Adventures of a Sea Hunter: In Search of Famous Shipwrecks

by James Delgado

  We’ve traveled to this remote spot in search of a famous shipwreck for The Sea Hunters. This is our northernmost adventure. The team includes Mike Fletcher, his son Warren (our dive co-coordinator and underwater cameraman), land cameramen Marc Pike and camera and soundman John Rosborough. We rendezvoused in Iqualuit, the capital of Nunavut, where we took a small chartered plane across Baffin Bay to Aasiaat, where we boarded Mary West for the last leg of a thirty-six-hour trip.

  Aasiaat, a small coastal settlement, allows the team to either familiarize, or in some cases, like mine, to refamiliarize, ourselves with the Arctic. For me, that involves a walk to the harbor front where Inuit hunters and fishermen are busy butchering fish and seals. One of the great delicacies of the Arctic is raw fresh seal — or so I’ve been told, somehow having missed this treat on previous northern expeditions. But now, standing on the shores of Aasiaat, with John Rosborough pointing a running camera right at me, how can I refuse the bloody chunk of fresh seal liver that the cheerful hunter is offering me?

  With a smile, I pop the oozing morsel into my mouth, slowly savoring each chewy bite. I must look like I really enjoy it, because my gracious host cuts off a bit of fresh seal blubber and hands it to me. It truly is an honor and a gift not to be refused, so I pop that in, too, finishing off my snack by smacking my lips and licking the blood and glistening fat off my fingertips. He offers me another bite, but I politely decline with “Thanks, I’ve already had a big lunch.” We both laugh. Feeling fully reintegrated with the Arctic and like I’ve just swallowed a glass of oil in which sardines have been soaked, I rejoin the rest of the crew for the voyage across Disko Bay.

  Qeqertarsuaq is a beautiful town, nestled against high cliffs that at present are carpeted with a summer bloom of grass and flowers. The tops of the cliffs are capped with snow, and in the distance, the solid mass of a glacier that covers the center of the island gleams in the sunlight. The houses, built on the crests of the rocks that line the coast and on the small bay that forms the harbor, are a well-kept array of brightly painted red, blue, green, orange and yellow buildings. Some of them, like the Qeqertarsuaq Museum, are old, dating to the nineteenth century. The museum, formerly the home of the inspektor, the government official in charge of this coast, was built in 1840. Solidly constructed of heavy beams atop a stone foundation, its red walls now contain displays that tell the history of the settlement’s Inuit and Danish inhabitants.

  Here, we meet the museum’s director, Elisa Evaideen, and Karl Tobiassen, “an old Greenlander” who knows where all the wrecks on the coast are. Karl points across the harbor to a small cove, known to the locals as K’uigssarssuak, and says that that is where Fox ended her days. More surprisingly, he also tells us that, on the way in, we’d passed a small island, Qeqertaq, where a tall, red-painted metal stack stands as a navigational marker. It is the smokestack or funnel of Fox, taken off the wreck and recycled. Nothing goes to waste in the Arctic.

  With the help of our host, the Arktisk Station, and its director, Bente Jessen Graae, we borrow an inflatable boat to reach the wreck site. We refill our dive tanks every day at the local fire hall (there are no dive shops north of 60 degrees). All this helps us to take advantage of the rare opportunity to dive down into history beneath the waters of the Arctic. Pulling into K’uigssarssuak’s small cove, we realize we will not have to search for the wreck — the tip of Fox’s boiler rises out of the water at low tide. Wedged into the rocks, just where we’ve tied up our boat, are Fox’s hawse pipes, the iron sleeves that once protected the wooden hull from the anchor chain. Pulled free of the wreck after Fox broke up, they were probably left here for salvage and then abandoned, just like the boiler. Wooden hull planking lies on the beach, nearly perfectly preserved. Close by is a section of Fox’s wrought-iron propeller shaft. I’m worried that the hulk, which broke apart in 1940, has been picked away and that nothing but the boiler remains. There’s only one way to find out, though. Pulling on our thick dry suits to keep out the freezing water and our heavy gear, Mike, Warren and I step off into the numbingly cold water and drop down to the bottom to see what remains of Fox.

  James Delgado beside the smokestack or funnel of Fox, now serving as a navigational marker in Qeqertarsuaq harbor in Greenland. Mike Fletcher.

