Taking Care

by Joy Williams

  Joy Williams’

  TAKING CARE

  “Joy Williams is a writer no one should neglect. Her exactness of vision, unexpected nuances, and a prose both careful and serene combine with subject matter at once elliptical and disturbing.”

  —THE WASHINGTON POST

  “Taking Care should be widely read … an elegant reverie from a writer of compassion and intelligence.”

  —THE BOSTON GLOBE

  “Joy Williams is without question one of the masters of the contemporary short story.”

  —GEORGE PLIMPTON

  “The world according to Williams is a world unlike any other in contemporary short fiction. Taking Care is a stunning collection of stories, and Joy Williams is simply a wonder.”

  —RAYMOND CARVER

  “Precisely wrought fictions of contemporary, middle-class life. Williams is a writer with many more stories to tell.”

  —THE BALTIMORE SUN

  For Caitlin and Rust

  Contents

  The Lover

  Summer

  Preparation for a Collie

  The Wedding

  Woods

  Shepherd

  Train

  The Excursion

  The Yard Boy

  Winter Chemistry

  Shorelines

  Building

  Traveling to Pridesup

  The Farm

  Breakfast

  Taking Care

  About the Author

  Other Books by this Author

  Books by Joy Williams

  The Lover

  THE girl is twenty-five. It has not been very long since her divorce but she cannot remember the man who used to be her husband. He was probably nice. She will tell the child this, at any rate. Once he lost a fifty-dollar pair of sunglasses while surf casting off Gay Head and felt badly about it for days. He did like kidneys, that was one thing. He loved kidneys for weekend lunch. She would voyage through the supermarkets, her stomach sweetly sloped, her hair in a twist, searching for fresh kidneys for this young man, her husband. When he kissed her, his kisses, or so she imagined, would have the faint odor of urine. Understandably, she did not want to think about this. It hardly seemed that the same problem would arise again, that is, with another man. Nothing could possibly be gained from such an experience! The child cannot remember him, this man, this daddy, and she cannot remember him. He had been with her when she gave birth to the child. Not beside her, but close by, in the corridor. He had left his work and come to the hospital. As they wheeled her by, he said, “Now you are going to have to learn how to love something, you wicked woman.” It is difficult for her to believe he said such a thing.

  The girl does not sleep well and recently has acquired the habit of listening all night to the radio. It is an old, not very good radio and at night she can only get one station. From midnight until four she listens to Action Line. People call the station and make comments on the world and their community and they ask questions. Music is played and a brand of beef and beans is advertised. A woman calls up and says, “Could you tell me why the filling in my lemon meringue pie is runny?” These people have obscene materials in their mailboxes. They want to know where they can purchase small flags suitable for waving on Armed Forces Day. There is a man on the air who answers these questions right away. Another woman calls. She says, “Can you get us a report on the progress of the collection of Betty Crocker coupons for the lung machine?” The man can and does. He answers the woman’s question. Astonishingly, he complies with her request. The girl thinks such a talent is bleak and wonderful. She thinks this man can help her.

  The girl wants to be in love. Her face is thin with the thinness of a failed lover. It is so difficult! Love is concentration, she feels, but she can remember nothing. She tries to recollect two things a day. In the morning with her coffee, she tries to remember and in the evening, with her first bourbon and water, she tries to remember as well. She has been trying to remember the birth of her child now for several days. Nothing returns to her. Life is so intrusive! Everyone was talking. There was too much conversation! The doctor was above her, waiting for the pains. “No, I still can’t play tennis,” the doctor said. “I haven’t been able to play for two months. I have spurs on both heels and it’s just about wrecked our marriage. Air conditioning and concrete floors is what does it. Murder on your feet.” A few minutes later, the nurse had said, “Isn’t it wonderful to work with Teflon? I mean for those arterial repairs? I just love it.” The girl wished that they would stop talking. She wished that they would turn the radio on instead and be still. The baby inside her was hard and glossy as an ear of corn. She wanted to say something witty or charming so that they would know she was fine and would stop talking. While she was thinking of something perfectly balanced and amusing to say, the baby was born. They fastened a plastic identification bracelet around her wrist and the baby’s wrist. Three days later, after they had come home, her husband sawed off the bracelets with a grapefruit knife. The girl had wanted to make it an occasion. She yelled, “I have a lovely pair of tiny silver scissors that belonged to my grandmother and you have used a grapefruit knife!” Her husband was flushed and nervous but he smiled at her as he always did. “You are insecure,” she said tearfully. “You are insecure because you had mumps when you were eight.” Their divorce was one year and two months away. “It was not mumps,” he said carefully. “Once I broke my arm while swimming is all.”

