The Best Horror Stories of

by Robert E. Howard

  The host was laughing again. He sidled around Kane, keeping the Englishman always covered, and with his free hand opened the door. All was darkness within, so that Kane could not even see the glimmer of the bones on the floor.

  "All men are my foes!" mumbled the host, in the incoherent manner of the insane. "Why should I spare any man? Who lifted a hand to my aid when I lay for years in the vile dungeons of Karlsruhe--and for a deed never proven? Something happened to my brain, then. I became as a wolf--a brother to these of the Black Forest to which I fled when I escaped.

  "They have feasted, my brothers, on all who lay in my tavern--all except this one who now clashes his bones, this magician from Russia. Lest he come stalking back through the black shadows when night is over the world, and slay me--for who may slay the dead?--I stripped his bones and shackled him. His sorcery was not powerful enough to save him from me, but all men know that a dead magician is more evil than a living one. Move not, Englishman! Your bones I shall leave in this secret room beside this one, to--"

  The maniac was standing partly in the doorway of the secret room, now, his weapon still menacing Kane.

  Suddenly he seemed to topple backward, and vanished in the darkness; and at the same instant a vagrant gust of wind swept down the outer corridor and slammed the door shut behind him. The candle on the wall flickered and went out. Kane's groping hands, sweeping over the floor, found a pistol, and he straightened, facing the door where the maniac had vanished. He stood in the utter darkness, his blood freezing, while a hideous muffled screaming came from the secret room, intermingled with the dry, grisly rattle of fleshless bones. Then silence fell.

  Kane found flint and steel and lighted the candle. Then, holding it in one hand and the pistol in the other, he opened the secret door.

  "Great God!" he muttered as cold sweat formed on his body. "This thing is beyond all reason, yet with mine own eyes I see it! Two vows have here been kept, for Gaston the Butcher swore that even in death he would avenge his slaying, and his was the hand which set yon fleshless monster free. And he--"

  The host of the Cleft Skull lay lifeless on the floor of the secret room, his bestial face set in lines of terrible fear; and deep in his broken neck were sunk the bare fingerbones of the sorcerer's skeleton.

  The Fear That Follows

  The smile of a child was on her lips--oh, smile of a last long rest.

  My arm went up and my arm went down and the dagger pierced her breast.

  Silent she lay--oh still, oh still!--with the breast of her gown turned red.

  Then fear rose up in my soul like death and I fled from the face of the dead.

  The hangings rustled upon the walls, velvet and black they shook, And I thought to see strange shadows flash from the dark of each door and nook.

  Tapestries swayed on the ghostly walls as if in a wind that blew; Yet never a breeze stole through the rooms and my black fear grew and grew.

  Moonlight dappled the pallid sward as I climbed o'er the window sill; I looked not back at the darkened house which lay so grim and still.

  The trees reached phantom hands to me, their branches brushed my hair, Footfalls whispered amid the grass, yet never a man was there.

  The shades loomed black in the forest deeps, black as the doom of death; Amid the whispers of shapes unseen I stole with bated breath, Till I came at last to a ghostly mere bordered with silver sands; A faint mist rose from its shimmering breast as I knelt to lave my hands.

  The waters mirrored my haggard face, I bent close down to see--

  Oh, Mother of God! A grinning skull leered up from the mere at me!

  With a gibbering scream I rose and fled till I came to a mountain dim And a great black crag in the blood-red moon loomed up like a gibbet grim.

  Then down from the great red stars above, each like a misty plume, There fell on my face long drops of blood and I knew at last my doom.

  Then I turned me slow to the only trail that was left upon earth for me, The trail that leads to the hangman's cell and the grip of the gallows tree.

  The Spirit of Tom Molyneaux

  Many fights are won and lost by the living, but this is a tale of one which was won by a man dead over a hundred years. John Taverel, manager of ring champions, sitting in the old East Side A.C. one cold wintry day, told me this story of the ghost that won the fight and the man who worshipped the ghost. Let John Taverel tell the tale in his own words, as he told it to me: You remember Ace Jessel, the great negro boxer whom I managed. An ebony giant he was, four inches over six feet in height, his fighting weight two hundred and thirty pounds. He moved with the smooth ease of a gigantic leopard and his pliant steel muscles rippled under his shiny skin. A clever boxer for so large a man, he carried the smashing jolt of a trip hammer in each huge black fist.