  The rocks that surround the resting place of Fox are worn and rounded by the ice, and covered with slippery seaweed. We follow the rocks down to the sand and gravel seabed, 16 feet below. The cold bites into me, right through the thick layers of the dry suit and the protective “woolies” beneath it. My lips and cheeks, the only bare skin exposed to the sea, throb with the cold, then quickly turn numb.

  The water is relatively clear, and ahead we see the ship’s boiler, completely submerged at high tide. Lying in the sand next to it are the shattered remains of the stern: broken timbers, twisted bronze bolts and a massive iron yoke that once reinforced the rudder. Nearby, a large iron pulley, part of the ship’s steering apparatus, lies atop fallen timbers. We swim past the boiler as Warren films the scene. The boiler has been torn free of its mount in the hull and dragged here to the stern, probably by the ice that buries the wreck each winter. The thick iron is ripped and part of the boiler gapes open, exposing the fire tubes inside it. Coal-fired heat once flowed through those tubes to make the steam that powered Fox, but now they lie cold and dead in the shattered remains of the shipwreck. Trailers of weed drape the boiler, and small fish dart into the protection of the dark boiler as we swim by.

  The keel and keelson that formed the sturdy backbone of Fox lie before us, along with the collapsed starboard side of the hull, partially buried in the sand and the mats of algae that blanket the bottom of the cove. The current sweeps through the wreck, exposing brief glimpses of dark oak, rusted iron, and the shrouded shapes of frames (the “ribs” of the ship) and planks. As Mike and Warren videotape the wreck, I work quickly with a measuring tape and use a pencil to make notes and draw what I see on a sheet of frosted Mylar taped to a plastic clipboard. My notes, together with the video images and the photographs I am also taking, will help us to assemble a map of the broken-up ship, replicating on paper what we see in the gloom of the cove. I am particularly keen to capture as much information as possible because Fox’s plans vanished many years ago.

  Astonishingly, half of Fox survives, pressed into the seabed by years of ice pushing into this small cove. It is an unexpected boon. The ice has flattened the curving side of the hull, shattering the thick layers of planks that formed it and wrenching the bolts out of the timber. And yet much survives, telling us a great deal about the ship. One of the keys to Fox’s survival in the Arctic was the original hull laid down in the Aberdeen shipyard of Alexander Hall & Company. From what remains, I can see that it was formed from diagonally laid planks of Scottish larch, fastened with thick bronze bolts to make a tightly sealed hull with the strength of an interwoven basket. Over these planks, McClintock had the shipyard fasten two layers of thick planks to sheath the hull against the ice. Splintered and torn, one layer of these planks remains in place, held on by the stubs of tough oak treenails that pegged them to the hull. The hull itself was formed from thick curved frames of oak, tightly spaced to make an almost solid wall of wood. Rows of iron stanchions were set into the hull at McClintock’s suggestion to brace Fox against the crushing pressure of the ice.

  But as I examine and document these sturdy features, Warren Fletcher finds a reminder of the exquisite handicraft of the yacht builders. Lying loose on a section of the hull is a small, beautifully lathed and decorated deadeye from the ship’s rigging. Deceptively strong despite its delicate carving, it has that extra touch that befits a gentleman’s yacht. Somehow, perhaps because its lignum vitae wooden heart was stout, the deadeye was kept when many other “decorations” were stripped off for the difficult Arctic voyage.

  The steam engine’s parts lie scattered nearby. As I swim over them, I think of the famous voyage of 1857-59. At the end of the expedition, as the crew prepared to leave their fr
ozen berth and make their way home with the news of the fate of the Franklin expedition, the steam engine lay stowed in the hold, disassembled to keep it from cracking in the freezing months of winter. The ship’s engineer had died, so McClintock had to put the engine back together and fire it up to escape the Arctic. Looking at the scattered pieces of machinery lying on the timbers of the hull like a three-dimensional jigsaw puzzle, I am reminded of what a talented and determined man Francis Leopold McClintock was.

  Over the course of a week, we make more dives, sometimes surfacing in the bright twilight of the midnight sun as we work around the clock to gather as many images and as much information as we can. We may not only be the first but perhaps the only team of divers, and me the only archeologist, to visit Fox at the bottom of the sea. Even in the twenty-first century, this is a distant, hard to reach spot.

