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Penguin's Poems for Love

Page 20

by Laura Barber


  ‘I am half sick of shadows,’ said

  The Lady of Shalott.

  PART III

  A bow-shot from her bower-eaves,

  He rode between the barley-sheaves,

  The sun came dazzling thro’ the leaves,

  And flamed upon the brazen greaves

  Of bold Sir Lancelot.

  A red-cross knight for ever kneel’d

  To a lady in his shield,

  That sparkled on the yellow field,

  Beside remote Shalott.

  The gemmy bridle glitter’d free,

  Like to some branch of stars we see

  Hung in the golden Galaxy.

  The bridle bells rang merrily

  As he rode down to Camelot:

  And from his blazon’d baldric slung

  A mighty silver bugle hung,

  And as he rode his armour rung,

  Beside remote Shalott.

  All in the blue unclouded weather

  Thick-jewell’d shone the saddle-leather,

  The helmet and the helmet-feather

  Burn’d like one burning flame together,

  As he rode down to Camelot.

  As often thro’ the purple night,

  Below the starry clusters bright,

  Some bearded meteor, trailing light,

  Moves over still Shalott.

  His broad clear brow in sunlight glow’d;

  On burnish’d hooves his war-horse trode;

  From underneath his helmet flow’d

  His coal-black curls as on he rode,

  As he rode down to Camelot.

  From the bank and from the river

  He flash’d into the crystal mirror,

  ‘Tirra lirra,’ by the river

  Sang Sir Lancelot.

  She left the web, she left the loom,

  She made three paces thro’ the room,

  She saw the water-lily bloom,

  She saw the helmet and the plume,

  She look’d down to Camelot.

  Out flew the web and floated wide;

  The mirror crack’d from side to side;

  ‘The curse is come upon me,’ cried

  The Lady of Shalott.

  PART IV

  In the stormy east-wind straining,

  The pale yellow woods were waning,

  The broad stream in his banks complaining,

  Heavily the low sky raining

  Over tower’d Camelot;

  Down she came and found a boat

  Beneath a willow left afloat,

  And round about the prow she wrote

  The Lady of Shalott.

  And down the river’s dim expanse

  Like some bold seër in a trance,

  Seeing all his own mischance –

  With a glassy countenance

  Did she look to Camelot.

  And at the closing of the day

  She loosed the chain, and down she lay;

  The broad stream bore her far away,

  The Lady of Shalott.

  Lying, robed in snowy white

  That loosely flew to left and right –

  The leaves upon her falling light –

  Thro’ the noises of the night

  She floated down to Camelot:

  And as the boat-head wound along

  The willowy hills and fields among,

  They heard her singing her last song,

  The Lady of Shalott.

  Heard a carol, mournful, holy,

  Chanted loudly, chanted lowly,

  Till her blood was frozen slowly,

  And her eyes were darken’d wholly,

  Turn’d to tower’d Camelot.

  For ere she reach’d upon the tide

  The first house by the water-side,

  Singing in her song she died,

  The Lady of Shalott.

  Under tower and balcony,

  By garden-wall and gallery,

  A gleaming shape she floated by,

  Dead-pale between the houses high,

  Silent into Camelot.

  Out upon the wharfs they came,

  Knight and burgher, lord and dame,

  And round the prow they read her name,

  The Lady of Shalott.

  Who is this? and what is here?

  And in the lighted palace near

  Died the sound of royal cheer;

  And they cross’d themselves for fear,

  All the knights at Camelot:

  But Lancelot mused a little space;

  He said, ‘She has a lovely face;

  God in his mercy lend her grace,

  The Lady of Shalott.’

  VICKI FEAVER

  Lily pond

  Thinking of new ways to kill you

  and bring you back from the dead,

  I try drowning you in the lily pond –

  holding your head down

  until every bubble of breath

  is squeezed from your lungs

  and the flat leaves and spiky flowers

  float over you like a wreath.

  I sit on the stones until I’m numb,

  until, among reflections of sky,

  water-buttercups, spears of iris,

  your face rises to the surface –

  a face that was always puffy

  and pale, so curiously unchanged.

  A wind rocks the waxy flowers, curls

  the edges of the leaves. Blue dragonflies

  appear and vanish like ghosts.

  I part the mats of yellow weed

  and drag you to the bank, covering

  your green algae-stained corpse

  with a white sheet. Then, I lift the edge

  and climb underneath –

  thumping your chest,

  breathing into your mouth.

