Five Quarters of the Orange

by Joanne Harris

  “You’re not going anywhere,” said Guilherm sourly. Behind us the house whispered and snickered as the flames took.

  Mother reversed the butt of the old rifle and, with a gesture almost too quick to see, punched him in the chest with it. Guilherm went down. For a second there was a gap where he had been and I leaped through it, pushing under elbows and wriggling between an undergrowth of legs and sticks and pitchforks. Someone tried to grab me, but I was slick as an oiled eel, scrabbling away into the hot crowd. I felt myself pinned, suffocated between a sudden surge of bodies. I clawed my way to air and space, barely feeling the blows that fell upon me. I sprinted across the field into the darkness, taking cover behind a stand of raspberry canes. Somewhere far behind me I thought I could hear my mother’s voice, beyond fear now, enraged and screaming. She sounded like an animal defending her young.

  The stink of smoke was getting stronger. In the front of the house something collapsed with a splintering crash, and I felt a soft buffet of heat reach me across the field. Someone-I think it was Reine-screamed thinly.

  The crowd was a shapeless thing, all hate. Its shadow reached as far as the raspberry bushes and beyond. Behind it I was just in time to see the far gable of the house collapse in a spray of fireworks. A chimney of superheated air rose redly into the sky, sending spume and fire-crackers squawking into the gray sky like a geyser of flame.

  A figure broke from the shapelessness of the crowd and ran across the field. I recognized Cassis. He made a dash for the corn, and I guessed he would make for the Lookout Post. A couple of people started to follow him, but the burning farm held many of them hypnotized. Besides, it was Mother they wanted. I could make out her words now over the twin throats of the crowd and the fire. She was calling our names.

  “Cassis! Reine-Claude! Boise!”

  I stood up behind the raspberry canes, ready to run if anyone came toward me. Standing on the tips of my toes I glimpsed her briefly. She looked like something in a fisherman’s tale, caught on all sides but thrashing furiously, her face red and black with fire and blood and smoke, a monster of the deep. Some other faces I could see too: Francine Crespin, her sheep-eyed saintly face distorted into a scream of hatred; Guilherm Ramondin like something back from the dead. There was fear in their hatred now, the kind of superstitious fear that can only be cured by destruction and murder. It had taken them a long time to get to it, but their killing time had come. I saw Reinette slink out from one side of the crowd into the corn. No one tried to stop her. By then most of them, blinded by blood lust, would have been hard put to recognize who she was, anyway.

  Mother went down. I may have imagined a single hand rising above the grimacing faces. It was like something from one of Cassis’s books: Plague of Zombies or Valley of the Cannibals. All that was missing were the jungle drums. But the worst part of the horror was that I knew these faces, glimpsed mercifully briefly in the gleeful dark. That was Paul’s father. That was Jeannette Crespin, who’d almost been harvest queen, barely sixteen and with blood across her face. Even sheepy Père Froment was there-though whether he was trying to restore order or was himself contributing to the chaos was impossible to tell. Sticks and fists hammered onto my mother’s head and back, she holding herself tight like a curled fist, like a woman with a baby in her arms, still screaming defiance, though muffled now by the hot weight of flesh and hate.

  Then came the shot.

  We all heard it: the yark of a large-gauge weapon, a double-barreled shotgun perhaps, or one of the antique pistols still hoarded in farm attics or under floorboards in villages all over France. It was a wild shot-though Guilherm Ramondin felt it scorch his cheek and promptly voided his bladder in terror-and heads whipped round curiously to see from where it had come. No one knew. Beneath their suddenly frozen hands my mother began to crawl, bleeding now from a dozen places, her hair dragged out so that the scalp showed slick in patches, a sharp stick actually pushed through the back of her hand so that the fingers splayed out helplessly.

  The sound of the fires-biblical, apocalyptic-was now the only sound. People waited, remembering perhaps the sound of the execution squad in front of Saint-Benedict’s, trembling before their own bloody intentions. A voice came (from the cornfield, perhaps, or from the burning house, or even the sky itself), a booming, authoritative man’s voice, impossible to ignore or to disobey.

