Personal (Jack Reacher 19)

by Lee Child

  I used the rue de Sèvres, not running, because passing cops would be jumpy, but certainly striding out with pace and determination. Much faster than the other guy would be going, for sure. He would be sauntering, no hurry, no particular place to go, the picture of innocence. But carrying what? No proven .50-calibre sniper rifle broke down into separate components. Not without a saw and a blowtorch. Most were about five feet long and weighed north of thirty pounds. A Persian carpet? A bolt of cloth? Or had he hidden it somewhere?

  I turned on to Boulevard Garibaldi, and figured by that point the guy must be about three hundred yards ahead of me, crossing my path in the far distance, so I pushed on hard, three fast minutes, until I came to the rue de la Croix-Nivert, which was the continuation of the Avenue Lowendal, which meant a long block ahead was the rue du Commerce, which was the continuation of the Avenue de la Motte-Picquet. The guy must have gone down one of them, southwest, into the heart of the 15th arrondissement, where all was safe and comfortable.

  I chose the first turn, because in the end I figured Lowendal would have felt better than the Motte-Picquet, because it put the bulk of the Ecole Militaire between the guy and the loudest sirens, which would have been the fast-response crews coming from the Eiffel Tower. So I turned and accelerated and stared ahead into the grey distance and cannoned into a small guy hurrying in the opposite direction. I caught a glimpse of him before I slammed into him and got the impression he was Asian, maybe Vietnamese, much older than expected from his lively pace, and then on impact he felt wiry and solid and surprisingly heavy.

  I slowed a step to let him bounce off, hoping he would stay on his feet, whereupon I could just beg his pardon and move on with minimum delay. But he didn’t bounce off. He clung on tight, folds of my jacket clenched in his hands, pulling downward, like he was weak in the knees. I staggered forward a step, bent over a little, trying not to tread on his feet, and he pulled me in a counterclockwise part-circle, and then he kind of leaned on me and started pushing me towards the kerb.

  Then he hit me.

  He detached his right hand from my jacket and drew it back and folded his fingers into a classic rabbit-punch shape and aimed it down towards my groin. Which could have been a major problem, except that I flinched fast enough and the blow caught me just inboard of my hip bone, which was a sensitive spot in its own right. It spiked some kind of a nerve jolt down my leg, and my foot went numb for a second, and the guy must have sensed it, because he started shoving me again with all his strength, which was not inconsiderable. Behind me I could hear traffic, real close. A narrow Paris street, average speed about forty, nine drivers out of ten on their cell phones.

  Enough.

  I caught the guy by the throat, one-handed, and I pushed him away, arm’s length, further than he could reach with his fists. He could have kicked me, but then, I could have been squeezing harder, and he seemed to understand that. I started to march him backward.

  Which is when the cops showed up.

  EIGHTEEN

  THERE WERE TWO of them, both young, just regular street cops in a small car, in cheap blue uniforms not very different from the sanitation workers or the street sweepers. But their badges were real, and their guns were real. And the scenario unfolding right in front of them was indisputable. A giant white man was choking a small Asian senior and frog-marching him backwards across the sidewalk. Which was what politicians would call bad optics. So I stopped walking, obviously, and I let the guy go.

  The guy ran away.

  He dodged left, and dodged right, and was lost to sight. The cops didn’t go after him. Which made sense. He was the victim, not the perpetrator. The perpetrator was right there in front of them. They didn’t need the victim’s evidence, because they themselves had been actual eyewitnesses. Done deal, right there. I had a fifth of a second to make up my mind. Should I stay or should I go? In the end I figured the power of O’Day would protect me either way, and just as fast. And by that point the rifleman was long gone for sure. And staying would avoid getting all out of breath. So I stayed.