  Yet for all that, the road over which I, as his manager, steered him, was far from smooth and at times I despaired, for Ace seemed to lack a fighting heart. Courage he had plenty, courage to stand up to a vicious beating and to keep on going after his face had been pounded and battered to a bloody mass, as he proved in that terrible battle with Maul Finnegan, which became almost mythical in boxing annals.

  Courage he had, but not the aggressiveness which drives the perfect fighter ever to the attack, nor the killer instinct which sends him plunging after the reeling, bloody and beaten foe. And a boxer who lacks these qualities is likely to fail when put to the supreme test.

  Ace was content to box mostly, outpointing his opponents and piling up just enough lead to keep from losing. And the public was never fond of these tactics. Therefore they jeered and booed him every so often, but though their taunts angered me, they only broadened Ace's good-natured grin. And his fights still drew great crowds because on the rare occasions when he was stung out of his defensive role, or when he was matched with a clever man whom he had to knock out in order to win, the fans saw a real battle that thrilled their blood. And even so, time and again he stepped away from a sagging foe, giving the beaten man time to recover and return to the attack, instead of finishing him--while the crowd raved and I tore my hair.

  Now Ace Jessel, indifferent drifter, happy-go-lucky wastrel though he seemed, had one deep and abiding emotion, and that was a fanatical worship for one Tom Molyneaux, first champion of America and sturdy fighting man of color--according to some authorities, the greatest black ringman that ever lived.

  Tom Molyneaux died in Ireland a hundred years ago but the memory of his valiant deeds in America and Europe was Ace Jessel's direct incentive to action. Reading an account of Tom's life and battles was what started Ace on the fistic trail which led from the wharves where he toiled as a young boy, to--but listen to the story.

  Ace's most highly prized possession was a painted portrait of the old battler. He had discovered this--a rare find indeed, since even woodcuts of Molyneaux are rare--among the collections of a London sportsman, and had prevailed on the owner to sell it. Paying for it had taken every cent that Ace made in four fights but he counted it cheap at the price. He removed the original frame and replaced it with a frame of solid silver, a slim elegant work of art which, considering that the portrait was full length and life size, was rather more than extravagant. But no honor was too expensive for "Misto Tom" and Ace simply tripled the number of his bouts to meet the cost.

  So finally my brains and Ace's mallet fists had cleared us a road to the top of the game. Ace loomed up as a heavyweight menace and the champion's manager was ready to sign with us when an interruption came.

  A form hove into view on the fistic horizon which dwarfed and overshadowed all other contenders, including my man. This was Mankiller Gomez. He was all which his name implies. Gomez was his ring name, given him by the Spaniard who discovered him and brought him to America. His real name was Balanga Guma and he was a full-blooded Senegalese from the West Coast of Africa.

  Once in a century ring fans see a man like Gomez in action. Once in a hundred years there rises a fighter like the Senegalese--a born killer
who crashes through the general ruck of fighters as a buffalo crashes through a thicket of dead wood. He was a savage, a tiger. What he lacked in actual skill, he made up by ferocity of attack, by ruggedness of body and smashing power of arm. From the time he landed in New York, with a long list of European victories behind him, it was inevitable that he should batter down all opposition, and at last the white champion looked to see the black savage looming above the broken forms of his victims. The champion saw the writing on the wall, but the public was clamoring for a match and whatever else his faults, the title holder was a fighting champion.

  Ace Jessel, who alone of all the foremost challengers had not met Gomez, was shoved into discard, and as early summer dawned on New York, a title was lost and won, and Mankiller Gomez, son of the black jungle, rose up king of all fighting men.

  The sporting world and the public at large hated and feared the new champion. Boxing fans like savagery in the ring, but Gomez did not confine his ferocity to the ring. His soul was abysmal. He was ape-like, primordial--the very spirit of that morass of barbarism from which mankind has so tortuously climbed, and toward which men look with so much suspicion.