  “Leave them!”

  My mother continued to crawl. Uneasily the crowd parted to let her through, like wheat before the wind.

  “Leave them! Go home!”

  The voice sounded a little familiar, people said later. There was an inflection they recognized, but could not quite identify.

  Someone cried out hysterically, “It’s Philippe Hourias!”

  But Philippe was dead. A shiver went through the people. My mother reached the open field, staggering defiantly to her feet. Someone reached out to stop her, then thought better of it. Père Froment bleated something weak and well-meaning. A couple of angry cries faltered and died in the superstitious silence. Warily, insolently, without turning my face away from their collective gaze, I began to make my way toward my mother. I could feel my face burning with the heat, my eyes full of reflected firelight. I took her good hand.

  The wide dark expanse of Hourias’s cornfield lay before us. We plunged into it without a word. No one followed us.

  21.

  We went to Tante Juliette’s. Mother stayed a week, then moved away, perhaps out of guilt or fear, ostensibly for the sake of her health. We only saw her a few times after that. We understood that she’d changed her name, reverting to her maiden name, and had moved back to Brittany. Details after that were sketchy. I heard she was making a reasonable living in a bakery, baking her old specialties. Cooking always was her first love. We stayed with Tante Juliette, moving away ourselves as soon as we decently could, Reine to try for the movies for which she had so long yearned, Cassis escaping to Paris under a different name, I into a dull but comfortable marriage. We heard that the farmhouse in Les Laveuses had been only partially gutted by the fire, that the outhouses were mostly undamaged, and that only the front section of the main building was completely destroyed. We could have gone back. But word of the massacre at Les Laveuses had already spread. Mother’s admission of guilt, in front of three dozen witnesses, her words-I killed him! I was his whore and I’m not sorry-as much as the sentiments she had expressed against her fellow villagers, sufficed to condemn her. Soon after the Liberation a brass plaque was dedicated to the ten martyrs of the Great Massacre, and later, when such things became curiosities to be contemplated at leisure, when the ache of loss and terror had diminished a little, it became clear that the hostility against Mirabelle Dartigen and her children was unlikely to dwindle. I had to face the truth; I would never return to Les Laveuses. Never again. And for a long time I didn’t even realize how badly I wanted to.

  22.

  The coffee’s still boiling on the stove. Its smell is bitterly nostalgic, a black burnt-leaf smell with a hint of smoke in the steam. I drink it very sweet, like a shock victim. I think I can begin to understand how my mother must have felt, the wildness, the freedom of throwing everything away.

  Everyone has gone. The girl with her little tape recorders and her mountain of tapes. The photographer. Even Pistache has gone home, at my own insistence, though I can still almost feel her arms around me, and the last touch of her lips against my cheek. My good daughter, neglected for so long in favor of my bad one. But people change. At last I feel I can talk to you now, my wild Noisette, my sweet Pistache. Now I can hold you in my arms without that feeling of drowning in silt. Old Mother is dead at last, her curse ended. No disaster will strike if I dare to love you.

  Noisette returned my call late last night. Her voice was tight and cautious, like mine; I pictured her leaning as I do, her narrow face suspicious, against the tiled surface of the bar. There is little warmth in her words, coming as they do across cold miles and wasted years, but occasionally, when she s
peaks of her child, I think I can hear something in her voice. Something like the beginning of softness. It makes me glad.

  I will tell her in my own time, I think; little by little, drawing her in. I can afford to be patient; after all, I know the technique. In a way she needs this story more than anyone-certainly more than the public, gawking at old scandals-even more than Pistache. Pistache doesn’t bear grudges. She takes people as they are, honestly and with kindness. But Noisette needs this story-and her daughter, Pêche, needs it too-if the specter of Old Mother is not to raise its head again one day. Noisette has her own demons. I only hope I am no longer one of them.