  After surfacing on my final dive, I look out at the wind-whipped waters of Qeqertarsuaq’s harbor. Ice is drifting in, in small chunks, and the sun has gone, replaced by gray skies. Snow dusts the cliffs above the settlement. Winter is on its way, and soon the wreck will again be covered by many feet of ice. Slowly, inexorably being ground away by the forces of winter, Fox is returning to the elements in the Arctic where she gained international fame and spent most of her working life. It is a perfect grave for this polar explorer, and as I float over it, I think of Sir John Franklin’s epitaph, carved in marble over his empty crypt at Westminster Abbey:

  Not here: the white North has thy bones; and thou,

  Heroic Sailor-Soul,

  Art passing on thine happier voyage now

  Towards no earthly pole.

  CHAPTER FOURTEEN

  A CIVIL WAR SUBMARINE

  A MYSTERY IN PANAMA

  Standing on the hot sand beach of San Telnio, a small deserted island in the Bay of Panama, I look out at the water. Nothing. Not a thing to be seen, and yet here, according to the locals, lies the wreck of a “Japanese two-man submarine,” sent in secret to attack the Pacific entrance to the Panama Canal. An unlikely tale, to be sure, but after a few years of sea hunting with Clive Cussler, I’ve come to realize that the truth is often stranger than fiction.

  The tide starts to drop, and suddenly, I see a rusted bit of metal sticking up out of the surf. As the water continues to recede, the unmistakable form of a submarine emerges, dripping wet, stained red and orange with corrosion. But it looks nothing like a Japanese midget submarine of the Second World War. In fact, it looks nothing like most submarines I’ve ever seen, save one, a turn-of-the-century precursor to the sub Holland I. That 60-odd-foot submersible, the first of the Royal Navy’s fleet of submarines, is preserved ashore at the Royal Navy Submarine Museum in Gosport, England, not far from where navy divers discovered the sunken Holland I and raised her for exhibition.

  But while this looks a little like Holland I and its numerous early sister subs, the products of the genius of an eccentric Irish-American inventor, John Holland, it’s not one of his. It is simply too small. Football shaped, with a low conning tower, this riveted iron craft looks like something out of 20,000 Leagues Under the Sea.

  James Delgado in the hatch of Sub Marine Explorer in Panama. Photo by Ann Goodhart

  Wading out into the ocean, I splash in water up to my chest to reach the wreck. As the sea washes over and around the hull, I can see that it is firmly bedded down in the sand and that the sea has opened a hole in the iron plates that form the hull. Crawling inside, and ignoring the pain as the sharp metal bites deeply into a shin, I ponder the spider-web lattice of thick iron bars that brace the chamber. I’ve never seen anything like it. The hull form looks to be from around the year 1900, but these iron bars look like they’ve been forged with a heavy hammer, like something out of the 1850s. After crawling out and nicking myself again, I scramble up the slippery top of the submarine to reach the conning tower. It is small, barely big enough for me to fit, and as I look in, I hear the booming of the surf and feel a rush of cool salty air hit my face. There’s more than one hole in this hull.

  Balancing myself on my hands, I drop into the hatch. My feet catch on a lip — the seat for another, inner hatch, perhaps. But it is missing, and so, camera in one hand, I carefully line myself up and drop into what I hope will be chest-high water. It turns out to be only waist deep. My feet hit sand, and I’m suddenly in darkness as my eyes adjust. I grab my camera and hit the flash, and see that I’m in an iron cavern that’s dripping with water and rust. I hit the flash again and look into the water. I wish I hadn’t. This submarine, half filled with sand, looks like a perfect haven for the region’s well known venomous sea snakes. At this moment, I know exactly how Indiana Jones felt in the Well of Souls. “Snakes. Why did it have to be snakes?” I jump up, catch the lip of the hatch and pull myself out of the hull just as my imagination pictures a tiny pair of fanged jaws reaching for my ankle. As I jump off the sub and wade to shore, I speculate about just what it is I’ve found on this deserted beach. Whose ancient submarine is it, and how did it end up here?