  The girl becomes a lover to a man she met at a dinner party. He calls her up in the morning. He drives over to her apartment. He drives a white convertible which is all rusted out along the rocker panels. They do not make convertibles anymore, the girl thinks with alarm. He asks her to go sailing. They drop the child off at a nursery school on the way to the pier. She is two years old now, almost three. Her hair is an odd color, almost grey. It is braided and pinned up under a big hat with mouse ears that she got on a visit to Disney World. She is wearing a striped jersey stuffed into striped shorts. She kisses the girl and she kisses the man and goes into the nursery carrying her lunch in a Wonder bread bag. In the afternoon, when they return, the girl has difficulty recognizing the child. There are so many children, after all, standing in the rooms, all the same size, all small, quizzical creatures, holding pieces of wooden puzzles in their hands.

  It is late at night. A cat seems to be murdering a baby bird in a nest somewhere outside the girl’s window. The girl is listening to the child sleep. The child lies in her varnished crib, clutching a bear. The bear has no tongue. Where there should be a small piece of red felt there is nothing. Apparently, the child had eaten it by accident. The crib sheet is in a design of tiny yellow circus animals. The girl enjoys looking at her child but cannot stand the sheet. There is so much going on in the crib, so many colors and patterns. It is so busy in there! The girl goes into the kitchen. On the counter, four palmetto bugs are exploring a pan of coffee cake. The girl goes back to her own bedroom and turns on the radio. There is a great deal of static. The Answer Man on Action Line sounds very annoyed. An old gentleman is asking something but the transmission is terrible because the old man refuses to turn off his rock tumbler. He is polishing stones in his rock tumbler like all old men do and he refuses to turn it off while speaking. Finally, the Answer Man hangs up on him. “Good for you,” the girl says. The Answer Man clears his throat and says in a singsong way, “The wine of this world has caused only satiety. Our homes suffer from female sadness, embarrassment and confusion. Absence, sterility, mourning, privation and separation abound throughout the land.” The girl puts her arms around her knees and begins to rock back and forth on the bed. The child murmurs in sleep. More palmetto bugs skate across the Formica and into the cake. The girl can hear them. A woman’s voice co
mes on the radio now. The girl is shocked. It seems to be her mother’s voice. The girl leans toward the radio. There is a terrible weight on her chest. She can scarcely breathe. The voice says, “I put a little pan under the air-conditioner outside my window and it catches the condensation from the machine and I use that water to water my ivy. I think anything like that makes one a better person.”

  The girl has made love to nine men at one time or another. It does not seem like many but at the same time it seems more than necessary. She does not know what to think about them. They were all very nice. She thinks it is wonderful that a woman can make love to a man. When lovemaking, she feels she is behaving reasonably. She is well. The man often shares her bed now. He lies sleeping, on his stomach, his brown arm across her breasts. Sometimes, when the child is restless, the girl brings her into bed with them. The man shifts position, turns on his back. The child lies between them. The three lie, silent and rigid, earnestly conscious. On the radio, the Answer Man is conducting a quiz. He says, “The answer is: the time taken for the fall of the dashpot to clear the piston is four seconds, and what is the question? The answer is: when the end of the pin is five sixteenths of an inch below the face of the block, and what is the question?”

