Black Money la-13

by Ross Macdonald

  "Maybe. I'll see."

  I waited in the dim hallway on a high-backed Spanish chair, which Torquemada had made with his own hands. The housekeeper returned eventually, and said with some surprise that Mr. Jamieson would see me. She led me past closed oak doors to an oak-paneled library whose deeply embrasured windows looked out on the mountains.

  A man was sunk in an armchair by the windows, reading a book. His hair was gray and his face was very nearly the same colorless color. When he took off his reading glasses and peered up at me, I could see that his look was faint and faraway.

  Half of a highball stood on a low table beside him, and close at hand on a larger table were a bottle of bourbon and a pitcher of water. I caught the housekeeper glaring at the highball and the bottle as if they represented everything she hated. She had violent black eyes, and she looked like a good hater.

  "Mr. Archer," she said.

  "Thank you, Vera. Hello, Mr. Archer. Sit down, here."

  He waved his hand at an armchair facing his. His hand was almost transparent against the light. "Would you like a drink before Vera goes?"

  "Not so early in the day, thanks."

  "I don't often drink so early myself."

  I noticed that the book in his hands was upside down. He hadn't wanted to be found just drinking. He closed the book and laid it on the table. "The Book of the Dead," he said. "Egyptian stuff: You may go, Vera. I'm perfectly competent to entertain Mr. Archer myself."

  "Yessir," she said in a dubious voice, and went out closing the door sharply.

  "Vera is a powerful woman," Jamieson said. "She's the bane of my existence, but also the blessing. I don't know how this household would function without her. She's been like a mother to my poor boy. My wife has been dead for many years, you know."

  The flesh around his eyes seemed to crumple, as if the blow of her death was about to fall again. He took a long sip of his highball to ward it off: "Sure you won't have a drink?"

  "Not while I'm working."

  "I understand you're working for my son. He asked my advice about hiring you. I told him to go ahead."

  "I'm glad you know about it. I won't have to beat around the bush. Do you think Francis Martel is an impostor?"

  "We all are, to some extent, wouldn't you say? Take me, for instance. I'm a solitary drinker, as you can see. The more I drink, the more sorely I am tempted to conceal it. The only way I can preserve any integrity at all is by drinking openly, and facing the music with Peter and of course with Vera."

  "You got that off your chest," I said smiling, "but it doesn't tell me much about Martel."

  "I don't know. Anything I've learned about people I've had to learn by examining myself. It's a slow painful process," he said with an inward look. "If Martel is an impostor, he's taking some big chances."

  "Have you met him?"

  "No. But sequestered as my life is, I do get bulletins from the world of men. Martel has aroused a good deal of local interest."

  "What's the consensus?"

  "There are two camps. There always are. That's the worst thing about democracy; there have to be two opinions about every issue."

  He talked like a man who needed a listener. "Those who know Martel and like him, mainly the women, accept him at his face value as a distinguished young Frenchman of independent means. Others think he's more or less a fraud."

  "A con man?"

  He raised his transparent hand. "Hardly that. There's not much question that he's a cultivated European."

  "And no question that he has independent means?"

  "I'm afraid not. I happen to know that his initial deposit at the local bank was in six figures."

  "I understand you're on the board of the bank."

  "So you've investigated me," he said with some resentment. "You do me too much honor."

  "I got it accidentally from Mr. McMinn, when I cashed a check. Can you find out where Martel's money came from?"

  "I suppose I can try."

  "It could be borrowed money," I said. "I've known con men who used borrowed money, sometimes borrowed from gangsters, to get local status quickly."

  "For what possible purpose?"

  "I know of one who bought a municipal bus system on terms, cannibalized it, then moved out and left it bankrupt. In the last few years they've even been buying banks."

  "Martel hasn't been buying anything that I know of."

  "Except Virginia Fablon."

  Jamieson wrinkled his forehead. He picked up his highball, saw that it was nearly gone, and got up to make himself another. He was tall, but thin and frail. He moved like an old man, but I suspected he wasn't much older than I was - fifty at most.