  They arrested me there and then, on the sidewalk outside a tobacconist’s store, for what seemed to be a variety of offences, including assault, battery, hate crimes, and elder abuse. They crammed me in the back of their car and drove me to a station house on the rue Lecourbe. The desk people searched me and took away Scarangello’s cell phone, and my new passport, and my toothbrush, and my bank card, and all my American cash, and Casey Nice’s empty pill bottle. Then they put me in a holding cell with two other guys. One was drunk and the other was high. I made the drunk guy give up his spot on the bench. Better to establish the pecking order early. It would save him trouble in the long term. I sat down in his place, and I leaned against the wall, and I waited. I figured I would be in the system inside twenty minutes, and I was sure Scarangello would be looking hard by then.

  It took her an hour to find me. She came with the silver-haired guy in the good suit, who seemed to be a known quantity in those parts. All the cops in the place leapt to attention. A minute later I had my stuff back in my pockets, and a minute after that we were out on the sidewalk. I was free and clear. Such was the power of O’Day. Scarangello got in the back of the same black Citroën she had used from Le Bourget, and I climbed in after her, and the guy in the suit stayed on the sidewalk and closed the door on us, and he called out to the driver in French and said, ‘Take them straight to the airport.’ The car took off fast and I craned around and saw the guy watch us go for a second, and then duck back inside the station house.

  Scarangello said, ‘Why did you run?’

  I said, ‘I didn’t run. I don’t like running. I walked.’

  ‘Why?’

  ‘I’m here as your cop. I was looking for the guy. That’s what cops do.’

  ‘You were nowhere near. You were in the wrong neighbourhood entirely.’

  ‘I figured he hadn’t stuck around.’

  ‘You were wrong.’

  ‘So what happened?’

  ‘They got him. And his rifle.’

  ‘They got him?’

  ‘He waited right there.’

  ‘Which one was it?’

  ‘None of them. It was a Vietnamese kid about twenty years of age.’

  ‘And what was the rifle?’

  ‘An AK-47.’

  ‘That’s bullshit.’

  She said, ‘In your opinion.’

  I started to say something, but she held up her hand. She said, ‘Don’t tell me anything. I don’t want the raw data. There could be subpoenas flying around by tomorrow. Safer for me not to know. I’m going to wait for the official statement.’

  I said, ‘I was going to ask if you mind if we take a little detour.’

  ‘The plane is waiting.’

  ‘It can’t leave without us.’

  ‘Where do you want to go?’

  I leaned forward and said to the driver in French, ‘Head for the Bastille and turn right.’

  The guy thought for a second and said, ‘On Roquette?’

  ‘All the way to the end,’ I said. ‘Then wait at the gate.’

  ‘Yes, sir,’ he said.

  Scarangello turned to quiz me again, but her focus fell short, on the shoulder of my jacket. The red and grey slick, now dark brown and purple, and on closer examination flecked with fine shards of white bone. She said, ‘What’s that?’

  I said, ‘Just a guy I used to know.’

  ‘That’s disgusting.’

  ‘It’s raw data.’

  ‘You need a new jacket.’

  ‘This is a new jacket.’

  ‘You have to get rid of it. We’ll go buy you another one. Right now.’

  ‘The plane is waiting.’

  ‘How long can it take?’

  ‘This is France,’ I said. ‘Nothing in the stores is going to fit me.’

  She said, ‘Where are we going?’

  ‘Something I want to do before we leave.’

  ‘What?’

  �
�I want to take a walk.’

  ‘Where?’

  ‘You’ll see.’

  We crossed the Seine on the Pont d’Austerlitz, and hooked a left on the Boulevard de la Bastille, and headed up towards the monument itself, fast and fluent through the traffic, as if the driver was using lights and siren, although he wasn’t. The monument was the hub of a crazy traffic circle, called the Place de la Bastille, just as bad as all the others in Paris, and the fourth of its ten exits was the rue de la Roquette, which led basically east, straight to the cemetery gate.

  ‘Père Lachaise,’ Scarangello said. ‘Chopin is buried here. And Molière.’

  ‘And Edith Piaf and Jim Morrison,’ I said. ‘From the Doors.’

  ‘We don’t have time for tourism.’