  The house feels oddly hollow now everyone has left, uninhabited. A draft skitters a few dead leaves across the tiles. And yet I don’t feel quite alone. Absurd, to imagine ghosts remaining in this old house. I’ve lived here so long and never felt a single shiver of a presence, and yet today I feel… Someone just behind the shadows, a quiet presence, discreet and almost humble, waiting…

  My voice was sharper than I intended. “Who’s there? I said, who’s there?” It rang with a metallic sound against the bare walls, the tiled floor. He stepped out into the light and I was suddenly close to laughter, closer to tears at his presence.

  “Smells like good coffee,” he said in his mild way.

  “God, Paul. How do you manage to walk so quietly?”

  He grinned.

  “I thought you…I thought…”

  “You think too much,” said Paul simply, moving toward the stove. His face looked yellow-gold in the dim lamplight, his droopy mustache giving him a doleful expression belied by the quick light in his eyes. I tried to think how much he’d overheard of my story. Sitting in the shadows like that, I’d quite forgotten he was there.

  “Talk a lot too,” he said, not unkindly, pouring himself a cup of coffee. “Thought you’d be talking all week, the way you went at it.” He gave me a quick, sly grin.

  “I needed them to understand,” I began stiffly. “And Pistache-”

  “People understand more’n you give ‘em credit for.” He took a step toward me, put his hand against my face. He smelled of coffee and old tobacco. “Why did you hide yourself for so long? What good was it goin’ to do?”

  “There were…things…I just couldn’t bear to tell,” I faltered. “Not to you, not to anyone. Things that I thought would bring the whole world crashing down around me. You don’t know…you’ve never done anything like-”

  He laughed, a sweet uncomplicated sound. “Oh, Framboise! Is that what you think? That I don’t know what it’s like to keep a secret?” He took my dirty hand in both of his. “That I’m too stupid even to have a secret?”

  “That’s not what I thought-” I began. But it was. God help me, it was.

  “You think you can carry the whole world on your back,” said Paul. “Well, listen to this.” He was lapsing into dialect again, and in certain words I could hear a tremor of his childhood stutter. The combination made him sound very young. “Those anonymous letters-remember the letters, Boise? The ones with the bad spellings? And the writing on the walls?”

  I nodded.

  “Remember how she h-hid those letters when you came into the hall? Remember how you could tell she’d got one because of the look on her face, and the way she’d stamp about, looking scared-and angry-and h-hateful because she was scared and angry, and about how you hated her specially on those days, hated her so much you could have killed her yourself?”

  I nodded.

  “That was me,” said Paul simply. “I wrote ‘em, every one myself. Bet you didn’t even know I could write, did you, and a pretty poor job I made of it for all the work I put into writing ’em. To get my own back. Because she called me a cretin that day afront of you-and Cassis-and Reine-C-C-C-” He screwed up his face in sudden frustration, flushing furiously. “Afront of Reine-Claude,” he finished quietly.

  “I see.”

  Of course. Like all riddles, clear as starlight when you knew the answer. I remembered the look on his face whenever Reinette was around, the way he would flush and stammer and fall silent, even though when he was with me his voice was almost normal. I remembered the look of sharp and untinctured hatred in his eyes that day-Talk properly, you cretin!-and the eerie wail of grief and fury that trailed across the fields in his wake. I remembered the way he would sometimes look at Cassis’s comic books with a look of fierce concentration-Paul, who we all knew couldn’t read a word. I remembered a look of appraisal on his face as I gave out the pieces of orange; an odd feeling at the river of sometimes being watched-even that last time, that last day with Tomas…even then, God, even then.

  “I never meant for it to go so far. I wanted her to be sorry. But I never meant for that other stuff to happen. It got out of my hands, though. Like those things do. Like a fish too big to reel in, that takes your line away with it. I tried to make amends, though. At the end. I did try.”

  I stared at him.

  “Good God, Paul.” Too amazed even to be angry, even assuming there was still a place left in me for anger. “It was you, wasn’t it? You with the shotgun, that night at the farm? You hiding in the field?”