  There went forth a search for a White Hope, but the result was always the same. Challenger after challenger went down before the terrible onslaught of the Mankiller and at last only one man remained who had not crossed gloves with Gomez--Ace Jessel.

  I hesitated in throwing my man in with a battler like Gomez, for my fondness for the great good-natured negro was more than the friendship of manager for fighter. Ace was something more than a meal-ticket to me for I knew the real nobility underlying Ace's black skin, and I hated to see him battered into a senseless ruin by a man I knew in my heart to be more than Jessel's match. I wanted to wait awhile, to let Gomez wear himself out with his terrific battles and the dissipations that were sure to follow the savage's success. These super-sluggers never last long, any more than a jungle native can withstand the temptations of civilization.

  But the slump that follows a really great title holder's gaining the belt was on, and matches were scarce.

  The public was clamoring for a title fight, sports writers were raising Cain and accusing Ace of cowardice, promoters were offering alluring purses, and at last I signed for a fifteen round go between Mankiller Gomez and Ace Jessel.

  At the training quarters I turned to Ace.

  "Ace, do you think you can whip him?"

  "Misto John," Ace answered, meeting my eye with a straight gaze, "Ah'll do mah best, but Ah's mighty afeard Ah cain't do it. Dat man ain't human." I knew this was bad; a man is more than half whipped when he goes into the ring in that frame of mind.

  Later I came into Ace's room for something and halted in the doorway in amazement. I had heard the battler talking in a low voice as I came up, but had supposed one of the handlers or sparring partners was in the room with him. Now I saw that he was alone. He was standing before his idol--the portrait of Tom Molyneaux.

  "Misto Tom," he was saying humbly, "Ah ain't nevah met no man yet what could even knock me off mah feet, but Ah reckon dat nigguh can. Ah's gwine to need help mighty bad, Misto Tom."

  I felt almost as if I had interrupted a religious rite. It was uncanny--had it not been for Ace's evident deep sincerity, I would have felt it to be unholy. But to Ace, Tom Molyneaux was something more than a saint.

  I stood in the doorway in silence, watching the strange tableau. The artist who painted the picture so long ago had wrought with remarkable skill. The short black figure seemed to stand out boldly from the faded canvas. A breath of bygone days, it seemed, clad in the long tights of that other day, the powerful legs braced far apart, the knotted arms held stiffly and high, just as Molyneaux had appeared when he fought Tom Cribb of England so long ago.

  Ace Jessel stood before the painted figure, head sunk upon his mighty chest as if listening to some dim whisper inside his own soul. And as I watched, a curious and fantastic thought came into my brain--the memory of an age-old superstition. You know it has been said by delvers into the occult that the carving of statues or the painting of pictures has power to draw back from the void of Eternity souls long flown, and to recreate them in shadowy semblance. I wondered if Ace had ever heard of this superstition and thought by doing obeisance to Molyneaux's portrait to conjure the dead man's spirit out of the realms of the dead for advice and aid. I shrugged my shoulders at this ridiculous idea and turned away. As I did, I glanced again at the picture before which Ace still stood like a great image of black basalt, and was aware of a peculiar illusion; the canvas seemed to ripple slightly, like the surface of a lake across which a faint breeze is blowing.

  However I forgot all this as the day of the fight drew near.

  The great crowd cheered Ace to the echo as he climbed in the ring; cheered again, not so heartily, as Gomez appeared. They afforded a strange contrast, those two negroes, alike in color but how different in all other aspects!

  Ace was tall, clean-limbed and rangy, long and smooth of muscle, clear of eye and broad of forehead.

  Gomez seemed stocky by comparison, though he stood a good six feet two. Where Jessel's sinews were long and smooth like great cables, his were knotty and bulging. His calves, thighs, arms and shoulders stood out in great bunches of muscles. His small bullet head was set squarely between gigantic shoulders, and his forehead was so low that his kinky wool seemed to lower over his small bestial and bloodshot eyes. On his chest was a thick grizzle of matted black hair.

