?”

  “Now, as to that, you must ask your jongleur. My acquaintance with their legends and art forms extends only as far as that embassy ball I attended, in which feet were greatly celebrated in art and song, but woefully trampled in dance.” The Elector arches one of her own elegant feet, and lays it in his lap. He massages it idly with his large and capable hands. “But I imagine the standard rules apply.”

  “It’s a long time,” he says with a roguish grin, “since I was a foot soldier.”

  The Hero had started small, the third son of a highborn family in a country far to the north, which he has never cared to name. In that country’s tradition, the third son is the steward of the land, but the Hero did not care to be a steward. His personality was charmingly amoral, and his inclinations were towards flamboyant actions. But those qualities were reserved for the first son, with maybe a bit left over for the second. The third son was to be sober and attentive to the family’s extensive holdings, from which derived most of the family’s income and influence. He saw no heroics in pumpkins or wheat, so he left, leaving behind his family name, taking with him only his ambitions.

  He went south, joined the Elector’s army as a private, and rose through the ranks to captain. He fought in her name as she expanded her territories, and in this fighting he made his own name as one who was reckless and bold, who was fair in battle, would honor the terms of a surrender, and who led from in front, not from behind. Then, bored with discipline and taking orders, he resigned his commission, and put together a small hand-picked crew of toughs and renegades, men who would fight to the death for the right price. Together, they embarked upon a glittering career as mercenaries, and with each campaign their fame grew.

  But now, almost thirty years later, the Hero is ready to put his sword down. The knee he broke when a wyvern fell on it aches when it rains. The lung-full of dragon smoke he sucked in fifteen years ago still makes him wheeze. He has lost a toe to a shark-shifter, broken his nose in a battle with a catoblepas, and still has nightmares about being trapped for a week in a troll’s nest. His horse seems taller and the ground harder and field rations harder to digest. Wedding a sweet young princess and settling down to rule a small but rich kingdom sounds to him like an excellent retirement plan.

  And so the next day finds him waiting for the Illyrian envoy in one of the Elector’s lesser receiving rooms. He’s wearing his best doublet, his best trunk hose, his best sleeves. Golden earrings gleam against his dark skin. His black hair is cau
ght in a gold clasp. He doesn’t look at all like a hard-bitten mercenary. He looks like a prince.

  “What if she’s an idiot?” Reynard says.

  Typically, Reynard has not bothered to dress up. He wears the same tattered rusty red robe when-ever, what-ever. Since it’s never in style, it’s never out of style either. Unlike heroes, jongleurs of his caliber have no reason to try to impress with their clothes. When he sings or tells his tales, most people close their eyes to listen harder. Now, Reynard quits his pacing and perches on the velvet settee, hands clasped in his lap.

  “As long as the princess is rich, I don’t care.” The Hero helps himself to a sugar plum. Since he’s in constant fighting trim, he never has to watch his waistline.

  “Perhaps they are her best feature.” Reynard waves the dish away; he doesn’t fight. He’s been with the Hero ever since the Hero rescued him from a nasty trap he was caught in up in the Refusian Mountains. Like the Hero, he, too, has no place of origin, not that he’ll admit to. He knows the songs and stories of many lands, and plenty of good riddles, too.

  He says: “What if she’s a scold?”

  “Let her scold! My hearing is half shot already. Is my buckler on straight?”

  “You look perfect and you know it,” Reynard says. “What if she’s an idiot and a scold and ugly besides?”

  “Why then,” the Hero says fondly, “I still have you.”

  Reynard snuggles up to him, and when the Illyrian envoy enters the room, he sees only a handsome dark man with a fox tucked under his arm. The Hero is feeding it sugarplums.

  “How much farther is it to the palace?” the Hero asks. He tries to ask casually, aware that even so he risks sounding like a child on the road to granny’s. He is game but disgruntled; he’s no longer used to not being the one in charge of an expedition. They’ve been on the road for three weeks, with various modes of transportation: a ship down the coast, barges up river, and now horse-back. And yet, they don’t seem any closer to arriving.

  Illyria is a much drier land than he had expected. And a redder one, besides. Each day seems hotter, and they left the last tree behind two days ago. Now it’s red rocks and cactus, and, at the watering holes, the occasional scrubby thornbush. The only green is a green by courtesy; at home, he would have called it gray. But things are different, here. The sky above is as blue as well-tempered steel.

  “Surely that third river was the last one we had to cross?” The ‘river’ had had no water in it. If the Envoy hadn’t identified it as a river, the Hero would have thought it just another wash. The desert was criss-crossed with washes, proof that at some day it would rain. But not today.

  From the back of his gray gelding, the muffled Envoy sighs and answers, “I’m afraid the map is a bit of a muddle.”

  “You’re afraid?” The snappish redhead who rides at the Hero’s side turns his head to the Envoy, lightning quick. When he isn’t singing or telling stories, nothing but quips and pleasantries ever fall from his lips. It annoys the Envoy to no end. “My dear sir,” continues the redhead, closing in for the punchline; “if you’re afraid, imagine how the rest of us feel.”

  “Reynard.” The Hero holds up his hand, and the jongleur stills, as if by magic.

  “I only meant,” the Envoy says with forced patience, “that things are not exactly what they seem. On the map. We are not used to describing things as if we see them from above. Our maps, the ones our people use, are drawn from the foot’s eye view. Foreigners find them incomprehensible.”

  “A map in translation,” the Hero says. “I see.”

  “But we must arrive before dark,” the Envoy intones ominously, and the Hero does not need to ask why.

  He betrays no disappointment when they come to the palace. After all, it’s not as though he’d been shown a picture of it surrounded by rubies. Nobody said it would be huge and splendid. And it’s not. Just a long building, melting into the hilltop it sits upon. Made of dried mud, painted a faded blue, with a red tile roof. They cross a moat full of prickly pear cactus, pass through a fence made of tall ocotillo spines. A simple house, but well-fortified.