  ANNE FINCH, COUNTESS OF WINCHILSEA

  La Passion Vaincue

  On the banks of the Severn, a desperate maid

  (Whom some shepherd, neglecting his vows, had betrayed),

  Stood resolving to banish all sense of the pain,

  And pursue, thro’ her death, a revenge on the swain.

  ‘Since the gods and my passion at once he defies;

  Since his vanity lives, while my character dies;

  No more’, did she say, ‘will I trifle with fate,

  But commit to the waves both my love and my hate.’

  And now to comply with that furious desire,

  Just ready to plunge, and alone to expire,

  Some reflections on death and its terrors untried,

  Some scorn for the shepherd, some flashings of pride

  At length pulled her back, and she cried, ‘Why this strife,

  Since the swains are so many, and I’ve but one life?’

  Indifferently

  WENDY COPE

  Loss

  The day he moved out was terrible –

  That evening she went through hell.

  His absence wasn’t a problem

  But the corkscrew had gone as well.

  SIR THOMAS WYATT

  Farewell Love, and all thy laws for ever!

  Thy baited hooks shall tangle me no more:

  Senec and Plato call me from thy lore,

  To perfect wealth my wit for to endeavour.

  In blind error when I did persever,

  Thy sharp repulse, that pricketh aye so sore,

  Hath taught me to set in trifles no store,

  And ’scape forth, since liberty is liever.

  Therefore farewell! Go trouble younger hearts,

  And in me claim no more authority;

  With idle youth go use thy property,

  And thereon spend thy many brittle darts:

  For hitherto though I have lost all my time,

  Me lusteth no longer rotten boughs to climb.

  EDITH NESBIT

  Villeggiature

  My window, framed in pear-tree bloom,

  White-curtained shone, and softly lighted:

 
So, by the pear-tree, to my room

  Your ghost last night climbed uninvited.

  Your solid self, long leagues away,

  Deep in dull books, had hardly missed me;

  And yet you found this Romeo’s way,

  And through the blossom climbed and kissed me.

  I watched the still and dewy lawn,

  The pear-tree boughs hung white above you;

  I listened to you till the dawn,

  And half forgot I did not love you.

  Oh, dear! what pretty things you said,

  What pearls of song you threaded for me!

  I did not – till your ghost had fled –

  Remember how you always bore me!

  HENRY KING

  The Double Rock

  Since thou hast view’d some Gorgon, and art grown

  A solid stone:

  To bring again to softness thy hard heart

  Is past my art.

  Ice may relent to water in a thaw;

  But stone made flesh Love’s Chemistry ne’re saw.

  Therefore by thinking on thy hardness, I

  Will petrify;

  And so within our double Quarries’ Womb,

  Dig our Love’s Tomb.

  Thus strangely will our difference agree;

  And, with our selves, amaze the world, to see

  How both Revenge and Sympathy consent

  To make two Rocks each others Monument.

  A. E. HOUSMAN

  from A Shropshire Lad

  XVIII

  Oh, when I was in love with you,

  Then I was clean and brave,

  And miles around the wonder grew

  How well did I behave.

  And now the fancy passes by,

  And nothing will remain,

  And miles around they’ll say that I

  Am quite myself again.

  GEOFFREY CHAUCER

  from Merciles Beaute

  III [ESCAPE]

  Sin I fro Love escaped am so fat,

  I never thenk to ben in his prison lene;

  Sin I am free, I counte him not a bene.

  He may answere, and seye this or that;

  I do no fors, I speke right as I mene.

  Sin I fro Love escaped am so fat,

  I never thenk to ben in his prison lene.

  Love hath my name ystrike out of his sclat,

  And he is strike out of my bokes clene

  For ever-mo; ther is non other mene.

  Sin I fro Love escaped am so fat,

  I never thenk to ben in his prison lene;

  Sin I am free, I counte him not a bene.

  STEPHEN DUNN

  Each from Different Heights

  That time I thought I was in love

  and calmly said so

  was not much different from the time

  I was truly in love

  and slept poorly and spoke out loud

  to the wall

  and discovered the hidden genius

  of my hands.

  And the times I felt less in love,

  less than someone,

  were, to be honest, not so different

  either.

  Each was ridiculous in its own way

  and each was tender, yes,

  sometimes even the false is tender.

  I am astounded

  by the various kisses we’re capable of.

  Each from different heights

  diminished, which is simply the law.