  He grinned cavernously, thumped his breast and flexed his mighty arms with the insolent assurance of the savage. Ace, in his corner, grinned at the crowd, but an ashy tint was on his dusky face and his knees trembled.

  The usual remarks were made, instructions given by the referee, weights announced--230 for Ace, 248

  for Gomez--then over the great stadium the lights went off save for those over the ring where two black giants faced each other like men alone on the ridge of the world.

  At the gong Gomez whirled in his corner and came out with a breath-taking roar of pure ferocity. Ace, frightened though he must have been, rushed to meet him with the courage of a cave man charging a gorilla, and they met headlong in the center of the ring.

  The first blow was the Mankiller's, a left swing that glanced Ace's ribs. Jessel came back with a long left to the face and a straight right to the body that stung. Gomez bulled in, swinging both hands and Ace, after one futile attempt to mix it with him, gave back. The champion drove him across the ring, sending in a savage left to the body as Ace clinched. As they broke Gomez shot a terrible right to the chin and Ace reeled into the ropes. A great "Ahhh!" went up from the crowd as the champion plunged after him like a famished wolf, but Ace managed to dive between the lashing arms and clinch, shaking his head to clear it.

  Gomez sent in a left, largely smothered by Ace's clutching arms, and the referee warned the Senegalese.

  At the break Ace stepped back, jabbing swift and cleverly with his left, and the round ended with the champion, bellowing like a buffalo, trying to get past that rapier-like arm.

  Between rounds I cautioned Ace to keep away from infighting as much as possible, where Gomez's superior strength would count heavily, and to use his footwork to avoid punishment as much as he could.

  The second round started much like the first, Gomez rushing and Ace using all his skill to stave him off and avoid those terrible smashes. It's hard to get a shifty boxer like Ace in a corner, when he is fresh and unweakened and at long range had the advantage of his superior science over Gomez, whose one idea was to get in close and batter down his foes by sheer strength and ferocity. Still, in spite of Ace's speed and skill, just before the gong sounded Gomez got the range and sank a vicious left to the wrist in Ace's midriff and the tall negro weaved slightly as he walked to his corner. I could see the beginning of the end.

  The vitality and power of Gomez seemed endless; there was no wearing him down and it would not take many of his blows, landed, to rob Ace of his
speed of foot and accuracy of eye. Then, forced to stand and trade punches, he was done.

  Gomez, seeing he had stung his man, came plunging out for the third round with murder in his eye. He ducked a straight left, took a hard right uppercut square in the face and hooked both hands to the body, then straightened with a terrific right to the chin, which Ace robbed of most of its force by swaying with the blow. And while the champion was still off balance, Ace measured him coolly and shot in a fierce right hook flush on the chin. Gomez's head flew back as if hinged to his shoulders and he was stopped in his tracks, but even as the crowd rose, hands clenching, lips parted, in hopes he would go down, the champion shook his bullet head and came in roaring. The round ended with both men locked in a clinch in the center of the ring.

  At the beginning of the fourth round Gomez attacked and drove Ace about the ring before a shower of blows which he could not seem to wholly avoid. Stung and desperate, Ace made a stand in a neutral corner and sent Gomez back on his heels with a left and right to the body, but took a savage left to the face in return. Then suddenly the champion crashed through with a deadly left to the solar plexus and as Ace staggered, shot a killing right to the chin. Ace fell back into the ropes, instinctively raising his hands and sinking his chin on his chest. Gomez's short fierce smashes were partly blocked by his shielding gloves and suddenly, pinned on the ropes as he was, and still dazed from the Mankiller's attack, Ace went into terrific action and, slugging toe to toe with the champion, beat him off and drove him back across the ring!

  The crowd went insane but, crouching behind Ace's corner, I saw the writing on the wall. Ace was fighting as he had never fought before, but no man on earth could stand the pace the champion was setting.

  Battling along the ropes, Ace sent a savage left to the body and a right and left to the face but was repaid by a right-hand smash to the ribs that made him wince in spite of himself, and just at the gong Gomez landed another of those deadly left-handers to the body.