  And the forbidding mud walls hold a secret: a courtyard brilliant with purple and red bougainvillea, fragrant with fruit trees: oranges, lemons, fat red pomegranates. A stone fountain burbles refreshingly in the center of the courtyard. Above, the second floor balcony is lined with people, silently watching their arrival.

  “Oh, good,” says Reynard; “I love an audience.” But he dismounts wearily, and says nothing more.

  Before the Hero can follow suit, he is approached by a big man draped in a molting bear-skin, holding a stirrup-cup. The man does not speak any tongue the Hero is familiar with from his travels, but the ever-serviceable Envoy translates as the Hero is enthusiastically greeted with the cup and, once he has drunk and dismounted, an embrace. He still hasn’t figured out who the man is—could be the King, or the chief of security, for all he knows—but it doesn’t matter for now. Plenty of time tonight for reccy work. There will be a feast. There always is.

  The welcome cup is promising, though; it implies brief hospitality, followed by a rest. He’s exhausted, and glad to be led to a hot bath. Once, he could ride all day and feast all night. Now he looks forward to his bed.

  But first, as he predicted: the feast. The food is simple but ample. It’s not like anything he’s tasted before—everything is fiery hot, or seems to involve maize in one form or another—but he guesses he’ll get used to it in time. There’s plenty of cool, fizzy ale to put the fire out.

  Reynard’s songs are well-received, even if the words are not understood. Reynard is well-versed in many languages and probably can speak this one, too, but he likes to lead with his best material. And not to reveal all he knows.

  The bear-skin man does turn out to be the King. No crown, but a very impressive jade earring. You’d think he’d have broken out the rubies tonight, but nothing doing. He grins a lot, and slaps the Hero on the shoulder, his bad shoulder, alas. But he grins back; no need to get on the wrong side of his prospective father-in-law.

  The Princess does not appear until the sweet is served; in fact, there are no other women at the feast at all. The Hero, used to the casual egalitarianism of the Elector’s court, finds that somewhat jarring. The Princess turns out to be a small, nervous girl, her hair in elaborate braids. No rubies there, either, though some nice enameled hairpins. She wears heavily-embroidered red velvet slippers on her feet, which are larger than the portrait made them appear. Maybe it’s the embroidery.

  All in all, not what the Hero had hoped for, but it could have been much, much worse, so he will not complain. The Princess pours him tea with shaking hands, and smiles tremulously when he drinks it. It’s over-brewed, bitter and skunky, but he smiles his thanks. Heroes must operate heroically on many levels.

  Eventually, the Hero brings up the Monster himself. He’s been waiting for the King to mention it, but the King seems to have forgotten why he’s there. Unaccountably nervous, the King. Probing questions receive vague answers.

  Where can the Monster be found? In the hills, somewhere. Or possibly the sky. What does it look like? Big. How big? Bigger, apparently, than a man flapping his arms in a terrifying manner. It flies, then? Maybe. Unless it doesn’t. It has claws, or possibly extra sets of hands, or talons.

  “It can take many forms, this monster,” the Envoy explains. “It is devious. Cunning.”

  The Hero smiles to himself. He doesn’t care what form it takes, or if it’s devious, cunning, or smells like a poopy diaper and can sing five-part madrigals with itself. He’s never met a monster he couldn’t kill. He’ll kill this one, too. And then he will claim his reward and be done with heroics for good.

  The Envoy communicates this to the King, prettying up the sentiment, of course. They agree he will go monster hunting in the morning. Even if they don’t actually find it then, he can get the lay of the land, and show off a little to give them confidence.

  The Hero does
n’t care that the palace is small, or the country clearly not rich. As long as the bed is soft, he’ll be happy.

  It is.

  The Hero wakes in the soft bed to utter darkness and the susurrus of movement. Slowly he moves his hand, touches the warm steel that lies by his left side. He’d gone to sleep with the curled bulk of Reynard pressed against his right side. That pressure is now gone, but not surprisingly. At night, Reynard has a tendency to wander. He listens to the darkness, hears nothing more. But he knows he is not alone. He waits for the danger to declare itself, and declare it does, with the strike of a flint. A spark leaps, and then lights a small oil lamp, flaring green eyes.

  “By the spotted god, I almost killed you,” the Hero complains. “Why did you not declare yourself?”

  “I found the Princess,” the jongleur says, instead of answering.

  The Hero sits up in astonishment.

  “What do you mean?”

  “The Princess. They’ve got her locked up in a storeroom. Not the girl from the feast. The real Princess.”

  “That wasn’t the real Princess?”

  “No. I’m sure of it. I recognized her feet.”

  “Why is she locked up in a storeroom?”

  “I don’t know. I think we should leave. Get out of here while we can. I don’t like the smell of any of this.”

  The Hero is painfully aware that when Reynard doesn’t like the smell of something, it’s usually because that something stinks. But the soft bed . . . and the comfortable manor house . . . and his retirement. They are hundreds of leagues away from Asteria, and he has exactly three hundred dromas in his purse, five hundred more buried in a cave in the Pachego Mountains, and seventy-nine the Lord of Ravensgill owes him from a long night of euchre. That’s not enough to retire on.

  And how can he return to the Elector, and tell her it did not work out? That he ran?

  Plus he’d really like to know why the real Princess is tied up in the cellar, and a false princess was presented to him.

  The Hero’s dim light plays off the storeroom’s crock-lined walls. A ham hanging from the ceiling almost cracks him in the head. If you can say nothing else about the King, he is well prepared for winter. Or a long siege. Reynard trots before him, leading the way. He would prefer to run, but he understands that a hero has his honor.