  She and the man travel all over the South in his white convertible. The girl brings dolls and sandals and sugar animals back to the child. Sometimes the child travels with them. She sits beside them, pretending to do something gruesome to her eyes. She pretends to dig out her eyes. The girl ignores this. The child is tanned and sturdy and affectionate although sometimes, when she is being kissed, she goes limp and even cold, as though she has suddenly, foolishly died. In the restaurants they stop at, the child is well-behaved although she takes only butter and ice water. The girl and the man order carefully but do not eat much either. They move the food around on their plates. They take a bite now and then. In less than a month the man has spent many hundreds of dollars on food that they do not eat. Action Line says that an adult female consumes seven hundred pounds of dry food in a single year. The girl believes this of course but it has nothing to do with her. Sometimes, she greedily shares a bag of Fig Newtons with the child but she seldom eats with the man. Her stomach is hard, flat, empty. She feels hungry always, dangerous to herself, and in love. They leave large tips on the tables of restaurants and then they reenter the car. The seats are hot from the sun. The child sits on the girl’s lap while they travel, while the leather cools. She seems to want nothing. She makes clucking, sympathetic sounds when she sees animals smashed flat on the side of the road. When the child is not with them, they travel with the man’s friends.

  The man has many friends whom he is devoted to. They are clever and well-off; good-natured, generous people, confident in their prolonged affairs. They have known each other for years. This is discomforting to the girl, who has known no one for years. The girl fears that each has loved the other at one time or another. These relationships are so complex, the girl cannot understand them! There is such flux, such constancy among them. They are so intimate and so calm. She tries to imagine their embraces. She feels that theirs differ from her own. One afternoon, just before dusk, the girl and man drive a short way into the Everglades. It is very dull. There is no scenery, no prospect. It is not a swamp at all. It is a river, only inches deep! Another couple rides in the back of the car. They have very dark tans and have pale yellow hair. They look almost like brother and sister. He is a lawyer and she is a lawyer. They are drinking gin and tonics, as are the girl and the man. The girl has not met these people before. The woman leans over the back seat and drops another ice cube from the cooler into the girl’s drink. She says, “I hear that you have a little daughter.” The girl nods. She feels funny, a little frightened. “The child is very sortable,” the girl’s lover says. He is driving the big car very fast and well but there seems to be a knocking in the engine. He wears a long-sleeved shirt buttoned at the wrists. His thick hair needs cutting. The girl loves to look at him. They drive, and on either side of them, across the slim canals or over the damp saw grass, speed airboats. The sound of them is deafening. The tourists aboard wear huge earmuffs. The man turns his head toward her for a moment. “I love you,” she says. “Ditto,” he says loudly, above the clatter of the airboats. “Double-ditto.” He grins at her and she begins to giggle. Then she sobs. She has not cried for many months. Everyone is astounded. The man drives a few more miles and then pulls into a gas station. The girl feels desperate about this man. She would do the unspeakable for him, the unforgivable, anything. She is lost but not in him. She wants herself lost and never found, in him. “I’ll do anything for you,” she cries. “Take an aspirin,” he says. “Put your head on my shoulder.”

  The girl is sleeping alone in her apartment. The man has gone on a business trip. He assures her he will come back. He’ll always come back, he says. When the girl is alone she measures her drink out carefully. Carefully, she drinks twelve ounces of bourbon in two and a half hours. When she is not with the man, she resumes her habit of listening to the radio. Frequently, she hears only the replies of Action Line. “Yes,” the Answer Man says, “in answer to your question, the difference between rising every morning at six or at eight in the course of forty years amounts to twenty-nine thousand two hundred hours or three years, two hundred twenty-one days and sixteen hours, which are equal to eight hours a day for ten years. So that rising at six will be the equivalent of adding ten years to your life.” The girl feels, by the Answer Man’s tone, that he is a little repulsed by this. She washes her whiskey glass out in the sink. Balloons are drifting around the kitchen. They float out of the kitchen and drift onto the balcony. They float down the hall and bump against the closed door of the child’s room. Some of the balloons don’t float but slump in the corners of the kitchen like mounds of jelly. These are filled with water. The girl buys many balloons and is always blowing them up for the child. They play a great deal with the balloons; breaking them over the stove or smashing the water-filled ones against the walls of the bathroom. The girl turns off the radio and falls asleep.