  Paul nodded. I couldn’t stop staring at him, seeing him, perhaps, for the first time.

  “You knew? All this time, and you knew everything?”

  He shrugged. “You all thought I was soft,” he said without bitterness. “Thought all that could be going on right under my nose and that I still wouldn’t notice…” He gave his slow, sad smile. “Suppose that’s it now, though. With you and me. Suppose it’s over.”

  I tried to think clearly, but the facts refused to lock into place. For so many years I’d thought that Guilherm Ramondin had written those letters, or perhaps Raphaël, or a member of one of the Families… And now to hear that all the time it was Paul, my own sweet, slow Paul, barely thirteen years old and open as the summer sky… Begun it and ended it too, with the hard, inevitable symmetry of seasons turning. When I finally spoke it was to say something entirely different, something that surprised us both.

  “Did you love her so much, then?” My sister Reinette, with her high cheekbones and her glossy curls. My sister the harvest queen, lipsticked and crowned with barley, with a sheaf of wheat in one hand and an orange in the other. That’s how I’ll always remember her, you know. That clear, perfect picture in my mind. I felt an unexpected prick of jealousy close to my heart.

  “The same way you loved him, perhaps,” said Paul calmly. “The way you loved Leibniz.”

  The fools we were when we were children. The hurting, hopeful fools. I spent my life dreaming of Tomas, through my married days in Brittany, through my widowhood, dreaming of a man like Tomas with his careless laughter and his sharp river-colored eyes, the Tomas of my wish-you, Tomas, only you forever-Old Mother’s curse made terrible flesh.

  “It took a little time, you know,” said Paul, “but I got over it. I let go. It’s like swimming against the current. It exhausts you. After a while, whoever you are, you just have to let go, and the river brings you home.”

  “Home.” My voice sounded strange in my ears. His hands over mine felt rough and warm as an old dog’s pelt. I had the strangest picture of us both, standing there in the failing light like Hansel and Gretel, grown old and gray in the witch’s house, finally closing the gingerbread door behind them.

  Just let go, and the river brings you home. It sounded so easy.

  “We’ve waited a long time, Boise.”

  I turned my face away. “Too long, perhaps.”

  “I don’t think so.”

  I took a deep breath. This was the moment. To explain that it was all over, that the lie between us was too old to erase, too big to climb over, that we were too old, for pity’s sake, that it was ridiculous, that it was impossible, that besides, besides-

  He kissed me then, on the lips, not a shy old-man’s kiss but something else altogether, something that left me feeling shaken, indignant and strangely hopeful. His ey
es shone as slowly he drew something out of his pocket, something that glowed red-yellow in the lamplight…

  A string of crab apples.

  I stared at him as he drew the necklace gently over my head. It lay against my breasts, the fruit glossy and round and shining.

  “Harvest queen,” whispered Paul. “Framboise Dartigen. Only you.”

  I could smell the good, tart scent of the little fruit against my warming skin.

  “I’m too old,” I said shakily. “It’s too late.”

  He kissed me again, on the temple, then at the corner of the mouth. Then from his pocket again he drew a plait of yellow straw, which he placed around my forehead like a crown.

  “It’s never too late to come home,” he said, and pulled me gently, insistently toward him. “All you have to do…is stop moving away.”

  Resistance is like swimming against the current, exhausting and pointless. I turned my face toward the curve of his shoulder as into a pillow. Around my neck the crab apples gave off a pungent, sappy scent, like the Octobers of our childhood.

  We toasted our homecomings with sweet black coffee and croissants and green-tomato jam made to my mother’s recipe.

  About the Author

  JOANNE HARRIS is the author of six other novels: Sleep, Pale Sister; Chocolat; Blackberry Wine; Coastliners; Holy Fools; and Gentlemen and Players; a short story collection, Jigs & Reels; and two cookbook-memoirs, My French Kitchen and The French Market. Half French and half British, she lives in England.

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