Humans, Beasts, and Ghosts
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1994. Xie zai rensheng bianshang; Ren, shou, gui. Hong Kong: Tiandi tushu youxian gongsi. Reprinted in 1997.
1997. Qian Zhongshu zuopinji. Shenyang: Chunfeng wenyi chubanshe. Contains Margins, Human, and Qi zhui ji (Seven Patches).
1998. Qian Zhongshu zuopinji. Lanzhou: Gansu renmin chubanshe. Contains Weicheng (Fortress Besieged), Human, Margins, Guan zhui bian (The Tube and Awl Collection), and Qi zhui ji.
FURTHER READING IN ENGLISH
WORKS BY QIAN ZHONGSHU
A Collection of Qian Zhongshu’s English Essays. Beijing: Foreign Language Teaching and Research Press, 2005.
Fortress Besieged. Translated by Jeanne Kelly and Nathan K. Mao. New York: New Directions, 2004.
Limited Views: Essays on Ideas and Letters. Edited and translated by Ronald Egan. Cambridge, Mass.: Harvard University Press, 1998.
“Preface.” In Six Chapters from My Life “Downunder,” by Yang Jiang. Translated by Howard Goldblatt. Seattle: University of Washington Press, 1984.
STUDIES
Chang, Sheng-Tai. “Reading Qian Zhongshu’s ‘God’s Dream’ as a Postmodern Text.” Chinese Literature: Essays, Articles, Reviews 16 (1994): .
Egan, Ronald. “Introduction.” In Limited Views: Essays on Ideas and Letters, by Qian Zhongshu. Edited and translated by Ronald Egan. Cambridge, Mass.: Harvard University Press, 1998.
Gunn, Edward M., Jr. “Antiromanticism.” In Unwelcome Muse: Chinese Literature in Shanghai and Peking, chap. 5. New York: Columbia University Press, 1980.
Hsia, C. T. “Ch’ien Chung-shu.” In A History of Modern Chinese Fiction, chap. 16. 3rd ed. Bloomington: Indiana University Press, 1999.
Hu, Dennis Ting-pong. “A Linguistic-Literary Study of Ch’ien Chung-shu’s Three Creative Works.” Ph.D. diss., University of Wisconsin–Madison, 1977.
——. “Ch’ien Chung-shu’s Novel Wei-ch’eng.” Journal of Asian Studies 37, no. 3 (1978): .
Huters, Theodore. “Illumination of Chinese Fictional Conventions in Qian Zhongshu’s Weicheng.” Selected Papers in Asian Studies 1 (1976).
——. “In Search of Qian Zhongshu.” Modern Chinese Literature and Culture 11, no. 1 (1999).
——. Qian Zhongshu. World Authors 660. Boston: Twayne, 1982.
——. “Traditional Innovation: Qian Zhong-shu (Ch’ien Chung-shu) and Modern Chinese Letters.” Ph.D. diss., Stanford University, 1977.
Linsley, Robert. “Qian Zhongshu and the Late, Late Modern.” Yishu: Journal of Contemporary Chinese Art 1, no. 1 (2002).
Mao, Nathan K. “Introduction.” In Fortress Besieged, by Ch’ien Chung-shu [Qian Zhongshu]. Translated by Jeanne Kelly and Nathan K. Mao, xiii–xxix. Bloomington: Indiana University Press, 1979.
Mao, Yiran. “Introduction.” In Cat: A Translation and Critical Introduction. Hong Kong: Joint Publishing, 2001.
Zhang Longxi. “Qian Zhongshu on Philosophical and Mystical Paradoxes in the Laozi.” In Religious and Philosophical Aspects of the Laozi, edited by Mark Csikszentmihalyi and Philip J. Ivanhoe. Albany: State University of New York Press, 1999.
TRANSLATORS
CHRISTOPHER G. REA received his Ph.D. from Columbia University and is assistant professor of modern Chinese literature at the University of British Columbia.
DENNIS T. HU received his Ph.D. from the University of Madison–Wisconsin with a dissertation on Qian Zhongshu’s creative works.
NATHAN K. MAO, cotranslator (with Jeanne Kelly) of Fortress Besieged (2004) and translator of Cold Nights (2002), was educated at New Asia College, Chinese University of Hong Kong; Yale University; and the University of Wisconsin. He now teaches English at Shippensburg University of Pennsylvania.
A full-time mother, a part-time businesswoman, and a sometime translator, YIRAN MAO received her B.A. in English from Beijing Foreign Languages Institute and dual M.A.’s in comparative literature and art history from the University of Iowa. Selena, Arianna, and Apollo are her best achievements.
PHILIP F. WILLIAMS was professor of Chinese literature and culture at Arizona State University and Massey University and is currently teaching at the University of Montana. His ninth and most recent book is From Marginal to Mainstream: Asian Literary Voices (2010).