  When he'd made his fresh drink and comforted himself with part of it and resettled himself in his leather armchair, I said: "Does Ginny have money?"

  "Hardly enough to interest a confidence man. She isn't a girl who needs money to interest any kind of a man - in fact she's probably turned down more advances that most young women dream of. Frankly, I was surprised when she accepted Peter, and not so very surprised when she broke the engagement. I tried to tell him that last night. It was safe enough when they were high school kids. But a beautiful young wife can be a curse to an ordinary man, especially if he loses her."

  The flesh around his eyes was crumpling again. "It's dangerous to get what you want, you know. It sets you up for tragedy. But my poor son can't see that. Young people can't learn from the misfortunes of their elders."

  He was becoming faintly garrulous. Looking past him at the mountains, I had a feeling of unreality, as if the sunlit world had moved back out of reach.

  "We were talking about the Fablons and their money."

  Jamieson visibly pulled himself together. "Yes, of course.

  They can't have a great deal. The Fablons did have money at one time, but Roy gambled a lot of it away. The rumor was that that was one reason he committed suicide. Fortunately Marietta has her own small private income. They have enough to live comfortably, but as I said, certainly not enough to tempt a fortune-hunter. Let alone a fortune-hunter with a hundred thousand dollars in cash of his own."

  "Is a hundred grand in the bank all that Martel would need to get into the club?"

  "The Tennis Club? Certainly not. You have to be sponsored by at least one member and passed on by the membership committee."

  "Who sponsored him?"

  "Mrs. Bagshaw, I believe. It's a common enough practice, when members lease their houses in town here. It's nothing against the tenant."

  "And nothing in his favor. Do you accept the idea that Martel is some kind of political refugee?"

  "He may very well be. Frankly, I didn't discourage Peter from hiring you because I'd like to satisfy my curiosity. And I'd also like him to get this business of Ginny out of his system. It's hurting him more than you perhaps realize. I'm his father, and I can see it. I may not be much of a father to him, but I do know my son. And I know Ginny, too."

  "You don't want Ginny as a daughter-in-law?"

  "On the contrary. She'd brighten any house, even this one. But I'm very much afraid she doesn't love my poor son. I'm afraid she agreed to marry him because she felt sorry for him."

  "Mrs. Fablon said very much the same thing."

  "So you've talked to Marietta?"

  "A little."

  "She's a much more serious woman than she pretends. So is Ginny. Ginny has always been a very serious young woman, even when she was a child. She used to sit in my study here whole weekends at a time, reading the books."

  "The Book of the Dead."

  "I wouldn't be at all surprised."

  "You mentioned that her father committed suicide."

  "Yes." Jamieson stirred uneasily, and reached for his highball, as if the little death it provided was homeopathic medicine against the big one waiting. "The decimation among my friends these last ten years has been horrendous. Not to mention my enemies."

  "Which was Roy Fablon, friend or enemy?"

 
; "Roy was a friend, a very good friend at one time. Of course I disapproved of what he did to his wife and daughter. Ginny was only sixteen or seventeen at the time, and it hit her hard."

  "What did he do?"

  "Walked into the ocean with his clothes on one night. They found his body about ten days later. The sharks had been at it, and he was scarcely identifiable."

  He passed his hand over his gray face, and took a long drink.

  "Did you see the body?"

  "Yes. They made me look at it. It was a very humiliating experience."

  "Humiliating?"

  "It's dreadful to realize how mortal we are, and what time and tide will do to us. I can remember Roy Fablon when he was one of the best-looking men at Princeton, and one of the finest athletes."

  "You knew him at Princeton?"

  "Very well. He was my roommate. I was really the one who brought him out here to Montevista."

  I rose to leave, but he held me at the door. "There's something I should ask you Mr. Archer. How well do you know Montevista? I don't mean topographically. Socially."

  "Not well. It's rich for my blood."