  ‘Won’t take long,’ I said.

  The driver parked at the gate and I got out. Scarangello came with me. There was a wooden booth that sold maps to all the famous graves. Like Hollywood, with the stars’ homes. We walked in, on a wide gritty path, and turned left and right past elaborate mausoleums and white marble headstones. I navigated by memory, from a sullen grey winter morning many years previously. I walked slow, pausing occasionally, checking, until I found the right place, which was now a strip of lawn, green with new spring grass, studded with headstones, broad and low. I found the right one. It was pale, and barely weathered at all, with two lines of inscription still crisp and precise: Joséphine Moutier Reacher, 1930–1990. A life, sixty years long. I had arrived exactly halfway through it. I stood there, hands by my side, with another man’s blood and brains on my jacket.

  ‘Family?’ Scarangello asked.

  ‘My mother,’ I said.

  ‘Why is she buried here?’

  ‘Born in Paris, died in Paris.’

  ‘Is that how you know the city so well?’

  I nodded. ‘We came here from time to time. And then she lived here after my father died. On the Avenue Rapp. The other side of Les Invalides. I visited when I could.’

  Scarangello nodded and went quiet for a spell, maybe out of respect. She stood next to me, shoulder to shoulder. She asked, ‘What was she like?’

  I said, ‘Petite, dark-haired but blue-eyed, very feminine, very obstinate. But generally happy. She made the best of things. She would walk into some dumpy Marine quarters somewhere and laugh and smile and say, ’Ome sweet ’ome. She couldn’t say the letter H because of her accent.’

  Scarangello said, ‘Sixty is not very old. I’m sorry.’

  ‘We get what we get,’ I said. ‘She didn’t complain.’

  ‘What was it?’

  ‘Lung cancer. She smoked a lot. She was French.’

  ‘This is Père Lachaise.’

  ‘I know.’

  ‘I mean, not everyone gets buried here.’

  ‘Obviously,’ I said. ‘It would get pretty crowded.’

  ‘I mean, it’s like an honour.’

  ‘War service.’

  Scarangello looked at the headstone again. ‘Which war?’

  ‘World War Two.’

  ‘She was fifteen when it ended.’

  ‘They were desperate times.’

  ‘What did she do?’

  ‘Resistance work. Allied airmen shot down in Holland or Belgium were funnelled south through Paris. There was a network. Her part was to escort them from one railroad station to the next, and send them on their way.’

  ‘When?’

  ‘Most of 1943. Eighty trips, they say.’

  ‘She was thirteen years old.’

  ‘Desperate times,’ I said again. ‘A schoolgirl was good cover. She was trained to say the airmen were her uncles or brothers, visiting from out of town. Generally they were disguised like peasants or clerks.’

  ‘She was risking her life. And her family’s life.’

  ‘Every day. But she took care of business.’

  Scarangello said, ‘This information wasn’t in your file.’

  ‘No one knew. She didn’t talk about it. I’m not even sure my father knew. After she died we found a medal. Then an old guy came to the funeral and told us the story. He was her handler. I assume he’s dead now, too. I haven’t been back since we buried her. This is the first time I’ve seen the stone. I guess my brother organized it.’

  ‘He chose well.’

  I nodded. A modest memorial, for a modest woman. I closed my eyes and remembered the last time I had seen her alive. Breakfast, with her two grown sons, in her apartment on the Avenue Rapp. The Berlin Wall was coming down. She was very sick by that point, but had summoned the will to dress well and act normal. We drank coffee and ate croissants. Or at least my brother and I did, while she hid her lack of appetite behind talking. She chattered about all kinds of things, people we had known, places we had been, things that had happened there. Then she had gone quiet for a spell, and then she had given us a pair of final messages, which were the same messages she had always given us. Like a motherly ritual. She had done it a thousand times. She had struggled up out of her chair and stepped over and put her hands on my brother Joe’s shoulders, from behind, which was all part of the choreography, and she had bent and kissed his cheek from the side, like she always did, and she had asked him, ‘What don’t you need to do, Joe?’