  And the big bruise

  from the longer fall looked perfectly white

  in a few years.

  That astounded me most of all.

  CHARLOTTE MEW

  I So Liked Spring

  I so liked Spring last year

  Because you were here; –

  The thrushes too –

  Because it was these you so liked to hear –

  I so liked you –

  This year’s a different thing, –

  I’ll not think of you –

  But I’ll like Spring because it is simply Spring

  As the thrushes do.

  DEREK WALCOTT

  Love after Love

  The time will come

  when, with elation,

  you will greet yourself arriving

  at your own door, in your own mirror,

  and each will smile at the other’s welcome,

  and say, sit here. Eat.

  You will love again the stranger who was your self.

  Give wine. Give bread. Give back your heart

  to itself, to the stranger who has loved you

  all your life, whom you ignored

  for another, who knows you by heart.

  Take down the love letters from the bookshelf,

  the photographs, the desperate notes,

  peel your own image from the mirror.

  Sit. Feast on your life.

  After death

  ELAINE FEINSTEIN

  Hands

  We first recognised each other as if we were siblings,

  and when we held hands your touch

  made me stupidly happy.

  Hold my hand, you said in the hospital.

  You had big hands, strong hands, gentle

  as those of a Mediterranean father

  caressing the head of a child.

  Hold my hand, you said. I feel

  I won’t die while you are here.

  You took my hand on our first aeroplane

  and in opera houses, or watching

  a video you wanted me to share.

  Hold my hand, you said. I’ll fall asleep

  and won’t even know you’re not there.

  R. S. THOMAS

  A Marriage

  We met

  under a shower

  of bird-notes.

  Fifty years passed,

  love’s moment

  in a world in

  servitude to time.

  She was young;

  I kissed with my eyes

  closed and opened

  them on her wrinkles.

  ‘Come,’ said death,

  choosing her as his

  partner for

  the last dance. And she,

  who in life

  had done everything

  with a bird’s grace,

  opened her bill now

  for the shedding

  of one sigh no

  heavier than a feather.

  PERCY BYSSHE SHELLEY

  Music, when soft voices die,

  Vibrates in the memory –

  Odours, when sweet violets sicken,

  Live within the sense they quicken.

  Rose leaves, when the rose is dead,

  Are heaped for the belovèd’s bed;

  And so thy thoughts, when thou art gone,

  Love itself shall slumber on.

  WILLIAM MORRIS

  Summer Dawn

  Pray but one prayer for me ’twixt thy closed lips,

  Think but one thought of me up in the stars.

  The summer night waneth, the morning light slips,

  Faint and grey ’twixt the leaves of the aspen, betwixt the

  cloud-bars,

  That are patiently waiting there for the dawn:

  Patient and colourless, though Heaven’s gold

  Waits to float through them along with the sun.

  Far out in the meadows, above the young corn,

  The heavy elms wait, and restless and cold

  The uneasy wind rises; the roses are dun;

  Through the long twilight they pray for the dawn,

  Round the lone house in the midst of the corn.

  Speak but one word to me over the corn,

  Over the tender, bow’d locks of the corn.

  THOMAS HARDY

  The Voice

  Woman much missed, how you call to me, call to me,

  Saying that now you are not as you were

  When you had changed from the one who w
as all to me,

  But as at first, when our day was fair.

  Can it be you that I hear? Let me view you, then,

  Standing as when I drew near to the town

  Where you would wait for me: yes, as I knew you then,

  Even to the original air-blue gown!

  Or is it only the breeze, in its listlessness

  Travelling across the wet mead to me here,

  You being ever dissolved to wan wistlessness,

  Heard no more again far or near?

  Thus I; faltering forward,

  Leaves around me falling,

  Wind oozing thin through the thorn from norward,

  And the woman calling.

  DOUGLAS DUNN

  Reincarnations

  The kitten that befriends me at its gate

  Purrs, rubs against me, until I say goodbye,

  Stroking its coat, and asking ‘Why? Why? Why?’

  For now I know the shame of being late

  Too late. She waits for me at home

  Tonight, in the house-shadows. And I must mourn

  Until Equator crawls to Capricorn

  Or murder in the sun melts down

  The Arctic and Antarctica. When bees collide

  Against my study’s windowpane, I let them in.

  She nurtures dignity and pride;

  She waters in my eye. She rustles in my study’s palm;

  She is the flower on the geranium.

  Our little wooden train runs by itself

  Along the windowsill, each puff-puff-puff

 

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