  The truth is often stranger than fiction. A return trip to the beach in November 2002, this time armed with a tape measure and a pad for making notes, gives me more than a basic understanding of the submarine. I e-mail photographs of it around the world to colleagues who study old submarines. No one can figure it out, though one researcher, Gene Canfield, says it looks similar to Intelligent Whale, a submarine built for the Union Navy during the Civil War but never finished. Could it be that old? I wonder as I continue to send out my queries. Then, in mid-2003, I get an answer from Rich Wills, who thinks it looks more like another long-forgotten Civil War submarine, the Sub Marine Explorer. No one knows what happened to that sub, Rich explains. After the war, it ended up in Panama, working for the Pacific Pearl Company, harvesting pearls from deep-water oyster beds.

  I sit up and take notice. After all, the wreck lies in the Bay of Panama, in an island group known as the Pearl Archipelago. But is it really a Civil War submarine that vanished from the pages of history after 1869? Could a submarine survive, half submerged on a tropical beach, for more than 130 years? Rich sends me a copy of a 1902 article on pioneer submarines of the nineteenth century. It reproduces a profile plan of Sub Marine Explorer and gives its basic dimensions. As I look at it, I smile. The profile matches perfectly, down to the placement and size of the conning tower. The rounded chamber at the top of the submarine with the forged iron braces would be filled with air for buoyancy. And, as I compare the measurements with my notes, it all fits. The 36-foot Sub Marine Explorer is a perfect match.

  But how does Sub Marine Explorer fit into the history of submarine development? Built in 1865, what role did it play, if any, in the Civil War? And how does it compare with another recent discovery, the Confederate Civil War submarine H.I. Hunley? Found after years of hard work by Clive Cussler’s National Underwater and Marine Agency team and raised by the State of South Carolina, Hunley is one of the great archeological treasures of the Civil War, on a par with the ironclad USS Monitor, whose engine and turret have also been pulled from the depths. Even as I sit pondering the mysteries of Sub Marine Explorer, a team of archeologists is carefully excavating and dismantling Hunley to reveal its secrets. So for the answers on Sub Marine Explorer, I turn to Hunley project historian Mark Ragan. “There’s no one better,” Clive tells me as he reads Ragan’s number to me over the phone.

  Mark answers his phone with a laconic drawl that quickens with excitement as I tell him what I’ve found on a Panamanian beach. I e-mail him a handful of photos, and as he opens them on his computer 3,000 miles away, I hear the subtle but sharp intake of his breath. That’s a good thing, because Clive is right. No one knows Civil War submarines better than Mark Ragan. He literally wrote the book on them, and he now turns his considerable energy and skill to dig deep into the archives to learn more about Sub Marine Explorer and its inventor, a forgotten American engineering genius named Julius H. Kroehl.

  PIONEER SUBMARINES

  War spu
rs terrible and magnificent inventions, often taking ideas and concepts developed in peacetime and testing them hurriedly in times of crisis. During the Civil War, technology played a significant role. Among other innovations, the war introduced new guns and more powerful cannon, ironclad warships with rotating turrets, undersea mines — and the submarine. There was nothing new about each of these inventions save their first practical and deadly use in combat. The pioneering naval accomplishments of the war started with the attack on the wooden fleet of the Union Navy at Hampton Roads, Virginia, by the Confederate ironclad CSS Virginia, demonstrating that this new type of warship doomed the “wooden walls” that had dominated naval warfare for centuries. The first clash between ironclads took place when the Union’s USS Monitor interceded between Virginia and the Union wooden fleet the following day and fought the Confederate ship to a standstill.

  Another innovation was the use of an electrically detonated “torpedo,” or mine, one of which sent the Union’s ironclad Cairo to the bottom of the Yazoo River, giving the ill-fated gunboat the dubious distinction of being the first warship in history to be sunk by a mine. Later, there was the brave but doomed sortie of the Confederate submarine H.I. Hunley into Charleston Harbor to sink the Union warship Housatonic with a spar-mounted “torpedo” projecting from her bow. Shortly after this victory, Hunley sank, taking her crew with her, just a few hundred yards from her victim. No one knows why Hunley sank, but the tiny craft gained fame as the first submarine to destroy an enemy vessel in combat. Quickly buried by silt, Hunley’’s grave remained undiscovered for 150 years.