  Joe hadn’t answered, because our silence was part of the ritual. She had said, ‘You don’t need to solve all the world’s problems. Only some of them. There are enough to go around.’

  She had kissed him again, and then she had struggled around behind me, and kissed my cheek in turn, and measured the width of my shoulders with her small hands, and felt the hard muscles, as always, still fascinated by the way her tiny newborn had grown so big, and even though I was close to thirty by then she had said, ‘You’ve got the strength of two normal boys. What are you going to do with it?’

  I hadn’t replied. Our silence was part of the ritual. She answered for me. She said, ‘You’re going to do the right thing.’

  And I had tried, mostly, which had sometimes caused me trouble, and sometimes won me medals of my own. As a small tribute I had buried my Silver Star with her. It was right there under my feet, right then, in the Paris dirt, six feet down. I imagined the ribbon was all rotted away, but I guessed the metal was still bright.

  I opened my eyes, and I stepped back, and I looked at Scarangello, and I said, ‘OK, we can go now.’

  NINETEEN

  THE AIRPLANE CABIN was warm, so out of deference to Scarangello’s injured sensibilities I took off my ruined jacket and folded it inside out and dumped it on an unoccupied chair. We were out of French airspace after forty minutes, and then we crossed Great Britain diagonally, eight miles high, and then we started on the long haul over the far North Atlantic. A Great Circle route. We ate stuff the crew had picked up at Le Bourget, and then we stretched out in reclined chairs, on opposite sides of the aisle, head to toe, close, but not too close.

  I asked her, ‘Who exactly was the guy in the suit?’

  She said, ‘DGSE’s head of counterterrorism.’

  ‘Was the Vietnamese kid his? With the AK-47?’

  ‘His?’

  ‘Was he another patsy? For the newspapers?’

  ‘No, he was for real. Still there, at an attic window.’

  I said nothing.

  She said, ‘What?’

  ‘You don’t want me to tell you anything.’

  ‘Is this something O’Day will figure out?’

  ‘I’m sure he already has.’

  ‘Then you can give me the deep background.’

  ‘What do you remember about the Soviets?’

  ‘Lots of things.’

  I said, ‘Above all they were realistic, especially about human nature, and the quality of their own personnel. They had a very big army, which meant their average grunt was lazy, incompetent, and not blessed with any kind of discernible talent. They understood that, and they knew there wasn’t a whole lot they could do about it. So instead of trying to train their people upward towards the
standard of available modern weaponry, they designed their available modern weaponry downward towards the standard of their people. Which was a truly radical approach.’

  ‘OK.’

  ‘Hence the AK-47. For instance, one example, what does a panicky grunt do under fire? He grabs his rifle and hits the fire selector and pulls the trigger. Our guns go from safe to single shot to full auto, which is nice and linear and logical, but they knew that would mean ninety-nine times in a hundred their guys would panic and ram the selector all the way home, and thereby fire off a whole magazine on the first hasty and unaimed shot. Which would leave them with an empty weapon right at the start of a firefight. Which is not helpful. So the AK selector goes safe, then full auto, then single shot. Not linear, not logical, but certainly practical. Single shot is a kind of default setting, and full auto is a deliberate choice.’

  ‘OK.’

  ‘And they knew the rifle wouldn’t get any kind of care or maintenance in the field, so they made it reliable under practically any circumstances. When the trigger is pulled, the weapon will fire. We saw AK-47s that had been buried in the ground for years, with the woodwork all eaten away by insects, and they still worked just fine.’

  ‘OK.’

  ‘And they knew their average grunt couldn’t hit anything further than a couple hundred feet anyway. Probably couldn’t see further than a couple hundred feet. So why spend money on accuracy? The AK-47 is reliable first, second, and third, and accurate nowhere. It’s a close-quarters weapon. Practically like a handgun. Across the street, or a city block, or one riverbank to the other.’