  "There's something I should tell you, then, as an old Montevista hand. Almost anything can happen here. Almost everything has. It's partly the champagne climate and partly, to be frank, the presence of inordinate amounts of money. Montevista's been an international watering resort for nearly a century. Deposed maharajahs rub shoulders with Nobel prize-winners and Chicago meat packer's daughters marry the sons of South American billionaires.

  "In this context, Martel isn't so extraordinary. In fact when you compare him with some of our Montevista denizens, he's quite routine. You really should bear that in mind."

  "I'll try to."

  I thanked him and left.

  5

  THE HEAT OF THE DAY was waning with the sun. Approaching the Tennis Club, I could feel a cool wind from the ocean on my face. The flag on top of the main building was whipping.

  The woman at the front desk informed me that Peter was probably in the showers. She'd seen him come up from the beach a few minutes ago. I could go in and wait for him by the pool.

  The lifeguard's blue canvas chair was unoccupied, and I sat in it. The afternoon wind had driven away most of the sunbathers. On the far side of the pool, in a sheltered corner behind a plate-glass screen, four white-haired ladies were playing cards with the grim concentration of bridge players. The three fates plus one, I thought, wishing there was someone I could say it to.

  A large boy in trunks who didn't look like a possible audience came out of the dressing rooms. He disposed his statuesque limbs on the tile deck near me. His smooth simple face was complicated by a certain wildness of the eye. His blond head had not been able to resist the bleach bottle. I noticed that his hair was wet and striated as if he had just been combing it.

  "Is Peter Jamieson inside?"

  "Yeah. He's getting dressed. You got my chair, but that's all right. I can sit here."

  He patted the tiles beside him. "You a guest of his?"

  "I'm just meeting him here."

  "He was running on the beach. I told him he better take it easy. You got to work up to it."

  "But you have to start somewhere."

  "I guess so. I don't run much, myself. It wears down the muscles."

  With quiet pride, he glanced down at his bronze pectorals. "I like to look like a typical California lifeguard."

  "You do."

  "Thank you," he said. "I put a lot of time and work into it. Like surfing. I took this job here on account of the surfing opportunities. I go to college, too," he added.

  "What college?"

  "Montevista State College. The one here."

  "Who runs the French department?"

  "I wouldn't know. I'm studying business ad and real estate. Very interesting."

  He reminded me of the dumb blondes who had cluttered up the California landscape when I was his age. Now a lot of them were boys. "You planning to study French, mister?"

  "I just want to get the answers to a few questions."

  "Maybe Mr. Martel could help you. He's a Frenchman."

  "Is he here?"

  "Yeah, I just been talking to him - he talks English, too, just like you and I" He pointed toward the second-floor cabana nearest the sea. Through its open front I could see a man moving in the shadow of the awning. He was carrying a multi-colored armful.

  "He's moving his things out," the lifeguard said. "I offered to help him but he didn't want me messing with his personal stuff."

  "Is he leaving?"

  "He's giving up the cabana anyway. The beauty of it is, he said I could have the furniture he bought for it. It's outdoor furniture but it's practically brand new and it must of cost him a fortune. It'll look swell in my apartment. All I have is a sleeping bag right now. All my money goes to keep up the cars."

  "Cars?"

  "I have a wagon for surfing," he said. "And me and my buddy have a sports car for out-of-town trips. You can save a lot of time with a sport car." The boy was driving me crazy. The trouble was that there were thousands of him, neo-primitives who didn't seem to belong in the modern world. But it came to me with a jolt that maybe they were better adapted to it than I was. They could live like happy savages on the beach while computers and computer-jockeys did most of the work and made all the decisions.

  "Why is Mr. Martel moving out of the cabana? It looks like a good one."

  "The best. You can see down the coast as far as the surfing reef."

  He flung out his muscled arm. "Mr. Martel used to sit there and watch us surfing. He told me once he did some surfing himself in his younger days."

  "Did he say where?"