  The girl touches her lover’s face. She runs her fingers across the bones. “Of course I love you,” he says. “I want us to have a life together.” She is so restless. She moves her hand across his mouth. There is something she doesn’t understand, something she doesn’t know how to do. She makes them a drink. She asks for a piece of gum. He hands her a small crumpled stick, still in the wrapper. She is sure that it is not the real thing. The Answer Man has said that Lewis Carroll once invented a substitute for gum. She fears that this is that. She doesn’t want this! She swallows it without chewing. “Please,” she says. “Please what?” the man replies, a bit impatiently.

  Her former husband calls her up. It is autumn and the heat is unusually oppressive. He wants to see the child. He wants to take her away for a week to his lakeside house in the middle of the state. The girl agrees to this. He arrives at the apartment and picks up the child and nuzzles her. He is a little heavier than before. He makes a little more money. He has a different watch, wallet and key ring. “What are you doing these days?” the child’s father asks. “I am in love,” she says.

  The man does not visit the girl for a week. She doesn’t leave the apartment. She loses four pounds. She and the child make Jell-O and they eat it for days. The girl remembers that after the baby was born, the only food the hospital gave her was Jell-O. She thinks of all the water boiling in hospitals everywhere for new mothers’ Jell-O. The girl sits on the floor and plays endlessly with the child. The child is bored. She dresses and undresses herself. She goes through everything in her small bureau drawer and tries everything on. The girl notices a birthmark on the child’s thigh. It is very small and lovely, in the shape, the girl thinks, of a wineglass. A doll’s wineglass. The girl thinks about the man constantly but without much exactitude. She does not even have a photograph of him! She looks through old magazines. He must resemble someone! Sometimes, late at night, when she thinks h
e might come to her, she feels that the Answer Man arrives instead. He is like a moving light, never still. He has the high temperature and metabolism of a bird. On Action Line, someone is saying, “And I live by the airport, what is this that hits my house, that showers my roof on takeoff? We can hear it. What is this, I demand to know! My lawn is healthy, my television reception is fine but something is going on without my consent and I am not well, my wife’s had a stroke and someone stole my stamp collection and took the orchids off my trees.” The girl sips her bourbon and shakes her head. The greediness and wickedness of people, she thinks, their rudeness and lust. “Well,” the Answer Man says, “each piece of earth is bad for something. Something is going to get it on it and the land itself is no longer safe. It’s weakening. If you dig deep enough to dip your seed, beneath the crust you’ll find an emptiness like the sky. No, nothing’s compatible to living in the long run. Next caller, please.” The girl goes to the telephone and dials hurriedly. It is very late. She whispers, not wanting to wake the child. There is static and humming. “I can’t make you out,” the Answer Man shouts. The girl says more firmly, “I want to know my hour.” “Your hour came, dear,” he says. “It went when you were sleeping. It came and saw you dreaming and it went back to where it was.”

  The girl’s lover comes to the apartment. She throws herself into his arms. He looks wonderful. She would do anything for him! The child grabs the pocket of his jacket and swings on it with her full weight. “My friend,” the child says to him. “Why yes,” the man says with surprise. They drive the child to the nursery and then go out for a wonderful lunch. The girl begins to cry and spills the roll basket on the floor.

  “What is it?” he asks. “What’s wrong?” He wearies of her, really. Her moods and palpitations. The girl’s face is pale. Death is not so far, she thinks. It is easily arrived at. Love is further than death. She kisses him. She cannot stop. She clings to him, trying to kiss him. “Be calm,” he says.