  "On that same reef, I think."

  "Has he been here before?"

  "I wouldn't know about that. Not in my time, anyway."

  "And you don't know why he's leaving the cabana?"

  "He didn't like it here. He was always complaining about something, like the water in the pool being fresh - he thought it should be salt. And he didn't get along with some of the members."

  The boy fell silent. His mind rubbed two facts together and struck a brief spark. "Listen, don't tell Peter Jamieson that Mr. Martel is giving me his furniture. He wouldn't like it."

  "Why not?"

  "He's one of the ones that didn't get along with Mr. Martel. A couple of times they almost had a fight."

  "Over Ginny Fablon?"

  "I guess you know all about it, eh?"

  "No, I don't."

  "I better not tell you, anyway. Peter Jamieson will find out and I get called on the rug for talking about the members."

  He was embarrassed by all the talking he had already done. One of the bridge players rescued him from my questions. She called across the pool: "Stan, will you bring us four coffees? Black?"

  He rose and trudged away.

  I put on sunglasses and in their sudden twilight climbed the wooden stairs to the second-floor deck and walked along to the end. A rattan table in the middle of Martel's cabana was piled with things: bathing suits and robes and beach outfits for both men and women, flippers and masks, bottles of bourbon and brandy, a small electric heater, a bamboo cane. Martel came out of one of the two inner dressing rooms carrying a miniature television set, which he put on the table.

  "Moving out?"

  He looked sharply. Now I was wearing sunglasses and he wasn't. His eyes were very dark and bright, focusing the dark-bright intensity of his face. He had a long nose, slightly curved, which appeared both self-assertive and inquisitive. He didn't appear to recognize me.

  "What if I am?" he said in a guarded tone.

  "I thought I might take it over."

  "That won't be possible. I have it leased for the season."

  "But you're not going to use it."

  "I haven't made up my mind yet."

  He was talking to himself more than to me. His dark gaze had moved past me down the coast. I turned and followed it. A blu
e wave crumbled white on the reef. Further out a dozen boys knelt on their boards like worshippers.

  "Ever do any surfing?"

  "No."

  "Skin diving? I notice you have some equipment there."

  "Yes, I've done some skin diving."

  I was listening carefully to him. He still had an accent but it was much less pronounced that in the argument with Harry Hendricks, and he wasn't using any French words. Of course he was less excited now.

  "Ever try skin diving in the Mediterranean? They say skin diving originated in the Mediterranean."

  "It did and I have," he said. "I happen to be a native of France."

  "What part?"

  "Paris."

  "That's interesting. I was in Paris during the war."

  "A great many Americans were," he answered dryly. "Now if you will excuse me I have to dispose of these things."

  "Can I help?"

  "No. Thank you. Good day."

  He bowed curtly. I wandered away along the deck, trying to analyze my impression of him. His tar-black hair and smooth solid face and the un-blunted sharpness of his eyes placed his age at not more than thirty. He had the controlled force and reticence of an older man. I didn't know what to make of him.

  I found my way into the labyrinth of the downstairs dressing rooms. School was out by now and a gang of small boys were slapping towels at each other's legs and emitting shouts of menace and horrible laughter. I told them to shut up. They waited until I was out of sight, and laughed more horribly than they had before.

  Peter was tying his tie in front of a steam-fogged mirror. He caught a glimpse of me in it and turned with a smile, the first I'd seen on his face. He was shiny and red.

  "I didn't know you were here. I was running on the beach."

  "Good," I said. "I've just been talking to Martel. He's moving the stuff out of his cabana. He may be planning to skip."

  "With Ginny?"

  "I didn't think I'd better ask him that. Under ordinary circumstances I wouldn't have approached him at all. It's not a good way to operate. But we may be running short of time."

  I'd wiped out Peter's smile and started him biting his mouth. "I was hoping you could do something to stop him."

  "I haven't quit. The trouble is I don't know what questions to ask. I've never been to France, and I don't remember much of my high school French."